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The Keeper Of Lost Things
7.8
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A charming, clever, and quietly moving debut novel of of endless possibilities and joyful...
Systematic Trading: A Unique New Method for Designing Trading and Investing Systems
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This is not just another book with yet another trading system. This is a complete guide to...
The Death of King Arthur: The Immortal Legend
2.0
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A gripping retelling of the timeless epic of romance, enchantment and adventure, Peter Ackroyd's The...
Lights on the Sea
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"Miquel Reina's Lights on the Sea is an absolutely lovely, beautiful novel with a dreamy, fable-like...
Shelle Perry (66 KP) rated Murder at Sea Captain’s Inn in Books
Jul 23, 2021
The Lane women are so genuinely interesting, I keep coming back for more.
The Book Magic Mystery series is such a splendid way to spend a couple of hours. It starts with a curse; the women in the family are doomed to die in childbirth and their men doomed to be taken by the sea. Add in the special power the women sometimes have as bibliomancers, that in itself makes this series intriguing. What avid reader wouldn’t want to be able to do that?
In Murder at Sea Captain’s Inn, Pippin and her brother Grey are the latest descendents of the Lane family. Pippin is desperate to find a way to break the family curse if only to save her brother from his seemingly preordained fate. She has turned the house they inherited from their parents into a bed and breakfast and she has her hands full with the grand opening. It is bad enough that one of her guests has turned up dead, but as Pippin gets pulled into investigating, it turns out that the woman may have known something about the curse that has been following the Lanes for the past two millennia.
Melissa Bourbon knows how to tell a story. Honestly, that is all that needs to be said.
There is so much going on in the 250+ pages of this book. Pippin has picked up her father’s investigation into her lineage and is learning to have confidence in her role as a biblimancer. That narrative alone is fascinating. I could read a 500 page book on that aspect of the story alone. The Lane women are so genuinely interesting, I keep coming back for more.
I truly enjoyed the tidbits of archeology and history laced into the plot. With a budding archaeologist in the house, I admit to being just a little too excited to read about optically stimulated luminescence in the course of a mystery novel. I mean that doesn’t just pop up in a typical conversation. I also love that I didn’t see whodunnit until it was explained. When Pippin figured it out, I was hoping she was wrong because I just didn’t want to believe it, but of course it was there in the clues the whole time. How did I miss it? Simply put, the clues are so subtly woven into the story that it is easy to forget that we, as readers, are here to help Pippen solve a mystery.
I do think this reads well as a stand alone if this is your first experience with the series. Still, book 1 and its prequel are so worth the effort. The story isn’t all told yet, so I will be back for more.
⭐⭐⭐⭐⭐
Rating: 4.5 out of 5.
I received an advance review copy for free through Great Escapes Virtual Book Tours, and I am leaving this review voluntarily
In Murder at Sea Captain’s Inn, Pippin and her brother Grey are the latest descendents of the Lane family. Pippin is desperate to find a way to break the family curse if only to save her brother from his seemingly preordained fate. She has turned the house they inherited from their parents into a bed and breakfast and she has her hands full with the grand opening. It is bad enough that one of her guests has turned up dead, but as Pippin gets pulled into investigating, it turns out that the woman may have known something about the curse that has been following the Lanes for the past two millennia.
Melissa Bourbon knows how to tell a story. Honestly, that is all that needs to be said.
There is so much going on in the 250+ pages of this book. Pippin has picked up her father’s investigation into her lineage and is learning to have confidence in her role as a biblimancer. That narrative alone is fascinating. I could read a 500 page book on that aspect of the story alone. The Lane women are so genuinely interesting, I keep coming back for more.
I truly enjoyed the tidbits of archeology and history laced into the plot. With a budding archaeologist in the house, I admit to being just a little too excited to read about optically stimulated luminescence in the course of a mystery novel. I mean that doesn’t just pop up in a typical conversation. I also love that I didn’t see whodunnit until it was explained. When Pippin figured it out, I was hoping she was wrong because I just didn’t want to believe it, but of course it was there in the clues the whole time. How did I miss it? Simply put, the clues are so subtly woven into the story that it is easy to forget that we, as readers, are here to help Pippen solve a mystery.
I do think this reads well as a stand alone if this is your first experience with the series. Still, book 1 and its prequel are so worth the effort. The story isn’t all told yet, so I will be back for more.
⭐⭐⭐⭐⭐
Rating: 4.5 out of 5.
I received an advance review copy for free through Great Escapes Virtual Book Tours, and I am leaving this review voluntarily
Emma @ The Movies (1786 KP) rated Ready or Not (2019) in Movies
Nov 5, 2019
Contains spoilers, click to show
I enjoyed this because it was basically bat shit crazy, but I also had some issues with it. The trailers looked great but going back to them now you see quite a lot of action from key points in the film. Because of the haphazard nature of everything I don't think it spoils anything but at the time I couldn't remember many of the trailers going in. The vibe I remembered getting from them was very much You're Next with a vague hint of Clue.
What stopped me in my tracks a little was what the film was trying to be. I thought it was going to be a homedy (yes I'm still trying to make my horror-comedy hybrid work), your traditional crazy horror with a comedic leaning... but what happened was a lot of drama, they were actually trying to be serious. Well, as serious as you can get when you're in the middle of hunting a bride on her wedding night. When mother and son sit to have a heart to heart I was actually taken out of the film for a moment as it wasn't in keeping with what else was happening.
Had this gone all the way over to crazy horror I would have given it a higher rating, they're fast paced and entertaining, the slight indecisiveness of what came to the screen really knocked it down for me. Even with the bizarre magic box tradition this film could have been something more serious but not by the time we get to that ending.
I'm really thankful that this game adaptation was at least better than Truth Or Dare. I don't think I could stand another stinker like that. The story is a nice easy one to get along with, family acquire a magic box that keeps them thriving and all they have to do is occasionally sacrifice someone that's loved deeply by one of the family... good old Satan bringing us a solid storyline.
Samara Weaving, or as I have to keep reminding myself "not Margot Robbie", plays our blushing bride, Grace. Boy does she throw a lot at this role, I like to think she got a lot of stress relief out of this as she fights back at her would be murderers. Thankfully Grace didn't end up in many of the drama-y bits so there was little to be annoyed about. Her magic moments included punching Georgie, swearing at the car and wailing like a banshee at the end like she'd gone feral. Bravo! But I think the best and worst bit was when she climbed out of hell, you knew what she was thinking, you knew she had no option and oh my god did I hurt in sympathy.
Adam Brody has to be the other stand out performance for me as the brother-in-law, Daniel Le Domas. We get a very small introduction to his character as a child but it really did help you to understand the way he is and why he reacts the way he does as they hunt Grace. The guilt he has from the first Hide & Seek he participated in is clearly part of the reason he's the son who's off the rails, but he keeps his protective nature from his childhood in adulthood towards his brother and Grace. He stops and talks with Grace during the hunt and you can see him switching allegiances as we get further through the story. Brody conveys this well and is actually the one character that you can sort of sympathise with. His death is the beginning of the end and it's an emotional moment that played out well on screen. I think he probably came out better not surviving to the end of the film.
There are lots of highs and lows with various characters throughout. Fitch is the "dumb" one and there was something magical about seeing him YouTubing how to use a crossbow and later asking Charity at what point they should cut and run.
Mark O'Brien as Alex Le Domas was probably my least favourite character. His scripting felt rather bland compared to some of the others... but mainly... what an arsehole! Just live in sin man! Why potentially doom her, I'm sure it wouldn't have been too hard to fall off the radar somehow. If he was already slightly estranged I can't see that going altogether would be much of a stretch.
Alex also gets what is possibly the most annoying part of the script, he's handcuffed to the bed and he starts using the chain as a saw to try to get through the ornamental bar... these aren't bit of Ikea furniture... in what universe is that going to work in this timeframe?! Stand up and throw your weight on it until it snaps! I was wondering if he was actually trying to break the handcuffs (an equally stupid idea), and do we actually see how he gets out of them? Now I've confused myself.
Anyway, this will become an epic if I don't move on.
I quite liked the way the film looked, once we got to the evening the whole set became a beautiful golden autumnal palette and it gave you a sense of wealth and history, but when you add in the blood and seeking you get a real sense of the hiding (that makes sense in my head). It did at times become dark, it was never so bad that you couldn't see what was happening but it allowed for the reintroduction of light at the end as the house burns behind her which was a nice touch.
The final sequence should probably get its own mention. Alex, obviously about to break after seeing his brother die and Grace bludgeoning his mother, is bizarrely confirming his fears that the pair will not be together after what has happened. He then turns on her so he can get back the only thing left in his life, his (now slightly smaller) family. I loved the slightly vampiric turn the scene took as they're exposed to the morning sun, I'm not sure I'd have recoiled from it quite so much but I appreciated the comedic value it added. The family's actual demise and Grace's ghost sighting are the reason this needed to be a homedy (Still no? Whatever.), there's no way that fits in with anything more serious. And I'm sorry but overall I didn't find it that funny, much like Last Blood I was reacting to the ridiculous violence.
I like to think that as the last bit of the house disintegrates in the fire and Grace is still sitting bleeding on the steps that a firefighter comes over with the seemingly untouched magic box and hands it to her because it looks like a family heirloom. She's a Le Domas now, and everything is hers...
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/ready-or-not-spoilers-movie-review.html
What stopped me in my tracks a little was what the film was trying to be. I thought it was going to be a homedy (yes I'm still trying to make my horror-comedy hybrid work), your traditional crazy horror with a comedic leaning... but what happened was a lot of drama, they were actually trying to be serious. Well, as serious as you can get when you're in the middle of hunting a bride on her wedding night. When mother and son sit to have a heart to heart I was actually taken out of the film for a moment as it wasn't in keeping with what else was happening.
Had this gone all the way over to crazy horror I would have given it a higher rating, they're fast paced and entertaining, the slight indecisiveness of what came to the screen really knocked it down for me. Even with the bizarre magic box tradition this film could have been something more serious but not by the time we get to that ending.
I'm really thankful that this game adaptation was at least better than Truth Or Dare. I don't think I could stand another stinker like that. The story is a nice easy one to get along with, family acquire a magic box that keeps them thriving and all they have to do is occasionally sacrifice someone that's loved deeply by one of the family... good old Satan bringing us a solid storyline.
Samara Weaving, or as I have to keep reminding myself "not Margot Robbie", plays our blushing bride, Grace. Boy does she throw a lot at this role, I like to think she got a lot of stress relief out of this as she fights back at her would be murderers. Thankfully Grace didn't end up in many of the drama-y bits so there was little to be annoyed about. Her magic moments included punching Georgie, swearing at the car and wailing like a banshee at the end like she'd gone feral. Bravo! But I think the best and worst bit was when she climbed out of hell, you knew what she was thinking, you knew she had no option and oh my god did I hurt in sympathy.
Adam Brody has to be the other stand out performance for me as the brother-in-law, Daniel Le Domas. We get a very small introduction to his character as a child but it really did help you to understand the way he is and why he reacts the way he does as they hunt Grace. The guilt he has from the first Hide & Seek he participated in is clearly part of the reason he's the son who's off the rails, but he keeps his protective nature from his childhood in adulthood towards his brother and Grace. He stops and talks with Grace during the hunt and you can see him switching allegiances as we get further through the story. Brody conveys this well and is actually the one character that you can sort of sympathise with. His death is the beginning of the end and it's an emotional moment that played out well on screen. I think he probably came out better not surviving to the end of the film.
There are lots of highs and lows with various characters throughout. Fitch is the "dumb" one and there was something magical about seeing him YouTubing how to use a crossbow and later asking Charity at what point they should cut and run.
Mark O'Brien as Alex Le Domas was probably my least favourite character. His scripting felt rather bland compared to some of the others... but mainly... what an arsehole! Just live in sin man! Why potentially doom her, I'm sure it wouldn't have been too hard to fall off the radar somehow. If he was already slightly estranged I can't see that going altogether would be much of a stretch.
Alex also gets what is possibly the most annoying part of the script, he's handcuffed to the bed and he starts using the chain as a saw to try to get through the ornamental bar... these aren't bit of Ikea furniture... in what universe is that going to work in this timeframe?! Stand up and throw your weight on it until it snaps! I was wondering if he was actually trying to break the handcuffs (an equally stupid idea), and do we actually see how he gets out of them? Now I've confused myself.
Anyway, this will become an epic if I don't move on.
I quite liked the way the film looked, once we got to the evening the whole set became a beautiful golden autumnal palette and it gave you a sense of wealth and history, but when you add in the blood and seeking you get a real sense of the hiding (that makes sense in my head). It did at times become dark, it was never so bad that you couldn't see what was happening but it allowed for the reintroduction of light at the end as the house burns behind her which was a nice touch.
The final sequence should probably get its own mention. Alex, obviously about to break after seeing his brother die and Grace bludgeoning his mother, is bizarrely confirming his fears that the pair will not be together after what has happened. He then turns on her so he can get back the only thing left in his life, his (now slightly smaller) family. I loved the slightly vampiric turn the scene took as they're exposed to the morning sun, I'm not sure I'd have recoiled from it quite so much but I appreciated the comedic value it added. The family's actual demise and Grace's ghost sighting are the reason this needed to be a homedy (Still no? Whatever.), there's no way that fits in with anything more serious. And I'm sorry but overall I didn't find it that funny, much like Last Blood I was reacting to the ridiculous violence.
I like to think that as the last bit of the house disintegrates in the fire and Grace is still sitting bleeding on the steps that a firefighter comes over with the seemingly untouched magic box and hands it to her because it looks like a family heirloom. She's a Le Domas now, and everything is hers...
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/ready-or-not-spoilers-movie-review.html
Cyn Armistead (14 KP) rated Charmed (Ghost Hunters, #0.5; Winston Brothers, #2) in Books
Mar 1, 2018
I picked up this book to read just one of the four novellas, "Pandora's Bottle" by Eileen Wilks, because I've enjoyed her Lupi books. Honestly, it was the weakest of the four. (Seriously—why would a djinn's magic be tied in any way to Halloween?)
Ordinarily, I would have moved on to another book right away. <i>Charmed</i> is very clearly a romance anthology, and I'm not a romance fan.
On the other hand, I was doing something involving a lot of waiting, and <i>Charmed</i> happened to be the book that was in my hands. I decided to try something new for me, so I read the other stories and tried to judge them <b>as</b> romance stories. Failing that, I tried to at least be less annoyed at the standard romance "stuff" (look, it's almost 5am and I do not know where my thesaurus is).
So—Jayne Castle's "Bridal Jitters" was set in a world I'd like to know more about. The relationship barrier was a bit contrived, but at least it was relatively fresh (to me).
Julie Beard's "Man in the Mirror" started with a handicap: I detest all those modern-person-goes-back-to-good-old-days stories, <b>especially</b> the romances. She saved the tale from total suckage by turning things around a bit.
Finally, "Tangled Dreams" by Lori Foster is our obligatory ghost story. The ghosts are the good people here, and they're matchmaking merrily while trying to warn the living occupant of their house that all is not well. From her prose, I have to wonder if Ms. Foster really thinks that the scenes she describes are "kinky" to most people? There's nothing to get your harness in a knot over, though, just a little light bondage.
So the volume wasn't torturous, and it did provide me with some distraction. Changing my attitude almost certainly helped me enjoy these stories a bit more. I don't think I'm likely to start seeking out romances, but with so much "paranormal romance" all over the shelves, I should probably get used to having somebody's romance in my fantasy.
Ordinarily, I would have moved on to another book right away. <i>Charmed</i> is very clearly a romance anthology, and I'm not a romance fan.
On the other hand, I was doing something involving a lot of waiting, and <i>Charmed</i> happened to be the book that was in my hands. I decided to try something new for me, so I read the other stories and tried to judge them <b>as</b> romance stories. Failing that, I tried to at least be less annoyed at the standard romance "stuff" (look, it's almost 5am and I do not know where my thesaurus is).
So—Jayne Castle's "Bridal Jitters" was set in a world I'd like to know more about. The relationship barrier was a bit contrived, but at least it was relatively fresh (to me).
Julie Beard's "Man in the Mirror" started with a handicap: I detest all those modern-person-goes-back-to-good-old-days stories, <b>especially</b> the romances. She saved the tale from total suckage by turning things around a bit.
Finally, "Tangled Dreams" by Lori Foster is our obligatory ghost story. The ghosts are the good people here, and they're matchmaking merrily while trying to warn the living occupant of their house that all is not well. From her prose, I have to wonder if Ms. Foster really thinks that the scenes she describes are "kinky" to most people? There's nothing to get your harness in a knot over, though, just a little light bondage.
So the volume wasn't torturous, and it did provide me with some distraction. Changing my attitude almost certainly helped me enjoy these stories a bit more. I don't think I'm likely to start seeking out romances, but with so much "paranormal romance" all over the shelves, I should probably get used to having somebody's romance in my fantasy.
Phil Leader (619 KP) rated Kings or Pawns (Steps of Power #1) in Books
Nov 18, 2019
This book contains the usual staple fantasy races: elves, humans, dwarves, centaurs. There are epic battles and bold heroes, princesses in peril and magic. There is even a map at the front.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
