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The Gloaming
10.0
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Mara’s island is one of stories and magic. She knows she’ll eventually end her days atop the...
LGBTQ+ Magical Realism
The Inflatable Woman
Book
A Guardian Best Graphic Book of 2015 Iris (or balletgirl-42 as she's known on the internet dating...
DS
Domoruchorit: Stunning Tales from Bengali Adda
Troilokyonath Mukhopadhyay and Arnab Bhattacharya
Book
Troilokyonath Mukhopadhyay (1847-1919) is one of the foremost writers of fiction of...
AmyBee (4 KP) rated The Satanic Verses in Books
Nov 23, 2018
The best known novel that people have never read.
Contains spoilers, click to show
This is the number one work of literature (except from the Christian Bible) that people have heard of but never read. This is due to the controversy it caused when it was published, which resulted in the author receiving death threats (or a fatwa) by the Muslim community for depicting the prophet Muhammad as a paedophile.
Full of magic realism and fantasy elements, The Satanic Verses is a rollercoaster ride of epic proportions. An absolute must read for the secular and religious communities because it makes one think deeply about religious matters.
Full of magic realism and fantasy elements, The Satanic Verses is a rollercoaster ride of epic proportions. An absolute must read for the secular and religious communities because it makes one think deeply about religious matters.
It Happened Tomorrow
Book
A mystery drama set in communist Romania in the 1970's, It Happened Tomorrow is a spin off from In...
Lottie disney bookworm (1056 KP) rated Thread Needle in Books
Jun 17, 2021
“Magic is the first sin. It must be bound.”
Anna is an orphan, she is a witch with no magic, she is a nobody.
Raised by her aunt in London since her parents’ death when she was just 3 months old, Anna leads a monotonous life of school, homework, chores and learning to control her magic. Not that she has much magic to control, but Anna has been raised in the shadow of the Binders, a coven who believe magic is a sin and who will bind Anna’s magic when she turns 16. Until then, Anna must not draw attention to herself or the world of magic, she must shrink and she must be invisible. Only when her magic is bound will she be safe…or so the Binders would lead her to believe.
Threadneedle begins around Anna’s 15th birthday, when Anna and her Aunt receive a surprise visit from a family friend (and witch) Selene, her daughter Effie and friend Attis. Anna has idolised Selene since her childhood but I imagine even she did not anticipate this birthday visit to change her life so significantly.
Selene, Effie and Attis are the complete opposite of the Binders, using magic freely and unreservedly: they open up a whole new world to the reluctant Anna and even convince her to create a coven with them, discovering new witches right under their noses. However, as Anna practices magic more, a peculiar symbol seems to haunt her; the symbol of the eye – the symbol of a curse.
The majority of Threadneedle takes place within Anna’s home and school. Anna’s life as a nobody at school is turned on its head with Effie’s arrival and she finds that, along with friends, comes the drama of a typical teenage girl. Bullying and body-shaming are key topics here and sort of edged the book into the YA category in my opinion.
Anna as a character is portrayed as an entirely ordinary teenager, if a little meek. Her aunt, in juxtaposition, is controlling and dominating, although she always expresses that this is necessary to protect Anna and comes from a place of love. Aunt is rarely referred to by her name and has an abusive hold over Anna, punishing her with magic if she so much as shows a flicker of emotion. The reader witnesses Anna’s emotional and physical abuse at the hands of her Aunt, with Cari Thomas even beginning each chapter with one of the Binders’ tenets, signifying the brainwashing nature of the coven.
Anna doesn’t remain meek for long though: fuelled by her intrigue of magic and the mystery behind her parent’s death, Anna soon starts pushing the boundaries that she has lived within for so long. Will she succeed and manage to discover the magical world that surrounds her? Or will her magic be knotted before she gets the chance?
Despite being set in present-day London, Thomas really does introduce an entirely new world of magic with different magical languages, different covens and the constant threat of The Hunters. I found the mixture of darkness and realism incredible.
I also loved the fact that the magic and non-magic worlds run side by side in Thomas’ world but I am very conscious that any magical book written post-Harry Potter is obviously going to have comparisons made. However, Anna does not have the safety of Hogwarts or a doting headmaster to fall back on. There are no teachers providing an education in magic, she must find her magic on her own. No this is a far cry from Harry Potter; Threadneedle is more like a bubbling mixture of Charmed, with a ladle full of Mean Girls and a teaspoon of The Craft for good measure.
The sheer amount of world building by Cari Thomas means that the first few chapters of Threadneedle can feel quite slow but the novel soon settles into place. Thomas also has almost a rhythmic quality to her narrative, with fast-paced writing in dramatic spots before slowing right down again to represent Anna’s isolation. The final chapters were so captivating, with several mysteries that had been steadily growing finally coming to a head: I couldn’t read this fast enough.
Threadneedle is the first in the Language of Magic series by Cari Thomas and it is one hell of a debut! From prophecies and poison to bullies and love triangles; magical libraries, witch hunters and more plot twists than you can imagine, this book has it all. Thomas’ writing is so clever that towards the end of the book even the reader doesn’t know who to believe any more!
Thank you to HarperCollins, and NetGalley for the opportunity to discover this new world. The hype around this book is going to be crazy and it is completely deserved.
Anna is an orphan, she is a witch with no magic, she is a nobody.
Raised by her aunt in London since her parents’ death when she was just 3 months old, Anna leads a monotonous life of school, homework, chores and learning to control her magic. Not that she has much magic to control, but Anna has been raised in the shadow of the Binders, a coven who believe magic is a sin and who will bind Anna’s magic when she turns 16. Until then, Anna must not draw attention to herself or the world of magic, she must shrink and she must be invisible. Only when her magic is bound will she be safe…or so the Binders would lead her to believe.
Threadneedle begins around Anna’s 15th birthday, when Anna and her Aunt receive a surprise visit from a family friend (and witch) Selene, her daughter Effie and friend Attis. Anna has idolised Selene since her childhood but I imagine even she did not anticipate this birthday visit to change her life so significantly.
Selene, Effie and Attis are the complete opposite of the Binders, using magic freely and unreservedly: they open up a whole new world to the reluctant Anna and even convince her to create a coven with them, discovering new witches right under their noses. However, as Anna practices magic more, a peculiar symbol seems to haunt her; the symbol of the eye – the symbol of a curse.
The majority of Threadneedle takes place within Anna’s home and school. Anna’s life as a nobody at school is turned on its head with Effie’s arrival and she finds that, along with friends, comes the drama of a typical teenage girl. Bullying and body-shaming are key topics here and sort of edged the book into the YA category in my opinion.
Anna as a character is portrayed as an entirely ordinary teenager, if a little meek. Her aunt, in juxtaposition, is controlling and dominating, although she always expresses that this is necessary to protect Anna and comes from a place of love. Aunt is rarely referred to by her name and has an abusive hold over Anna, punishing her with magic if she so much as shows a flicker of emotion. The reader witnesses Anna’s emotional and physical abuse at the hands of her Aunt, with Cari Thomas even beginning each chapter with one of the Binders’ tenets, signifying the brainwashing nature of the coven.
Anna doesn’t remain meek for long though: fuelled by her intrigue of magic and the mystery behind her parent’s death, Anna soon starts pushing the boundaries that she has lived within for so long. Will she succeed and manage to discover the magical world that surrounds her? Or will her magic be knotted before she gets the chance?
Despite being set in present-day London, Thomas really does introduce an entirely new world of magic with different magical languages, different covens and the constant threat of The Hunters. I found the mixture of darkness and realism incredible.
I also loved the fact that the magic and non-magic worlds run side by side in Thomas’ world but I am very conscious that any magical book written post-Harry Potter is obviously going to have comparisons made. However, Anna does not have the safety of Hogwarts or a doting headmaster to fall back on. There are no teachers providing an education in magic, she must find her magic on her own. No this is a far cry from Harry Potter; Threadneedle is more like a bubbling mixture of Charmed, with a ladle full of Mean Girls and a teaspoon of The Craft for good measure.
The sheer amount of world building by Cari Thomas means that the first few chapters of Threadneedle can feel quite slow but the novel soon settles into place. Thomas also has almost a rhythmic quality to her narrative, with fast-paced writing in dramatic spots before slowing right down again to represent Anna’s isolation. The final chapters were so captivating, with several mysteries that had been steadily growing finally coming to a head: I couldn’t read this fast enough.
Threadneedle is the first in the Language of Magic series by Cari Thomas and it is one hell of a debut! From prophecies and poison to bullies and love triangles; magical libraries, witch hunters and more plot twists than you can imagine, this book has it all. Thomas’ writing is so clever that towards the end of the book even the reader doesn’t know who to believe any more!
Thank you to HarperCollins, and NetGalley for the opportunity to discover this new world. The hype around this book is going to be crazy and it is completely deserved.
Awix (3310 KP) rated Tell It to the Bees (2019) in Movies
Jul 24, 2019 (Updated Jul 25, 2019)
Well-staged hats-and-ciggies period drama struggles to find anything new to say, or indeed to surprise or engage in any way. Much-put-upon single mum (Grainger) meets newly-arrived town doctor (Paquin) in a laborious cute-meet; what follows you can probably write for yourself, with the exception of a really weird climax involving bees (the bees are a sort of motif throughout, but it's still weird).
Reasonably good acting, although Paquin's attempt at a Scottish accent is not particularly easy on the ear. The problem is that the film is deeply predictable and not especially subtle (the girl-on-girl stuff is classily handled, though). I found it quite heavy going; the bit with the magic bees is a genuine 'You WHAT?' moment bafflingly at odds with the dour realism of much of the rest of the film.
Reasonably good acting, although Paquin's attempt at a Scottish accent is not particularly easy on the ear. The problem is that the film is deeply predictable and not especially subtle (the girl-on-girl stuff is classily handled, though). I found it quite heavy going; the bit with the magic bees is a genuine 'You WHAT?' moment bafflingly at odds with the dour realism of much of the rest of the film.
Rafe Jadison (9 KP) rated Marella (Wraidd Elfennol 1) in Books
Nov 27, 2017
Great Read
Whether you are a young adult, or just young at heart, you are bound to love "Marella." I'm still not sure what I enjoyed most about this novel. In the beginning, I was impressed with the author's detailed and flavorful world building as she draws us into a world of wonder with delightful characters who care about each other and the world they live in. It's a world full of animals who bond with people and the hint of magic bound in realism. I soon found myself as protective of the main character as her family while I watched her begin her journey into adulthood. An explanatory and intriguing ending are sending me off to the next book in this series with the sincere hope that Morgan Sheppard will be writing many more in this series because I just found my new book addiction.
One Hundred Years of Solitude
Gabriel García Márquez and Gregory Rabassa
8.5
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Equally tragic, joyful and comical, Gabriel Garcia Marquez's masterpiece of magical realism, One...
The Ghost Theatre
10.0
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TO LOVE IS TO FALL . . . On a rooftop in Elizabethan London two worlds collide. Shay is a...
Historical fiction Magical Realism Literary fiction magic Birds