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Phillip McSween (751 KP) rated Dumplin' (2018) in Movies
Jan 16, 2019
Good On So Many Levels
High school student Willowdean (Danielle MacDonald) decides to enter a beauty pageant to spite her mom Rosie (Jennifer Aniston), a former pageant queen.
Acting: 10
Beginning: 10
Characters: 10
The characters in this story are not just unique and enjoyable. They also represent the melting pot of what this world should be. Willowdean feels out of place because she is heavyset so she tries to attack herself before others do. Her Aunt Lucy (Hilliary Begley) tried to teach her to do the opposite before she passed away, but Willowdean didn’t grasp her aunt’s confidence unfortunately. Through her journey of pageant life, she makes two good friends: Hannah (Bex Taylor-Klaus) who is anti-establishment (or anti-everything, rather) and Millie (Maddie Baillio) a ball of happiness with an overprotective mom. They are at the core of a slew of good characters that brighten the story. And did I mention the drag queens? Phe-no-men-al.
Cinematography/Visuals: 10
Conflict: 10
The conflict here is less about outward confrontation and more about inner discovery. Willowdean’s greatest enemy is herself, something most of us can probably relate to. It is refreshing to watching her battle old demons while coming to terms with who she is and who she can be. Destroying yourself is toxic and Dumplin’ shows how a negative view of one’s self can damage and destroy the relationships around us.
Genre: 10
Memorability: 8
The story as a whole has a magical feeling to it that’s centered in realism, almost like a trailer park Cinderella. I thought of all the 201 movies I watched in 2018. Few touched me quite like this one. A really memorable movie can make you laugh, maybe cry a little, and reflect. Dumplin’ gets the job done. It teaches you never to underestimate yourself and to go all out even when you don’t think you have a shot.
Pace: 10
I love when storytelling is consistent and blends seamlessly from one scene to the next. You get that here. There’s not a whole lot of pointless dialogue that takes you nowhere or random scenes that forces relationship-building. It moves consistently like a batch of waves. Before you know it, it’s over and you’ve had a great ride.
Plot: 10
The story isn’t just original but heartfelt. Something we can all get behind. I can honestly say that I’ve never seen anything like it. You can see the ending coming a mile away, but you’re having so much of a good time you don’t care!
Resolution: 10
Just as with the plot, you definitely see the ending coming a mile away. Doesn’t make it any less awesome or touching. Mum’s the word, but it ties on a nice little bow on the movie as a whole.
Overall: 98
I’m always wary of Netflix originals. Not because they can’t be good, I’ve seen plenty of amazing things on Netflix. Rather I understand that there’s a pressure for them to keep putting out original content at a fast pace because the market is catching up. This could mean more swings-and-misses. Dumplin’ is not a casualty of that in the least. Quality movie.
Acting: 10
Beginning: 10
Characters: 10
The characters in this story are not just unique and enjoyable. They also represent the melting pot of what this world should be. Willowdean feels out of place because she is heavyset so she tries to attack herself before others do. Her Aunt Lucy (Hilliary Begley) tried to teach her to do the opposite before she passed away, but Willowdean didn’t grasp her aunt’s confidence unfortunately. Through her journey of pageant life, she makes two good friends: Hannah (Bex Taylor-Klaus) who is anti-establishment (or anti-everything, rather) and Millie (Maddie Baillio) a ball of happiness with an overprotective mom. They are at the core of a slew of good characters that brighten the story. And did I mention the drag queens? Phe-no-men-al.
Cinematography/Visuals: 10
Conflict: 10
The conflict here is less about outward confrontation and more about inner discovery. Willowdean’s greatest enemy is herself, something most of us can probably relate to. It is refreshing to watching her battle old demons while coming to terms with who she is and who she can be. Destroying yourself is toxic and Dumplin’ shows how a negative view of one’s self can damage and destroy the relationships around us.
Genre: 10
Memorability: 8
The story as a whole has a magical feeling to it that’s centered in realism, almost like a trailer park Cinderella. I thought of all the 201 movies I watched in 2018. Few touched me quite like this one. A really memorable movie can make you laugh, maybe cry a little, and reflect. Dumplin’ gets the job done. It teaches you never to underestimate yourself and to go all out even when you don’t think you have a shot.
Pace: 10
I love when storytelling is consistent and blends seamlessly from one scene to the next. You get that here. There’s not a whole lot of pointless dialogue that takes you nowhere or random scenes that forces relationship-building. It moves consistently like a batch of waves. Before you know it, it’s over and you’ve had a great ride.
Plot: 10
The story isn’t just original but heartfelt. Something we can all get behind. I can honestly say that I’ve never seen anything like it. You can see the ending coming a mile away, but you’re having so much of a good time you don’t care!
Resolution: 10
Just as with the plot, you definitely see the ending coming a mile away. Doesn’t make it any less awesome or touching. Mum’s the word, but it ties on a nice little bow on the movie as a whole.
Overall: 98
I’m always wary of Netflix originals. Not because they can’t be good, I’ve seen plenty of amazing things on Netflix. Rather I understand that there’s a pressure for them to keep putting out original content at a fast pace because the market is catching up. This could mean more swings-and-misses. Dumplin’ is not a casualty of that in the least. Quality movie.
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Gareth von Kallenbach (980 KP) rated Raya and the Last Dragon (2021) in Movies
Mar 1, 2021
In a magical land known as Kumandra; Humans and Dragons co-exist in harmony. When a threat in the form of creatures known as Druun arrive and threaten to destroy everything; the Dragons combine their power to defeat them but in doing so all but one of the Dragons remains.
In the new Disney animated film “Raya and the Last Dragon”; audiences are introduced to the narrative of the story by Raya (Kelly Marie Tran), who tells that the world has become fractured and she is to blame. A sacred relic that the Dragons used to Defeat the Druun has given her kingdom prosperity but the surrounding kingdoms all named after various parts of a Dragon are envious of their position.
When Raya’s father Chief Benja (Daniel Dae Kim); attempts to unite the other kingdoms, a tragic betrayal results in the relic becoming fractured with each kingdom taking a fragment. As if this situation was not bad enough; the fracturing of the relic ushers in the return of the Druun and they quickly resume turning everything not protected by a barrier of water to stone.
The story then jumps years into the future where Raya and her faithful companion Tuk Tuk (Alan TudyK) are searching the rivers of the kingdoms in an effort to find the location where the last Dragon Sisu (Awkwafina) is rumored to have been sleeping for 500 years.
Raya is eventually able to locate Sisu who is a very playful and animated creature and the two set off to save the day by obtaining the missing fragments through any means necessary. Naturally, their journey will be filled with dangers, adventure, and humor, as the various kingdoms have their own unique visual style and characters; some of whom join with Raya on her quest to provide much-needed support, perspective, and at times; humor.
The movie is visually amazing as the artists clearly were inspired to create a world that combines elements of many Asian cultures yet has its own unique traits. I marveled at the details of the water and ripples and how the railings on a boat showed uneven discoloration and wear in just a casual scene where the characters talked. It is this attention to detail that really adds to the magic of the film as well as the immersion into fantasy.
The supporting cast was great and there are some characters I do not wish to spoil who practically steals every scene in which they are in. My wife and I were captivated from the very start as Disney has created a film that embodies much of their classic themes and yet expands upon them to create a film the entire family will enjoy.
The movie will be released in cinemas and via a paid option for Disney+ subscribers. We attended a press screening at a cinema; our first in almost a year and found the setup to be very safe and it was amazing to see such visual splendor on a big screen.
Disney has once again created a new classic and has given audiences the magic that they are known for at a time when it is most needed.
4 stars out of 5.
In the new Disney animated film “Raya and the Last Dragon”; audiences are introduced to the narrative of the story by Raya (Kelly Marie Tran), who tells that the world has become fractured and she is to blame. A sacred relic that the Dragons used to Defeat the Druun has given her kingdom prosperity but the surrounding kingdoms all named after various parts of a Dragon are envious of their position.
When Raya’s father Chief Benja (Daniel Dae Kim); attempts to unite the other kingdoms, a tragic betrayal results in the relic becoming fractured with each kingdom taking a fragment. As if this situation was not bad enough; the fracturing of the relic ushers in the return of the Druun and they quickly resume turning everything not protected by a barrier of water to stone.
The story then jumps years into the future where Raya and her faithful companion Tuk Tuk (Alan TudyK) are searching the rivers of the kingdoms in an effort to find the location where the last Dragon Sisu (Awkwafina) is rumored to have been sleeping for 500 years.
Raya is eventually able to locate Sisu who is a very playful and animated creature and the two set off to save the day by obtaining the missing fragments through any means necessary. Naturally, their journey will be filled with dangers, adventure, and humor, as the various kingdoms have their own unique visual style and characters; some of whom join with Raya on her quest to provide much-needed support, perspective, and at times; humor.
The movie is visually amazing as the artists clearly were inspired to create a world that combines elements of many Asian cultures yet has its own unique traits. I marveled at the details of the water and ripples and how the railings on a boat showed uneven discoloration and wear in just a casual scene where the characters talked. It is this attention to detail that really adds to the magic of the film as well as the immersion into fantasy.
The supporting cast was great and there are some characters I do not wish to spoil who practically steals every scene in which they are in. My wife and I were captivated from the very start as Disney has created a film that embodies much of their classic themes and yet expands upon them to create a film the entire family will enjoy.
The movie will be released in cinemas and via a paid option for Disney+ subscribers. We attended a press screening at a cinema; our first in almost a year and found the setup to be very safe and it was amazing to see such visual splendor on a big screen.
Disney has once again created a new classic and has given audiences the magic that they are known for at a time when it is most needed.
4 stars out of 5.
Melanie Caldicott (6 KP) rated Sorrowland in Books
Apr 29, 2021
You can also read my review at my blog - https://roamingthroughbooks.wordpress.com
Sorrowland is a genre-bending book which is like nothing I have ever read before and probably ever will again!
The story centres around Fern, an albino black teenage girl who gives birth to twins, Howling and Feral in the woods after escaping from a cult called Cainland. What follows is a mindboggling adventure surrounding her survival.
This is a coming of age story like no other – part sci-fi, part horror, part dystopian, part magical realism, this book defies genre. But amongst all the myriad of twists and turns this novel takes, what lies at the heart of it is a story about a girl who comes to understand her identity and rises above what has been spoken over her in her past.
During Fern’s journey of self-discovery the book examines themes such as racism, indoctrination, abuse and misogyny. There are many challenges in reading this book as we encounter a dystopian world that is disturbingly similar to our own exploring those who live on the fringe of society due to white domination. This not only includes Cainland, the cult set up by black people originally to challenge the white belief system, but also native American characters who quietly hold onto their truth in a far less bigoted and twisted way.
I love the big questions this book asks and the twisted paths it takes in asking them leading you into such unknown territories through the plot that you meet these issues head on in such different ways that you confront them anew and reexamine how you really feel about them and the impact that they have on our world.
Sorrowland is compelling and, although this would never be a genre I would normally read, I enjoyed the enigmatic nature of the evolving fantastical storyline and the constant surprises Rivers Solomon weaves into the plot. It is extremely well-written, with powerful characterisation, rich with poetic descriptions and intelligent themes.
However, the aims of the book seem to get a little muddled at times and I became confused about what Solomon wanted me to get out of the book. The story becomes so fast-paced and dense at times that this prevented me from taking a step back and truly immersing myself in the deeper themes of the novel.
This is a hard book to review. As I said, not something I would normally read, but the quality of the writing won me over. That said, I did not come away from the book feeling a sense of enjoyment, but instead, unsettled and disturbed by encountering a story of brutality with wild, savage characters and a frightening world where nothing is as it seems.
I would recommend this book – purely because you will be changed by it and this is one of the most powerful gifts of literature – but it is not a comfortable read and would not suit everyone.
Thanks to the publishers and NetGalley for the ARe-copy in exchange for this honest review.
Sorrowland is a genre-bending book which is like nothing I have ever read before and probably ever will again!
The story centres around Fern, an albino black teenage girl who gives birth to twins, Howling and Feral in the woods after escaping from a cult called Cainland. What follows is a mindboggling adventure surrounding her survival.
This is a coming of age story like no other – part sci-fi, part horror, part dystopian, part magical realism, this book defies genre. But amongst all the myriad of twists and turns this novel takes, what lies at the heart of it is a story about a girl who comes to understand her identity and rises above what has been spoken over her in her past.
During Fern’s journey of self-discovery the book examines themes such as racism, indoctrination, abuse and misogyny. There are many challenges in reading this book as we encounter a dystopian world that is disturbingly similar to our own exploring those who live on the fringe of society due to white domination. This not only includes Cainland, the cult set up by black people originally to challenge the white belief system, but also native American characters who quietly hold onto their truth in a far less bigoted and twisted way.
I love the big questions this book asks and the twisted paths it takes in asking them leading you into such unknown territories through the plot that you meet these issues head on in such different ways that you confront them anew and reexamine how you really feel about them and the impact that they have on our world.
Sorrowland is compelling and, although this would never be a genre I would normally read, I enjoyed the enigmatic nature of the evolving fantastical storyline and the constant surprises Rivers Solomon weaves into the plot. It is extremely well-written, with powerful characterisation, rich with poetic descriptions and intelligent themes.
However, the aims of the book seem to get a little muddled at times and I became confused about what Solomon wanted me to get out of the book. The story becomes so fast-paced and dense at times that this prevented me from taking a step back and truly immersing myself in the deeper themes of the novel.
This is a hard book to review. As I said, not something I would normally read, but the quality of the writing won me over. That said, I did not come away from the book feeling a sense of enjoyment, but instead, unsettled and disturbed by encountering a story of brutality with wild, savage characters and a frightening world where nothing is as it seems.
I would recommend this book – purely because you will be changed by it and this is one of the most powerful gifts of literature – but it is not a comfortable read and would not suit everyone.
Thanks to the publishers and NetGalley for the ARe-copy in exchange for this honest review.
Lottie disney bookworm (1056 KP) rated Promises and Pixie Dust in Books
Jun 17, 2021
Thank you to the gorgeously talented Elle and Robin for granting me the opportunity to read their beautiful book in exchange for an honest review.
Promises and Pixie Dust is the first Thumbelina retelling I have seen in the current MASSIVE trend of retellings.
Initially this magical tale featured within the Enchanted Kingdoms collection of retellings but Elle and Robin have now released Lina upon the world as the debut novel in “The Unfabled Series”.
Naturally, a Thumbelina story by Elle and Robin is never going to be your average retelling and, when the story opens on "Lina" drinking pints in 'The Poisoned Apple', it is safe to say that this novel will be just as brilliant as their other works.
At a whole 12 cm tall, Lina has never entirely fit in with the world around her. Everything she owns is adapted to fit her size and she has never met anyone similar to herself. After the death of her mother Lina is determined to find someone else of her kind and, along with her childhood friend Edrich, journeys into the Enchanted forest in search of answers.
Edrich is an unwilling companion to put it mildly and the relationship between him and Lina is very intriguing for the reader. Elle and Robin purposefully drip feed us information regarding the friends and the challenges they have faced up to this point but the undercurrent of tension between the pair make it clear that there is more than friendship and obligation at play here.
This doesn't mean that the reader is not entirely unsympathetic to Edrich's frustration with Lina though. She is often sickeningly chirpy and optimistic with no sense of danger. At the end of the day though, a tiny woman whose mood shows on her skin and rides a hedgehog is a winner in any story.
Promises and Pixie Dust also hints heavily at a recent backstory involving Edrich as he experiences flashbacks and guilt linked to his current line of work. I really hope Edrich gets the chance to tell his own story as I know Piper and Neira will.
I really appreciated the little changes between the Enchanted Kingdoms story and The Unfabled series version. Poor Edrich was very difficult to love in the previous version but has definitely been hit with the empathy stick in recent months! Once his circumstances are (forcibly) changed Edrich almost has a newfound respect for Lina and even before this he isn’t as condescending as his Enchanted Kingdoms counterpart was – I no longer want to punch him in the face anyway so that’s a bonus!
Elle and Robin also developed the world of the fairies a little more, providing more of an insight into their dependence on woodland creatures and even inventing a new sport! The imagery here was so beautiful that I was desperate for illustrations to accompany it.
If you are a fan of retellings, Once Upon a Time, fairies and friends to lovers storylines then this is the tale for you. Promises and Pixie Dust has a freshly manicured hedgehog, a villain with a heart and the best curse words ever imagined.
Frolicking centaurs it's a good read!
Promises and Pixie Dust is the first Thumbelina retelling I have seen in the current MASSIVE trend of retellings.
Initially this magical tale featured within the Enchanted Kingdoms collection of retellings but Elle and Robin have now released Lina upon the world as the debut novel in “The Unfabled Series”.
Naturally, a Thumbelina story by Elle and Robin is never going to be your average retelling and, when the story opens on "Lina" drinking pints in 'The Poisoned Apple', it is safe to say that this novel will be just as brilliant as their other works.
At a whole 12 cm tall, Lina has never entirely fit in with the world around her. Everything she owns is adapted to fit her size and she has never met anyone similar to herself. After the death of her mother Lina is determined to find someone else of her kind and, along with her childhood friend Edrich, journeys into the Enchanted forest in search of answers.
Edrich is an unwilling companion to put it mildly and the relationship between him and Lina is very intriguing for the reader. Elle and Robin purposefully drip feed us information regarding the friends and the challenges they have faced up to this point but the undercurrent of tension between the pair make it clear that there is more than friendship and obligation at play here.
This doesn't mean that the reader is not entirely unsympathetic to Edrich's frustration with Lina though. She is often sickeningly chirpy and optimistic with no sense of danger. At the end of the day though, a tiny woman whose mood shows on her skin and rides a hedgehog is a winner in any story.
Promises and Pixie Dust also hints heavily at a recent backstory involving Edrich as he experiences flashbacks and guilt linked to his current line of work. I really hope Edrich gets the chance to tell his own story as I know Piper and Neira will.
I really appreciated the little changes between the Enchanted Kingdoms story and The Unfabled series version. Poor Edrich was very difficult to love in the previous version but has definitely been hit with the empathy stick in recent months! Once his circumstances are (forcibly) changed Edrich almost has a newfound respect for Lina and even before this he isn’t as condescending as his Enchanted Kingdoms counterpart was – I no longer want to punch him in the face anyway so that’s a bonus!
Elle and Robin also developed the world of the fairies a little more, providing more of an insight into their dependence on woodland creatures and even inventing a new sport! The imagery here was so beautiful that I was desperate for illustrations to accompany it.
If you are a fan of retellings, Once Upon a Time, fairies and friends to lovers storylines then this is the tale for you. Promises and Pixie Dust has a freshly manicured hedgehog, a villain with a heart and the best curse words ever imagined.
Frolicking centaurs it's a good read!
Erika (17789 KP) rated Shadow and Bone - Season 1 in TV
Jul 16, 2021
Shadow and Bone is based upon the popular Young Adult series, The Grisha Trilogy, which takes place in a steampunk-ish, Russian fantasy world at war. The story’s main character is Alina Starkov (Jessie Mei Li), an orphan who discovers she has some magical powers when she journeys into something called the Fold with her childhood friend Malyen, “Mal” (Archie Renaux), for short. The witches in this fantasy world are called Grisha and are trained to help with military operations for some king. The General of this witch army is Kirigan, played by Ben Barnes. There are also two other storylines, this group of kidnappers, and a Grisha that’s enslaved.
This series wasn’t really made for a general audience, it was made for the fans of the book trilogy. The series starts, and the watcher is immediately thrust into this fantasy world that doesn’t really make much sense with no prior knowledge. If you couldn’t tell from the series description, I wasn’t really into it. It took me two months to watch all eight of the episodes. I almost didn’t keep watching after the first two episodes, but my boss encouraged me to keep going.
The storyline is your standard YA novel, a girl who didn’t know her powers, some lame love triangle, and for some reason, the girl is the only one that can save the world. Nothing new to see here. My interest was only piqued by Barnes’ character Kirigan, and Barnes was the main reason I actually kept watching the show. The seventh episode, which features Kirigan’s backstory, was the most interesting.
The whole kidnapping crew storyline wasn’t really all that interesting. The leader, Kaz (Freddy Carter) is a kingpin-type character with an unexplained limp, or I missed the explanation. The crew also had an assassin-type character, Inej (Amita Suman), who might not really have been an assassin, again, missed that explanation. The best member of this crew was Jesper (Kit Young), who was the charmer, expert trick shooter, and the second most interesting character in the series.
The subplot with the whole kidnapping Alina thing was neither here nor there, I don’t even remember the characters’ names that were involved in this subplot. Maybe it meant something to the readers of the novels, or it’ll make sense in the next season, but it certainly didn’t mean anything to me. I think I fast-forwarded through those portions in the last episode.
I think I started liking it after the seventh episode, but two interesting episodes does not make an interesting series. It’s been about a week since I finished it, and I honestly had to look up all the characters’ names. I probably seem flippant about explaining the different plots, but it’s legitimately all I remember. This series also didn’t leave me with a hankering to read the book series, nor would I care to watch any further seasons. I’m sure if you’re a fan of the book series, you’d probably love this, but it was not for me.
This series wasn’t really made for a general audience, it was made for the fans of the book trilogy. The series starts, and the watcher is immediately thrust into this fantasy world that doesn’t really make much sense with no prior knowledge. If you couldn’t tell from the series description, I wasn’t really into it. It took me two months to watch all eight of the episodes. I almost didn’t keep watching after the first two episodes, but my boss encouraged me to keep going.
The storyline is your standard YA novel, a girl who didn’t know her powers, some lame love triangle, and for some reason, the girl is the only one that can save the world. Nothing new to see here. My interest was only piqued by Barnes’ character Kirigan, and Barnes was the main reason I actually kept watching the show. The seventh episode, which features Kirigan’s backstory, was the most interesting.
The whole kidnapping crew storyline wasn’t really all that interesting. The leader, Kaz (Freddy Carter) is a kingpin-type character with an unexplained limp, or I missed the explanation. The crew also had an assassin-type character, Inej (Amita Suman), who might not really have been an assassin, again, missed that explanation. The best member of this crew was Jesper (Kit Young), who was the charmer, expert trick shooter, and the second most interesting character in the series.
The subplot with the whole kidnapping Alina thing was neither here nor there, I don’t even remember the characters’ names that were involved in this subplot. Maybe it meant something to the readers of the novels, or it’ll make sense in the next season, but it certainly didn’t mean anything to me. I think I fast-forwarded through those portions in the last episode.
I think I started liking it after the seventh episode, but two interesting episodes does not make an interesting series. It’s been about a week since I finished it, and I honestly had to look up all the characters’ names. I probably seem flippant about explaining the different plots, but it’s legitimately all I remember. This series also didn’t leave me with a hankering to read the book series, nor would I care to watch any further seasons. I’m sure if you’re a fan of the book series, you’d probably love this, but it was not for me.