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Olivia (102 KP) rated Infinite Blue in Books
Aug 13, 2018
I received an advanced review copy in exchange for an honest review. All thoughts are my own.
What I expected from Infinite Blue was a story about two teens trying to make love work and last. Instead, what I got was a contemporary, magical-realism book about life, love, passion and just how eternal they are.
Infinite Blue is a mystical read that I highly enjoyed. The relationship between our two main characters, Ash and Clayton, was incredibly sweet, the concept of this book felt highly original, and it was quick and easy to read. So, with all that praise, why have I given it a relatively low rating?
Infinite Blue left me wanting more. Unfortunately, not in the traditional "I loved this book and never want it to end! Give me twenty spin-offs of it!" way. The book is only 178 pages long. In that time a lot happens. But so much of it is skimmed over to an extreme extent where I felt I'd only read a third of a book. Yes, all the details a reader need to know are disclosed on paper, but there is practically no build up toward these events. That alone is why I don't feel I can give it a higher rating. The book feels incomplete.
With that being said, Orca Publishing specializes in publishing books for reluctant readers. This is a book I would recommend to reluctant readers ages 12-15. It's very straight to the point so it leaves little room to get distracted and the concept is extremely interesting.
But ultimately, as an avid reader, I found myself a bit let down by how incomplete the book felt as a whole.
What I expected from Infinite Blue was a story about two teens trying to make love work and last. Instead, what I got was a contemporary, magical-realism book about life, love, passion and just how eternal they are.
Infinite Blue is a mystical read that I highly enjoyed. The relationship between our two main characters, Ash and Clayton, was incredibly sweet, the concept of this book felt highly original, and it was quick and easy to read. So, with all that praise, why have I given it a relatively low rating?
Infinite Blue left me wanting more. Unfortunately, not in the traditional "I loved this book and never want it to end! Give me twenty spin-offs of it!" way. The book is only 178 pages long. In that time a lot happens. But so much of it is skimmed over to an extreme extent where I felt I'd only read a third of a book. Yes, all the details a reader need to know are disclosed on paper, but there is practically no build up toward these events. That alone is why I don't feel I can give it a higher rating. The book feels incomplete.
With that being said, Orca Publishing specializes in publishing books for reluctant readers. This is a book I would recommend to reluctant readers ages 12-15. It's very straight to the point so it leaves little room to get distracted and the concept is extremely interesting.
But ultimately, as an avid reader, I found myself a bit let down by how incomplete the book felt as a whole.
ClareR (5911 KP) rated The Betrayals in Books
Dec 14, 2020
Firstly, I should say that The Betrayals is a phenomenal book. It opens up a whole new world to the reader. It brought to mind the type of society that I imagine we would have had under National Socialism: men in charge and better educated than women, women expected to know their place, only state sanctioned religion permitted, and those of other religions or schools of thought are ‘disappeared’. I really would have liked to have read more about this outside world, but I don’t feel short changed at only having read about what happens within the confines of Montverre. It is strange actually, that such a major part of Montverre, the grand jeu, is never explicitly talked about. We get the impression as a reader that it’s a performance consisting of maths, music, philosophy and state sanctioned religion. It’s held in extremely high regard: studying it is a sure fire open door to a position of power afterwards.
So what IS The Betrayals about? Well, betrayal, actually. Everyone is backstabbing and lying to everyone else in this book, and they’re lucky if they live to regret it. It’s the cloistered version of Dallas (with less sex)! I loved it. This was a hard book to put down, and one I steamed through far too quickly. This ticks a lot of boxes for me: historical fantasy (double whammy straight away), a mystery to solve, dystopian and a smattering of magical realism. I’m glad it looks like a book that could have a sequel - even if it never as one. It leaves the reader able to make up their own next moves (yes, I do that).
Huge thanks to the publisher for providing me with a NetGalley copy of this book - it was one of my reading highlights of 2020.
So what IS The Betrayals about? Well, betrayal, actually. Everyone is backstabbing and lying to everyone else in this book, and they’re lucky if they live to regret it. It’s the cloistered version of Dallas (with less sex)! I loved it. This was a hard book to put down, and one I steamed through far too quickly. This ticks a lot of boxes for me: historical fantasy (double whammy straight away), a mystery to solve, dystopian and a smattering of magical realism. I’m glad it looks like a book that could have a sequel - even if it never as one. It leaves the reader able to make up their own next moves (yes, I do that).
Huge thanks to the publisher for providing me with a NetGalley copy of this book - it was one of my reading highlights of 2020.
ClareR (5911 KP) rated Limberlost in Books
Oct 22, 2023
Limberlost is yet another beautiful novel from Robbie Arnott. There’s less of the magical realism in this, yet there’s still the beauty and magic of the natural world.
Limberlost is a place. It’s the orchard belonging to Ned West’s family; but all Ned can think about is sailing in a boat of his own, far from life in Limberlost.
The story moves back and forth between Ned’s childhood and his adulthood. Ned’s older brothers go away to fight in WW2, and he lives with his father and older sister. Their lives revolve around worry for the brothers and the apple crop. Ned is struggling as the brother left behind, so he decides to trap rabbits and sell their fur in order to buy his own boat. When he accidentally traps a quoll, only he and Callie (who lives on the next farm and is his best friend Jackbirds sister) know. He decides to nurse it back to health.
Ned’s childhood is seen through three significant moments: the capture of the quoll, the rebuilding of a Huon pine boat, and years before when his father borrowed a boat and took his children out to look at the whales.
Many years later, Ned still remembers these moments.
It was interesting (and sobering) to read about mans, and Neds, impact on the land: how his crop spraying may have been the cause of his wife’s cancer, and how colonisation was the reason why the orchard was his and not the native people’s anymore.
This is such a gentle, gorgeously written novel, and utterly devastating in parts. Even the description of Ned sanding his boat was told with such tenderness - the reader is there, inhaling the scent of pine.
This is yet another utterly entrancing novel from Robbie Arnott. I’m most definitely a fan.
Limberlost is a place. It’s the orchard belonging to Ned West’s family; but all Ned can think about is sailing in a boat of his own, far from life in Limberlost.
The story moves back and forth between Ned’s childhood and his adulthood. Ned’s older brothers go away to fight in WW2, and he lives with his father and older sister. Their lives revolve around worry for the brothers and the apple crop. Ned is struggling as the brother left behind, so he decides to trap rabbits and sell their fur in order to buy his own boat. When he accidentally traps a quoll, only he and Callie (who lives on the next farm and is his best friend Jackbirds sister) know. He decides to nurse it back to health.
Ned’s childhood is seen through three significant moments: the capture of the quoll, the rebuilding of a Huon pine boat, and years before when his father borrowed a boat and took his children out to look at the whales.
Many years later, Ned still remembers these moments.
It was interesting (and sobering) to read about mans, and Neds, impact on the land: how his crop spraying may have been the cause of his wife’s cancer, and how colonisation was the reason why the orchard was his and not the native people’s anymore.
This is such a gentle, gorgeously written novel, and utterly devastating in parts. Even the description of Ned sanding his boat was told with such tenderness - the reader is there, inhaling the scent of pine.
This is yet another utterly entrancing novel from Robbie Arnott. I’m most definitely a fan.
Goddess in the Stacks (553 KP) rated Her Body and Other Parties: Stories in Books
Sep 9, 2018
This is another book off my Wronged Women list - women who have been part of the #metoo movement. Specifically the ones that have come out against Junot Diaz and Sherman Alexie, but I hope to expand it to others as well. Her Body and Other Parties is a collection of eight surreal stories. Magical Realism is probably the best categorization for them, as they're not really fantasy. Real World stories with a touch of magic, or events that we're not sure whether they could be magic or are just in the narrator's head.
The Husband Stitch is the first story, and it's a retelling of an old children's story that I recently saw being discussed on Twitter - the one with the woman who had a green ribbon tied around her neck. Her husband always wanted to ask about it, but she refused to answer any questions about it, and wouldn't let him touch it until she was on her deathbed. In Machado's version, it isn't just the narrator that has one. Every woman does. It's different colors, in different places, but it's still never talked about. I think she means it as a metaphor for trauma. It works well.
Eight Bites is a particularly haunting piece about self-hate, body acceptance, and peer pressure. It's probably my second favorite story after The Husband Stitch.
The only one I didn't love was Especially Heinous. It was written as episode synopses of a television show, and it was interesting, but it just went on too long.
All of the stories are written well, though, and each one makes a different point. I think this would make an amazing Book Club book, because I'd love to discuss the meanings of the stories with other people. Other women, specifically. It would definitely be a great book for discussion.
You can find all my reviews at http://goddessinthestacks.com
The Husband Stitch is the first story, and it's a retelling of an old children's story that I recently saw being discussed on Twitter - the one with the woman who had a green ribbon tied around her neck. Her husband always wanted to ask about it, but she refused to answer any questions about it, and wouldn't let him touch it until she was on her deathbed. In Machado's version, it isn't just the narrator that has one. Every woman does. It's different colors, in different places, but it's still never talked about. I think she means it as a metaphor for trauma. It works well.
Eight Bites is a particularly haunting piece about self-hate, body acceptance, and peer pressure. It's probably my second favorite story after The Husband Stitch.
The only one I didn't love was Especially Heinous. It was written as episode synopses of a television show, and it was interesting, but it just went on too long.
All of the stories are written well, though, and each one makes a different point. I think this would make an amazing Book Club book, because I'd love to discuss the meanings of the stories with other people. Other women, specifically. It would definitely be a great book for discussion.
You can find all my reviews at http://goddessinthestacks.com
Goddess in the Stacks (553 KP) rated Gentleman's Guide To Vice And Virtue in Books
Dec 25, 2018
I have been eagerly awaiting this sequel to The Gentleman's Guide to Vice and Virtue, and it did not disappoint! In The Lady's Guide we continue the story of the Montague siblings, with the book opening on Felicity showing up at her brother's flat in London while she figures out how to get into medical school. I love the sibling relationship between these two, and Felicity's friendship with Monty's partner Percy. The three of them just make an amazing little group, so supportive and understanding of each other.
Felicity strongly hinted at being asexual in The Gentleman's Guide, and through the course of this book, that is cemented. Even when she comes to care for someone, sex just...isn't her thing. Romance isn't really either, making her both asexual and aromantic. It's fantastic representation for an identity we don't see very often in books. Or, perhaps, an identity we don't see explicitly mentioned in fiction. Many books don't have romantic plots and just don't investigate that aspect of their characters, but to investigate that aspect of a character and say NO, they are NOT interested in that is unique.
Similar to The Gentleman's Guide, this is an adventure story. Unexpectedly, we veered into magical realism in this book, with the existence of some fantastical creatures I wasn't expecting to see. Nothing about The Gentleman's Guide had implied that the world they inhabited was not exactly ours, but The Lady's Guide does deviate. So that was a big surprise, and I'm not sure I like it. It felt a little forced. I think the "secret" that someone was protecting could have been written as something real instead of a fantastic creature.
That minor quibble aside, I really loved this book, just like I did the first. These two are GREAT books, and the characters are outstanding.
You can read all my reviews at http://goddessinthestacks.com
Felicity strongly hinted at being asexual in The Gentleman's Guide, and through the course of this book, that is cemented. Even when she comes to care for someone, sex just...isn't her thing. Romance isn't really either, making her both asexual and aromantic. It's fantastic representation for an identity we don't see very often in books. Or, perhaps, an identity we don't see explicitly mentioned in fiction. Many books don't have romantic plots and just don't investigate that aspect of their characters, but to investigate that aspect of a character and say NO, they are NOT interested in that is unique.
Similar to The Gentleman's Guide, this is an adventure story. Unexpectedly, we veered into magical realism in this book, with the existence of some fantastical creatures I wasn't expecting to see. Nothing about The Gentleman's Guide had implied that the world they inhabited was not exactly ours, but The Lady's Guide does deviate. So that was a big surprise, and I'm not sure I like it. It felt a little forced. I think the "secret" that someone was protecting could have been written as something real instead of a fantastic creature.
That minor quibble aside, I really loved this book, just like I did the first. These two are GREAT books, and the characters are outstanding.
You can read all my reviews at http://goddessinthestacks.com
Alice (117 KP) rated The Enchanted in Books
Mar 3, 2021
<b>4.5 stars</b> (I may change this in the future but for now let's leave it at this)
My rating for this book is slightly confused because I went through a vast majority of the book feeling. "hey this book is really good I'm so glad it was recommended to me" but <i>only</i> feeling that. It didn't get me excited but it was still very, very good. However, the last couple of pages had such a huge impact and it really made the whole story come alive which meant I gave it the extra 0.5 for the pure sense of awe I felt after finishing.
When you read the title "The Enchanted" you expect it to be about fairies or some other sort of magical creature, the last thing that you expect is a book about a prisoner on death row but let me just say that this book is a gem. The language (especially as a debut novel) is exquisite. The use of metaphors and flowery almost pretty language juxtaposed perfectly to describe the scenes which should be gruesome and dark emphasising with the magic-realism style of the novel. Having the entire story told from the inmate's point of view made for an interesting read too because he was narrating the others' thoughts, so the only parts we know to be true are the things that he himself thought. As I mentioned above, the whole story is development, even as I was nearing the end no part truly felt like the climax.
All in all, I highly recommend this book even if you only read it for how beautiful the language is ( that's pretty much what inspired me to read it), it deals with harsh subject matters in a really raw way and makes you think and you will likely leave with more questions than with which you entered.
My rating for this book is slightly confused because I went through a vast majority of the book feeling. "hey this book is really good I'm so glad it was recommended to me" but <i>only</i> feeling that. It didn't get me excited but it was still very, very good. However, the last couple of pages had such a huge impact and it really made the whole story come alive which meant I gave it the extra 0.5 for the pure sense of awe I felt after finishing.
When you read the title "The Enchanted" you expect it to be about fairies or some other sort of magical creature, the last thing that you expect is a book about a prisoner on death row but let me just say that this book is a gem. The language (especially as a debut novel) is exquisite. The use of metaphors and flowery almost pretty language juxtaposed perfectly to describe the scenes which should be gruesome and dark emphasising with the magic-realism style of the novel. Having the entire story told from the inmate's point of view made for an interesting read too because he was narrating the others' thoughts, so the only parts we know to be true are the things that he himself thought. As I mentioned above, the whole story is development, even as I was nearing the end no part truly felt like the climax.
All in all, I highly recommend this book even if you only read it for how beautiful the language is ( that's pretty much what inspired me to read it), it deals with harsh subject matters in a really raw way and makes you think and you will likely leave with more questions than with which you entered.
Dana (24 KP) rated The Magicians: Book 1 in Books
Mar 23, 2018
I started reading this book because I have watched the series on SyFy and fell in love. This book is much darker than the show (if that's possible) and felt a little slower just because there was more information in the book than there is in the show.
Some of the characters are different, same with the plot points, but I enjoyed it. Was it my favorite book of all time? No. But it was good. It is a fantasy book, magical realism set in the real world and a fictional one, but it was so well written you felt like it was all real. I wish there would have been more focus on the school itself and how they were learning, but speaking from experience, I understand that can be both boring and difficult to write. So I completely understand the lack.
Quentin is an asshole. I think we can all agree to that. But because he is an asshole, I trust him as a narrator that much more. He is self involved and wants whatever he wants and nothing will sway him from that (for the most part) but I still care about him. Not as much as I care about Elliot and Janet (who is Margot in the show). I love these two to no end. There were new characters that I didn't know in the books because they weren't in the show. I liked them. I think they added another bit of depth we didn't get in the series. I liked seeing more students than the like six we get in the show.
I liked the book overall and I plan to read the other two. If you are a fan of the show, pick these up. They're different enough to give more context into the inner workings of the characters that I think is a great addition if you are familiar with the show.
I know I should have started with the books, then watched the show, but I didn't know there were books until after I watched the first two seasons, so yeah.
Some of the characters are different, same with the plot points, but I enjoyed it. Was it my favorite book of all time? No. But it was good. It is a fantasy book, magical realism set in the real world and a fictional one, but it was so well written you felt like it was all real. I wish there would have been more focus on the school itself and how they were learning, but speaking from experience, I understand that can be both boring and difficult to write. So I completely understand the lack.
Quentin is an asshole. I think we can all agree to that. But because he is an asshole, I trust him as a narrator that much more. He is self involved and wants whatever he wants and nothing will sway him from that (for the most part) but I still care about him. Not as much as I care about Elliot and Janet (who is Margot in the show). I love these two to no end. There were new characters that I didn't know in the books because they weren't in the show. I liked them. I think they added another bit of depth we didn't get in the series. I liked seeing more students than the like six we get in the show.
I liked the book overall and I plan to read the other two. If you are a fan of the show, pick these up. They're different enough to give more context into the inner workings of the characters that I think is a great addition if you are familiar with the show.
I know I should have started with the books, then watched the show, but I didn't know there were books until after I watched the first two seasons, so yeah.
Dave Eggers recommended The Landlord (1970) in Movies (curated)
Lottie disney bookworm (1056 KP) rated Thread Needle in Books
Jun 17, 2021
“Magic is the first sin. It must be bound.”
Anna is an orphan, she is a witch with no magic, she is a nobody.
Raised by her aunt in London since her parents’ death when she was just 3 months old, Anna leads a monotonous life of school, homework, chores and learning to control her magic. Not that she has much magic to control, but Anna has been raised in the shadow of the Binders, a coven who believe magic is a sin and who will bind Anna’s magic when she turns 16. Until then, Anna must not draw attention to herself or the world of magic, she must shrink and she must be invisible. Only when her magic is bound will she be safe…or so the Binders would lead her to believe.
Threadneedle begins around Anna’s 15th birthday, when Anna and her Aunt receive a surprise visit from a family friend (and witch) Selene, her daughter Effie and friend Attis. Anna has idolised Selene since her childhood but I imagine even she did not anticipate this birthday visit to change her life so significantly.
Selene, Effie and Attis are the complete opposite of the Binders, using magic freely and unreservedly: they open up a whole new world to the reluctant Anna and even convince her to create a coven with them, discovering new witches right under their noses. However, as Anna practices magic more, a peculiar symbol seems to haunt her; the symbol of the eye – the symbol of a curse.
The majority of Threadneedle takes place within Anna’s home and school. Anna’s life as a nobody at school is turned on its head with Effie’s arrival and she finds that, along with friends, comes the drama of a typical teenage girl. Bullying and body-shaming are key topics here and sort of edged the book into the YA category in my opinion.
Anna as a character is portrayed as an entirely ordinary teenager, if a little meek. Her aunt, in juxtaposition, is controlling and dominating, although she always expresses that this is necessary to protect Anna and comes from a place of love. Aunt is rarely referred to by her name and has an abusive hold over Anna, punishing her with magic if she so much as shows a flicker of emotion. The reader witnesses Anna’s emotional and physical abuse at the hands of her Aunt, with Cari Thomas even beginning each chapter with one of the Binders’ tenets, signifying the brainwashing nature of the coven.
Anna doesn’t remain meek for long though: fuelled by her intrigue of magic and the mystery behind her parent’s death, Anna soon starts pushing the boundaries that she has lived within for so long. Will she succeed and manage to discover the magical world that surrounds her? Or will her magic be knotted before she gets the chance?
Despite being set in present-day London, Thomas really does introduce an entirely new world of magic with different magical languages, different covens and the constant threat of The Hunters. I found the mixture of darkness and realism incredible.
I also loved the fact that the magic and non-magic worlds run side by side in Thomas’ world but I am very conscious that any magical book written post-Harry Potter is obviously going to have comparisons made. However, Anna does not have the safety of Hogwarts or a doting headmaster to fall back on. There are no teachers providing an education in magic, she must find her magic on her own. No this is a far cry from Harry Potter; Threadneedle is more like a bubbling mixture of Charmed, with a ladle full of Mean Girls and a teaspoon of The Craft for good measure.
The sheer amount of world building by Cari Thomas means that the first few chapters of Threadneedle can feel quite slow but the novel soon settles into place. Thomas also has almost a rhythmic quality to her narrative, with fast-paced writing in dramatic spots before slowing right down again to represent Anna’s isolation. The final chapters were so captivating, with several mysteries that had been steadily growing finally coming to a head: I couldn’t read this fast enough.
Threadneedle is the first in the Language of Magic series by Cari Thomas and it is one hell of a debut! From prophecies and poison to bullies and love triangles; magical libraries, witch hunters and more plot twists than you can imagine, this book has it all. Thomas’ writing is so clever that towards the end of the book even the reader doesn’t know who to believe any more!
Thank you to HarperCollins, and NetGalley for the opportunity to discover this new world. The hype around this book is going to be crazy and it is completely deserved.
Anna is an orphan, she is a witch with no magic, she is a nobody.
Raised by her aunt in London since her parents’ death when she was just 3 months old, Anna leads a monotonous life of school, homework, chores and learning to control her magic. Not that she has much magic to control, but Anna has been raised in the shadow of the Binders, a coven who believe magic is a sin and who will bind Anna’s magic when she turns 16. Until then, Anna must not draw attention to herself or the world of magic, she must shrink and she must be invisible. Only when her magic is bound will she be safe…or so the Binders would lead her to believe.
Threadneedle begins around Anna’s 15th birthday, when Anna and her Aunt receive a surprise visit from a family friend (and witch) Selene, her daughter Effie and friend Attis. Anna has idolised Selene since her childhood but I imagine even she did not anticipate this birthday visit to change her life so significantly.
Selene, Effie and Attis are the complete opposite of the Binders, using magic freely and unreservedly: they open up a whole new world to the reluctant Anna and even convince her to create a coven with them, discovering new witches right under their noses. However, as Anna practices magic more, a peculiar symbol seems to haunt her; the symbol of the eye – the symbol of a curse.
The majority of Threadneedle takes place within Anna’s home and school. Anna’s life as a nobody at school is turned on its head with Effie’s arrival and she finds that, along with friends, comes the drama of a typical teenage girl. Bullying and body-shaming are key topics here and sort of edged the book into the YA category in my opinion.
Anna as a character is portrayed as an entirely ordinary teenager, if a little meek. Her aunt, in juxtaposition, is controlling and dominating, although she always expresses that this is necessary to protect Anna and comes from a place of love. Aunt is rarely referred to by her name and has an abusive hold over Anna, punishing her with magic if she so much as shows a flicker of emotion. The reader witnesses Anna’s emotional and physical abuse at the hands of her Aunt, with Cari Thomas even beginning each chapter with one of the Binders’ tenets, signifying the brainwashing nature of the coven.
Anna doesn’t remain meek for long though: fuelled by her intrigue of magic and the mystery behind her parent’s death, Anna soon starts pushing the boundaries that she has lived within for so long. Will she succeed and manage to discover the magical world that surrounds her? Or will her magic be knotted before she gets the chance?
Despite being set in present-day London, Thomas really does introduce an entirely new world of magic with different magical languages, different covens and the constant threat of The Hunters. I found the mixture of darkness and realism incredible.
I also loved the fact that the magic and non-magic worlds run side by side in Thomas’ world but I am very conscious that any magical book written post-Harry Potter is obviously going to have comparisons made. However, Anna does not have the safety of Hogwarts or a doting headmaster to fall back on. There are no teachers providing an education in magic, she must find her magic on her own. No this is a far cry from Harry Potter; Threadneedle is more like a bubbling mixture of Charmed, with a ladle full of Mean Girls and a teaspoon of The Craft for good measure.
The sheer amount of world building by Cari Thomas means that the first few chapters of Threadneedle can feel quite slow but the novel soon settles into place. Thomas also has almost a rhythmic quality to her narrative, with fast-paced writing in dramatic spots before slowing right down again to represent Anna’s isolation. The final chapters were so captivating, with several mysteries that had been steadily growing finally coming to a head: I couldn’t read this fast enough.
Threadneedle is the first in the Language of Magic series by Cari Thomas and it is one hell of a debut! From prophecies and poison to bullies and love triangles; magical libraries, witch hunters and more plot twists than you can imagine, this book has it all. Thomas’ writing is so clever that towards the end of the book even the reader doesn’t know who to believe any more!
Thank you to HarperCollins, and NetGalley for the opportunity to discover this new world. The hype around this book is going to be crazy and it is completely deserved.
Gareth von Kallenbach (980 KP) rated War Horse (2011) in Movies
Aug 7, 2019
“War Horse” is one of Steven Spielberg’s newest silver screen stories. His flair and panache are present, as ever. This gorgeous film pulls on the heart strings, and plays on several different emotional chords.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.