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Leanne Crabtree (480 KP) rated Dirty Angels (Dirty Angels, #1) in Books

Mar 11, 2020  
Dirty Angels (Dirty Angels, #1)
Dirty Angels (Dirty Angels, #1)
Karina Halle | 2014 | Contemporary, Romance
5
7.0 (3 Ratings)
Book Rating
I bought this years ago, 2015 to be exact, and have put it off for a long time when my taste changed from New Adult to Young Adult and Urban Fantasy. I chose it as a challenge read on here so I would finally read it.

So this starts with a prologue. Luisa decides to run away from her abusive drug lord husband in the spur of the moment decision, only to be captured by the enemy. It then moves into Chapter One and we see how she came to be married to Salvador and how she came to be in Javier's captivity. Javier wants her as a hostage so he can negotiate for something Salvador has and the longer they spend around each other, the more they begin to understand each other and feelings emerge.

I'm not really into mafia/cartel books. I find them to be rather violent and prefer sweeter stories with some angst in them. There were some times in this when I just couldn't read all the description and just skipped entire paragraphs, especially the bit with Franco. I also skipped quite a bit towards the end just wanting that final showdown between Javier and Salvador.

I didn't really get their romance. I understand Luisa looking for any light in the blackness that she's living but I still thought Javi was a bit dark, though he did have some nice moments.

I won't be continuing the series.
  
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LoganCrews (2861 KP) rated Road to Perdition (2002) in Movies

Jul 4, 2021  
Road to Perdition (2002)
Road to Perdition (2002)
2002 | Crime, Drama
6
8.1 (14 Ratings)
Movie Rating Watch
A rich sensory experience until around the third act when I began choking on soap - could this be the most beautiful looking + sounding mob movie out there? Maybe, what with its otherworldly Thomas Newman score (which I can't believe people complained about) and downright tantalizing cinematography, paired with such lush period detail that never feels overbearing for a single second. Unfortunately (though expectedly) *too* pristine for its own good - tries so unsubtly to be a ''''serious'''' movie that's above the violent pulp this so desperately needed. It would be another thing entirely if they replaced it with something to say but this is perhaps the most simple mob story ever told. Initially presents itself as subdued mafia eye candy, which I was on board with until the jarring tonal shift beginning with the bank heists where it reveals its moral fiber to be the cloying relationship between Hanks and this annoying kid who can't act for shit. And don't even get me started on that dumbass narration which just spoon feeds you what this is supposed to be 'about' as if it wasn't already blatantly obvious. But Paul Newman and Jude Law are swell, and it's got a fair amount of good scenes that handle the simple melodrama well. Dazzling aesthetic showcase meets cringe Oscar bait which has been rendered mostly useless now that we have other movies of the genre/premise that aren't afraid to have some bite.