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Terra Mystica
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In the land of Terra Mystica dwell 14 different peoples in seven landscapes, and each group is bound...
Worker Placement Gaia Project
RəX Regent (349 KP) rated The Prestige (2006) in Movies
Mar 7, 2019
Are you watching closely?
Contains spoilers, click to show
Are you watching closely? Christopher Nolan is shaping up to be one of this century's most successful directors, delivering hit after hit, quality upon quality. The only exception to that would be the tedious "Insomnia", but at his best he is a movie making genius, at his worst, an efficient director.
"The Prestige" was produced between projects, those being numbers three and four in my all time top ten, "Batman Begins" and "The Dark Knight". He claimed that he was making a small movie to tide him over but ended up with an all start blockbuster, and whist touching of a subject which had been dealt with before, I don't recall it ever having being done quite like this.
And that is the magic of a top director; That is to give the audience what they want but not on their terms, not quite what they are expecting. This film follows the obsession of two 19th century magicians, one of whom, Christian Bale, arrives at the conclusion that it takes total commitment to achieve the perfect trick, whilst Hugh Jackman takes a little longer to see that obsession will lead him down the same path.
This is a dark, Gothic thriller, lifting the lid of the magic of the day, whilst in true Nolan fashion delving deeper into the psyche of the protagonists, and the destructive nature of their respective obsessive battles, and those it hurts and destroys along the way.
But more than this, the film its self is effectively a mirror of the plot, told and presented as one long trick, with deception, red herrings and ultimately, eponymous the prestige. The only real problem I have with this film is that it thinks that it has everything so well wrapped up, that we, the audience, can't see the twists coming, which I felt a little insulted by as they were almost telegraphed.
But, this was a methodically well presented film, with a clear time and excellent performances throughout. Highly recommended.
"The Prestige" was produced between projects, those being numbers three and four in my all time top ten, "Batman Begins" and "The Dark Knight". He claimed that he was making a small movie to tide him over but ended up with an all start blockbuster, and whist touching of a subject which had been dealt with before, I don't recall it ever having being done quite like this.
And that is the magic of a top director; That is to give the audience what they want but not on their terms, not quite what they are expecting. This film follows the obsession of two 19th century magicians, one of whom, Christian Bale, arrives at the conclusion that it takes total commitment to achieve the perfect trick, whilst Hugh Jackman takes a little longer to see that obsession will lead him down the same path.
This is a dark, Gothic thriller, lifting the lid of the magic of the day, whilst in true Nolan fashion delving deeper into the psyche of the protagonists, and the destructive nature of their respective obsessive battles, and those it hurts and destroys along the way.
But more than this, the film its self is effectively a mirror of the plot, told and presented as one long trick, with deception, red herrings and ultimately, eponymous the prestige. The only real problem I have with this film is that it thinks that it has everything so well wrapped up, that we, the audience, can't see the twists coming, which I felt a little insulted by as they were almost telegraphed.
But, this was a methodically well presented film, with a clear time and excellent performances throughout. Highly recommended.
LeftSideCut (3778 KP) rated Cursed Films - Season 1 in TV
Oct 7, 2020
Cursed Films is a 5 part series focusing on the ins and outs of film productions that were deemed cursed for one reason or another - the 5 parts concentrate on The Exorcist, The Omen, Poltergeist, The Crow, and The Twilight Zone movie respectively.
When this series is focused on the films themselves, it's a real treat. Some of the interviews are moving as hell - in particular the conversations with Richard Sawyer, Lance Anderson, Jeff Most, and Gary Sherman. These guys are to this day still affected by some of the things that happened during their film productions.
The Twilight Zone episode includes footage of the infamous on set accident which is genuinely haunting, and is honestly a really powerful part of the documentary having Sawyer's interview running alongside it.
The Crow episode is great as well, and the look we get at Anderson's relationship with Brandon Lee is so human and raw.
These moments really shine a light on how ridiculous the curse theories are, when in fact, they are just tragic events that effected real people, people who then had to deal with a following media circus.
The big thing I really didn't like about this series is only really relevant to The Omen and Exorcist episodes. It's almost like they didn't have enough material to fill the runtime of these segments, and so opt to pad it out with interviews with real exorcists, or magicians that practice black magic. I'm sure that there are interesting stories to be told by these people, but it feels really out of place and forced here. It's even cringe inducing at times and feels like very obvious filler. It detracts somewhat from what is otherwise a pretty solid documentary series.
Cursed Films is certainly an interesting watch, and is easy to digest in the 30 minute episodes that are presented. Also, that theme music is wild (found out it's by an Italian space-prog band from the 70s called I Signori Della Galassia!)
Worth a watch for sure, just ignore the silly filler parts.
When this series is focused on the films themselves, it's a real treat. Some of the interviews are moving as hell - in particular the conversations with Richard Sawyer, Lance Anderson, Jeff Most, and Gary Sherman. These guys are to this day still affected by some of the things that happened during their film productions.
The Twilight Zone episode includes footage of the infamous on set accident which is genuinely haunting, and is honestly a really powerful part of the documentary having Sawyer's interview running alongside it.
The Crow episode is great as well, and the look we get at Anderson's relationship with Brandon Lee is so human and raw.
These moments really shine a light on how ridiculous the curse theories are, when in fact, they are just tragic events that effected real people, people who then had to deal with a following media circus.
The big thing I really didn't like about this series is only really relevant to The Omen and Exorcist episodes. It's almost like they didn't have enough material to fill the runtime of these segments, and so opt to pad it out with interviews with real exorcists, or magicians that practice black magic. I'm sure that there are interesting stories to be told by these people, but it feels really out of place and forced here. It's even cringe inducing at times and feels like very obvious filler. It detracts somewhat from what is otherwise a pretty solid documentary series.
Cursed Films is certainly an interesting watch, and is easy to digest in the 30 minute episodes that are presented. Also, that theme music is wild (found out it's by an Italian space-prog band from the 70s called I Signori Della Galassia!)
Worth a watch for sure, just ignore the silly filler parts.
Sarah (7798 KP) rated The Prestige (2006) in Movies
Jan 9, 2021
Criminally underrated
Film #10 on the 100 Movies Bucket List: The Prestige
The Prestige is one of 3 Christopher Nolan films on this bucket list (the others being Memento and The Dark Knight), and probably the one that has least recognition out of the the three. In fact I’d say it’s criminally underrated. It focuses on two rival magicians in Victorian London, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale), as a tragic accident gives rise to a bitter escalating feud. Supporting are Michael Caine as stage magic designer and engineer Cutter, Scarlett Johansson as magician’s assistant Olivia, Rebecca Hall as Borden’s wife Sarah and a brief appearance from Andy Serkis and the great David Bowie as Nikola Tesla and his assistant.
From the very start, The Prestige asks us the age old magician’s phrase “Are you watching closely?” and is very much a hint at events to come, warning us that we should be paying attention. And with this being a Christopher Nolan film, this shouldn’t be a surprise. The Prestige starts at the end, with an intriguing image of dozens of discarded top hats explaining magic tricks and the meaning behind the film’s title, and is followed by the death of one of the main characters and subsequent incarceration of another. It continues in typical Nolan style, jumping between the prison, Angier’s journey to visit Nikola Tesla and telling the story of both magicians and their feud from the very beginning. A tad confusing at times, but it wouldn’t be a Nolan film with a some time travelling story telling.
Magic isn’t probably something that appeals as much now as it did back when this film is set. Victorian London is a perfect setting at a time when magic was very much a fascination and a popular form of entertainment, and the costumes and set design for this period are very well done and in keeping with the dark and dreary setting. Yet strangely despite this, The Prestige never feels like a run of the mill period drama. The cast too are perfect for their roles and also help to make magic a lot more appealing. Christian Bale’s cockney Borden is exactly what you’d expect from him yet couldn’t imagine anyone else playing the role, especially with such an awkward verging on unlikeable character, and it’s refreshing to see Hugh Jackman play a part where he isn’t a completely nice or likeable person. And of course it wouldn’t be a Christopher Nolan film without Michael Caine, who brings some much needed humour and exposition. The only drag is unfortunately Scarlett Johansson, whose dodgy English accent pulls us away from anything she puts into her performance.
The Prestige is a slow burn murder mystery, that almost feels like a gothic horror at times with some sci-fi aspects thrown in. The plot has a vast amount of twists and turns and you really do have to be watching closely to understand it all and the ending itself and the final twist is probably the most polarising of them all. For me, the first time I watched this I never saw this twist coming. It truly shocked me, despite the many nods the film gives to the twist throughout. Watching this back now years later, I have to admit that the twist is actually a little predictable when you really think about it. But the feeling of astonishment I had watching this for the first time was second to none. What is most strange though, is that the most confusing thing in this entire film isn’t the twists and turns, it’s the fact that both Angier and Norden can dress up in ridiculously fake disguises to fool each other and ruin the tricks. This does spoil things a little.
I’ve always loved magic and grew up watching many magic shows on TV when I was younger. For me Nolan has brought back that love and appeal of magic, with a hugely entertaining and captivating story. It may not be perfect and the ending may lose some of it’s shine after the first watch, but it’s still another brilliant film from Christopher Nolan.
The Prestige is one of 3 Christopher Nolan films on this bucket list (the others being Memento and The Dark Knight), and probably the one that has least recognition out of the the three. In fact I’d say it’s criminally underrated. It focuses on two rival magicians in Victorian London, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale), as a tragic accident gives rise to a bitter escalating feud. Supporting are Michael Caine as stage magic designer and engineer Cutter, Scarlett Johansson as magician’s assistant Olivia, Rebecca Hall as Borden’s wife Sarah and a brief appearance from Andy Serkis and the great David Bowie as Nikola Tesla and his assistant.
From the very start, The Prestige asks us the age old magician’s phrase “Are you watching closely?” and is very much a hint at events to come, warning us that we should be paying attention. And with this being a Christopher Nolan film, this shouldn’t be a surprise. The Prestige starts at the end, with an intriguing image of dozens of discarded top hats explaining magic tricks and the meaning behind the film’s title, and is followed by the death of one of the main characters and subsequent incarceration of another. It continues in typical Nolan style, jumping between the prison, Angier’s journey to visit Nikola Tesla and telling the story of both magicians and their feud from the very beginning. A tad confusing at times, but it wouldn’t be a Nolan film with a some time travelling story telling.
Magic isn’t probably something that appeals as much now as it did back when this film is set. Victorian London is a perfect setting at a time when magic was very much a fascination and a popular form of entertainment, and the costumes and set design for this period are very well done and in keeping with the dark and dreary setting. Yet strangely despite this, The Prestige never feels like a run of the mill period drama. The cast too are perfect for their roles and also help to make magic a lot more appealing. Christian Bale’s cockney Borden is exactly what you’d expect from him yet couldn’t imagine anyone else playing the role, especially with such an awkward verging on unlikeable character, and it’s refreshing to see Hugh Jackman play a part where he isn’t a completely nice or likeable person. And of course it wouldn’t be a Christopher Nolan film without Michael Caine, who brings some much needed humour and exposition. The only drag is unfortunately Scarlett Johansson, whose dodgy English accent pulls us away from anything she puts into her performance.
The Prestige is a slow burn murder mystery, that almost feels like a gothic horror at times with some sci-fi aspects thrown in. The plot has a vast amount of twists and turns and you really do have to be watching closely to understand it all and the ending itself and the final twist is probably the most polarising of them all. For me, the first time I watched this I never saw this twist coming. It truly shocked me, despite the many nods the film gives to the twist throughout. Watching this back now years later, I have to admit that the twist is actually a little predictable when you really think about it. But the feeling of astonishment I had watching this for the first time was second to none. What is most strange though, is that the most confusing thing in this entire film isn’t the twists and turns, it’s the fact that both Angier and Norden can dress up in ridiculously fake disguises to fool each other and ruin the tricks. This does spoil things a little.
I’ve always loved magic and grew up watching many magic shows on TV when I was younger. For me Nolan has brought back that love and appeal of magic, with a hugely entertaining and captivating story. It may not be perfect and the ending may lose some of it’s shine after the first watch, but it’s still another brilliant film from Christopher Nolan.
Billie Wichkan (118 KP) rated Bad Magic and the Big Top (Blackwood Bay Witches Paranormal Cozy Mystery) in Books
Mar 16, 2019
What a great story!
Welcome to Blackwood Bay, where magic and murder have come out to play...Life for fledgling new witch Dru Rathmore Davis has been a whirlwind since moving to the charming seaside town of Blackwood Bay over a month ago . Seeing spirits, talking to animals, living with three cranky roommates, and totally not crushing on her new Guardian …But when Dru wakes one morning to find the body of a circus clown slouched dead against her doorstep and her bookshop broken into overnight, one of her worst fears may come to pass.She may be haunted by a clown... Together, Dru and her Guardian—incredibly handsome police sergeant Wolf Harper who’s absolutely just a friend —take their investigation to the most marvelous show on earth: the traveling Braun Bros Circus. It’s evident that there’s a far more sinister performance going on behind the scenes, and this traveling circus may have more skeletons buried in their closet than the Rathmore family. But when your suspects are a tight-knight troupe of acrobats, fortune tellers, magicians , and clowns, everyone has something to hide—and secrets they’d do anything to protect…
This is the second book in the Blackwood Bay Witches series. For those of you who like story lines with witches, ghosts, talking animals, wizards and covens, then this book is for you!
In this story Dru is starting to get used to being a witch, seeing ghosts and talking to animals and running the bookshop.
Just when Dru thinks her life is really starting to settle in Blackwood Bay, she opens her door and finds a dead clown on her doorstep.
The circus is in town and murder is afoot.
Come get to know this lovely set of characters. They are wisecracking and lovely bunch; well developed and will make you smile.
This has a good plot, twists abound to make you guess. Loaded with the humor and wise cracks. There are no cliff hangers just really good writing.
I absolutely loved this book and couldn't put it down! I can't wait for more!!!!
Highly recommend reading!
I received this book free and chose to make a voluntary, unbiased review.
This is the second book in the Blackwood Bay Witches series. For those of you who like story lines with witches, ghosts, talking animals, wizards and covens, then this book is for you!
In this story Dru is starting to get used to being a witch, seeing ghosts and talking to animals and running the bookshop.
Just when Dru thinks her life is really starting to settle in Blackwood Bay, she opens her door and finds a dead clown on her doorstep.
The circus is in town and murder is afoot.
Come get to know this lovely set of characters. They are wisecracking and lovely bunch; well developed and will make you smile.
This has a good plot, twists abound to make you guess. Loaded with the humor and wise cracks. There are no cliff hangers just really good writing.
I absolutely loved this book and couldn't put it down! I can't wait for more!!!!
Highly recommend reading!
I received this book free and chose to make a voluntary, unbiased review.
Cat Goddess Freyja (16 KP) rated The House with a Clock in Its Walls (2018) in Movies
Dec 5, 2018
Cool Movie
Contains spoilers, click to show
I enjoyed this movie. The actors were all good choices, and the effects were great- for the most part. The movie was definitely influenced by the book, but did not stick close to the book. The choice to not stick close to the book could be seen as a wise one, as the director/ producer probably wanted it to be relatable for the viewers. The problems I had with the movie, was the time period, that they took strong women characters and made them weak, and that the Uncle was hiding his powers. The time period was a few decades earlier in the book, which helped explain the main characters quirks a bit better than the movie did. The women in the movie got the "Women in the Refrigerator" treatment. Meaning the two big women roles, who in the book were highly powerful, were lowered in their abilities in the movie. The neighbor witch to the main character, was elderly and was more powerful than the Uncle was and never had a curse put on her in the book and didn't have a romantic relationship with the Uncle. Also, Selena was the one who was summoned in the book and was the main baddie, while in the movie they teamed her up with her husband effectively making her character useless. Another point, the magicians and witches in the books didn't hide their powers, magic was meant for anyone to learn or study. In the movie, magic is hidden and only for a select few. I did love the part were the demon showed up, it was very freaky and made what was meant to be a kids movie into a "uh...well that was disturbing," kind of dark tone to the show. I love Eli Roth's films, but he could have done a little bit more with this than he did.
Transcendental Magic, Its Doctrine and Ritual
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2011 Reprint of 1958 London Edition. Full facsimile of the original edition, not reproduced with...
Thunderstruck
8.0
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The interwoven stories of two men whose lives intersect during one of the greatest criminal chases...
Asiza Tait (139 KP) rated The Night Circus in Books
Feb 1, 2018
A truly entertaining magical piece of fantasy.
All of our readers enjoyed the beautiful descriptive writing of Erin. Some found the beginning a bit difficult to follow with the abrupt changes of time and scene, though others found the whole mystery of it all utterly engrossing.
Basically, there are two ancient magicians who set their two star pupils against each other to find out who is the best. The issues are that the pupils don't know the rules, or how the winner is declared. The competition arena, is the Night Circus.
There is a great deal that is left to the reader's imagination as not everything is completely explained, which only adds to the enigmas and magic entwined in everything. This is not an ordinary novel. We first get a full view of the almost playfulness of the magic and later the darker aspects of it are explored. How everyone involved in the circus whether directly or not is caught up in it and pays a price as well as benefits from it.
Walking through the circus is so beautifully written that it feels as if you are there, smelling the caramel popcorn and watching the white flames dancing. The joy of the circus permeates the pages, people who visit the circus leave it ever changed.
The love story between Marco and Celia is restrained, elegant and ultimately otherworldly in its strength and beauty. They 'write love letters' to each other through the different tents in the circus. The demonstrations of their affection to each other are so beautiful; so dazzling as to wish that everyone could find such love.
The competition though integral to the story becomes the hardest part to reconcile as the pages flip by and the costs mount up for the magic being used, the balancing that must be maintained. Some of these costs are very heavy, burdensome and even fatal. The darker side of the competition is shown in all it's sinister aspects and we are left waiting for the 'other shoe to drop' so to speak.
To show that this book is not for everyone, half of our readers adored this book and would absolutely recommend it as a must read, and the other half were not at all convinced, conceding only that the descriptive writing was excellent but the plot felt thin.
All of our readers enjoyed the beautiful descriptive writing of Erin. Some found the beginning a bit difficult to follow with the abrupt changes of time and scene, though others found the whole mystery of it all utterly engrossing.
Basically, there are two ancient magicians who set their two star pupils against each other to find out who is the best. The issues are that the pupils don't know the rules, or how the winner is declared. The competition arena, is the Night Circus.
There is a great deal that is left to the reader's imagination as not everything is completely explained, which only adds to the enigmas and magic entwined in everything. This is not an ordinary novel. We first get a full view of the almost playfulness of the magic and later the darker aspects of it are explored. How everyone involved in the circus whether directly or not is caught up in it and pays a price as well as benefits from it.
Walking through the circus is so beautifully written that it feels as if you are there, smelling the caramel popcorn and watching the white flames dancing. The joy of the circus permeates the pages, people who visit the circus leave it ever changed.
The love story between Marco and Celia is restrained, elegant and ultimately otherworldly in its strength and beauty. They 'write love letters' to each other through the different tents in the circus. The demonstrations of their affection to each other are so beautiful; so dazzling as to wish that everyone could find such love.
The competition though integral to the story becomes the hardest part to reconcile as the pages flip by and the costs mount up for the magic being used, the balancing that must be maintained. Some of these costs are very heavy, burdensome and even fatal. The darker side of the competition is shown in all it's sinister aspects and we are left waiting for the 'other shoe to drop' so to speak.
To show that this book is not for everyone, half of our readers adored this book and would absolutely recommend it as a must read, and the other half were not at all convinced, conceding only that the descriptive writing was excellent but the plot felt thin.
Bethany Fletcher (17 KP) rated Children of Blood and Bone: Book 1 in Books
Jun 24, 2018 (Updated Jun 25, 2018)
While buddy reading this with a friend we realised it was a plain copy of Avatar the Last Airbender. There is the king attacking magicians which is basically the fire nation attacking the air nomads. There is a secret temple that worships the magical gods and the protectors are there to help the chosen one. Basically the fire temple on the crescent island that is there to worship the Avatar and help Aang.
The characters were cardboard copies of Avatar. Zelie is a mix of Aang and Katara. There is Zelie’s brother, Tzain, who is the only one who doesn’t get magic because screw you Sokka you are not a Bender! They are being chased around by the Prince Inan who wants to impress his daddy but has mixed moral feelings. Hi there Zuko nice to see you again!
The plot was super confusing. There were parts that weren’t explained at all. So Inanas powers are control over someone’s mind right, so he can take someone into his ‘dreamscape’ (basically the Bone Season by Samantha Shannon). Anyway, he takes Zelie into his dreamscape and she hates him as he is a royal and hunting her down BUT she strips off naked and skinny dips? Why? There is no reason and it made zero sense for someone who is terrified of Inan to make themselves that vulnerable.
Zelie gets over her hatred for Inan pretty quick and soon they are lusting after each other. She doesn’t seem to care about the previous hatred and Inan is the only one who struggles morally. Here’s the thing, did they actually have sex? They had sex in Inan’s dreamscape while there physical bodies were actually no where near each other. Zelie was with her brother. So did their minds have sex? Did they share a dream where they both got it on? After Zelie is super awkward about it but it’s like, you didn’t actually do anything, did you? Not explained very well.
I could go on all day but I shan’t. It wasn’t even written well. It just read like the author didn’t know what to write so copied something they knew was succesful. If these things will annoy you as much as they did me then I would suggest skipping this book.
The characters were cardboard copies of Avatar. Zelie is a mix of Aang and Katara. There is Zelie’s brother, Tzain, who is the only one who doesn’t get magic because screw you Sokka you are not a Bender! They are being chased around by the Prince Inan who wants to impress his daddy but has mixed moral feelings. Hi there Zuko nice to see you again!
The plot was super confusing. There were parts that weren’t explained at all. So Inanas powers are control over someone’s mind right, so he can take someone into his ‘dreamscape’ (basically the Bone Season by Samantha Shannon). Anyway, he takes Zelie into his dreamscape and she hates him as he is a royal and hunting her down BUT she strips off naked and skinny dips? Why? There is no reason and it made zero sense for someone who is terrified of Inan to make themselves that vulnerable.
Zelie gets over her hatred for Inan pretty quick and soon they are lusting after each other. She doesn’t seem to care about the previous hatred and Inan is the only one who struggles morally. Here’s the thing, did they actually have sex? They had sex in Inan’s dreamscape while there physical bodies were actually no where near each other. Zelie was with her brother. So did their minds have sex? Did they share a dream where they both got it on? After Zelie is super awkward about it but it’s like, you didn’t actually do anything, did you? Not explained very well.
I could go on all day but I shan’t. It wasn’t even written well. It just read like the author didn’t know what to write so copied something they knew was succesful. If these things will annoy you as much as they did me then I would suggest skipping this book.
