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Every Picture Tells a Story by Rod Stewart
Every Picture Tells a Story by Rod Stewart
1971 | Rock
7.0 (1 Ratings)
Album Favorite

"There is certainly a rasp to my voice [LAUGHS]. It's not quite as bad as Bonnie Tyler's but it is raspy. Rod Stewart wasn't a big influence on me as a singer though. I don't really sound like anybody. In the same way that Ozzy doesn't sound like anybody or Alice Cooper doesn't sound like anybody. You get these boyband singers now that are all very similar. Even in the old days, you could swap round some of the Motown singers and you wouldn't really know the difference. Singer wise, I loved Mark Bolan; Noddy Holder; David Bowie; Alex Harvey; Russell Mael; Steve Harley; Brian Ferry; Sammy Hagar; Phil Lynott. All that lot go into a bucket but I still don't sound like any of them [LAUGHS]. Mutt Lange was a huge influence on my singing: he can play anything, do anything. He was pushing and pushing. I remember the first time I ever met Lou Gram from Foreigner. He said: 'tell me, did Mutt make you feel like you couldn't sing either?' and this was fucking Lou Gram, right? He'd make you do it again and again. He would push and push until you'd be right on the edge of losing it. Sometimes that worked and sometimes you felt like your spirit was being destroyed. Physically, you're going into spaces in your head and your chest cavity that you've never been. But he would've done it with anybody: look what he did with Brian Johnson, he put him through the bloody ringer with Back In Black but look what he got out of it. And that's why I don't complain. Rod Stewart was the first album I ever bought with my pocket money. The version of 'I'm Losing You' is just genius but my 'in' to that record, as it were, was 'Maggie May' because it was all over the radio at the time. It was rock but it was pop rock: it's not been influential in terms of how we sound but I absolutely love it."

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If I Stay (2014)
If I Stay (2014)
2014 | Drama
Gross. My undying love for these disgustingly quirky YA slops renders me unable to rate this the easy one star it most definitely deserves - but make no mistake, this is the worst one since... maybe π˜”π˜¦ π˜‰π˜¦π˜§π˜°π˜³π˜¦ 𝘠𝘰𝘢? The type of movie that does everything wrong: sterile visually, stagnant structurally, humdrum narratively, and it doesn't help that Stacy Keach (so wonderful here) is the only one in the entire movie giving a good performance - watching the normally capable Moretz attempt to emote in this is downright hysterical, that supposedly emotional hallway screaming scene had me *cackling*. Also I'd be willing to put serious money down against anyone who can find a film with worse dialogue. "Guys play music for two reasons: to get laid, and because they got rage" is an actual piece of speech uttered in this. Much of the hilarious cringe (see: the aforementioned awful dialogue) and endearing oversentimentality I find a warm familiarity with in this genre is intact, but the sickening fetishization of death and child abuse (cardboard cutout love interest: "My parents were never there... everyone leaves me...", what the movie wants us to be like: "W O W … he's so deep and profound 😍😍") in this make it feel closer to some sick exploitation piece that also isn't good. Even if that weren't the case, this relationship and its characters are lifeless even before the death plot hits and the guy is a faceless asshole that the Moretz character is just expected to bend to the whim of - and his band is fucking *horrible*. Speaking of which, funny how cultured this thinks it is because it never shuts up about punk and classical music even though it doesn't have a precious clue about either. Should have been a slam dunk, don't know why they decided to play it so indifferently. Written by that outcast from your high school who growled at people and drew Harry Potter porn at lunch.
  
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