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A single book might not change the world. But this utterly original meditation on art and war might...
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Emma @ The Movies (1786 KP) rated Hunter Killer (2018) in Movies
Sep 25, 2019
Now let's be honest, we all know that Hunter Killer isn't going to be sweeping the Oscar noms. As action fans, do we care? Noooooope!
This is a film that does exactly what you expect, and want it to do. It's Olympus Has Fallen. It's White House Down. It's Geostorm. It's modern action that you don't have to think about. It's that perfect diversion.
I think they tried to capitalise on the big names in this one for the posters. It doesn't really seem like Gary Oldman is in it enough to warrant second billing, but what do I know? The supporting actors were very good. The more I see Common pop up in films the more I'm enjoying him. There are also great performances from Toby Stephens, Michael Nyqvist and Linda Cardellini, which was a nice surprise.
Thanks to half term and my holiday I was traumatised to realise that I was potentially going to miss this one at the cinema. It was on for just one week at my Cineworld which coincided with my first week away, I got back to find most places weren't showing it any more and as expected, I was annoyed. Stupid half term. Vue ended up coming to my rescue with one slight drawback... it was only showing at a time where I'd have norally been in bed for about two hours.
There was a reason for the last bit of waffle. Having to see it in the middle of the night, I was fully aware that the film starts out relatively slowly. I found myself drifting off a little bit, but when the action started I was drawn in and some of the pieces were very effective.
I ended up doing a bit of an IMDb surf from this film while looking at some of the actors. It was a surprising learning curve. Hunter Killer was one of the last films made by Michael Nyqvist before his death, I also discovered that Toby Stephens is Maggie Smith's son. Two very different things that I'm surprised I didn't know.
What you should do
Hunter Killer is definitely worth watching if you catch it on the TV or streaming. It's an entertaining action film that will pass a couple of hours.
Movie thing you wish you could take home
I could do with some handy radar that would help me work out if spaces were big enough for me to parallel park in.
This is a film that does exactly what you expect, and want it to do. It's Olympus Has Fallen. It's White House Down. It's Geostorm. It's modern action that you don't have to think about. It's that perfect diversion.
I think they tried to capitalise on the big names in this one for the posters. It doesn't really seem like Gary Oldman is in it enough to warrant second billing, but what do I know? The supporting actors were very good. The more I see Common pop up in films the more I'm enjoying him. There are also great performances from Toby Stephens, Michael Nyqvist and Linda Cardellini, which was a nice surprise.
Thanks to half term and my holiday I was traumatised to realise that I was potentially going to miss this one at the cinema. It was on for just one week at my Cineworld which coincided with my first week away, I got back to find most places weren't showing it any more and as expected, I was annoyed. Stupid half term. Vue ended up coming to my rescue with one slight drawback... it was only showing at a time where I'd have norally been in bed for about two hours.
There was a reason for the last bit of waffle. Having to see it in the middle of the night, I was fully aware that the film starts out relatively slowly. I found myself drifting off a little bit, but when the action started I was drawn in and some of the pieces were very effective.
I ended up doing a bit of an IMDb surf from this film while looking at some of the actors. It was a surprising learning curve. Hunter Killer was one of the last films made by Michael Nyqvist before his death, I also discovered that Toby Stephens is Maggie Smith's son. Two very different things that I'm surprised I didn't know.
What you should do
Hunter Killer is definitely worth watching if you catch it on the TV or streaming. It's an entertaining action film that will pass a couple of hours.
Movie thing you wish you could take home
I could do with some handy radar that would help me work out if spaces were big enough for me to parallel park in.
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Bob Mann (459 KP) rated Central Intelligence (2016) in Movies
Sep 29, 2021
Great poster. So-so film.
“Saving the World Takes a Little Hart and a Big Johnson”. I doubt I have ever passed a film poster before and dissolved into paroxysms of mirth, so this film at least wins one award with me.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
Effective Birth Preparation: Your Practical Guide to a Better Birth
6.0
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In response to the success of the award winning "Natal Hypnotherapy CDs" and courses, founder Maggie...
Dinner Party: A Tragedy
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A MAJOR 2021 DEBUT FICTION LAUNCH, THIS REMARKABLE IRISH NOVEL ABOUT THE MESSINESS OF MODERN FAMILY...
Gareth von Kallenbach (980 KP) rated The Dark Knight (2008) in Movies
Aug 14, 2019
Riding a wave a fan expectations and anticipation as well as surrounding by the tragic death of Heath Ledger, the latest installment in Writer/Director Christopher Nolan’s Batman Series, “The Dark Knight”, has arrived. Christian Bale once again stars in the dual role of troubled billionaire playboy Bruce Wayne and the masked avenger Batman, as he attempts to bring order to Gotham City.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.
Phillip McSween (751 KP) rated Donnie Darko (2001) in Movies
Mar 27, 2018
Wasn't Feeling it
High school student Donnie Darko (Jake Gyllenhaal) is beset with visions of a six-foot bunny and premonitions of the world ending in less than a month.
Acting: 10
Beginning: 1
Characters: 9
One of the things Donnie Darko excelled at for me. The film relies on its quirkiness which is best exhibited in its depth of characters. Darko is a troubled kid who is completely unpredictable and doesn't care much who he offends. I wasn't his biggest fan, but there were a number of moments where he caught me off guard in a good way. The Fear/Love classroom scene was one of my particular favorites.
His sister Elizabeth (Maggie Gyllenhaal) stands out as the character I liked the most. She thinks that Donnie is indeed strange fruit and is never afraid to call him on his crap. At the same time, she is also protective of him with a family-first mentality. You can tell she's got it all figured out and now she's trying to help the others around her do the same. It's interesting watching the two characters in contrast.
Cinematography/Visuals: 9
Conflict: 0
Seriously, what was the conflict here? What was the, "Why should I care?" portion of the film? If I'm shooting holes in the movie, this is definitely bullet #1. I guess one could argue that Donnie's conflict is within himself and what ultimately is happening to him. I'm sorry, but unless Donnie is dealing with a vampire change or a zombie turn, I don't think internal conflict is enough. Sure weird things are happening throughout the film, but you get the feeling that it's all much ado about nothing.
Genre: 3
Memorability: 1
Pace: 6
There seems to be quite a few moving parts throughout the course of the film, most of which I didn't really care much to follow. There wasn't enough consistent intrigue to keep the mystery afloat. Very slow. I need a coffee just thinking about it. Or perhaps a nice tea...
Plot: 3
Original? Sure, I'll absolutely give it a handful of points for looking at cinema in a unique way. All in all, though, the film feels like I'm wading through a swamp to get to work. I know I'm going the right way or rather I know cutting through this swamp will get me to where I need to be...But why the hell am I in this swamp? What am I trying to prove? I guess I'm saying I just didn't quite get it. I'm also willing to admit that maybe it's just me.
Resolution: 0
Overall: 42
Critics loved it. So did audiences. I thought the characters were solid and the film succeeds with a number of memorable shots, but falls short with shoddy pacing that left me more confused than when I started. Just one man's opinion.
Acting: 10
Beginning: 1
Characters: 9
One of the things Donnie Darko excelled at for me. The film relies on its quirkiness which is best exhibited in its depth of characters. Darko is a troubled kid who is completely unpredictable and doesn't care much who he offends. I wasn't his biggest fan, but there were a number of moments where he caught me off guard in a good way. The Fear/Love classroom scene was one of my particular favorites.
His sister Elizabeth (Maggie Gyllenhaal) stands out as the character I liked the most. She thinks that Donnie is indeed strange fruit and is never afraid to call him on his crap. At the same time, she is also protective of him with a family-first mentality. You can tell she's got it all figured out and now she's trying to help the others around her do the same. It's interesting watching the two characters in contrast.
Cinematography/Visuals: 9
Conflict: 0
Seriously, what was the conflict here? What was the, "Why should I care?" portion of the film? If I'm shooting holes in the movie, this is definitely bullet #1. I guess one could argue that Donnie's conflict is within himself and what ultimately is happening to him. I'm sorry, but unless Donnie is dealing with a vampire change or a zombie turn, I don't think internal conflict is enough. Sure weird things are happening throughout the film, but you get the feeling that it's all much ado about nothing.
Genre: 3
Memorability: 1
Pace: 6
There seems to be quite a few moving parts throughout the course of the film, most of which I didn't really care much to follow. There wasn't enough consistent intrigue to keep the mystery afloat. Very slow. I need a coffee just thinking about it. Or perhaps a nice tea...
Plot: 3
Original? Sure, I'll absolutely give it a handful of points for looking at cinema in a unique way. All in all, though, the film feels like I'm wading through a swamp to get to work. I know I'm going the right way or rather I know cutting through this swamp will get me to where I need to be...But why the hell am I in this swamp? What am I trying to prove? I guess I'm saying I just didn't quite get it. I'm also willing to admit that maybe it's just me.
Resolution: 0
Overall: 42
Critics loved it. So did audiences. I thought the characters were solid and the film succeeds with a number of memorable shots, but falls short with shoddy pacing that left me more confused than when I started. Just one man's opinion.
Darren (1599 KP) rated The Veil (TBD) in Movies
Oct 24, 2019
Characters – Jim Jacobs is the leader of the cult, he wants to prove the spirit can be separated from the body, did he die in the mass suicide or did he achieve his goal with the other members of the cult. Maggie the lead in the documentary team, she introduces the team and arranges for Sarah to return, she does also have a connection to what happened during the mass suicide. Sarah is the lone survivor from the suicide, she returns as a grown up even if she does seem to be happy to be back to learn the truth.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Darren (1599 KP) rated Wounds (2019) in Movies
Oct 24, 2019
Characters – Jim Jacobs is the leader of the cult, he wants to prove the spirit can be separated from the body, did he die in the mass suicide or did he achieve his goal with the other members of the cult. Maggie the lead in the documentary team, she introduces the team and arranges for Sarah to return, she does also have a connection to what happened during the mass suicide. Sarah is the lone survivor from the suicide, she returns as a grown up even if she does seem to be happy to be back to learn the truth.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.