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Kyera (8 KP) rated City of Lost Souls (The Mortal Instruments, #5) in Books
Jan 31, 2018
City of Lost Souls is the fifth book in the Mortal Instruments series. There wasn't as much action in this book as we normally get making its pacing seem a little slow, but the character development I feel that we receive in this book makes it worthwhile. The ending also packs a punch that the rest of the book generally does not. As this is the fifth book in a series, anything beyond this point could be considered spoilers if you have not read the rest of the series.
After the events of City of Fallen Angels, we find our heroes in disarray because they find that both Jace and Sebastian are missing. They find out that Jace and Sebastian have been linked by the dark ceremony, which means that Jace is no longer himself. He feels that anything that Sebastian does it right and assists him, despite the fact that it would go against his true nature.
I really enjoyed seeing Jace and Sebastian's interactions, because it showed a more human side of Sebastian. There were times when there was no one else around besides Jace, who was linked to him and had no free will of his own, and Sebastian seemed almost normal. He even had rare moments with Clary, which made you question just how much the demon blood affected him.
You know he is evil and that he has the ability to fake human emotions, but it was those actions that make you wonder, what if? Could the bond with Jace be affecting him, even to a small degree, in the same way that it affecting Jace? Giving him some dimension and the slightest influence of good? I loved how Clare made you question everything that you believed about Sebastian, just as Clary did in the book.
The character development also extended to our other favourite characters, which was nice to see since it's such a large cast. We see Izzy being both strong and determined, and fragile, insecure and hurt. She has a broad range of emotions and her world does not revolve around a boy, which was so refreshing to see. Simon is struggling with his change and who he thinks he is now, still the old Simon or is he cursed now?
Despite the fact that they're not the focus, Magnus and Alec's relationship is wonderfully developed in this book. They struggle with both magical and mundane things coming between them but love one another to always persevere. Alec is still very insecure, so he worries about everything that Magnus does tell him about his past and the fact that one of them is immortal and the other not. Their love and their heartbreak is very real, which was such a redeeming characterization in this book.
Although Clary/Jace is my favourite pairing overall, I definitely love the Magnus/Alec evolution throughout this book and those that come after it. They are a very close second and probably a better portrayal of a relationship in the end. In this book, I worry about the portrayal of Clary and Jace's relationship at times because it's not always healthy. Obviously, people make mistakes, so it is realistic but it can border on obsessive and controlling at times. I understand that Jace is Clary's first love, but he is not the only person in the world and sometimes she is worryingly single-minded.
The plot culminates and plans are laid for the fantastic conclusion to this series. Although the book does not end with a cliffhanger, you are still left wondering exactly what Sebastian's plans are and how our heroes are going to stop him. Or if they are going to be able to stop him. Despite the fact that this is not the most well-written of her three series, I adore it nonetheless and constantly recommend it to people.
After the events of City of Fallen Angels, we find our heroes in disarray because they find that both Jace and Sebastian are missing. They find out that Jace and Sebastian have been linked by the dark ceremony, which means that Jace is no longer himself. He feels that anything that Sebastian does it right and assists him, despite the fact that it would go against his true nature.
I really enjoyed seeing Jace and Sebastian's interactions, because it showed a more human side of Sebastian. There were times when there was no one else around besides Jace, who was linked to him and had no free will of his own, and Sebastian seemed almost normal. He even had rare moments with Clary, which made you question just how much the demon blood affected him.
You know he is evil and that he has the ability to fake human emotions, but it was those actions that make you wonder, what if? Could the bond with Jace be affecting him, even to a small degree, in the same way that it affecting Jace? Giving him some dimension and the slightest influence of good? I loved how Clare made you question everything that you believed about Sebastian, just as Clary did in the book.
The character development also extended to our other favourite characters, which was nice to see since it's such a large cast. We see Izzy being both strong and determined, and fragile, insecure and hurt. She has a broad range of emotions and her world does not revolve around a boy, which was so refreshing to see. Simon is struggling with his change and who he thinks he is now, still the old Simon or is he cursed now?
Despite the fact that they're not the focus, Magnus and Alec's relationship is wonderfully developed in this book. They struggle with both magical and mundane things coming between them but love one another to always persevere. Alec is still very insecure, so he worries about everything that Magnus does tell him about his past and the fact that one of them is immortal and the other not. Their love and their heartbreak is very real, which was such a redeeming characterization in this book.
Although Clary/Jace is my favourite pairing overall, I definitely love the Magnus/Alec evolution throughout this book and those that come after it. They are a very close second and probably a better portrayal of a relationship in the end. In this book, I worry about the portrayal of Clary and Jace's relationship at times because it's not always healthy. Obviously, people make mistakes, so it is realistic but it can border on obsessive and controlling at times. I understand that Jace is Clary's first love, but he is not the only person in the world and sometimes she is worryingly single-minded.
The plot culminates and plans are laid for the fantastic conclusion to this series. Although the book does not end with a cliffhanger, you are still left wondering exactly what Sebastian's plans are and how our heroes are going to stop him. Or if they are going to be able to stop him. Despite the fact that this is not the most well-written of her three series, I adore it nonetheless and constantly recommend it to people.
Heather Cranmer (2721 KP) rated Miss Peregrine's Home for Peculiar Children in Books
Jun 7, 2018
This review can also be found on my blog <a href="themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>.
I feel the synopsis of what the book is about makes it sound a lot better than what it is. I wanted to like this book, I really did. I had high hopes for it. Unfortunately, it didn't do much for me. I was expecting more of a ghost story. Instead I got more of a sci-fi story, and one that wasn't very good.
Jacob's grandfather tells him of a magical island of which he spent his childhood. He shows him photos and tells him stories about the peculiar children he grew up with. As Jacob becomes a teenager, he stops believing in his grandfather's ridiculous stories until something awful happens. Jacob travels to the mysterious island to find out about his grandfather. Little does he know that by going to that island he's put himself and many others in danger.
First off, I thought the word building/setting were fantastic. The author made me feel as if I was on the island. I'll give him props there. The description of the world was beautifully described.
I couldn't relate very much to the characters. I can't really place why that is. I just couldn't connect. I found myself not caring what happened to any of them. Perhaps the author should've spent a bit more time character building to make me relate to at least one the characters. The characters just felt a bit one dimensional. There wasn't even one that I could remotely say that I favourited. Okay, that's a lie. I liked Fiona, the Irish girl, but I only liked her because she was Irish, and I love all things Irish. That's it.
I found the pacing to be a bit slow. I'd read a chapter, then I'd get bored with it and go off to do something else. I really struggled with this book. There are a couple of chapters that the pacing is great in, but it's not until the last two chapters that the pacing definitely picks up.
The dialogue was easy to understand although some Americans may not get all the slang British terms. There was one scene where a character says "I was taking a piss" where he meant that he was joking around. The phrase he meant was "taking the piss" which is a British slang phrase for joking. "Taking a piss" isn't a typo either as it's mentioned a few more times. This annoyed me because taking a piss, is just that, it means urinating. "Taking the piss" means to be joking around. Other than that, the dialogue was good.
The best part of the book was the photographs found within the book. I loved that little touch! I found myself studying the photos and enjoying them a million times better than the actual book.
The cover is also something I loved about the book. How freaky does that little girl look??? The German cover looks even better. It's the same photo, just with a green hue. If I was marking the book based on the cover alone, it'd get 5 out of 5 for me.
The title of the book doesn't really leave anything to make you wonder what the books about. It says exactly what the book is about - a home for peculiar children.
All in all, this book left me feeling empty. I didn't really feel much of anything reading it until I got to the last two chapters where it got exciting. However, I will not put myself through the torture of reading the second book in the series especially as I don't care about the characters or what happens to them. I'm just glad I won this book in a competition and didn't buy it.
I was going to give this book a 2 - 2.5 star rating but the ending saved it a bit.
I feel the synopsis of what the book is about makes it sound a lot better than what it is. I wanted to like this book, I really did. I had high hopes for it. Unfortunately, it didn't do much for me. I was expecting more of a ghost story. Instead I got more of a sci-fi story, and one that wasn't very good.
Jacob's grandfather tells him of a magical island of which he spent his childhood. He shows him photos and tells him stories about the peculiar children he grew up with. As Jacob becomes a teenager, he stops believing in his grandfather's ridiculous stories until something awful happens. Jacob travels to the mysterious island to find out about his grandfather. Little does he know that by going to that island he's put himself and many others in danger.
First off, I thought the word building/setting were fantastic. The author made me feel as if I was on the island. I'll give him props there. The description of the world was beautifully described.
I couldn't relate very much to the characters. I can't really place why that is. I just couldn't connect. I found myself not caring what happened to any of them. Perhaps the author should've spent a bit more time character building to make me relate to at least one the characters. The characters just felt a bit one dimensional. There wasn't even one that I could remotely say that I favourited. Okay, that's a lie. I liked Fiona, the Irish girl, but I only liked her because she was Irish, and I love all things Irish. That's it.
I found the pacing to be a bit slow. I'd read a chapter, then I'd get bored with it and go off to do something else. I really struggled with this book. There are a couple of chapters that the pacing is great in, but it's not until the last two chapters that the pacing definitely picks up.
The dialogue was easy to understand although some Americans may not get all the slang British terms. There was one scene where a character says "I was taking a piss" where he meant that he was joking around. The phrase he meant was "taking the piss" which is a British slang phrase for joking. "Taking a piss" isn't a typo either as it's mentioned a few more times. This annoyed me because taking a piss, is just that, it means urinating. "Taking the piss" means to be joking around. Other than that, the dialogue was good.
The best part of the book was the photographs found within the book. I loved that little touch! I found myself studying the photos and enjoying them a million times better than the actual book.
The cover is also something I loved about the book. How freaky does that little girl look??? The German cover looks even better. It's the same photo, just with a green hue. If I was marking the book based on the cover alone, it'd get 5 out of 5 for me.
The title of the book doesn't really leave anything to make you wonder what the books about. It says exactly what the book is about - a home for peculiar children.
All in all, this book left me feeling empty. I didn't really feel much of anything reading it until I got to the last two chapters where it got exciting. However, I will not put myself through the torture of reading the second book in the series especially as I don't care about the characters or what happens to them. I'm just glad I won this book in a competition and didn't buy it.
I was going to give this book a 2 - 2.5 star rating but the ending saved it a bit.
Hazel (1853 KP) rated The House at the Edge of the Night in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Castellamare, a small island off the south coast of Italy, is the perfect setting for a captivating epic tale that traces a family from the beginning of the 1900s until the more recent year of 2009. Centred at the island’s only bar ‘The House at the Edge of the Night’, the island inhabitants suffer through two world wars, fascism, tourism and recession, however, the bar determinedly stays standing. But what happens in the rest of the world is largely ignored by the island dwellers that prefer to come to the bar to learn about friendships, betrayals and love affairs.
<i>The House at the Edge of the Night </i>begins on the mainland where the Dr Esposito removes the foundling Amadeo from care. Following in his foster father’s footsteps, Amadea Esposito trains to be a doctor and eventually lands himself a position on Castellamare. Having never had a doctor on the island before, Amadeo is welcomed by almost everyone, however, an illicit affair puts an end to his career. Fortunately, The House at the End of the Night provides Amadeo with an income and a home for his new wife, Pina, and his four children.
The story takes the reader through the Second World War, something that is interesting to read from the Italian’s point of view. Rejecting fascism, the Islanders are enraged when their boys are called up to join the war, especially as many, including Amadeo’s three boys, never return. With only a daughter, Maria-Grazia, remaining, the Esposito’s keep the bar going for lack of anything better to do.
But war brings good things as well as bad. Washed up on sure, the British soldier Robert brings good luck to the superstitious villagers, eventually marrying the lovely Maria-Grazia. The story continues through the childhood of their unruly boys, coming to an end as their granddaughter reaches adulthood.
A doctor and a barman, Amadeo also had a love for stories. Listening to his patients and patrons fantastical tales, Amadeo keeps note of them all in his personal notebook. Split into five parts, the book contains a story at the beginning of each section that, although mythical, set the scene for the subsequent narrative.
Alienated from the rest of the world, the Islanders are stuck in their ways, attributing any luck – good and bad – to their patron saint, Sant’Agata. Whenever life gets tough, the people on Castellamare turn to prayer, which although is part of their Catholic faith, often comes across as superstitious and irrational. They refuse to believe any logical explanation, preferring to regard their island as a magical, preternatural site.
There is no specific storyline with the usual climax and conclusion; instead, it works as a biography of a fictional family. It is interesting to regard the impact of the rapidly developing world on the island, from the introduction of a building society and the eventual launch of the Europe – something that the Islanders are naturally against. The inhabitants of Castellamare come across as naïve, but their backgrounds and beliefs are far more interesting than the average person.
<i>The House at the Edge of the Night</i> is a story of stories. It provides more than to be expected from a novel. Catherine Banner writes of beautiful settings, compelling characters and fascinating events that both amuse and entertain in a moving way.
With Victoria Hislop’s novels such as <i>The Island</i> being all the rage amongst many female readers, Catherine Banner’s <i>The House at the Edge of the Night </i>is destined for success. It is a great book to read on holiday or at home, and perfect for book clubs. This book is the ideal escape from the stresses of everyday life.
Castellamare, a small island off the south coast of Italy, is the perfect setting for a captivating epic tale that traces a family from the beginning of the 1900s until the more recent year of 2009. Centred at the island’s only bar ‘The House at the Edge of the Night’, the island inhabitants suffer through two world wars, fascism, tourism and recession, however, the bar determinedly stays standing. But what happens in the rest of the world is largely ignored by the island dwellers that prefer to come to the bar to learn about friendships, betrayals and love affairs.
<i>The House at the Edge of the Night </i>begins on the mainland where the Dr Esposito removes the foundling Amadeo from care. Following in his foster father’s footsteps, Amadea Esposito trains to be a doctor and eventually lands himself a position on Castellamare. Having never had a doctor on the island before, Amadeo is welcomed by almost everyone, however, an illicit affair puts an end to his career. Fortunately, The House at the End of the Night provides Amadeo with an income and a home for his new wife, Pina, and his four children.
The story takes the reader through the Second World War, something that is interesting to read from the Italian’s point of view. Rejecting fascism, the Islanders are enraged when their boys are called up to join the war, especially as many, including Amadeo’s three boys, never return. With only a daughter, Maria-Grazia, remaining, the Esposito’s keep the bar going for lack of anything better to do.
But war brings good things as well as bad. Washed up on sure, the British soldier Robert brings good luck to the superstitious villagers, eventually marrying the lovely Maria-Grazia. The story continues through the childhood of their unruly boys, coming to an end as their granddaughter reaches adulthood.
A doctor and a barman, Amadeo also had a love for stories. Listening to his patients and patrons fantastical tales, Amadeo keeps note of them all in his personal notebook. Split into five parts, the book contains a story at the beginning of each section that, although mythical, set the scene for the subsequent narrative.
Alienated from the rest of the world, the Islanders are stuck in their ways, attributing any luck – good and bad – to their patron saint, Sant’Agata. Whenever life gets tough, the people on Castellamare turn to prayer, which although is part of their Catholic faith, often comes across as superstitious and irrational. They refuse to believe any logical explanation, preferring to regard their island as a magical, preternatural site.
There is no specific storyline with the usual climax and conclusion; instead, it works as a biography of a fictional family. It is interesting to regard the impact of the rapidly developing world on the island, from the introduction of a building society and the eventual launch of the Europe – something that the Islanders are naturally against. The inhabitants of Castellamare come across as naïve, but their backgrounds and beliefs are far more interesting than the average person.
<i>The House at the Edge of the Night</i> is a story of stories. It provides more than to be expected from a novel. Catherine Banner writes of beautiful settings, compelling characters and fascinating events that both amuse and entertain in a moving way.
With Victoria Hislop’s novels such as <i>The Island</i> being all the rage amongst many female readers, Catherine Banner’s <i>The House at the Edge of the Night </i>is destined for success. It is a great book to read on holiday or at home, and perfect for book clubs. This book is the ideal escape from the stresses of everyday life.
Heather Cranmer (2721 KP) rated The Summer of New Beginnings (Magnolia Grove #1) in Books
Oct 21, 2018
Very Realistic Characters (3 more)
Well Written Plot
True Life Events
A Feel Good Story
All the Feels!
I had heard of the author Bette Lee Crosby before, and I had been meaning to read her books. Many people had actually recommended her books to me. After a Facebook live party, I finally decided to read her women's fiction novel The Summer of New Beginnings. I'm glad I did because it was so good!
The pacing moved at a very relaxing, consistent style. Not once did I grow bored wishing the pacing, nor did I find myself too lost because it was too fast. The pacing was just perfect.
I enjoyed the plot and world building of The Summer of New Beginnings very much. It felt very true to life and very believable. I won't rehash the book synopsis because it describes what happens so beautifully. I loved watching the sisters grow and seeing how they dealt with the hardships the life threw at them. Although this book is mostly focuses on Meghan, the younger sister, The Summer of New Beginnings gives us glimpses into how older sister Tracey is dealing with her problems (and boy, does she have a big one in the form of Dominic) as well as the girls' mother Lila having to deal with her husband's death and looking after her girls. Miss Crosby had me hanging on every word she had written in this book. The way she writes is magical! I was instantly transported to the world of Magnolia Grove every time I would start reading The Summer of New Beginnings.
Every single character in The Summer of New Beginnings, whether they were minor or major, felt like a very real person. I would even dare to say that characters in this book felt more alive than any other book I have read! I loved every character in The Summer of New Beginnings, except for Dominic, but only because he was a jerk, not due to how he was written! Meghan was definitely my favorite. I loved her caring attitude and how she always made sure everyone was taken care of. She was so loving and selfless. I also loved Sox. He sounded so adorable and sweet. I wanted to just snuggle with him myself. I loved reading about Tracey finally taking some responsibility although it's a shame she had to put up with what she did. Lila was such a lovely mother doting on her girls no matter how old they were or what they had done wrong. Tom was such a nice guy. It was hard to find fault with him, and I never did! Gabriel had overcome something major, and it was nice to see him give back to his community to help out. Lucas was so sweet. I fell in love with that little boy right away. It probably helps that I have a little boy of my own too, ha! As I've said before, all of the characters in The Summer of New Beginnings were fantastic!
The Summer of New Beginnings is a pretty clean read. Nothing was too graphic or drawn out. Trigger warnings include kissing (not steamy), mild swearing (only a couple of minor swear words that I noticed), drinking (only a glass of wine here and there and Dominic being drunk a few times), and the death of Meghan's father in the beginning of the book.
Overall, The Summer of New Beginnings is just a feel good read. It's just super sweet, and the whole book is written beautifully. I would definitely recommend The Summer of New Beginnings by Bette Lee Crosby to everyone aged 15+. I know it is considered Women's Fiction, but I think a lot of men who read would like this one too.
The pacing moved at a very relaxing, consistent style. Not once did I grow bored wishing the pacing, nor did I find myself too lost because it was too fast. The pacing was just perfect.
I enjoyed the plot and world building of The Summer of New Beginnings very much. It felt very true to life and very believable. I won't rehash the book synopsis because it describes what happens so beautifully. I loved watching the sisters grow and seeing how they dealt with the hardships the life threw at them. Although this book is mostly focuses on Meghan, the younger sister, The Summer of New Beginnings gives us glimpses into how older sister Tracey is dealing with her problems (and boy, does she have a big one in the form of Dominic) as well as the girls' mother Lila having to deal with her husband's death and looking after her girls. Miss Crosby had me hanging on every word she had written in this book. The way she writes is magical! I was instantly transported to the world of Magnolia Grove every time I would start reading The Summer of New Beginnings.
Every single character in The Summer of New Beginnings, whether they were minor or major, felt like a very real person. I would even dare to say that characters in this book felt more alive than any other book I have read! I loved every character in The Summer of New Beginnings, except for Dominic, but only because he was a jerk, not due to how he was written! Meghan was definitely my favorite. I loved her caring attitude and how she always made sure everyone was taken care of. She was so loving and selfless. I also loved Sox. He sounded so adorable and sweet. I wanted to just snuggle with him myself. I loved reading about Tracey finally taking some responsibility although it's a shame she had to put up with what she did. Lila was such a lovely mother doting on her girls no matter how old they were or what they had done wrong. Tom was such a nice guy. It was hard to find fault with him, and I never did! Gabriel had overcome something major, and it was nice to see him give back to his community to help out. Lucas was so sweet. I fell in love with that little boy right away. It probably helps that I have a little boy of my own too, ha! As I've said before, all of the characters in The Summer of New Beginnings were fantastic!
The Summer of New Beginnings is a pretty clean read. Nothing was too graphic or drawn out. Trigger warnings include kissing (not steamy), mild swearing (only a couple of minor swear words that I noticed), drinking (only a glass of wine here and there and Dominic being drunk a few times), and the death of Meghan's father in the beginning of the book.
Overall, The Summer of New Beginnings is just a feel good read. It's just super sweet, and the whole book is written beautifully. I would definitely recommend The Summer of New Beginnings by Bette Lee Crosby to everyone aged 15+. I know it is considered Women's Fiction, but I think a lot of men who read would like this one too.
Lucy Buglass (45 KP) rated Stan & Ollie (2018) in Movies
Jun 20, 2019
A stunning portrait of friendship and comedy
To this day, Stan Laurel and Oliver Hardy are still regarded as one of the greatest comedy duos. Their acts used slapstick comedy, cartoon violence and song to delight audiences. From 1927 all the way up to 1955, they performed these acts together both on screen and on stage.
Something that really made me smile about Stan & Ollie was the fact that both Steve Coogan and John C. Reilly’s careers are rooted in comedy. Coogan is known for playing Alan Partridge and Reilly is known for numerous roles in American comedy films. What better way to pay homage to such an iconic comedy act. Both lead actors took to their roles superbly, and I loved both equally. It was a joy to follow them as they took us on tour, recreating iconic routines that made it impossible to look away from the screen.
I was captivated throughout, genuinely finding myself laughing out loud at these comedy routines that have aged like a fine wine. Even now, they’re absolutely hilarious. Coogan and Reilly worked perfectly together, embodying all that we know and love about Laurel and Hardy whilst revealing intimate secrets that took place from behind the stage curtain. Although their careers were comedic, some of their life experiences certainly weren’t.
The duos wives also make an appearance, and are equally as delightful to watch. Lucille Hardy (Shirley Henderson) and Ida Kitaeva Laurel (Nina Arianda) are a double act themselves, with very different beliefs and personalities. I loved the dynamic between the two women and found myself laughing out loud at them too. Despite their differences, they are both overbearing wives who think they know what’s best for their respective husbands, often with some very emotional results. I really can’t fault the casting at all, it was just magical to watch.
Aesthetically, I adored Stan & Ollie and what a treat it was to see Newcastle back in the day! The set and costume design is just gorgeous as the two embark on a rather exhausting tour of the UK, and we get a glimpse of so many cities and the different audiences that attend each night. We see the duos struggles and successes, each scene delivering a different emotional tug. Our heart sinks as we see the empty seats, and rises again as they start to draw in more and more crowds. The camera speaks louder than words a lot of the time, knowing exactly what to show the audience in order to mirror what the characters are feeling.
It is impossible to document every waking moment of Laurel and Hardy’s lives, but this biopic still manages to show us a lot in a relatively short space of time. With a runtime of 1 hour and 37 minutes, it would have been easy for it to fall flat and leave audiences wishing they’d seen more. But in my opinion, that didn’t happen. Whilst we were dropped into the story with their careers in full swing, it didn’t feel like we’d missed out on anything. The film requires a little knowledge about the duo before watching, but you don’t need a history lesson in order to enjoy it to the full.
For me, this was the epitome of a great biopic. Coogan and Reilly looked the part, they acted the part, and they made their audience laugh both on-screen and in the cinema. I laughed, I cried, and I had a brilliant time that I can see myself wanting to revisit in the near future. The epilogue was so emotionally charged that I had to stay in my seat and wipe away tears for a few minutes, and that says everything about what a perfect film this was. I’m delighted that it is my first five star review of 2019!
https://lucygoestohollywood.com/2019/01/25/a-stunning-portrait-of-friendship-and-comedy-my-review-of-stan-ollie/
Something that really made me smile about Stan & Ollie was the fact that both Steve Coogan and John C. Reilly’s careers are rooted in comedy. Coogan is known for playing Alan Partridge and Reilly is known for numerous roles in American comedy films. What better way to pay homage to such an iconic comedy act. Both lead actors took to their roles superbly, and I loved both equally. It was a joy to follow them as they took us on tour, recreating iconic routines that made it impossible to look away from the screen.
I was captivated throughout, genuinely finding myself laughing out loud at these comedy routines that have aged like a fine wine. Even now, they’re absolutely hilarious. Coogan and Reilly worked perfectly together, embodying all that we know and love about Laurel and Hardy whilst revealing intimate secrets that took place from behind the stage curtain. Although their careers were comedic, some of their life experiences certainly weren’t.
The duos wives also make an appearance, and are equally as delightful to watch. Lucille Hardy (Shirley Henderson) and Ida Kitaeva Laurel (Nina Arianda) are a double act themselves, with very different beliefs and personalities. I loved the dynamic between the two women and found myself laughing out loud at them too. Despite their differences, they are both overbearing wives who think they know what’s best for their respective husbands, often with some very emotional results. I really can’t fault the casting at all, it was just magical to watch.
Aesthetically, I adored Stan & Ollie and what a treat it was to see Newcastle back in the day! The set and costume design is just gorgeous as the two embark on a rather exhausting tour of the UK, and we get a glimpse of so many cities and the different audiences that attend each night. We see the duos struggles and successes, each scene delivering a different emotional tug. Our heart sinks as we see the empty seats, and rises again as they start to draw in more and more crowds. The camera speaks louder than words a lot of the time, knowing exactly what to show the audience in order to mirror what the characters are feeling.
It is impossible to document every waking moment of Laurel and Hardy’s lives, but this biopic still manages to show us a lot in a relatively short space of time. With a runtime of 1 hour and 37 minutes, it would have been easy for it to fall flat and leave audiences wishing they’d seen more. But in my opinion, that didn’t happen. Whilst we were dropped into the story with their careers in full swing, it didn’t feel like we’d missed out on anything. The film requires a little knowledge about the duo before watching, but you don’t need a history lesson in order to enjoy it to the full.
For me, this was the epitome of a great biopic. Coogan and Reilly looked the part, they acted the part, and they made their audience laugh both on-screen and in the cinema. I laughed, I cried, and I had a brilliant time that I can see myself wanting to revisit in the near future. The epilogue was so emotionally charged that I had to stay in my seat and wipe away tears for a few minutes, and that says everything about what a perfect film this was. I’m delighted that it is my first five star review of 2019!
https://lucygoestohollywood.com/2019/01/25/a-stunning-portrait-of-friendship-and-comedy-my-review-of-stan-ollie/
Hazel (1853 KP) rated Teagan of Tomorrow (Legend of Rhyme, #3) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
They may have defeated the evil sorcerer, but the twins have found themselves in even more trouble. <i>Teagan of Tomorrow</i> is the third book in Jaime Lee Mann’s<i> Legend of Rhyme</i> fantasy series for children. Previously Asher and Ariana have helped to banish a powerful, wicked man, however in the process have been transported to the year 2015 – more than a couple of centuries into the future. Back in Coraira the rulers and fairies are desperate to locate the twins, but before they get a chance a curse befalls them, putting them into a deep sleep and removing all magic from the realm.
This third installment introduces a new character that is key to the plot. Teagan is a twelve-year-old girl living in a foster family in 2015. Readers learn that her parents died when she was young, however it is not revealed how or whether this is relevant to future books in the series. Although she never meets them, after Asher and Ariana find themselves nearby, Teagan starts experiencing odd things that could only be explained as magic… if magic existed.
The story is quite amusing to begin with as Asher and Ariana not only find themselves in a world they no longer understand, they have crashed straight into a reenactment of their own lives. Since magic ceased to exist, Coraira and the twins have become a legend that most people regard as a children’s fairytale, which they like to act out as a way of attracting tourists. The way the twins react to their surroundings produces a humorous comparison between the past and the twenty-first century.
As the story progresses it becomes clear that Teagan is a descendant of the twin’s family, and is their key to returning home. If only it could be as easy as it sounds. Before Asher and Ariana get to meet their youngest family member, Teagan accidently gets herself transported into Coraira.
Being only one hundred pages, <i>Teagan of Tomorrow</i> does not have room to resolve this disastrous situation. Readers will have to wait for the next book to be published to find out if the twins ever make it back home, and discover what happens to Teagan.
As with the previous two books, <i>Teagan of Tomorrow</i> is written in a language suitable for older children to understand. The author has kept the story short and to the point, making it easy to follow. The downside to this is it lacks description with dozens of pages containing only dialogue. This makes it harder to appreciate the setting and unique magical concept that Mann has invented.
The risk with a series of books is in going too far with the storyline. Sometimes there is a point when the story should end, yet the author perseveres on. I worried that this would be the case with this series. Except for the twins going missing, things could easily have finished at the end of the second book. The introduction of Teagan in<i> Teagan of Tomorrow</i> however gives a whole new concept to the original fantasy narrative. Instead of the same characters using the same magic, to defeat the same types of evil, surrounded by the same types of mythical creatures, Teagan provides a contemporary observation on the already familiar setting. The way the author leaves events at the end of the book will make the reader yearn for the next story, thus making it a success.
They may have defeated the evil sorcerer, but the twins have found themselves in even more trouble. <i>Teagan of Tomorrow</i> is the third book in Jaime Lee Mann’s<i> Legend of Rhyme</i> fantasy series for children. Previously Asher and Ariana have helped to banish a powerful, wicked man, however in the process have been transported to the year 2015 – more than a couple of centuries into the future. Back in Coraira the rulers and fairies are desperate to locate the twins, but before they get a chance a curse befalls them, putting them into a deep sleep and removing all magic from the realm.
This third installment introduces a new character that is key to the plot. Teagan is a twelve-year-old girl living in a foster family in 2015. Readers learn that her parents died when she was young, however it is not revealed how or whether this is relevant to future books in the series. Although she never meets them, after Asher and Ariana find themselves nearby, Teagan starts experiencing odd things that could only be explained as magic… if magic existed.
The story is quite amusing to begin with as Asher and Ariana not only find themselves in a world they no longer understand, they have crashed straight into a reenactment of their own lives. Since magic ceased to exist, Coraira and the twins have become a legend that most people regard as a children’s fairytale, which they like to act out as a way of attracting tourists. The way the twins react to their surroundings produces a humorous comparison between the past and the twenty-first century.
As the story progresses it becomes clear that Teagan is a descendant of the twin’s family, and is their key to returning home. If only it could be as easy as it sounds. Before Asher and Ariana get to meet their youngest family member, Teagan accidently gets herself transported into Coraira.
Being only one hundred pages, <i>Teagan of Tomorrow</i> does not have room to resolve this disastrous situation. Readers will have to wait for the next book to be published to find out if the twins ever make it back home, and discover what happens to Teagan.
As with the previous two books, <i>Teagan of Tomorrow</i> is written in a language suitable for older children to understand. The author has kept the story short and to the point, making it easy to follow. The downside to this is it lacks description with dozens of pages containing only dialogue. This makes it harder to appreciate the setting and unique magical concept that Mann has invented.
The risk with a series of books is in going too far with the storyline. Sometimes there is a point when the story should end, yet the author perseveres on. I worried that this would be the case with this series. Except for the twins going missing, things could easily have finished at the end of the second book. The introduction of Teagan in<i> Teagan of Tomorrow</i> however gives a whole new concept to the original fantasy narrative. Instead of the same characters using the same magic, to defeat the same types of evil, surrounded by the same types of mythical creatures, Teagan provides a contemporary observation on the already familiar setting. The way the author leaves events at the end of the book will make the reader yearn for the next story, thus making it a success.
Hazel (1853 KP) rated The Festival Shoes in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
The Festival Shoes</i> by Tolulope Okudolo is a fairy story (literally) for young children. Although referred to as “pixies,” the illustrations provided by Eric Scott Fisher look like typical western imagery associated with the magical, winged creatures. The main character, Drumlo, is an ebullient pixie who is about to embark on his first trip to Earth in order to deliver a very important gift. With so much relying on his success, it would be absolutely awful if something went wrong.
Weaverton, the name of the land of fairies, is an invisible world that lies above the Earth. Whenever a child has a good thought or does something virtuous, a colourful string, unseen by the human eye, snakes its way up to the hidden land. Collected by pixies, these threads are woven into magnificent presents, which are delivered to the children as rewards on the day of the Great Festival. In order to prove himself as capable, Drumlo has been charged with safely transporting a pair of shoes to a truly deserving girl. With an effulgent thread as a guide, Drumlo sets off on his exciting mission.
The author is the founder of the publishing company Magnifying Children’s Horizons, which aspires to inspire children physically, mentally and spiritually about the natural world. Tolulope Okudolo’s author biography implies she is a Christian and likes to bring this aspect of her life into her writing. Although, as far as we know, fairies and pixies only exist in folklore, Tolulope retains the idea of the existence of God by referring to an unseen High King who lives above Weaverton. In this respect, the Great Festival and gift giving become similar to our Christmas tradition.
<i>The Festival Shoes</i>, however, is not intended to be a Christian book. Its purpose is to enhance children’s creativity and character by showing them the impact of their good and bad behaviour by emphasising the idea of receiving rewards. Whilst Drumlo is on his journey to Earth, he passes through the land where all bad thoughts and actions go. Compared with everywhere else, this place looks dull and gloomy, which goes to show what happens when nature is neglected and not cared for.
Another important message <i>The Festival Shoes</i> shows children is to have faith in themselves to do something for the first time. Drumlo had never been given such responsibility before, but he believed he could do it. Even though something goes wrong, his faith sees him through. He does not give up, everything works out in the end.
Reading the book as an adult, <i>The Festival Shoes</i> is not all that interesting. The ending comes about too quickly and, although the author is trying to emphasise that Drumlo’s faith saves the day, he does not physically do anything to fix what goes wrong – slightly misleading, perhaps?
The coloured illustrations that appear on every other page are pretty but do not help to tell the story. It is not a picture book for very young children; it is the next stage up. With discussion questions at the end of the book, <i>The Festival Shoes</i> is for parents and children to read together and think about their own impact on the world and nature.
Unfortunately, the book does not look professionally produced. The choice of typeface is uninspiring and the illustrations do not always slot into place well, leaving awkward layouts. As an eBook, this does not matter too much, but if it were to be printed, sales are unlikely to rocket.
The Festival Shoes</i> by Tolulope Okudolo is a fairy story (literally) for young children. Although referred to as “pixies,” the illustrations provided by Eric Scott Fisher look like typical western imagery associated with the magical, winged creatures. The main character, Drumlo, is an ebullient pixie who is about to embark on his first trip to Earth in order to deliver a very important gift. With so much relying on his success, it would be absolutely awful if something went wrong.
Weaverton, the name of the land of fairies, is an invisible world that lies above the Earth. Whenever a child has a good thought or does something virtuous, a colourful string, unseen by the human eye, snakes its way up to the hidden land. Collected by pixies, these threads are woven into magnificent presents, which are delivered to the children as rewards on the day of the Great Festival. In order to prove himself as capable, Drumlo has been charged with safely transporting a pair of shoes to a truly deserving girl. With an effulgent thread as a guide, Drumlo sets off on his exciting mission.
The author is the founder of the publishing company Magnifying Children’s Horizons, which aspires to inspire children physically, mentally and spiritually about the natural world. Tolulope Okudolo’s author biography implies she is a Christian and likes to bring this aspect of her life into her writing. Although, as far as we know, fairies and pixies only exist in folklore, Tolulope retains the idea of the existence of God by referring to an unseen High King who lives above Weaverton. In this respect, the Great Festival and gift giving become similar to our Christmas tradition.
<i>The Festival Shoes</i>, however, is not intended to be a Christian book. Its purpose is to enhance children’s creativity and character by showing them the impact of their good and bad behaviour by emphasising the idea of receiving rewards. Whilst Drumlo is on his journey to Earth, he passes through the land where all bad thoughts and actions go. Compared with everywhere else, this place looks dull and gloomy, which goes to show what happens when nature is neglected and not cared for.
Another important message <i>The Festival Shoes</i> shows children is to have faith in themselves to do something for the first time. Drumlo had never been given such responsibility before, but he believed he could do it. Even though something goes wrong, his faith sees him through. He does not give up, everything works out in the end.
Reading the book as an adult, <i>The Festival Shoes</i> is not all that interesting. The ending comes about too quickly and, although the author is trying to emphasise that Drumlo’s faith saves the day, he does not physically do anything to fix what goes wrong – slightly misleading, perhaps?
The coloured illustrations that appear on every other page are pretty but do not help to tell the story. It is not a picture book for very young children; it is the next stage up. With discussion questions at the end of the book, <i>The Festival Shoes</i> is for parents and children to read together and think about their own impact on the world and nature.
Unfortunately, the book does not look professionally produced. The choice of typeface is uninspiring and the illustrations do not always slot into place well, leaving awkward layouts. As an eBook, this does not matter too much, but if it were to be printed, sales are unlikely to rocket.
Gareth von Kallenbach (974 KP) rated Charlie and the Chocolate Factory (2005) in Movies
Aug 14, 2019
It seems of late that every month Hollywood either releases or plans to release a remake of a classic film. This summer has spawned no less than 5 remakes of classic films or televisions shows and with box office receipts in decline, it would seem that the public is craving for something fresh.
Thankfully the Tim Burton remake of Charlie and the Chocolate Factory is not only a winner, but injects a much needed jolt of camp, charm, and wit into a late summer season that desperately needed it.
The film stars Johnny Depp as the mysterious candy maker Willie Wonka. Wonka has become a reclusive for two decades in order to protect his secret recipes from corporate spies and thieves.
As the film opens, a young boy named Charlie Bucket, (Freddie Highmore), returns home to his family shack, which he shares with his parents and four grandparents. As told via narration, that despite the poverty of his family, Charlie is a very lucky boy. Over their meager dinner of cabbage soup, Charlie’s grandfather (David Kelly) regales the family with tales of Willie Wonka and his exploits which he saw first hand while working in the factory decades earlier.
When Wonka resumed candy shipments after a hiatus the world was delighted, but many wondered who was making the candy as aside from shipping trucks, nobody was ever seen coming or going from the factory.
Such secrecy only added to the legend of Wonka as amazing candy creations continued to arrive in shops to the delight of customer’s world wide.
When it is announced that five golden tickets have been hidden inside candy bars world wide, and that the winners will be given a full day tour of the factory by Wonka himself, frenzy erupts across the globe as Wonka Bars are snatched up by a rabid public. Charlie dreams of getting one of the precious tickets, but his family’s meager income limits him to one bar a year on his birthday. Undaunted Charlie counts the days until his coming birthday, undaunted by the discovery of tickets around the globe.
When his efforts to get a ticket are daunted, and the fifth ticket is reported to be found, Charlie consoles himself by finding money in the street and purchases a Wonka Bar from the corner store. In the blink of an eye Charlie finds himself holding the last ticket when he learns that the last one reported found was a hoax.
Soon Charlie and his Grandfather are touring the magical factory complete with rivers of chocolate and edible candy forests in the company of the quirky Wonka and the fellow contest winners. What follows next is not going to be much of a surprise for those who have seen the 1971 version starring Gene Wilder or those who have read the novel by Roald Dahl, what is a surprise is how fresh and spirited this new version is. I was utterly charmed by the story and the effective pacing of the film.
Burton is a master of mixing visuals and fantasy and this time he not only excels, but he adds an effective touch of humanity to the fantasy which keeps the film from being lost in a see of color and effects.
Depp is brilliant as the eccentric Wonka as his mirth and camp, is underscored by equal amounts of fear and mistrust. The film is essentially a morality tale, but it never losses its focus or the charm by becoming preachy or drawn out. In a role that could easily have been mishandled, Depp soars and shows that he is one of the greatest actors of our generation.
Parents should note that there are a few moments in the film that may be a bit intense for the youngest of viewers, but that being said, the film is a true delight full of magic and fantasy that will delight young and old.
Thankfully the Tim Burton remake of Charlie and the Chocolate Factory is not only a winner, but injects a much needed jolt of camp, charm, and wit into a late summer season that desperately needed it.
The film stars Johnny Depp as the mysterious candy maker Willie Wonka. Wonka has become a reclusive for two decades in order to protect his secret recipes from corporate spies and thieves.
As the film opens, a young boy named Charlie Bucket, (Freddie Highmore), returns home to his family shack, which he shares with his parents and four grandparents. As told via narration, that despite the poverty of his family, Charlie is a very lucky boy. Over their meager dinner of cabbage soup, Charlie’s grandfather (David Kelly) regales the family with tales of Willie Wonka and his exploits which he saw first hand while working in the factory decades earlier.
When Wonka resumed candy shipments after a hiatus the world was delighted, but many wondered who was making the candy as aside from shipping trucks, nobody was ever seen coming or going from the factory.
Such secrecy only added to the legend of Wonka as amazing candy creations continued to arrive in shops to the delight of customer’s world wide.
When it is announced that five golden tickets have been hidden inside candy bars world wide, and that the winners will be given a full day tour of the factory by Wonka himself, frenzy erupts across the globe as Wonka Bars are snatched up by a rabid public. Charlie dreams of getting one of the precious tickets, but his family’s meager income limits him to one bar a year on his birthday. Undaunted Charlie counts the days until his coming birthday, undaunted by the discovery of tickets around the globe.
When his efforts to get a ticket are daunted, and the fifth ticket is reported to be found, Charlie consoles himself by finding money in the street and purchases a Wonka Bar from the corner store. In the blink of an eye Charlie finds himself holding the last ticket when he learns that the last one reported found was a hoax.
Soon Charlie and his Grandfather are touring the magical factory complete with rivers of chocolate and edible candy forests in the company of the quirky Wonka and the fellow contest winners. What follows next is not going to be much of a surprise for those who have seen the 1971 version starring Gene Wilder or those who have read the novel by Roald Dahl, what is a surprise is how fresh and spirited this new version is. I was utterly charmed by the story and the effective pacing of the film.
Burton is a master of mixing visuals and fantasy and this time he not only excels, but he adds an effective touch of humanity to the fantasy which keeps the film from being lost in a see of color and effects.
Depp is brilliant as the eccentric Wonka as his mirth and camp, is underscored by equal amounts of fear and mistrust. The film is essentially a morality tale, but it never losses its focus or the charm by becoming preachy or drawn out. In a role that could easily have been mishandled, Depp soars and shows that he is one of the greatest actors of our generation.
Parents should note that there are a few moments in the film that may be a bit intense for the youngest of viewers, but that being said, the film is a true delight full of magic and fantasy that will delight young and old.
Kristy H (1252 KP) rated The Mighty Heart of Sunny St. James in Books
Jun 21, 2019
Sunny St. James is twelve and getting a new heart. She was diagnosed at the age of ten with cardiomyopathy: a failing heart. That was two years ago. Sunny’s been through a lot in her short life. Her dad passed away in an accident right after she was born. When she was four, her mom, Lena, couldn’t take care of her anymore, so she gave her to her best friend, Kate. Kate and Sunny moved to Juniper Island, where Kate runs Cherry Picked Books. And recently, Sunny’s best friendship with Margot ended. But she’s getting a heart transplant, and everything is going to change now. Sunny even has a new life plan, which includes finding a new best friend and kissing some boys. So when she meets Quinn, a new girl, on the beach, it seems like all the pieces of her plan are coming together. But Quinn makes Sunny question some things—including whether she wants to kiss boys at all.
“I’m going to die today. Definitely for a few minutes and maybe forever. Kate keeps telling me no way, nohow is it going to be forever, but she isn’t the one who’s about to have her most important internal organ switched out like a new swimsuit at the start of the summer.”
Oh this book, this book. Ashley Herring Blake did it again. She is just such a wonderful, wonderful writer. I simply fell head over heels for Sunny, who stole my heart from the first pages of this beautiful book. She is strong, vulnerable, and a darling character who came to life through Blake’s lovely writing. She goes through so much in her life—and in the chapters of this book—and yet there’s so much hope and laughter. I cannot even describe it. The book opens with Sunny’s transplant and then we move on from there, as she works to implement her three-step plan:
“Step One: Do awesome amazing things I could never do before. Step Two: Find a new best friend. Step Three: Find a boy and kiss him.”
To Sunny’s twelve-year-old reasoning, it all makes perfect sense. She has a new heart, so it’s a perfect time to be a new person. In fact, with the new heart, there’s no reason to feel the things she felt before, which might have included some desires to kiss girls. When she meets Quinn on the beach—Quinn and her mom are in town for the summer, as Quinn’s mom is a nature photographer—they become fast friends. It seems like they will be on a quest to kiss boys together. But things quickly go awry (seriously – there are some hilarious comedic scenes as the two attempt to kiss some boys). This book does such an amazing job at capturing the loneliness of young gay kids. I so wish there books like this around when I was a teen. Sunny is so sweet, so real, and so raw as she works through her confusion about liking girls. This is such a wonderful and needed book for middle schoolers (and everyone)—for queer kids as they try to figure out things like Sunny and for the allies who need to support them. I wish everyone could read it. Not only does Sunny struggle with her feelings about liking girls and boys, but she must deal with the return of her long-lost mother, Lena. In another book, these two storylines might feel crowded, but Blake handles them deftly.
And it’s such a lovely story at its heart—because, truly, it’s a book about hearts and those you love and who love you. I defy you to read this book and not fall in love with Sunny St. James. She is a character who will stick with you long after you read the last page. Blake has created yet another lasting story through her magical words. I highly recommend this book. 4.5+ stars.
“I’m going to die today. Definitely for a few minutes and maybe forever. Kate keeps telling me no way, nohow is it going to be forever, but she isn’t the one who’s about to have her most important internal organ switched out like a new swimsuit at the start of the summer.”
Oh this book, this book. Ashley Herring Blake did it again. She is just such a wonderful, wonderful writer. I simply fell head over heels for Sunny, who stole my heart from the first pages of this beautiful book. She is strong, vulnerable, and a darling character who came to life through Blake’s lovely writing. She goes through so much in her life—and in the chapters of this book—and yet there’s so much hope and laughter. I cannot even describe it. The book opens with Sunny’s transplant and then we move on from there, as she works to implement her three-step plan:
“Step One: Do awesome amazing things I could never do before. Step Two: Find a new best friend. Step Three: Find a boy and kiss him.”
To Sunny’s twelve-year-old reasoning, it all makes perfect sense. She has a new heart, so it’s a perfect time to be a new person. In fact, with the new heart, there’s no reason to feel the things she felt before, which might have included some desires to kiss girls. When she meets Quinn on the beach—Quinn and her mom are in town for the summer, as Quinn’s mom is a nature photographer—they become fast friends. It seems like they will be on a quest to kiss boys together. But things quickly go awry (seriously – there are some hilarious comedic scenes as the two attempt to kiss some boys). This book does such an amazing job at capturing the loneliness of young gay kids. I so wish there books like this around when I was a teen. Sunny is so sweet, so real, and so raw as she works through her confusion about liking girls. This is such a wonderful and needed book for middle schoolers (and everyone)—for queer kids as they try to figure out things like Sunny and for the allies who need to support them. I wish everyone could read it. Not only does Sunny struggle with her feelings about liking girls and boys, but she must deal with the return of her long-lost mother, Lena. In another book, these two storylines might feel crowded, but Blake handles them deftly.
And it’s such a lovely story at its heart—because, truly, it’s a book about hearts and those you love and who love you. I defy you to read this book and not fall in love with Sunny St. James. She is a character who will stick with you long after you read the last page. Blake has created yet another lasting story through her magical words. I highly recommend this book. 4.5+ stars.
Lee (2222 KP) rated Frozen II (2019) in Movies
Nov 25, 2019 (Updated Nov 25, 2019)
Just as enjoyable as the original
I'm sure you don't need me to tell you how big a hit 2013 movie Frozen was. For a long while after it was released, you couldn't go on social media, or even turn on a TV, without seeing mention of Frozen in some form. And you couldn't really avoid hearing somebody bash out their rendition of 'Let It Go', arguably one of the biggest and most recognisable songs of this decade. Frozen became the highest-grossing animated film ever and a sequel was always inevitable. But, with any sequel, there's always a high chance that they'll fail to live up to the original, simply coming across as nothing more than a cash grab. Frozen 2 had a lot to live up to!
Following the events of the first Frozen movie, Arendelle is once again a calm, happy and carefree place. Elsa and Anna are close sisters once more. Anna and Kristoff are a couple, although in a running theme throughout the movie, Kristoff is now keen to try and propose to Anna. Meanwhile, some magic from Elsa means that Olaf now has a permafrost, no longer needing his own snow cloud and able to freely go around without fear of melting. He's also extremely keen to learn - becoming more thoughtful and aware of the world, asking existential questions, and sharing new found facts with his friends.
An early scene shows a young Elsa and Anna being told a bedtime story by their parents. The story involves an enchanted forest and their grandfather, who went to the forest as king in order to make peace with it's inhabitants, the Northuldra, and to sweeten the deal by building them a shiny new dam. But a betrayal caused the elemental forces of the forest - air, earth, fire and water - to become angered, resulting in a fierce battle and the entire forest being sealed for all time beneath a magical shield of mist. Clearly this story is being told in order to set the scene for a major plot point in this sequel, so it's not long before present day Elsa begins to hear voices - a mysterious siren, beckoning her with a beautiful melody. And when the terrifying elemental spirits strike the town of Arendelle, forcing its residents to flee for safety, she remembers the story we've just heard and heads off to the enchanted forest to look for answers and a resolution, closely followed by Anna, Kristoff, Sven and Olaf.
What follows is an epic adventure involving all of the main characters as they work together, or separately at times, to try and regain order and peace to this expanding world we're being introduced to. It becomes a quest to uncover the sisters ancestry and an attempt to undo damage caused by past generations with each character deals with their own personal transformation and growth. It's all beautifully animated, as you'd expect, full of peril, action and fun. And Olaf still manages to generate big laughs in pretty much every scene he's in!
Once again, Frozen 2 boasts an impressive soundtrack of songs. At least one is extremely powerful and catchy, knocking loudly at the door of 'Let It Go' in terms of memorability (admittedly, I've already listened to it a few times since leaving the cinema!), and there are more fun songs for Olaf to sing too. Kristoff comes up short though, getting dealt the worst of the songs, but that's not to say they're not still enjoyable.
Like Toy Story 4 earlier this year, Frozen 2 is a sequel that wasn't really necessary. But, as with Toy Story, it is still wonderful to be back in the company of such great characters. Having re-watched the original Frozen the day before seeing Frozen 2, I can honestly say that the sequel for me was just as enjoyable and entertaining as the first. Highly recommended.
Following the events of the first Frozen movie, Arendelle is once again a calm, happy and carefree place. Elsa and Anna are close sisters once more. Anna and Kristoff are a couple, although in a running theme throughout the movie, Kristoff is now keen to try and propose to Anna. Meanwhile, some magic from Elsa means that Olaf now has a permafrost, no longer needing his own snow cloud and able to freely go around without fear of melting. He's also extremely keen to learn - becoming more thoughtful and aware of the world, asking existential questions, and sharing new found facts with his friends.
An early scene shows a young Elsa and Anna being told a bedtime story by their parents. The story involves an enchanted forest and their grandfather, who went to the forest as king in order to make peace with it's inhabitants, the Northuldra, and to sweeten the deal by building them a shiny new dam. But a betrayal caused the elemental forces of the forest - air, earth, fire and water - to become angered, resulting in a fierce battle and the entire forest being sealed for all time beneath a magical shield of mist. Clearly this story is being told in order to set the scene for a major plot point in this sequel, so it's not long before present day Elsa begins to hear voices - a mysterious siren, beckoning her with a beautiful melody. And when the terrifying elemental spirits strike the town of Arendelle, forcing its residents to flee for safety, she remembers the story we've just heard and heads off to the enchanted forest to look for answers and a resolution, closely followed by Anna, Kristoff, Sven and Olaf.
What follows is an epic adventure involving all of the main characters as they work together, or separately at times, to try and regain order and peace to this expanding world we're being introduced to. It becomes a quest to uncover the sisters ancestry and an attempt to undo damage caused by past generations with each character deals with their own personal transformation and growth. It's all beautifully animated, as you'd expect, full of peril, action and fun. And Olaf still manages to generate big laughs in pretty much every scene he's in!
Once again, Frozen 2 boasts an impressive soundtrack of songs. At least one is extremely powerful and catchy, knocking loudly at the door of 'Let It Go' in terms of memorability (admittedly, I've already listened to it a few times since leaving the cinema!), and there are more fun songs for Olaf to sing too. Kristoff comes up short though, getting dealt the worst of the songs, but that's not to say they're not still enjoyable.
Like Toy Story 4 earlier this year, Frozen 2 is a sequel that wasn't really necessary. But, as with Toy Story, it is still wonderful to be back in the company of such great characters. Having re-watched the original Frozen the day before seeing Frozen 2, I can honestly say that the sequel for me was just as enjoyable and entertaining as the first. Highly recommended.