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Morgan Sheppard (1030 KP) created a post

Jun 5, 2026  
Happy Folklore Friday! 🌸

Today's figure is one of the most complex and compelling in all of Welsh mythology. Blodeuwedd, whose name means flower face, was created from the blossoms of oak, broom, and meadowsweet by the magicians Math and Gwydion to serve as a wife for Lleu Llaw Gyffes, a man whose mother had cursed him never to take a human woman.

She was never asked. She was made, and given, and expected to be content.

What happened next depends on how you read her. She took a lover, Gronw Pebr, and together they plotted Lleu's death. The plan nearly succeeded. When it failed, Gwydion transformed her into an owl as punishment, condemned to fly only at night, shunned by all other birds. 🦉

Welsh mythology doesn't really give us villains. It gives us people, and Blodeuwedd is perhaps the clearest example of that. She was created without consent to fulfil a function, and she refused it. Whether that reads as betrayal or defiance says rather a lot about the reader.

She's stayed with me for years, and I suspect she always will.

#FolkloreFriday #TalesFromWales #WelshFolklore #FolkloreFantasy #MythAndMoonlight
      
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David McK (3801 KP) rated The Amulet of Samarkand (Bartimaeus, #1) in Books

Sep 1, 2024  
The Amulet of Samarkand (Bartimaeus, #1)
The Amulet of Samarkand (Bartimaeus, #1)
Jonathan Stroud | 2003 | Fiction & Poetry
6
6.6 (7 Ratings)
Book Rating
Well.

Have you ever read any Terry Pratchett? (incidentally, one of my favourite)

The author of this surely has; in particular putting me in mind somewhat of Eric.

This, however, is set in a (fictional) London, still on planet Earth, but where magic is real and practiced by the ruling (and not very pleasant) class of Magicians, who summon magical creatures to do their dirty work.

Which is where Bartimaeus comes in: a djinni summoned by the boy would-be Magician Nathaniel (aka John) and initially bound to do his will until he discovers his masters birth name.

The story is told roughly every 2 or 3 chapters about from the perspective of both Bartimaeus (in the first person, and with tons of footnotes) himself and from that of Nathaniel (third person, no footnotes), leading up to the final chapter which flits between the both of them in the one chapter alone.

The result, I found, was an enjoyable enough read (although you do want to smack one main character in particular around the head) - I may pick up parts 2 and 3 in the series, but would not be in any great rush to do so.