Search
ArecRain (8 KP) rated My Dirty Detour in Books
Jan 18, 2018
This is not my normal read (mafia/gangster/etc.) But the author personally contacted me, and I have a hard time saying no. I figure if the author can go out of her way to personally ask me, I can take time to read it and give my honest opinion especially since I feel that, despite having my preferences, I can usually look beyond my biases to give it a fair review. I did not accept the author's offer of a complimentary copy, though, and instead bought it from Amazon.
First of all, whoa. I wasnt not expecting this. At first, I felt the writing was a bit long winded. The first couple pages seemed filled with endless descriptions that I didnt care about. That stopped there. Once Violet meets Rocky (within the first couple pages) it only gets better and the writer flows smoothly.
I loved Violet. I honestly related with her a lot on multiple levels from her love of organization to her wanting to try new things but not really follow through to her hesitance with Rocky. Omg their interactions are just the best! At first, Rocky is a raging d***, but that changes. Honestly, Violets interactions and dialogue with him mirrored my own and how I would have done it. She is such a strong character but different from what other typically consider strong. What others would see as giving up, I saw as the strength to walk away, from abuse she didnt need and a situation that made her unhappy. Staying didnt make her strong, walking away did. And Rocky truly redeems himself on multiple counts.
I dont want to ruin any of the story for you because it is one of the best I have read in this genre. You can truly feel the blood, sweat, and tears the author put into this novel. It is such an intense powerful read both plot wise and erotically, that I had to put it down a couple times to pull myself together. The cast of characters is amazing. The steamy scenes full of fire. And the writing is spot on. Risata is clearly a skilled writer and story teller who knows how to bring everything together to make an entertaining story. So if you are looking for a powerful yet hot and hilarious Alpha male romance featuring a strong female, look no further!
First of all, whoa. I wasnt not expecting this. At first, I felt the writing was a bit long winded. The first couple pages seemed filled with endless descriptions that I didnt care about. That stopped there. Once Violet meets Rocky (within the first couple pages) it only gets better and the writer flows smoothly.
I loved Violet. I honestly related with her a lot on multiple levels from her love of organization to her wanting to try new things but not really follow through to her hesitance with Rocky. Omg their interactions are just the best! At first, Rocky is a raging d***, but that changes. Honestly, Violets interactions and dialogue with him mirrored my own and how I would have done it. She is such a strong character but different from what other typically consider strong. What others would see as giving up, I saw as the strength to walk away, from abuse she didnt need and a situation that made her unhappy. Staying didnt make her strong, walking away did. And Rocky truly redeems himself on multiple counts.
I dont want to ruin any of the story for you because it is one of the best I have read in this genre. You can truly feel the blood, sweat, and tears the author put into this novel. It is such an intense powerful read both plot wise and erotically, that I had to put it down a couple times to pull myself together. The cast of characters is amazing. The steamy scenes full of fire. And the writing is spot on. Risata is clearly a skilled writer and story teller who knows how to bring everything together to make an entertaining story. So if you are looking for a powerful yet hot and hilarious Alpha male romance featuring a strong female, look no further!
Crime City
Games and Entertainment
App
*****#1 free game in 26 countries and counting *****#1 free app in 10 countries and counting ...
Rhubarbio (27 KP) rated The Resistance: Avalon in Tabletop Games
May 25, 2019
Excellent gateway game (1 more)
Amazing for playing with large groups
Great Bluffing Game!
Avalon is an enhancement to the Resistance,l (which in turn is a revision of Mafia/Werewolf) as it includes special player roles. This card game requires players to select a card each, which tells them if they are a good character (loyal servant of King Arthur) or a bad character (minion of Mordred), which defines how they play the game. As a good guy, you must try and succeed 3 of 5 missions, whilst the bad guys will try to make the missions fail. No one knows who the other good guys are, except for the player who receives the Merlin card. Merlin knows who the good guys are, and will therefore try to persuade the group towards ensuring only the good guys go on missions. However, there is a special role for the bad guys too. If the bad guys lose, the player who is the Assassin has a last chance to claim victory for the bad guys, if the Assassin can guess who Merlin is. Therefore, Merlin has to be subtle, otherwise the bad guys will win.
This is essentially a bluffing game where you just convince others that you are good and, inevitably, accuse others of being bad. This game, for the right group, is hours of fun! You need a ln engaged group of people who are willing to chat and be enthusiastic about engaging with this; the game and fun C Mrs from this interaction, and layer dissecting who was good and bad and how they fooled or misled everyone. I thoroughly recommend this game for gateway gamers i.e. those making the transition from everyday well known games such as Monopoly, to more designer games that have flourished over the past 20 years or so.
This game, whilst great, falters at lower or highest playcounts. At the lower end, it is very difficult to play as a bad guy, unless you use other roles included in the game. At the higher gamecount, things get very confusing and overly exhausting. However, this is an exceptional game and is likely only bettered as a bluffing game by the soon to be released Blood on the Clocktower.
I have played this hundreds of time, with the same group of people. Whilst I am now fatigued by the game, given this game only costs around £15, it is a solid investment for so many hours of fun.
This is essentially a bluffing game where you just convince others that you are good and, inevitably, accuse others of being bad. This game, for the right group, is hours of fun! You need a ln engaged group of people who are willing to chat and be enthusiastic about engaging with this; the game and fun C Mrs from this interaction, and layer dissecting who was good and bad and how they fooled or misled everyone. I thoroughly recommend this game for gateway gamers i.e. those making the transition from everyday well known games such as Monopoly, to more designer games that have flourished over the past 20 years or so.
This game, whilst great, falters at lower or highest playcounts. At the lower end, it is very difficult to play as a bad guy, unless you use other roles included in the game. At the higher gamecount, things get very confusing and overly exhausting. However, this is an exceptional game and is likely only bettered as a bluffing game by the soon to be released Blood on the Clocktower.
I have played this hundreds of time, with the same group of people. Whilst I am now fatigued by the game, given this game only costs around £15, it is a solid investment for so many hours of fun.
Guy Pearce recommended The Godfather (1972) in Movies (curated)
Darren (1599 KP) rated Our Kind of Traitor (2016) in Movies
Sep 16, 2019
Characters – Perry is a university professor, he is trying to make amends with his wife on a romantic holiday, he reluctantly gets involved in the information trade with his good nature being used by both sides. Gail is the lawyer wife of Perry, she has become distant from him while still loving him and does question his decision to help Dima. Dima is the Russian mafia handling the accounts, but he wants out to help his own children become safe, he uses his connection with Perry to get MI6 involved in the truth. Hector is the MI6 agent that is willing to work with Dima for the information in exchange for the family, he does have his own grudge with the man they are trying to take down too.
Performances – The performances through the film show us just what Le Carre does with his characters, he gives them good moments, without making them stand out. McGregor is good, but you feel a younger up and comer would have been perfect here, Harris is good and doesn’t put a foot wrong, while Skarsgard enjoys his role, shady but loyal. Damian Lewis brings back his true English role which at times does feel weird knowing how often he has been an American character recently.
Story – The story comes from a John Le Carre novel, so instantly we know we are going to get a thriller that keeps us guessing on what everyone’s motivation will be. The idea that a normal couple get mixed up in the middle of an international information exchange is different and does work for the film because it helps us stay on edge thinking and wondering if they do have a bigger involvement. The story does feel like that one moment to make it great is missing, as everything does end up feeling just normal and good only.
Crime – The crime side of the film follows a criminal looking for a safe way out of the life for his family in exchange for bringing down the mafia’s dealings in London.
Settings – The film splits the settings between London, for the deals, Morocco for the exchanges and the final location for the next chapter of the lives, they work because they show how this world would operate.
Scene of the Movie – The escape.
That Moment That Annoyed Me – It lacks the edge of your seat style of Le Carre novels have given us.
Final Thoughts – This is a solid thriller even if it lacks that final factor to make it one of the best ones, it does the by the book material well, but never develops the characters enough to understand the situation they put themselves in.
Overall: Simple thriller.
Performances – The performances through the film show us just what Le Carre does with his characters, he gives them good moments, without making them stand out. McGregor is good, but you feel a younger up and comer would have been perfect here, Harris is good and doesn’t put a foot wrong, while Skarsgard enjoys his role, shady but loyal. Damian Lewis brings back his true English role which at times does feel weird knowing how often he has been an American character recently.
Story – The story comes from a John Le Carre novel, so instantly we know we are going to get a thriller that keeps us guessing on what everyone’s motivation will be. The idea that a normal couple get mixed up in the middle of an international information exchange is different and does work for the film because it helps us stay on edge thinking and wondering if they do have a bigger involvement. The story does feel like that one moment to make it great is missing, as everything does end up feeling just normal and good only.
Crime – The crime side of the film follows a criminal looking for a safe way out of the life for his family in exchange for bringing down the mafia’s dealings in London.
Settings – The film splits the settings between London, for the deals, Morocco for the exchanges and the final location for the next chapter of the lives, they work because they show how this world would operate.
Scene of the Movie – The escape.
That Moment That Annoyed Me – It lacks the edge of your seat style of Le Carre novels have given us.
Final Thoughts – This is a solid thriller even if it lacks that final factor to make it one of the best ones, it does the by the book material well, but never develops the characters enough to understand the situation they put themselves in.
Overall: Simple thriller.
Bob Mann (459 KP) rated The Many Saints of Newark (2021) in Movies
Oct 5, 2021
Production design (1 more)
Great cast
Sopranos prequel that failed to hit the high note with this Sopranos virgin.
With Bond showing on virtually every screen of my local Cineworld, there were few other choices for movies to go see this week. So even though I've never seen "The Sopranos" TV series, I decided to give this movie prequel a shot.
Positives:
- Like any good mafia story, there's a nicely developed sense of place for the action. The film is set in the late 60's / early 70's, and the score and the production design nicely portray the period. The rise of black factions to challenge the white status quo, even in the crime world, make this a nice companion piece to "Judas and the Black Messiah" .
- Although he's been in films like "American Hustle" and "Selma", I wouldn't have been able to pick Alessandro Nivola out of a line-up. But he did a great job portraying the different sides of Dickie: both caring uncle and psychopathic gangster. And Odom Jnr is again impressive: I've not yet seen him deliver any role that's been sub-par.
- It's also impressive that they had Michael Gandolfini to play the younger self of his late father's role. Although I kept being distracted by how much he looks and acts like a young John Cusack!
Negatives:
- The story is told over many years and the script came across as quite uneven. There are regular cut-aways to Dickie visiting his uncle "Hollywood Dick" (Ray Liotta) in prison, which a lot of the time, to me, felt disconnected from the main plot.
- Whilst most of the ensemble cast do a good job, some of the portrayals felt like forced caricatures of "Goodfellas" characters.
- As a "Sopranos" virgin, I could tell that there were lots of Easter Eggs and in-jokes in the movie (e.g. The baby Christopher crying whenever Anthony talked to him). WIth "Sopranos" regulars Alan Taylor and David Chase in charge, that's not surprising. But I'm afraid all of these went right over my head.
Summary Thoughts on "The Many Saints of Newark": This wasn't a complete bust for me, which it might have been if it had been a sequel rather than a prequel. Indeed there are the occasional flashes of brilliance with certain scenes. But neither did I find it so engrossing that it's going to trouble my top 20 for the year.
I guess is that if you are a "Sopranos" fan, then you would get a lot more out of this than I did. But it's still an interesting way to spend a couple of hours.
(For the full graphical review, please check out #oemannsmovies on the web, Facebook or Tiktok. Thanks.)
Positives:
- Like any good mafia story, there's a nicely developed sense of place for the action. The film is set in the late 60's / early 70's, and the score and the production design nicely portray the period. The rise of black factions to challenge the white status quo, even in the crime world, make this a nice companion piece to "Judas and the Black Messiah" .
- Although he's been in films like "American Hustle" and "Selma", I wouldn't have been able to pick Alessandro Nivola out of a line-up. But he did a great job portraying the different sides of Dickie: both caring uncle and psychopathic gangster. And Odom Jnr is again impressive: I've not yet seen him deliver any role that's been sub-par.
- It's also impressive that they had Michael Gandolfini to play the younger self of his late father's role. Although I kept being distracted by how much he looks and acts like a young John Cusack!
Negatives:
- The story is told over many years and the script came across as quite uneven. There are regular cut-aways to Dickie visiting his uncle "Hollywood Dick" (Ray Liotta) in prison, which a lot of the time, to me, felt disconnected from the main plot.
- Whilst most of the ensemble cast do a good job, some of the portrayals felt like forced caricatures of "Goodfellas" characters.
- As a "Sopranos" virgin, I could tell that there were lots of Easter Eggs and in-jokes in the movie (e.g. The baby Christopher crying whenever Anthony talked to him). WIth "Sopranos" regulars Alan Taylor and David Chase in charge, that's not surprising. But I'm afraid all of these went right over my head.
Summary Thoughts on "The Many Saints of Newark": This wasn't a complete bust for me, which it might have been if it had been a sequel rather than a prequel. Indeed there are the occasional flashes of brilliance with certain scenes. But neither did I find it so engrossing that it's going to trouble my top 20 for the year.
I guess is that if you are a "Sopranos" fan, then you would get a lot more out of this than I did. But it's still an interesting way to spend a couple of hours.
(For the full graphical review, please check out #oemannsmovies on the web, Facebook or Tiktok. Thanks.)
BankofMarquis (1832 KP) rated The Many Saints of Newark (2021) in Movies
Oct 12, 2021
The "non-Sopranos" part of this film worked much better
The new Sopranos prequel film THE MANY SAINTS OF NEWARK is a review-proof film. Most people fall into 1 of 2 camps.
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Purple Phoenix Games (2266 KP) rated It's Blunderful in Tabletop Games
Jun 12, 2019 (Updated Jun 12, 2019)
Party games. We all have them, and our families all want to play them. But how many times can you stomach Apples to Apples or its harem of vomit-inducing copycat clones? Maybe you have a gamer family that can handle the Werewolf/Mafia/The Resistance line (Avalon ftw, homies). But if you just cannot get them to connect on something more gamer-y, maybe try putting them into awkward scenarios and see how they fare.
This is a straight up party game where you are bidding your VPs to answer questions about the person reading the question cards. We have all played games like this, right (Say Anything, anyone)? Well, this is in a similar vein, but the situations and scenarios printed on the cards here are a little more updated and unique. The genre and playstyle are not at all unique, mind you, but this may still have some value for some families.
On your turn you read a card that has an awkward scenario and three answers that you will need to answer for yourself how you would/or probably could see yourself reacting. Choose your answer card (A, B, C) and place it face-down in front of you. Every other player will have a score board that they will wager 5, 10, or 15 of their points to match your answer. Get it right and you gain the amount of wagered points. Get it wrong, and you fall that many points. The first player to reach 100 points is the winner!
Components: this game has a few different components, but the vast majority is a whomping stack of question cards. The cards are great Bicycle quality cards, and are easy to read. You also receive in the box eight dual-layered scoreboards with notches to keep your translucent scoring cube safe and bump-proof. The boards are great quality and the cube is a normal smoke-colored translucent cube (see below). No problems with components at all here.
I am going to just admit that I am not a huge fan of party games. Maybe once upon a time I liked them quite a bit, but it seems to me that many party games are just variations of the same game over and over. This one doesn’t really break the mold here, either, but it is enjoyable. The awkward situations are unique and the answers are mostly humorous. When we were playing my brother, Bryan, mentioned that he liked this game because it gave him alternatives to how he would normally react in these situations, so it was somewhat educational for him. I wouldn’t necessarily go that far, but I believe if you are a fan of party games, you can’t really go wrong with this one. Purple Phoenix Games gives this title an positively awkward 12/18
https://purplephoenixgames.wordpress.com/2019/06/11/its-blunderful-review/
This is a straight up party game where you are bidding your VPs to answer questions about the person reading the question cards. We have all played games like this, right (Say Anything, anyone)? Well, this is in a similar vein, but the situations and scenarios printed on the cards here are a little more updated and unique. The genre and playstyle are not at all unique, mind you, but this may still have some value for some families.
On your turn you read a card that has an awkward scenario and three answers that you will need to answer for yourself how you would/or probably could see yourself reacting. Choose your answer card (A, B, C) and place it face-down in front of you. Every other player will have a score board that they will wager 5, 10, or 15 of their points to match your answer. Get it right and you gain the amount of wagered points. Get it wrong, and you fall that many points. The first player to reach 100 points is the winner!
Components: this game has a few different components, but the vast majority is a whomping stack of question cards. The cards are great Bicycle quality cards, and are easy to read. You also receive in the box eight dual-layered scoreboards with notches to keep your translucent scoring cube safe and bump-proof. The boards are great quality and the cube is a normal smoke-colored translucent cube (see below). No problems with components at all here.
I am going to just admit that I am not a huge fan of party games. Maybe once upon a time I liked them quite a bit, but it seems to me that many party games are just variations of the same game over and over. This one doesn’t really break the mold here, either, but it is enjoyable. The awkward situations are unique and the answers are mostly humorous. When we were playing my brother, Bryan, mentioned that he liked this game because it gave him alternatives to how he would normally react in these situations, so it was somewhat educational for him. I wouldn’t necessarily go that far, but I believe if you are a fan of party games, you can’t really go wrong with this one. Purple Phoenix Games gives this title an positively awkward 12/18
https://purplephoenixgames.wordpress.com/2019/06/11/its-blunderful-review/
SA
Shadows Across the Moon: Outlaws, Freaks, Shamans and the Making of Ibiza Clubland
Helen Donlon and Richie Hawtin
Book
Once a fabled pirate garrison, the Balearic island of Ibiza has been colonised and continually...
BookInspector (124 KP) rated The Weight of Shadows (Shadow Series #1) in Books
Sep 24, 2020
The description above, does not do the justice to this book, there is so much more to it than it is given away in the blurb.
One thing for sure about this book, it is not boring. The book begins by introducing characters, and you should pay attention, because there is a vast amount of them. In the beginning, I was confused of who belonged were, but as I continued reading this book, it all made sense. These 300 pages are filled with action, robberies, murders, kidnapping, police investigations and of course, Ukrainian Mafia. And believe it or not, everything is entangled so masterfully that it makes one huge, great crime mystery.
The characters chosen for this book are very diverse, intriguing and complex. The book covers period of six days and it is unbelievable what can happen in that period of time. I, personally, could not choose my favourite character in this book, because there were too many great personalities. This novel was told from multiple perspectives, and it allowed to get to know the characters better, and made the book more interesting for the reader. I do like books, which are set in London, and I really enjoyed the detailed knowledge of this city, which Holton shared in the book. It just somehow warms my heart and makes it more realistic.
I really enjoyed how fast paced this book’s narrative was. Every chapter gives a different character’s story, so it was a real page turner for me, as I wanted to find out, what happened to other characters. There were a lot of twists and turns in this novel, however, some of the parts were quite obvious, and it annoyed me that those great detectives couldn’t figure out some of the things quicker. This novel is a debut for Holton, but in the prologue chapter, there is an incredibly interesting character mentioned, where it feels like this is a second book in the series, and I honestly hope that one day there will be a book about the “skin artist” and that investigation.
The writing style was pleasurable to read with easy and understandable language . I loved the short chapters of this book, and it was fast paced and indulging read. I should mention, that there are murders, blood and violence in this book, so it is not suitable for people with weak nerves. The ending of this book has very unexpected twist and a cliff hanger, which is driving me mad, but otherwise it gives a satisfactory ending for this part of the series. So, to conclude, I would strongly recommend this book, because it has riveting, complex variety of characters, and the plot is masterfully twisted making it an indulging, fast paced book, which deserves to be read. Can’t wait for the next book in the series.
Was given this book by author for honest review.
One thing for sure about this book, it is not boring. The book begins by introducing characters, and you should pay attention, because there is a vast amount of them. In the beginning, I was confused of who belonged were, but as I continued reading this book, it all made sense. These 300 pages are filled with action, robberies, murders, kidnapping, police investigations and of course, Ukrainian Mafia. And believe it or not, everything is entangled so masterfully that it makes one huge, great crime mystery.
The characters chosen for this book are very diverse, intriguing and complex. The book covers period of six days and it is unbelievable what can happen in that period of time. I, personally, could not choose my favourite character in this book, because there were too many great personalities. This novel was told from multiple perspectives, and it allowed to get to know the characters better, and made the book more interesting for the reader. I do like books, which are set in London, and I really enjoyed the detailed knowledge of this city, which Holton shared in the book. It just somehow warms my heart and makes it more realistic.
I really enjoyed how fast paced this book’s narrative was. Every chapter gives a different character’s story, so it was a real page turner for me, as I wanted to find out, what happened to other characters. There were a lot of twists and turns in this novel, however, some of the parts were quite obvious, and it annoyed me that those great detectives couldn’t figure out some of the things quicker. This novel is a debut for Holton, but in the prologue chapter, there is an incredibly interesting character mentioned, where it feels like this is a second book in the series, and I honestly hope that one day there will be a book about the “skin artist” and that investigation.
The writing style was pleasurable to read with easy and understandable language . I loved the short chapters of this book, and it was fast paced and indulging read. I should mention, that there are murders, blood and violence in this book, so it is not suitable for people with weak nerves. The ending of this book has very unexpected twist and a cliff hanger, which is driving me mad, but otherwise it gives a satisfactory ending for this part of the series. So, to conclude, I would strongly recommend this book, because it has riveting, complex variety of characters, and the plot is masterfully twisted making it an indulging, fast paced book, which deserves to be read. Can’t wait for the next book in the series.
Was given this book by author for honest review.