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The Isle (2018)
The Isle (2018)
2018 | Thriller
Not much happens
Three men survived the destruction of their sailing ship in 19th century Scotland only to find themselves in the middle of the ocean with no where to go. Alas, they discover a small island with the mist of the open sea and decide to try for it. The make it ashore and are relived to be on dry land. The island does have a few residents one of which comes to greet their weary bodies and welcome them to his home.

After drying off, resting and tending to their injuries, the men are eager to return to the mainland which they query their new acquaintance about. He dodges the question several times making mention of other inhabitants of the island. The men decide to explore on their own since their new friend. Additional residents are found, some nice some aloof and maybe not so eager for conversation.

Eventually it is discovered the island has an unsettling curse upon it whereas men are lured to their deaths by the female natives due to an event which happened years earlier involving another female island resident now deceased. The surviving men now have to figure out how to leave The Isle without succumbing to its evil vices.

The best thing The Isle has going for it is the beautiful Scottish countryside, forested landscapes and gorgeous ocean views. At first, you may feel like you are watching a period Scottish episode of Lost or the recent film The Witch when you hear the Sottish accent dialogue; however, this film doesn't have the depth or screenplay of either of these. I read online the script for this film took years to complete, which is unfortunate since not much happens for the first two thirds of screen time. Once on the island, the three ship survivors mostly lounge around getting spooked by the natives and not much else.

Once the "curse" has been revealed the film picks up a bit and the 3rd act is mildly interesting; however, I was out of it by then. The resolution is interesting and entertaining, and saves the film somewhat. I just wish the set up would have been more exciting.

The film was definitely very low budget, which doesn't bother me if still done well. Sometimes, really great films can come with diminutive price tags. That just usually means filmmakers have to be more creative with what they spend their money on and make sure each dollar counts.

In the end, I was left wanting more and was disappointed.

  
Rain Man (1988)
Rain Man (1988)
1988 | Drama
Hoffman and Cruise pair well together
Some films grow over time, some diminish and others are unfairly maligned. I feel that such is the case with 1988's RAINMAN, the film that won 4 Oscars including Best Director, Actor and Picture. I, too, thought that this film might be "cringe-worthy" in the harsh light of 2020, so it was with some trepidation that we fired it up as my wife's choice for "Secret Cinema" in our house.

I need not have worried for this film, it's themes and performances hold up very, very well more than 30 years later.

Starring Dustin Hoffman and Tom Cruise, RAINMAN tells the story of selfish, self-absorbed, high flying Charlie Babbitt who is shocked to discover that he did not inherit the estate of his estranged father - it went to his brother, Raymond (who Charlie knew nothing about). Finding out that Raymond is autistic, Charlie kidnaps Raymond, figuring he could con his way to his Father's fortune.

The first, most surprising, part of this film is the wonderful chemistry between Cruise and Hoffman. They play off each other very well and seem to have a natural rapport. Hoffman, of course, won the Oscar for Best Actor that year - and it is well deserved, even though some claim that his characterization of Raymond is a "gimmick". I think that is not giving the character - and the performance - it's due, for I found (on this rewatch) that Hoffman's portrayal of Raymond is layered, sensitive and sincere. He builds a character that you want to root for.

The surprise of this film is Cruise's performance as Charlie Babbitt. At the beginning he is playing the "yuppie" jerk quite well - focused only on himself - and his possessions and the money he can make, Charlie is not very likable and is, if I must confess, a bit one-dimensional to start. But something happens along the cross-country road trip that Charlie takes Raymond on - his character (and Cruise's performance) grows and shapes into a fully three-dimensional person that has good traits and bad traits. It is one of Cruise's finest performances - and it is a shame that it was not rewarded with an Oscar nomination.

Director Barry Levinson (Director of the under-rated gem DINER) does a nice job keeping the pace - and the mood - of the film moving forward. This could easily have devolved into an over-sentimental and "schmaltzy" feel good flick, Levinson finds the right balance to make this a "feel good" film.

Letter Grade: A-

8 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
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    Bubble Island 2

    Games and Entertainment

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