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Leaving Winter for a Desert Sky
Book
Erin has spent the last six years abroad, teaching English in Spain, France, Japan. Now, she’s...
Literary LGBTQ+
Gareth von Kallenbach (980 KP) rated The Lincoln Lawyer (2011) in Movies
Aug 7, 2019
Mick Haller (Matthew McConaughey) is a criminal defense attorney who works out of his Lincoln Town Car in Los Angeles, hence the title of the movie and book “The Lincoln Lawyer” by Michael Connelly. Mickey defends all kinds of criminals and all he expects from his clients is that they pay him. While he may be a rather shifty lawyer, he is a loving father to his daughter Hayley (Mackenzie Aladjem) and he obviously still cares for her mother Maggie McPherson (Marisa Tomei).
Now although he has many clients, none are really big money clients. That changes one day when Louis Roulet (Ryan Phillippe), a rich Beverly Hills playboy, is arrested for assault & attempted rape and he wants Mick to defend him. At first Mick believes that he will be able to easily get his client acquitted, but as he and his investigator Frank Levin (William H. Macy) dig deeper, they discovery disturbing information about the case and it’s possible link to another.
In his quest to win the all mighty “Not Guilty” verdict, Mick has many obstacles (both professional and personal) placed before him that he must successfully navigate around, and treachery hiding in the shadows that he must bring into the light or else he may lose more than just a case.
While the entire cast was incredible, Matthew McConaughey and Ryan Phillippe gave equally amazing performances (this is especially true for any scene that they were both in). The characters were well-developed, believable and for the most part likable, heck I even liked the biker Eddie (Trace Adkins). The storyline was intriguing with a twist or two that I did not see coming and it also had some very nice humor sprinkled in. I did find that in a few scenes the dialogue seemed to be a bit unnatural for what was going on but it didn’t really detract from the overall scenes in question. Personally I hope this film does well enough that they make a sequel (I believe the book’s sequel is The Reversal) because I would like to see more of these characters in action.
Now although he has many clients, none are really big money clients. That changes one day when Louis Roulet (Ryan Phillippe), a rich Beverly Hills playboy, is arrested for assault & attempted rape and he wants Mick to defend him. At first Mick believes that he will be able to easily get his client acquitted, but as he and his investigator Frank Levin (William H. Macy) dig deeper, they discovery disturbing information about the case and it’s possible link to another.
In his quest to win the all mighty “Not Guilty” verdict, Mick has many obstacles (both professional and personal) placed before him that he must successfully navigate around, and treachery hiding in the shadows that he must bring into the light or else he may lose more than just a case.
While the entire cast was incredible, Matthew McConaughey and Ryan Phillippe gave equally amazing performances (this is especially true for any scene that they were both in). The characters were well-developed, believable and for the most part likable, heck I even liked the biker Eddie (Trace Adkins). The storyline was intriguing with a twist or two that I did not see coming and it also had some very nice humor sprinkled in. I did find that in a few scenes the dialogue seemed to be a bit unnatural for what was going on but it didn’t really detract from the overall scenes in question. Personally I hope this film does well enough that they make a sequel (I believe the book’s sequel is The Reversal) because I would like to see more of these characters in action.
Kristy H (1252 KP) rated My Kind Of People in Books
May 21, 2020
This novel cemented Duffy as one of my absolute favorite writers. This is a lovely and touching read, bringing to life the group of islanders who come together to care for Sky. Duffy builds her worlds so perfectly: I was lost on Ichabod Island with these characters--all of whom are so uniquely them. This book will go straight to your heart.
I fell immediately for sweet Sky. We learn that Brian and Ann are Sky's adoptive parents, so she's basically been orphaned twice. She is troubled as her parents were fighting a lot right before they died--going against the town view of them as the "perfect couple." While this novel is mostly a deep dive into its characters, there is a touch of mystery here. Why were Sky's parents fighting, and did it have anything to do with the car crash that caused their death? Also, a mysterious woman arrives in town--what is her role to play in the story? Duffy weaves together all of these plot points so well; I was captivated by the book and even though I wanted to slow down and savor it, I also wanted to know what had happened, to find out what would happen to Sky and Leo.
"A fearless girl who doesn't just think she's safe alone in the dark on an island in the Atlantic. She knows it."
I love that Duffy included a gay couple in her novel--and treats them like regular people. Leo is a wonderful character: complex and struggling with new parenthood. In the end, you feel like you know the entire neighborhood block, from sweet Joe; to Maggie, who is coming into her own in her '50s; to longtime resident Agnes, who is set in her ways; to Sky's tough best friend Frankie; and Sky's newly found grandmother, Lillian. All of these characters play a real role in this story: not an easy feat when the focus is on Leo and Sky.
Overall, this is a wonderfully written novel that covers family, marriage, tragedy, love, and so much more. Duffy's characters are beautiful, and she has an amazing way of bringing you right into the world she has created. I will always read anything she writes. 4.5 stars.
I fell immediately for sweet Sky. We learn that Brian and Ann are Sky's adoptive parents, so she's basically been orphaned twice. She is troubled as her parents were fighting a lot right before they died--going against the town view of them as the "perfect couple." While this novel is mostly a deep dive into its characters, there is a touch of mystery here. Why were Sky's parents fighting, and did it have anything to do with the car crash that caused their death? Also, a mysterious woman arrives in town--what is her role to play in the story? Duffy weaves together all of these plot points so well; I was captivated by the book and even though I wanted to slow down and savor it, I also wanted to know what had happened, to find out what would happen to Sky and Leo.
"A fearless girl who doesn't just think she's safe alone in the dark on an island in the Atlantic. She knows it."
I love that Duffy included a gay couple in her novel--and treats them like regular people. Leo is a wonderful character: complex and struggling with new parenthood. In the end, you feel like you know the entire neighborhood block, from sweet Joe; to Maggie, who is coming into her own in her '50s; to longtime resident Agnes, who is set in her ways; to Sky's tough best friend Frankie; and Sky's newly found grandmother, Lillian. All of these characters play a real role in this story: not an easy feat when the focus is on Leo and Sky.
Overall, this is a wonderfully written novel that covers family, marriage, tragedy, love, and so much more. Duffy's characters are beautiful, and she has an amazing way of bringing you right into the world she has created. I will always read anything she writes. 4.5 stars.
The Simpsons™: Tapped Out
Games and Entertainment
8.2
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THIS GAME IS LIFE-RUININGLY FUN! From the writers of The Simpsons, comes the city building game that...
Bob Mann (459 KP) rated Downton Abbey (2019) in Movies
Sep 28, 2021
Very little happens…. and it’s totally glorious!
The “Downton Abbey” TV show is comfortingly bland. The tales of the well-heeled Grantham family and the below-stairs antics of their servants. But for those who have followed Julian Fellowes‘ pot-boiler drama through all six seasons, and a number of Christmas specials, it’s like a favourite jumper… or rediscovering your comfy slippers just as the nights start getting colder.
But in a world where TV spin-off movies are notoriously dire, would this movie by the nail in Downton’s coffin?
Thankfully not.
It’s a glorious production! The opening of this film will, I’m sure, fill all Downton fans with utter glee. John Lunn‘s music builds progressively as a royal letter wends its way through the 1927 postal system, eventually ending up (as the famous theme finally emerges spectacularly) at the doors of Downton Abbey. (Downton is of course the gorgeous Highclere Castle near Newbury, acting as a star of the film in its own right. Somewhere I was lucky enough to visit just a couple of weeks before filming began).
The plot(s).
In a year of Thanos-crushing drama, there really is nothing very substantial going on here!
The King (George V, an almost unrecognizable Simon “Hitchhikers Guide” Jones) and Queen Mary (Geraldine James) are staying over in Downton for one night on their Yorkshire tour. This naturally sets the below-stairs staff into a bit of a tizz, as indeed it does the whole village. But their glee at involvement and recognition is a bit premature, since the royal entourage – headed by an officious Mr Wilson (David Haig) – parachute the complete gamut of staff into the location to serve the royal party, so bypassing the locals completely.
The ‘Downton massive’ are of course having none of this, and a battle-royale ensues.
Scattered as sub-plots like confetti at a wedding are a military man putting a strong arm around the potentially-risky Irish Tom Branson (Allen Leech); a family rift that erupts between Aunt Violet (Maggie Smith) and cousin (and royal lady-in-waiting) Maud Bagshaw (Imelda Staunton); a sobbing princess (Kate Phillips); an over-enthusiastic shopkeeper (Mark Addy), who is difficult to let-down gently; a plumbing emergency with romantic jealousy and sabotage involved; the sexual preferences of Barrow (Robert James-Collier) getting him into trouble; and a potential love-interest for the widowed Tom with Maud’s maid Lucy (Tuppence Middleton). (There are probably half a dozen others that I’ve forgotten!)
A huge ensemble cast.
As befits a show that has gone over six seasons, there is a huge ensemble cast involved. Inevitably, some get more air time than others. Bates (Brendan Coyle) seems to be particularly short-changed, and above stairs I thought the same was true – strangely enough – of the Crawleys (Hugh Bonneville and Elizabeth McGovern).
As for Henry Talbot (Matthew Goode), he’s hardly in it at all! Apart from some impressive camera gymnastics for his running-up-the-stairs arrival, he doesn’t make much of an impression at all. (I can only guess he had other filming commitments).
These are players that have worked together as a team for many years, and it shows.
But the acting kudos has to go to Maggie Smith who steals absolutely every scene she’s in, with genuinely witty lines – “I’ll lick the stamps myself” (LoL). Close behind though is Imelda Staunton who also turns in a very impressive performance.
Glorious photography.
The photography is fantastic throughout, with deep rich colours, pin-sharp focus and some seriously dramatic pans. A big hats off to cinematographer Ben Smithard, but also to his drone team (“The helicopter ladies”) for delivering some jaw-droppingly gorgeous shots of Highclere castle.
(By the way, I thought the picture at my local Picturehouse cinema – Harbour Lights in Southampton – was particularly stunning: I queried it with them, and they said they had changed the (very expensive) projector bulb just that day! These things clearly matter!)
Will is appeal?
If you are a Downton fan, yes, Yes, YES! I have been a moderate fan of the TV series, but went with superfans – the illustrious Mrs Movie-Man and (as a guest visitor) Miss Movie-Man. I loved it, but the two ladies were ecstatic with the movie.
Even if you have never seen an episode, it is easy to pick up and the quality of the production is so impressive I don’t think you will be disappointed.
As such, I think I need to post a blend of ratings for this one.
But in a world where TV spin-off movies are notoriously dire, would this movie by the nail in Downton’s coffin?
Thankfully not.
It’s a glorious production! The opening of this film will, I’m sure, fill all Downton fans with utter glee. John Lunn‘s music builds progressively as a royal letter wends its way through the 1927 postal system, eventually ending up (as the famous theme finally emerges spectacularly) at the doors of Downton Abbey. (Downton is of course the gorgeous Highclere Castle near Newbury, acting as a star of the film in its own right. Somewhere I was lucky enough to visit just a couple of weeks before filming began).
The plot(s).
In a year of Thanos-crushing drama, there really is nothing very substantial going on here!
The King (George V, an almost unrecognizable Simon “Hitchhikers Guide” Jones) and Queen Mary (Geraldine James) are staying over in Downton for one night on their Yorkshire tour. This naturally sets the below-stairs staff into a bit of a tizz, as indeed it does the whole village. But their glee at involvement and recognition is a bit premature, since the royal entourage – headed by an officious Mr Wilson (David Haig) – parachute the complete gamut of staff into the location to serve the royal party, so bypassing the locals completely.
The ‘Downton massive’ are of course having none of this, and a battle-royale ensues.
Scattered as sub-plots like confetti at a wedding are a military man putting a strong arm around the potentially-risky Irish Tom Branson (Allen Leech); a family rift that erupts between Aunt Violet (Maggie Smith) and cousin (and royal lady-in-waiting) Maud Bagshaw (Imelda Staunton); a sobbing princess (Kate Phillips); an over-enthusiastic shopkeeper (Mark Addy), who is difficult to let-down gently; a plumbing emergency with romantic jealousy and sabotage involved; the sexual preferences of Barrow (Robert James-Collier) getting him into trouble; and a potential love-interest for the widowed Tom with Maud’s maid Lucy (Tuppence Middleton). (There are probably half a dozen others that I’ve forgotten!)
A huge ensemble cast.
As befits a show that has gone over six seasons, there is a huge ensemble cast involved. Inevitably, some get more air time than others. Bates (Brendan Coyle) seems to be particularly short-changed, and above stairs I thought the same was true – strangely enough – of the Crawleys (Hugh Bonneville and Elizabeth McGovern).
As for Henry Talbot (Matthew Goode), he’s hardly in it at all! Apart from some impressive camera gymnastics for his running-up-the-stairs arrival, he doesn’t make much of an impression at all. (I can only guess he had other filming commitments).
These are players that have worked together as a team for many years, and it shows.
But the acting kudos has to go to Maggie Smith who steals absolutely every scene she’s in, with genuinely witty lines – “I’ll lick the stamps myself” (LoL). Close behind though is Imelda Staunton who also turns in a very impressive performance.
Glorious photography.
The photography is fantastic throughout, with deep rich colours, pin-sharp focus and some seriously dramatic pans. A big hats off to cinematographer Ben Smithard, but also to his drone team (“The helicopter ladies”) for delivering some jaw-droppingly gorgeous shots of Highclere castle.
(By the way, I thought the picture at my local Picturehouse cinema – Harbour Lights in Southampton – was particularly stunning: I queried it with them, and they said they had changed the (very expensive) projector bulb just that day! These things clearly matter!)
Will is appeal?
If you are a Downton fan, yes, Yes, YES! I have been a moderate fan of the TV series, but went with superfans – the illustrious Mrs Movie-Man and (as a guest visitor) Miss Movie-Man. I loved it, but the two ladies were ecstatic with the movie.
Even if you have never seen an episode, it is easy to pick up and the quality of the production is so impressive I don’t think you will be disappointed.
As such, I think I need to post a blend of ratings for this one.
Dana (24 KP) rated The Raven King in Books
Mar 23, 2018
I am actually giving this a 4.5-5 Star review.
I have thoroughly enjoyed reading this series. I have loved and lost characters and little bits of my heart and soul because of it.
This series, but specifically this book, is just so beautifully written. Every moment is circular in the end. Each character is written with so much care, affection, and love that it breaks my heart.
Maggie Stiefvater is a poet as well as an author. There were so many passages in this book that I underlined as being so beautiful. I cried a lot because of the writing style, in a good way.
Many of the event in this book had been foretold in the previous books, which I thought was cool. Even though we knew what was going to happen, we didn't exactly know how it would happen, so that was surprising and a lot of fun.
Henry Cheng was a surprising character to say the least. I didn't know how I felt about him at first, but he started to grow on me. (As Ronan would probably say, "like a fungus" because he's a smartass like that.)
***THE REST OF THIS WILL HAVE SPOILERS IN IT SO BE WARNED***
I loved how my ships were resolved in the end. I didn't want anyone to be hurt or to be alone, and they weren't. Blue and Gansey are just so freaking cute together because they are so opposite! And Ronan and Adam are just hilarious in their interactions. They just seem so angry at each other so often.
I was really sad, but also understanding, of how Noah had to move on. I just thought he was so sweet, but it was his time.
Also, the whole mess with Glendower himself was not easily predictable at all, at least for me. I did not see that one coming. Their whole quest was for not, but they ended up better for it anyway.
Orphan Girl is also so adorable. I love how much like Ronan she is, especially in her temper.
Cabeswater being from Ronan, that was a twist. Also, loved how he is going to dream another one!!
I just love this book so much and even though I know it has to end, I don't want it to.
Sorry if this got a bit rambly and weird, I just have so many emotions about this book!!
I have thoroughly enjoyed reading this series. I have loved and lost characters and little bits of my heart and soul because of it.
This series, but specifically this book, is just so beautifully written. Every moment is circular in the end. Each character is written with so much care, affection, and love that it breaks my heart.
Maggie Stiefvater is a poet as well as an author. There were so many passages in this book that I underlined as being so beautiful. I cried a lot because of the writing style, in a good way.
Many of the event in this book had been foretold in the previous books, which I thought was cool. Even though we knew what was going to happen, we didn't exactly know how it would happen, so that was surprising and a lot of fun.
Henry Cheng was a surprising character to say the least. I didn't know how I felt about him at first, but he started to grow on me. (As Ronan would probably say, "like a fungus" because he's a smartass like that.)
***THE REST OF THIS WILL HAVE SPOILERS IN IT SO BE WARNED***
I loved how my ships were resolved in the end. I didn't want anyone to be hurt or to be alone, and they weren't. Blue and Gansey are just so freaking cute together because they are so opposite! And Ronan and Adam are just hilarious in their interactions. They just seem so angry at each other so often.
I was really sad, but also understanding, of how Noah had to move on. I just thought he was so sweet, but it was his time.
Also, the whole mess with Glendower himself was not easily predictable at all, at least for me. I did not see that one coming. Their whole quest was for not, but they ended up better for it anyway.
Orphan Girl is also so adorable. I love how much like Ronan she is, especially in her temper.
Cabeswater being from Ronan, that was a twist. Also, loved how he is going to dream another one!!
I just love this book so much and even though I know it has to end, I don't want it to.
Sorry if this got a bit rambly and weird, I just have so many emotions about this book!!
BankofMarquis (1832 KP) rated The Great Race (1965) in Movies
Jul 6, 2018
A fun throwback to 1920's Silent Film Farces
In a tribute to films of a bygone era, Director Blake Edwards pays homage to silent film farces of the 1920's - even dedicating this film to "Mr. Laurel and Mr. Hardy" - with the slapstick comedy THE GREAT RACE - and succeeds, mostly.
Reteaming Tony Curtis (as the brave, virtuous and good "The Great Leslie") and Jack Lemmon (as the sinister, dastardly and evil "Professor Fate"), The Great Race is great fun watching these two cartoon characters spar and parry with each other throughout the course of this 2 hour and 40 minute farce.
Lemmon, in particular, relishes in dual roles as the menacing Fate, always dressed in black, twirling his mustache and coming up with scheme after scheme to derail Leslie (think the Coyote in the RoadRunner cartoons). His overacting and hammyness in the character is perfect for the tone that this film has set. And his maniacal laugh is one to remember - unless you are remembering the childlike guffaws of the other character Lemmon portrays, the doppelganger of Fate, Crown Prince Frederick. Both these characters are fun to watch and Fate, especially, plays well against his bumbling assistant and foil, "Max", played in utter buffoonishness by the great Peter Falk.
Joining Curtis for the "good guys" is Natalie Wood as Suffragette and Newspaper
Reporter Maggie DuBois (obviously tailored after real life Suffragette and Newspaper Reporter Nellie Bly). It is said that Curtis and Wood did not get along on set (they had worked together in 2 other films and grew to dislike each other), but their on-screen chemistry cannot be ignored and they are fun together. As is the great Keenan Wynn as Leslie's mechanic and friend Hezekiah Sturdy.
But it is not the characters that makes this film go it is the set pieces and frenetic pacing that Director Edwards put before us. From thrilling chase scenes to a Western barroom brawl, to a trip through a blizzard with a polar bear to the "largest pie fight ever put on screen", this film delivers the goods in a wholesome, 1960's way that makes me truly say...
"They don't make 'em like this anymore".
8 out 10 stars and you can take that to the Bank (ofMarquis)
Reteaming Tony Curtis (as the brave, virtuous and good "The Great Leslie") and Jack Lemmon (as the sinister, dastardly and evil "Professor Fate"), The Great Race is great fun watching these two cartoon characters spar and parry with each other throughout the course of this 2 hour and 40 minute farce.
Lemmon, in particular, relishes in dual roles as the menacing Fate, always dressed in black, twirling his mustache and coming up with scheme after scheme to derail Leslie (think the Coyote in the RoadRunner cartoons). His overacting and hammyness in the character is perfect for the tone that this film has set. And his maniacal laugh is one to remember - unless you are remembering the childlike guffaws of the other character Lemmon portrays, the doppelganger of Fate, Crown Prince Frederick. Both these characters are fun to watch and Fate, especially, plays well against his bumbling assistant and foil, "Max", played in utter buffoonishness by the great Peter Falk.
Joining Curtis for the "good guys" is Natalie Wood as Suffragette and Newspaper
Reporter Maggie DuBois (obviously tailored after real life Suffragette and Newspaper Reporter Nellie Bly). It is said that Curtis and Wood did not get along on set (they had worked together in 2 other films and grew to dislike each other), but their on-screen chemistry cannot be ignored and they are fun together. As is the great Keenan Wynn as Leslie's mechanic and friend Hezekiah Sturdy.
But it is not the characters that makes this film go it is the set pieces and frenetic pacing that Director Edwards put before us. From thrilling chase scenes to a Western barroom brawl, to a trip through a blizzard with a polar bear to the "largest pie fight ever put on screen", this film delivers the goods in a wholesome, 1960's way that makes me truly say...
"They don't make 'em like this anymore".
8 out 10 stars and you can take that to the Bank (ofMarquis)
Gareth von Kallenbach (980 KP) rated St. Vincent (2014) in Movies
Aug 6, 2019
“St. Vincent” is a comedy about the complexity of being human, and the need to make connections with one another. It mostly follows the daily life of Vincent (Bill Murray), a crotchety old man who likes to gamble, keeps the company of a “lady of the night,” and could care less what anybody thinks about him.
I think it’s safe to say Bill Murray is a comedy legend. So it should come as no surprise that yet again, Murray has delivered an impeccable performance.
The audience experience is not just one of watching a very famous actor play a role, but instead Murray steps outside of himself and truly becomes Vincent. Each detail, from his physical appearance, to his demeanor, are flawless.
He is a man stuck in his ways, though his life appears to be in disarray. His house is filled with dirt. He owes money to bad people. He lives alone with his cat, and doesn’t really like anyone.
When Maggie (Melissa McCarthy) and her son Oliver (Jaeden Lieberher) move in next door, Vincent is in no way kind to them.
In this film McCarthy is subtle in a good way. She is funny, but at the same time her role is heart wrenching. She is a single mom who is pushed to the limit of what one person can do, and has no choice but to roll with the punches.
She becomes swamped at her new job, and Vincent kind of just falls into the role of Oliver’s babysitter (paid babysitter of course). From that point on, Vincent takes Oliver along with him as he continues with his mostly seedy life.
The interplay between the young boy and the grouchy old man is where the element of humanness is communicated most. Despite differences in age or perspective, people need each other and can make profound connections.
The characters are developed well enough to illustrate that people are not one dimensional. Whether they have a hard or a soft exterior, there is always more than meets the eye.
It is filled with moments of outrageous hilarity, but also has a few emotional ones. Life isn’t always pleasant, and this comedy stays true to that reality.
Don’t be surprised if, at the end of the film, the audience gives a standing ovation.
I give “St. Vincent” 5 out of 5 stars.
I think it’s safe to say Bill Murray is a comedy legend. So it should come as no surprise that yet again, Murray has delivered an impeccable performance.
The audience experience is not just one of watching a very famous actor play a role, but instead Murray steps outside of himself and truly becomes Vincent. Each detail, from his physical appearance, to his demeanor, are flawless.
He is a man stuck in his ways, though his life appears to be in disarray. His house is filled with dirt. He owes money to bad people. He lives alone with his cat, and doesn’t really like anyone.
When Maggie (Melissa McCarthy) and her son Oliver (Jaeden Lieberher) move in next door, Vincent is in no way kind to them.
In this film McCarthy is subtle in a good way. She is funny, but at the same time her role is heart wrenching. She is a single mom who is pushed to the limit of what one person can do, and has no choice but to roll with the punches.
She becomes swamped at her new job, and Vincent kind of just falls into the role of Oliver’s babysitter (paid babysitter of course). From that point on, Vincent takes Oliver along with him as he continues with his mostly seedy life.
The interplay between the young boy and the grouchy old man is where the element of humanness is communicated most. Despite differences in age or perspective, people need each other and can make profound connections.
The characters are developed well enough to illustrate that people are not one dimensional. Whether they have a hard or a soft exterior, there is always more than meets the eye.
It is filled with moments of outrageous hilarity, but also has a few emotional ones. Life isn’t always pleasant, and this comedy stays true to that reality.
Don’t be surprised if, at the end of the film, the audience gives a standing ovation.
I give “St. Vincent” 5 out of 5 stars.