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This has been borrowed from the Kindle Unlimited Library.

This starts with Lexi and some of the crew heading up a mountain in the hopes of recruiting a strong rock/stone giant to their crew as they gear up to appear at the Magical Summit in a few months time where Kieran will hope to become the recognised Demigod of San Francisco. Kieran doesn't know where she's heading and they're all hoping to get the giant on side before he realises. Then a ghost who used to be a spirit walker gives Alexis details of someone else who'd be good for the team and they head out after him, too. There's also the issue of Lydia, a Demigod of Egypt, who has invited them to her territory after being caught sneaking around their property. Kieran is hoping for an alliance with her so they go.

I do still really love this group of people. They are one big extended family that look after each other and compliment each others abilities magically. The new additions are great characters and I quickly grew to like both of them. I loved watching them all kick arse in this at the end. I was willing them on and grinning like an idiot at times.

There was a little twist/surprise at the end revolving around Magnus, Lexi's dad, that has me intrigued to see what might go down in the last book at the magical summit, so I'm off to go borrow it from the KU Library.
  
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ClareR (5674 KP) rated Sistersong in Books

Aug 9, 2021  
Sistersong
Sistersong
Lucy Holland | 2021 | Fiction & Poetry, LGBTQ+, Science Fiction/Fantasy, Young Adult (YA)
10
10.0 (1 Ratings)
Book Rating
Sistersong is a stunning story, steeped in the mythology of Ancient Britain. It’s set in Dumnonia (a real place - I googled it. It was in SW England where Cornwall, Devon and some of West Somerset are now), at a time of great change and fear. Christianity is making itself known, and the Saxons are a very real threat. King Cador has lost his magical connection to his Land, due to the threats and sermons of a priest called Gildas. With this loss comes the danger of the Dumnonians being unable to protect themselves effectively, and the land not providing food for them.

Cadors three daughters do still have that magical connection. The story is told from their perspective. The eldest, Riva, has been badly burnt in the past, and whilst she can heal others, she can’t heal herself.

Keyne, although born female, has never felt female and longs to be recognised as a man.

Sinne, the youngest, lives for love and flirtation.

 When an emissary from another kingdom arrives, he drives a wedge between Riva and Sinne. They see their chance at escape from the Hold. Whilst this is happening, Keyne trains with Myrdin, in the hope that he’ll be recognised as next in line to the throne.

I loved this book - it has all of my favourite elements in a story: mythology, history, magic, lies, deceit, the love of family and siblings, along with the themes of duty and identity. It really packs a punch. The world building is fantastic, and thoroughly immersive. Highly recommended!
  
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Gaz Coombes recommended track Copenhagen by Scott Walker in Scott 3 by Scott Walker in Music (curated)

 
Scott 3 by Scott Walker
Scott 3 by Scott Walker
1969 | Pop, Singer-Songwriter
7.0 (1 Ratings)
Album Favorite

Copenhagen by Scott Walker

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"I was playing Scott 3 quite a lot at Christmas and there’s something about this song that’s more Christmassy than Christmas songs. It’s just kind of magical, that’s how I’d describe ‘Copenhagen’, it’s magical. “I think this song is my highlight from Scott 3, there’s something about ‘Copenhagen’ for me. I think it’s the instrumentation and the orchestration on it, it’s utterly gorgeous, the sound of it is really, really beautiful and then there’s his voice over the top, the lyrics and his delivery. I guess it’s rooted in that crooner area but there’s a tenderness to it. ‘Copenhagen’ has a delicacy to it and I’ve always loved the vulnerability of it as well, like there’s crack in his voice. I’m just in love with this song. “I think a lot of people like Scott Walker songs because they touch on stylistic elements that could be seen as more commercial or just normal or standard in some way, but they’re not. When you hear how he delivers this there’s an off-kilter feel to it, an oddness to it. It’s got a beauty but it’s not really an obvious beauty and he manages to walk that line really well, between darkness and beauty. “That’s another thing that I love about the whole album Scott 3, it is quite dark, but it’s dark and beautiful and those two things are something that I’m really in tune with, a sort of dark beauty and that’s what Scott Walker does really well."

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