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When this little gets in trouble, it’s Daddy to the rescue THOMAS Since a knee injury forced...
okletmereviewit (4 KP) rated Doctor Strange (2016) in Movies
May 11, 2018
One heck of a ride
Contains spoilers, click to show
I went to see Doctor Strange last night and let me tell you, it was one hell of a ride. I saw it in 3D which is the only way I will watch movies nowadays, because its so immersive and makes the movie really come alive, at least in my opinion. Marvel Studios did a really amazing job on capturing the essence of this movie. If you want a good idea on how it is, think The Matrix meets Inception, meets Harry Potter.
If you don't know the story of Doctor Strange, well let me fill you in. Dr. Steven Strange was a brilliant neurosurgeon, and an egotist. In the movie, we find Doctor Strange (played by Benedict Cumberbatch) washing up to perform brain surgery. His prideful, ways have him showboating the surgery by not waiting for any imaging equipment and dislodging a bullet from the brain of a person who was thought to be dead.
After he has preformed a miracle surgery, he is rushing through traffic to go to a gala, when he hits another car, and crashes. In the process of crashing he crushes his hands, the very tools to which he was made famous for. After countless surgeries and experimental procedures he is left in destitute.
He then begins to wander the city and comes across a man who had sever spinal cord injury and was supposed to never walk again, but was and playing basketball, who tells him of a spiritual retreat that he went on in order to heal himself. Using what money he has left Dr. Strange flies to Kathmandu to search out this mystical temple and its healer.
He wanders the streets of Kathmandu, looking for any signs of where this holy temple may be. Getting desperate, and weary of looking. He makes a fated turn down a back alley street, where he is assaulted by a group of Pick Pockets, who target him as easy prey. They are quickly dispatched as Mordo (played by Chiwetel Ejiofor) beats them down, thus saving Strange from certain death by the hands of petty thugs.
Mordo takes Dr. Strange to the temple, explaining that The Ancient One (played by Tilda Swinton) may be able to help him, but that he would have to be very humble in asking for help. Dr. Strange with his medical, and scientific knowledge, begins to dismiss the teachings and workings of The Ancient One, as no more than metaphysical BS. The Ancient One then sends Dr. Strange on a quick out of body journey throughout the multiverse the whole time narrating the journey with deep wisdom. And then quickly after he is brought back from this journey he is banished to the streets and the doors locked behind him. Begging and pleading for hours, Mordo convinces The Ancient One to accept him for training.
Through what can be assumed as months of training, Dr. Steven Strange begins learning the mystical arts and excelling at a phenomenal rate. While studying he discovers The Eye of Agamotto. A powerful talisman capable of augmenting time and space. He then uses it to reveal the missing pages of a manuscript, and discovers that The Ancient One has been harnessing energies from a dark dimension to prolong her life, and a realm of a dimensional being known as Dormammu. Dormammu wants nothing else than to absorb the Earth into his being and make it part of the dark dimension. Doctor Strange then learns that Dormammu's henchmen are devising a plot to overtake 3 power houses throughout the world, in order to allow his reign of power to be complete.
Doctor Strange then must battle Kaecilius (played by Mads Mikkelsen) a former student of The Ancient One, and top disciple of Dormammu, for control of the Sanctum's (three mystical power houses that create a magical shield that protects the earth). This is the point in the movie where Steven begins to really take point and understand the extent of the power that he has learned. An epic magical battle of the wills ensues where Dr. Strange, Mordo, and Kaecillius, all take the the streets of New York in 'Mirror Dimension' where Kaecillius bends space and time to create an augmented reality (if you have seen Inception this is where they flip the world upside down and sideways and things get really visually intense), The battle of wills continues until finally The Ancient One joins the fight and battles her former pupil in a no holds battle. She is then critically injured and all of reality returns to normal. As she lays dying in a hospital room, she and Strange exchange an emotional yet sagely goodbye on the Astral Plane.
Doctor Strange returns to the New York Sanctum only to find that it had been destroyed. He and Mordo go to Hong Kong, the where they discover that the last Sanctum has fallen and that Dormammu is in the process of over taking the Earth with help from his lackey Kaecillius. Acting on instinct and whim, Doctor Strange uses The Eye of Agamotto to turn back time and restore the city and Sanctum back to its original form, when Kaecillius breaks the spell and concentration of Doctor Strange. DS then flies into the heart of the dark dimension bringing along with him The Eye of Agamotto, where he then traps Dormammu and himself in an endless time loop. Driving Dormammu mad realizing that he is trapped inside of time and no longer existing outside of time. Strange strikes a bargain that Dormammu will retreat from the Earth and take with him all of his followers never to return again, to which a defeated and angry Dormammu agrees and calls back his forces. The movie ends with Doctor Strange taking up the mantel of Sorcerer Supreme.
If you don't know the story of Doctor Strange, well let me fill you in. Dr. Steven Strange was a brilliant neurosurgeon, and an egotist. In the movie, we find Doctor Strange (played by Benedict Cumberbatch) washing up to perform brain surgery. His prideful, ways have him showboating the surgery by not waiting for any imaging equipment and dislodging a bullet from the brain of a person who was thought to be dead.
After he has preformed a miracle surgery, he is rushing through traffic to go to a gala, when he hits another car, and crashes. In the process of crashing he crushes his hands, the very tools to which he was made famous for. After countless surgeries and experimental procedures he is left in destitute.
He then begins to wander the city and comes across a man who had sever spinal cord injury and was supposed to never walk again, but was and playing basketball, who tells him of a spiritual retreat that he went on in order to heal himself. Using what money he has left Dr. Strange flies to Kathmandu to search out this mystical temple and its healer.
He wanders the streets of Kathmandu, looking for any signs of where this holy temple may be. Getting desperate, and weary of looking. He makes a fated turn down a back alley street, where he is assaulted by a group of Pick Pockets, who target him as easy prey. They are quickly dispatched as Mordo (played by Chiwetel Ejiofor) beats them down, thus saving Strange from certain death by the hands of petty thugs.
Mordo takes Dr. Strange to the temple, explaining that The Ancient One (played by Tilda Swinton) may be able to help him, but that he would have to be very humble in asking for help. Dr. Strange with his medical, and scientific knowledge, begins to dismiss the teachings and workings of The Ancient One, as no more than metaphysical BS. The Ancient One then sends Dr. Strange on a quick out of body journey throughout the multiverse the whole time narrating the journey with deep wisdom. And then quickly after he is brought back from this journey he is banished to the streets and the doors locked behind him. Begging and pleading for hours, Mordo convinces The Ancient One to accept him for training.
Through what can be assumed as months of training, Dr. Steven Strange begins learning the mystical arts and excelling at a phenomenal rate. While studying he discovers The Eye of Agamotto. A powerful talisman capable of augmenting time and space. He then uses it to reveal the missing pages of a manuscript, and discovers that The Ancient One has been harnessing energies from a dark dimension to prolong her life, and a realm of a dimensional being known as Dormammu. Dormammu wants nothing else than to absorb the Earth into his being and make it part of the dark dimension. Doctor Strange then learns that Dormammu's henchmen are devising a plot to overtake 3 power houses throughout the world, in order to allow his reign of power to be complete.
Doctor Strange then must battle Kaecilius (played by Mads Mikkelsen) a former student of The Ancient One, and top disciple of Dormammu, for control of the Sanctum's (three mystical power houses that create a magical shield that protects the earth). This is the point in the movie where Steven begins to really take point and understand the extent of the power that he has learned. An epic magical battle of the wills ensues where Dr. Strange, Mordo, and Kaecillius, all take the the streets of New York in 'Mirror Dimension' where Kaecillius bends space and time to create an augmented reality (if you have seen Inception this is where they flip the world upside down and sideways and things get really visually intense), The battle of wills continues until finally The Ancient One joins the fight and battles her former pupil in a no holds battle. She is then critically injured and all of reality returns to normal. As she lays dying in a hospital room, she and Strange exchange an emotional yet sagely goodbye on the Astral Plane.
Doctor Strange returns to the New York Sanctum only to find that it had been destroyed. He and Mordo go to Hong Kong, the where they discover that the last Sanctum has fallen and that Dormammu is in the process of over taking the Earth with help from his lackey Kaecillius. Acting on instinct and whim, Doctor Strange uses The Eye of Agamotto to turn back time and restore the city and Sanctum back to its original form, when Kaecillius breaks the spell and concentration of Doctor Strange. DS then flies into the heart of the dark dimension bringing along with him The Eye of Agamotto, where he then traps Dormammu and himself in an endless time loop. Driving Dormammu mad realizing that he is trapped inside of time and no longer existing outside of time. Strange strikes a bargain that Dormammu will retreat from the Earth and take with him all of his followers never to return again, to which a defeated and angry Dormammu agrees and calls back his forces. The movie ends with Doctor Strange taking up the mantel of Sorcerer Supreme.
Bob Mann (459 KP) rated The Shape of Water (2017) in Movies
Sep 29, 2021
A mystical tale of fish and fingers.
With perfect timing after scooping 13 Oscar nominations, “The Shape of Water” arrives for preview screenings in the UK. Is it worth all the hype?
Well, in a word, yes.
Not since Spielberg entranced the world in 1982 with a love story between an isolated and lonely child and an alien, stranded a million light-years from home, have we seen a magical fairy-tale so well told.
Cleaning up at the (box) office. Sally Hawkins and Doug Jones as the creature.
Here Lewisham’s own Sally Hawkins (“Paddington”, “Godzilla“) plays Elisa Esposito, an attractive but mousy mute living above a cinema and next door to her best friend: a struggling artist called Giles (Richard Jenkins). Sexually-frustrated, Elisa works out those tensions in the bath every morning before heading off to work as a cleaner at a government research institute. Together with partner Zelda Fuller (Octavia Spencer, “Hidden Figures“) she is asked to clean a highly secured room where a mysterious aquatic creature is being studied by the cruel and militaristic Strickland (Michael Shannon, “Midnight Special“, “Nocturnal Animals“) and the more compassionate scientist Hoffstetler. (The latter is played by Michael Stuhlbarg (“Miss Sloane“, “Steve Jobs“) in a performance that wasn’t recognised by the Academy, but for me really held the film’s story together). Elisa forms a relationship with the creature, and as the scientific investigations turn darker, she becomes determined to help him.
When you think about it, the similarities in the screenplay with E.T. are quite striking. But this is most definitely not a kid’s film, containing full frontal nudity, sex and some considerable violence, some of it “hands-over-the-eyes” worthy. Most of this violence comes courtesy of Shannon’s character, who is truly monstrous. He is uncontrollably vicious, single-minded and amoral: a hand over the mouth to silence his wife during vigourous sex cleverly belies where his true lust currently lies. (Shannon is just so convincing in all of his roles that, after “Nocturnal Animals“, it is a bit of a surprise to see that he is still alive and well!)
It’s worth pointing out for balance at this point that my wife thought this portrayal was over-egged for its villany, and she rated the film less highly than I did because of it.
Michael Shannon as evil incarnate.
So its no Oscar nomination this time for Shannon as a supporting actor. But that honour goes to Richard Jenkins, who is spectacularly good as the movie-musical-loving and pie-munching neighbour who is drawn unwillingly into Elisa’s plans. Giles is a richly fashioned character – also the film’s narrator – who struggles to fit in with the cruel and rascist 1962 world that he finds himself in. “Sometimes I think I was born too early or too late for my life” he bemoans to the creature whose loneliness he relates to. A scene in a cafe where he fastidiously wipes all traces of pie-filling from his tongue is masterfully done.
Richard Hawkins and Sally Hawkins, hatching a plan.
Octavia Spencer is also Oscar nominated for Best Supporting Actress, and it’s a magical partnership she shares with Hawkins, with each bouncing off each other wonderfully.
This leads to a ‘no brainer’ Oscar nomination for Sally Hawkins who delivers a star turn. She has to go through such a huge range of emotions in this film, and she genuinely makes you really care about the outcome like few films this year. It’s a little tricky since I haven’t seen “I Tonya” or “Ladybird” yet, but I would have thought that Ms Hawkins is going to possibly give Frances McDormand the closest run for her money on March 4th. My money would still be on McDormand for “3 Billboards Outside Ebbing, Missouri“, but the Oscar voters are bound to love “The Shape of Water”. For like “La La Land” last year, the film is (rather surprisingly for me) another love letter to Hollywood’s golden years, with Elisa and Giles living out their lives with classic movie music and dance numbers: a medium that Elisa only ever truly finds here “voice” through.
Eliza and Zelda about to give two fingers to the establishment.
In the technical categories the Oscar nominations were for Cinematography (Dan Laustsen); Film Editing (Sidney Wolinsky); Sound Editing (Nathan Robitaille and Nelson Ferreira); Sound Mixing (Glen Gauthier, Christian Cooke and Brad Zoern); Production Design (Paul D. Austerberry, Jeffrey A. Melvin and Shane Vieau); Original Score (Alexandre Desplat) and Costume Design (Luis Sequeira). And you really wouldn’t want to bet against any of these not to win, for the film is a technical delight. Right from the dreamlike opening titles (arguably, they missed a deserved nomination here for Visual Effects), the film is gorgeous to look at, with such brilliant detail in the production design that there is interesting stuff to look at in every frame. And the film editing is extraordinary: Elisa wobbles on the bucket she’s standing on, but it’s Strickland’s butt, perched on a table, that slips off. This is a film that deserves multiple repeat viewings.
The monster feeding the monster. Nick Searcy as General Hoyt with Strickland (Michael Shannon).
An the helm is the multi-talented Guillermo del Toro (“Pacific Rim”, “Crimson Peak”) who both directed and co-wrote the exceptionally smart screenplay (with Vanessa Taylor, “Divergent”) and is nominated for both. I actually found the story to be rather predictable, as regards Elisa’s story arc, but that in no way reduced my enjoyment of the film. For the “original screenplay” is nothing if not “original”…. it’s witty, intelligent and shocking at different turns.
The violence and sex won’t be for everyone… but this is a deep and rich movie experience that everyone who loves the movies should at least appreciate… hopefully in a dry cinema!
Well, in a word, yes.
Not since Spielberg entranced the world in 1982 with a love story between an isolated and lonely child and an alien, stranded a million light-years from home, have we seen a magical fairy-tale so well told.
Cleaning up at the (box) office. Sally Hawkins and Doug Jones as the creature.
Here Lewisham’s own Sally Hawkins (“Paddington”, “Godzilla“) plays Elisa Esposito, an attractive but mousy mute living above a cinema and next door to her best friend: a struggling artist called Giles (Richard Jenkins). Sexually-frustrated, Elisa works out those tensions in the bath every morning before heading off to work as a cleaner at a government research institute. Together with partner Zelda Fuller (Octavia Spencer, “Hidden Figures“) she is asked to clean a highly secured room where a mysterious aquatic creature is being studied by the cruel and militaristic Strickland (Michael Shannon, “Midnight Special“, “Nocturnal Animals“) and the more compassionate scientist Hoffstetler. (The latter is played by Michael Stuhlbarg (“Miss Sloane“, “Steve Jobs“) in a performance that wasn’t recognised by the Academy, but for me really held the film’s story together). Elisa forms a relationship with the creature, and as the scientific investigations turn darker, she becomes determined to help him.
When you think about it, the similarities in the screenplay with E.T. are quite striking. But this is most definitely not a kid’s film, containing full frontal nudity, sex and some considerable violence, some of it “hands-over-the-eyes” worthy. Most of this violence comes courtesy of Shannon’s character, who is truly monstrous. He is uncontrollably vicious, single-minded and amoral: a hand over the mouth to silence his wife during vigourous sex cleverly belies where his true lust currently lies. (Shannon is just so convincing in all of his roles that, after “Nocturnal Animals“, it is a bit of a surprise to see that he is still alive and well!)
It’s worth pointing out for balance at this point that my wife thought this portrayal was over-egged for its villany, and she rated the film less highly than I did because of it.
Michael Shannon as evil incarnate.
So its no Oscar nomination this time for Shannon as a supporting actor. But that honour goes to Richard Jenkins, who is spectacularly good as the movie-musical-loving and pie-munching neighbour who is drawn unwillingly into Elisa’s plans. Giles is a richly fashioned character – also the film’s narrator – who struggles to fit in with the cruel and rascist 1962 world that he finds himself in. “Sometimes I think I was born too early or too late for my life” he bemoans to the creature whose loneliness he relates to. A scene in a cafe where he fastidiously wipes all traces of pie-filling from his tongue is masterfully done.
Richard Hawkins and Sally Hawkins, hatching a plan.
Octavia Spencer is also Oscar nominated for Best Supporting Actress, and it’s a magical partnership she shares with Hawkins, with each bouncing off each other wonderfully.
This leads to a ‘no brainer’ Oscar nomination for Sally Hawkins who delivers a star turn. She has to go through such a huge range of emotions in this film, and she genuinely makes you really care about the outcome like few films this year. It’s a little tricky since I haven’t seen “I Tonya” or “Ladybird” yet, but I would have thought that Ms Hawkins is going to possibly give Frances McDormand the closest run for her money on March 4th. My money would still be on McDormand for “3 Billboards Outside Ebbing, Missouri“, but the Oscar voters are bound to love “The Shape of Water”. For like “La La Land” last year, the film is (rather surprisingly for me) another love letter to Hollywood’s golden years, with Elisa and Giles living out their lives with classic movie music and dance numbers: a medium that Elisa only ever truly finds here “voice” through.
Eliza and Zelda about to give two fingers to the establishment.
In the technical categories the Oscar nominations were for Cinematography (Dan Laustsen); Film Editing (Sidney Wolinsky); Sound Editing (Nathan Robitaille and Nelson Ferreira); Sound Mixing (Glen Gauthier, Christian Cooke and Brad Zoern); Production Design (Paul D. Austerberry, Jeffrey A. Melvin and Shane Vieau); Original Score (Alexandre Desplat) and Costume Design (Luis Sequeira). And you really wouldn’t want to bet against any of these not to win, for the film is a technical delight. Right from the dreamlike opening titles (arguably, they missed a deserved nomination here for Visual Effects), the film is gorgeous to look at, with such brilliant detail in the production design that there is interesting stuff to look at in every frame. And the film editing is extraordinary: Elisa wobbles on the bucket she’s standing on, but it’s Strickland’s butt, perched on a table, that slips off. This is a film that deserves multiple repeat viewings.
The monster feeding the monster. Nick Searcy as General Hoyt with Strickland (Michael Shannon).
An the helm is the multi-talented Guillermo del Toro (“Pacific Rim”, “Crimson Peak”) who both directed and co-wrote the exceptionally smart screenplay (with Vanessa Taylor, “Divergent”) and is nominated for both. I actually found the story to be rather predictable, as regards Elisa’s story arc, but that in no way reduced my enjoyment of the film. For the “original screenplay” is nothing if not “original”…. it’s witty, intelligent and shocking at different turns.
The violence and sex won’t be for everyone… but this is a deep and rich movie experience that everyone who loves the movies should at least appreciate… hopefully in a dry cinema!
Kyera (8 KP) rated Frozen (Heart of Dread, #1) in Books
Feb 1, 2018
The story Frozen, by Melissa de la Cruz and Michael Johnston, is a tale about a girl with powers who lives in a world unlike our own. In post-apocalyptic New Vegas, Nat fins the one object that might allow her to escape the frozen landscape. The map to help her find the Blue, a promised land untainted by the cold and destruction her world knows. A place that maybe she can live a good life and not spend each day fearful that she will be discovered.
For an established YA writer, this book is surprisingly wrought with errors and would make an English major cringe. It was a poorly written novel with a multitude of punctuation, grammar, and spelling errors. Those completely detracted from the book and made it difficult to read the novel fluidly. There was an overuse of commas, "For days upon days she had been left in the room, alone, in total silence, with little food and water, the weight of solitude becoming ever more oppressive, the silence a heaviness that she could not shake, punishment for refusing to do as she was told, punishment for being what she was." I ran out of breath just reading that incredibly long, run on sentence. It also illustrates another example, the banal repetitiveness. Some examples would be, "She walked down the road, the road that was smooth." Or "The fire that raged within her. The fire that destroyed and consumed. The fire that would destroy and consume her..." How many times does one need to write the fire? Many of the sentences are just reworded versions of the one that came before it. Unnecessarily repetitive and it makes the book sound like a novice writer threw it together in a slap-dash manner with no editor to speak of.
It also cannot decide what genre it wishes to fall under. The magical elements and new species lend itself to a label of fantasy, like books about faeries or nymphs. Paranormal romance perhaps, for the love story that blossoms over the course of the novel? Or the more recently popular zombie novels, with their diseases and alterations of the human dNA, like Forest of Teeth and Bones? Perhaps its a post-apocalyptic or dystopian style novel, akin to Divergent or the Hunger Games - with its frozen world, scarce resources, and tyrannical governments. Whatever it is, the fact that it cannot decide makes the book quite confusing. It does not flow well as a result of the colliding and conflicting worlds. There also is no world-building, which is incredibly important to me in a book. And character building, or even character personalities? Almost non-existent. I would recommend this book to young teen readers, but not anyone who finds themselves frequently noticing errors in novels (even minor ones)as this will drive you crazy. I almost didn't finish the first chapter because the book was so poorly written, but I wanted to see if it would improve.
For an established YA writer, this book is surprisingly wrought with errors and would make an English major cringe. It was a poorly written novel with a multitude of punctuation, grammar, and spelling errors. Those completely detracted from the book and made it difficult to read the novel fluidly. There was an overuse of commas, "For days upon days she had been left in the room, alone, in total silence, with little food and water, the weight of solitude becoming ever more oppressive, the silence a heaviness that she could not shake, punishment for refusing to do as she was told, punishment for being what she was." I ran out of breath just reading that incredibly long, run on sentence. It also illustrates another example, the banal repetitiveness. Some examples would be, "She walked down the road, the road that was smooth." Or "The fire that raged within her. The fire that destroyed and consumed. The fire that would destroy and consume her..." How many times does one need to write the fire? Many of the sentences are just reworded versions of the one that came before it. Unnecessarily repetitive and it makes the book sound like a novice writer threw it together in a slap-dash manner with no editor to speak of.
It also cannot decide what genre it wishes to fall under. The magical elements and new species lend itself to a label of fantasy, like books about faeries or nymphs. Paranormal romance perhaps, for the love story that blossoms over the course of the novel? Or the more recently popular zombie novels, with their diseases and alterations of the human dNA, like Forest of Teeth and Bones? Perhaps its a post-apocalyptic or dystopian style novel, akin to Divergent or the Hunger Games - with its frozen world, scarce resources, and tyrannical governments. Whatever it is, the fact that it cannot decide makes the book quite confusing. It does not flow well as a result of the colliding and conflicting worlds. There also is no world-building, which is incredibly important to me in a book. And character building, or even character personalities? Almost non-existent. I would recommend this book to young teen readers, but not anyone who finds themselves frequently noticing errors in novels (even minor ones)as this will drive you crazy. I almost didn't finish the first chapter because the book was so poorly written, but I wanted to see if it would improve.
Kyera (8 KP) rated Isla and the Happily Ever After (Anna and the French Kiss, #3) in Books
Feb 1, 2018
In the third novel of the sries, we return to enchanting Paris. Isla, who we were introduced to in the fist novel now takes centre stage. Familiar characters like John and Rashmi's younger sister Sanjita join her. We didn't know much about the artistic Josh beyond his love of snogging and frequent altercations with his girlfriend Rashmi. I am pleased to be able to watch his character develop.
The banter, or lack thereof, between Isla and Josh just makes you smile. They're both endearingly awkward and adorable together. When they go to the comic book store and Josh finds out Kurt isn't her boyfriend, the interaction is very authentic. You can almost feel his dismay turn to confusion and then happy relief.
Despite the fact that Isla has had a crush on Josh for three years, its nice to see that it doesn't come between her and her best friend, Kurt. (Well, most of the time.) Loyalty is very impotant and she won't let anyone treat him badly. Her only other relationship ended because the boy she was dating couldn't get along with Kurt. She's not the best at confronting people and speaking up, but she never lets people take advantage of her best friend or mistreat him. That person will no longer be a part of her life.
Unlike Anna, when I read about Isla and Josh they feel like the shy, exhuberant high schoolers that they are. They experience the awkwardness of first live and the misunderstandings or insecurities that come with not being entirely confortable in a relationship yet. Falling so hard and so fast, but faced with the crippling fear that the rug is going to be pulle out from under you. Isla and Josh experience it all.
Just as I hoped, the Olympics brought the gang back to Paris - plus their new additions. The inseperable Anna and St. Clair, Meredith, lovebirds Lola and Cricket, and Josh. They claim they're back for the Olympics, but something even more important and magical happens. A proposal, in Paris, on the famed bronze marker. It was a return to the city where Anna and Etienne found their other halves and officially began their happily every after. It was a simple, yet touching scene.
I'm glad we find out how Calliope does in the Olympics, although there is very little detail given. I think her story would lend itself well to a novella. But, I'll be happy with what we were given even if that does not happen.
Despite all of the struggles and heartbreak, insecurities and mistakes - Isla and Josh still find their own happily ever after. The story and sweet and heart-warming. J'adore mon <s>petit chou</s>... mon livre - I fell in love with the series "the good parts and the ugly parts" and I hope you do as well.
The banter, or lack thereof, between Isla and Josh just makes you smile. They're both endearingly awkward and adorable together. When they go to the comic book store and Josh finds out Kurt isn't her boyfriend, the interaction is very authentic. You can almost feel his dismay turn to confusion and then happy relief.
Despite the fact that Isla has had a crush on Josh for three years, its nice to see that it doesn't come between her and her best friend, Kurt. (Well, most of the time.) Loyalty is very impotant and she won't let anyone treat him badly. Her only other relationship ended because the boy she was dating couldn't get along with Kurt. She's not the best at confronting people and speaking up, but she never lets people take advantage of her best friend or mistreat him. That person will no longer be a part of her life.
Unlike Anna, when I read about Isla and Josh they feel like the shy, exhuberant high schoolers that they are. They experience the awkwardness of first live and the misunderstandings or insecurities that come with not being entirely confortable in a relationship yet. Falling so hard and so fast, but faced with the crippling fear that the rug is going to be pulle out from under you. Isla and Josh experience it all.
Just as I hoped, the Olympics brought the gang back to Paris - plus their new additions. The inseperable Anna and St. Clair, Meredith, lovebirds Lola and Cricket, and Josh. They claim they're back for the Olympics, but something even more important and magical happens. A proposal, in Paris, on the famed bronze marker. It was a return to the city where Anna and Etienne found their other halves and officially began their happily every after. It was a simple, yet touching scene.
I'm glad we find out how Calliope does in the Olympics, although there is very little detail given. I think her story would lend itself well to a novella. But, I'll be happy with what we were given even if that does not happen.
Despite all of the struggles and heartbreak, insecurities and mistakes - Isla and Josh still find their own happily ever after. The story and sweet and heart-warming. J'adore mon <s>petit chou</s>... mon livre - I fell in love with the series "the good parts and the ugly parts" and I hope you do as well.
Louise (64 KP) rated A Semi-Definitive List of Worst Nightmares in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publisher in exchange for an honest review*
I read Krystal Sutherland’s debut novel earlier this year for my #beatthebacklist challenge and whilst it wasn’t great I decided to give this writer another chance. I usually give authors a second chance, I like to see how they develop and whether it’s just the story or characters that rubbed me up the wrong way.
I was pleasantly surprised with this book, I definitely think it is an improvement from her debut novel and will read further books of her’s if the blurb intrigues me.
This story follows Esther Solar, she is not your typical 17-year-old, she doesn’t conform to fashion trends and has her very own unique style of dressing up in costumes every day, one day she might be Audrey Hepburn, she might be a cow girl the next. She is not a popular girl and her family would maybe deemed eccentric or different from the norm.
Esther’s grandfather proclaimed that he met death (several times) since this revelation his family has had a bout of bad luck. Esther has a twin who is petrified of the dark and has all the lights and candles going continuously, her father is agoraphobic and hasn’t left the cellar for 6 years and her mother has a fear of bad luck. Esther deems herself as the normal one of the family, however that’s only because she has avoided anything she thinks might induce fear and so she creates a list, these are: Lobsters, small spaces and anything else she thinks of, this is her list of semi-definitive list of worst nightmares.
Esther comes in to contact with Jonah Smallwood, a boy who used to be in her class but then moved away to another school. Jonah seems to take a liking to Esther and keeps turning up at her door or the same part. They develop this friendship,when Jonah discovers Esther’s list he takes it upon himself to help conquer these so-called fears and live life fear free.
There were several things that I enjoyed about the book, one was I thought the characters were good and fleshed out, we got a back story to how they came to their current situation. I liked that there was a magical realism/supernatural element to the book. This book had its quirks and then also some serious topics such a phobia’s,anxiety,depression, gambling,child abuse, dementia, selective mutism and suicide. Whilst you might be thinking that is some heavy stuff, it doesn’t always feel like that through the book. Sutherland has managed to handle these heavy topics with a lot of care.
Sutherland’s writing style is easy to read but the pacing was a bit up and down and sometimes it just didn’t hold my attention. I would definitely recommend reading this book, however there are trigger warnings.
I read Krystal Sutherland’s debut novel earlier this year for my #beatthebacklist challenge and whilst it wasn’t great I decided to give this writer another chance. I usually give authors a second chance, I like to see how they develop and whether it’s just the story or characters that rubbed me up the wrong way.
I was pleasantly surprised with this book, I definitely think it is an improvement from her debut novel and will read further books of her’s if the blurb intrigues me.
This story follows Esther Solar, she is not your typical 17-year-old, she doesn’t conform to fashion trends and has her very own unique style of dressing up in costumes every day, one day she might be Audrey Hepburn, she might be a cow girl the next. She is not a popular girl and her family would maybe deemed eccentric or different from the norm.
Esther’s grandfather proclaimed that he met death (several times) since this revelation his family has had a bout of bad luck. Esther has a twin who is petrified of the dark and has all the lights and candles going continuously, her father is agoraphobic and hasn’t left the cellar for 6 years and her mother has a fear of bad luck. Esther deems herself as the normal one of the family, however that’s only because she has avoided anything she thinks might induce fear and so she creates a list, these are: Lobsters, small spaces and anything else she thinks of, this is her list of semi-definitive list of worst nightmares.
Esther comes in to contact with Jonah Smallwood, a boy who used to be in her class but then moved away to another school. Jonah seems to take a liking to Esther and keeps turning up at her door or the same part. They develop this friendship,when Jonah discovers Esther’s list he takes it upon himself to help conquer these so-called fears and live life fear free.
There were several things that I enjoyed about the book, one was I thought the characters were good and fleshed out, we got a back story to how they came to their current situation. I liked that there was a magical realism/supernatural element to the book. This book had its quirks and then also some serious topics such a phobia’s,anxiety,depression, gambling,child abuse, dementia, selective mutism and suicide. Whilst you might be thinking that is some heavy stuff, it doesn’t always feel like that through the book. Sutherland has managed to handle these heavy topics with a lot of care.
Sutherland’s writing style is easy to read but the pacing was a bit up and down and sometimes it just didn’t hold my attention. I would definitely recommend reading this book, however there are trigger warnings.
Hazel (1853 KP) rated Second Twin (Legend of Rhyme, #4) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
With the twins, Ariana and Asher, lost in the past, and Teagan suddenly thrust into the magical realm of Coraira, the <i>Legend of Rhyme</i> series becomes even more dangerous and exciting. <i>Second Twin</i> is the fourth book of Jaime Lee Mann’s fantasy series for middle grade children (i.e. 8-13 year olds). Containing most of the key characters that readers are already familiar with, a new, sinister individual is introduced to shake the story up even more.
<i>Second Twin</i> is made up of two or three storylines that twist around each other to result in one explosive conclusion. Teagan discovers immediately that she is destined to become a mermaid and an apprentice to Starla, the ruler of the sea. Without giving Teagan a chance to get used to her new tail, Starla involves her in trying to help locate and return the twins to their correct timeline. The twins, however, are in even more peril than being in the wrong time zone. Tricked by the new, malicious character, something evil happens to Asher, leaving him once again separated from his sister Ariana. Whilst all this is going on, the reader is given insight to Elora’s – a previous antagonist – past, learning how she came to be so evil; in contrast Teagan is also learning something new; the truth about her parentage.
There is not as much detail about Teagan as some readers may be hoping for. She was the title character of the previous novel, however in this book she becomes more of a secondary character. Teagan’s transition from young girl to mermaid happens far to quickly to be appreciated. An entire book could have been devoted to this event, instead it happens in a handful of paragraphs. Nevertheless, Second Twin is filled with so many exhilarating twists and turns that it hardly matters when some aspects are not described at length.
Throughout this book the theme of twins crops up again and again. The unique relationship between twins is emphasized as a special bond, but also as a way to wield evil power. Readers will not be able to trust their preconceived judgments about the good and wickedness of key characters, causing all to question everything they believe.
<i>Second Twin</i> is the most action packed book of the series so far. With no need for introductions to characters and settings, there is more opportunity to develop the plot and fill in gaps in the history of the story, until concluding on yet another cliffhanger. Fans of the series will not be disappointed with the latest developments, although you may not be pleased to know you are in for a wait for the fifth book, Blood and Stars, to find out what happens next.
With the twins, Ariana and Asher, lost in the past, and Teagan suddenly thrust into the magical realm of Coraira, the <i>Legend of Rhyme</i> series becomes even more dangerous and exciting. <i>Second Twin</i> is the fourth book of Jaime Lee Mann’s fantasy series for middle grade children (i.e. 8-13 year olds). Containing most of the key characters that readers are already familiar with, a new, sinister individual is introduced to shake the story up even more.
<i>Second Twin</i> is made up of two or three storylines that twist around each other to result in one explosive conclusion. Teagan discovers immediately that she is destined to become a mermaid and an apprentice to Starla, the ruler of the sea. Without giving Teagan a chance to get used to her new tail, Starla involves her in trying to help locate and return the twins to their correct timeline. The twins, however, are in even more peril than being in the wrong time zone. Tricked by the new, malicious character, something evil happens to Asher, leaving him once again separated from his sister Ariana. Whilst all this is going on, the reader is given insight to Elora’s – a previous antagonist – past, learning how she came to be so evil; in contrast Teagan is also learning something new; the truth about her parentage.
There is not as much detail about Teagan as some readers may be hoping for. She was the title character of the previous novel, however in this book she becomes more of a secondary character. Teagan’s transition from young girl to mermaid happens far to quickly to be appreciated. An entire book could have been devoted to this event, instead it happens in a handful of paragraphs. Nevertheless, Second Twin is filled with so many exhilarating twists and turns that it hardly matters when some aspects are not described at length.
Throughout this book the theme of twins crops up again and again. The unique relationship between twins is emphasized as a special bond, but also as a way to wield evil power. Readers will not be able to trust their preconceived judgments about the good and wickedness of key characters, causing all to question everything they believe.
<i>Second Twin</i> is the most action packed book of the series so far. With no need for introductions to characters and settings, there is more opportunity to develop the plot and fill in gaps in the history of the story, until concluding on yet another cliffhanger. Fans of the series will not be disappointed with the latest developments, although you may not be pleased to know you are in for a wait for the fifth book, Blood and Stars, to find out what happens next.
Lottie disney bookworm (1056 KP) rated The Kingdom in Books
Oct 17, 2019
“Where Happily Ever After is not just a promise, but a rule”
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
Emma @ The Movies (1786 KP) rated Klaus (2019) in Movies
Dec 15, 2019
New Christmas films always make me a little sceptical, a lot don't seem to take things very seriously and that means something naff that isn't always good. Seeing the trailer for Klaus made me hopeful though, I love an origin story.
Jesper has had a privileged life up until this point, when daddy is in charge of the business you can skate by with the minimum of effort. Things are about to change though, his father has had enough of his loafing around.
One year. 6,000 letters. This is what Jesper must achieve or he'll be cast out of the life of comfort he knows. That sounds doable, right? It does until you find out he's being sent to the farthest reaches where many postmen have gone before and soon fled. The town aren't the communicative type unless it involves and insult and a projectile weapon. Jesper is set on giving up until he spots a house out on the very edge of the map, this home belongs to a reclusive woodsman named Klaus.
At first glance the animation on Klaus looked too simplistic, in a world where computer animation and effects exist you sometimes forget that something doesn't have to be overcomplicated to be good. By the end I was amazed at how much this "simple" looking film managed to get across. The contrast between the bright happy world and the dark glum one in Smeerensburg is wonderful to behold, the colours (or lack thereof) get across the despair, and mixed with the characters it shows you exactly what sort of situation Jesper is dealing with.
What I particularly like about the amination is how well each scene is crafted outside of the characters. It's so atmospheric, the fog over the town, the mist in the forest, the way the light works with the weather, it's magical.
Smeerensburg's townsfolk match their surroundings perfectly and I'd really like to congratulate the person who came up with that crazed little stabby girl, she might be my favourite character of all. Seeing how the changes unfold throughout the film was lovely, each one brought with it a thrill that warmed this cold heart on a winter's day.
"A true act of goodwill always sparks another."
The story itself is a staple of Christmas films, love and friendship conquering selfishness, but it's a very charming way to look at it. I liked that the obligatory love interest storyline was actually not the main point, the friendship made for a much better focus. Klaus weaves a wonderful tale of how simple deeds can change the world... yes, I'm being overly dramatic!
I wasn't prepared for how much this was going to get to me, I've watched it twice this weekend and I'll be watching it again before Christmas is here. Thank you, Netflix. I'm adding this to my regular Christmas watching rotation.
Originally posted on: http://emmaatthemovies.blogspot.com/2019/12/klaus-movie-review.html
Jesper has had a privileged life up until this point, when daddy is in charge of the business you can skate by with the minimum of effort. Things are about to change though, his father has had enough of his loafing around.
One year. 6,000 letters. This is what Jesper must achieve or he'll be cast out of the life of comfort he knows. That sounds doable, right? It does until you find out he's being sent to the farthest reaches where many postmen have gone before and soon fled. The town aren't the communicative type unless it involves and insult and a projectile weapon. Jesper is set on giving up until he spots a house out on the very edge of the map, this home belongs to a reclusive woodsman named Klaus.
At first glance the animation on Klaus looked too simplistic, in a world where computer animation and effects exist you sometimes forget that something doesn't have to be overcomplicated to be good. By the end I was amazed at how much this "simple" looking film managed to get across. The contrast between the bright happy world and the dark glum one in Smeerensburg is wonderful to behold, the colours (or lack thereof) get across the despair, and mixed with the characters it shows you exactly what sort of situation Jesper is dealing with.
What I particularly like about the amination is how well each scene is crafted outside of the characters. It's so atmospheric, the fog over the town, the mist in the forest, the way the light works with the weather, it's magical.
Smeerensburg's townsfolk match their surroundings perfectly and I'd really like to congratulate the person who came up with that crazed little stabby girl, she might be my favourite character of all. Seeing how the changes unfold throughout the film was lovely, each one brought with it a thrill that warmed this cold heart on a winter's day.
"A true act of goodwill always sparks another."
The story itself is a staple of Christmas films, love and friendship conquering selfishness, but it's a very charming way to look at it. I liked that the obligatory love interest storyline was actually not the main point, the friendship made for a much better focus. Klaus weaves a wonderful tale of how simple deeds can change the world... yes, I'm being overly dramatic!
I wasn't prepared for how much this was going to get to me, I've watched it twice this weekend and I'll be watching it again before Christmas is here. Thank you, Netflix. I'm adding this to my regular Christmas watching rotation.
Originally posted on: http://emmaatthemovies.blogspot.com/2019/12/klaus-movie-review.html
Night Reader Reviews (683 KP) rated A Warrior's Blush in Books
Jan 9, 2020
A Warriors Blush by Shannon Whittall is an action-adventure fantasy story with just a hit of romance. This book could z easily be the beginning of a very interesting series if the author wanted to go that route with it. The ending is also surprising, but I do not encourage any readers to skip ahead in the book to see what I mean.
Lenora Belavier has been held prisoner and was used as a slave in the female prison, Golnar. It is here in Golnar that Lenora makes two names for herself. The first is Iron-Will for the excellent blades she forges. The second is Golnars Ghost, for protecting her fellow prisoners from the guards without them finding out who the ghost is. One day after much planning Lenora escapes from Golnar and brings an eleven-year-old prisoner, Mear, with her. Elijah finds Lenora (who has now adopted a new name) and Mear injured in the desert and takes them to Drodals Keep for healing.
In Drodal Lenora endures training for a magical ability that she does not believe she possesses, by a temperamental Elijah. Mear, on the other hand, seems to be enjoying her freedom and wonders off for some unknown reason. Lenora and Elijah slowly form an unlikely friendship as they start looking into the appearance of Bolgran, the evil monsters controlled by Myrna. Myrna, the evil Queen who Lenora was fighting against when she was arrested has learned of Lenora surviving Golnar and seeking refuge at Drodal. In an attempt to destroy her enemy Myrna floods Drodal with Bolgren and it doesn't look good for the small keep.
What I liked best about this book was that it was not predictable nor was it confusing. The twists in the story were extremely enjoyable and even surprised me. I am purposely leaving these twists out of the review as to not ruin them for the interested reader. What I did not like was how some of the characters and creatures were named similar to each other. The biggest of these issues was Bolgran, a terrible monster, and Brogan, a blacksmith. This did cause a bit of confusion because one is obviously evil and the other is not.
This book is age-appropriate for readers who are at least in high school. Younger readers would enjoy most of the story but would have to be mature. The rape and abuse of female prisoners is a big driving factor for Lenora and readers must be able to handle that. Overall I rate this book 3 out of 4. While it was a good book the name issue felt a little sloppy and lost it some points with me. I would still recommend this book to people who like fantasy but they would have to pay close attention to the names.
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Lenora Belavier has been held prisoner and was used as a slave in the female prison, Golnar. It is here in Golnar that Lenora makes two names for herself. The first is Iron-Will for the excellent blades she forges. The second is Golnars Ghost, for protecting her fellow prisoners from the guards without them finding out who the ghost is. One day after much planning Lenora escapes from Golnar and brings an eleven-year-old prisoner, Mear, with her. Elijah finds Lenora (who has now adopted a new name) and Mear injured in the desert and takes them to Drodals Keep for healing.
In Drodal Lenora endures training for a magical ability that she does not believe she possesses, by a temperamental Elijah. Mear, on the other hand, seems to be enjoying her freedom and wonders off for some unknown reason. Lenora and Elijah slowly form an unlikely friendship as they start looking into the appearance of Bolgran, the evil monsters controlled by Myrna. Myrna, the evil Queen who Lenora was fighting against when she was arrested has learned of Lenora surviving Golnar and seeking refuge at Drodal. In an attempt to destroy her enemy Myrna floods Drodal with Bolgren and it doesn't look good for the small keep.
What I liked best about this book was that it was not predictable nor was it confusing. The twists in the story were extremely enjoyable and even surprised me. I am purposely leaving these twists out of the review as to not ruin them for the interested reader. What I did not like was how some of the characters and creatures were named similar to each other. The biggest of these issues was Bolgran, a terrible monster, and Brogan, a blacksmith. This did cause a bit of confusion because one is obviously evil and the other is not.
This book is age-appropriate for readers who are at least in high school. Younger readers would enjoy most of the story but would have to be mature. The rape and abuse of female prisoners is a big driving factor for Lenora and readers must be able to handle that. Overall I rate this book 3 out of 4. While it was a good book the name issue felt a little sloppy and lost it some points with me. I would still recommend this book to people who like fantasy but they would have to pay close attention to the names.
https://nightreaderreviews.blogspot.cpm
https://www.facebook.com/nightreadersreviews
https://www.austinmacauley.com/book/warriors-blush