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Nadya R (9 KP) rated The Handmaid's Tale in Books
Jul 2, 2018
"Nolite te bastardes carborundorum"
Strange book.
I really wanted to like it and I kinda do.
Its way too biblical for me. With all these references to different Books connected with the Bible - the Bible stories are not really my thing. Yeah, I know that this is the point - the Religious takes over the world. But the author brings it too far than needed.
The story doesn’t have any logical order. It sounds like a diary of somebody who lost their common sense. All this illogical sentences. Like a flashes of memory in between the current situation. Lack of direct speech - there is no distinction between the narrator and the different characters. It’s so senseless in some points that I have to go back and to read the past couple of pages all over again so I can get the line out.
It's is situated in not-so-far future and it’s told by a woman with no name. All women are named after the family who owns them. In this case our narrator is OfFred - owned by a commander Fred’s family. The new government, that had risen, is proclaiming no rights for the women. Their only purpose is to give birth to a healthy babies. They don’t need money, jobs, books, pens or other things that we are taking for granted in our lives. They don’t need them to deliver babies, so they don’t need them at all.
"Tell, rather than write, because I have nothing to write with and writing is in any case forbidden.
But if it's a story, even in my head.
I must be telling it to someone. You don't tell a story only to yourself. There's always someone else.
Even when there is no one."
The Republic of Gilead, as I said, uses religion to control their lives. Every atrocity they do is justified by the Bible. The Bible has all the answers.
The story line is going around OfFred’s inner fights, her struggle to make the right choices, her dreams to be free again and to be with her child and her husband again. Along with her thoughts she shows us what is like to be a Handmaid. Her daily routine, the Rituals and all these small things that distract her from the reality.
"You can only be jealous of someone who has something you think you ought to have yourself"
Personaly, I don’t like the book that much. It’s senseless and not that easy to read. Not because of the topic, but the way it’s written. The shortage of direct speech took away the movement of the book. I know it should look like a diary, but even in the diaries, the difference between the narrator and others is shown in proper way. Probably I will need a second read to fully understand it. But for now the book left a big mess in my head.
"A man is just a woman's strategy for making other women."
Strange book.
I really wanted to like it and I kinda do.
Its way too biblical for me. With all these references to different Books connected with the Bible - the Bible stories are not really my thing. Yeah, I know that this is the point - the Religious takes over the world. But the author brings it too far than needed.
The story doesn’t have any logical order. It sounds like a diary of somebody who lost their common sense. All this illogical sentences. Like a flashes of memory in between the current situation. Lack of direct speech - there is no distinction between the narrator and the different characters. It’s so senseless in some points that I have to go back and to read the past couple of pages all over again so I can get the line out.
It's is situated in not-so-far future and it’s told by a woman with no name. All women are named after the family who owns them. In this case our narrator is OfFred - owned by a commander Fred’s family. The new government, that had risen, is proclaiming no rights for the women. Their only purpose is to give birth to a healthy babies. They don’t need money, jobs, books, pens or other things that we are taking for granted in our lives. They don’t need them to deliver babies, so they don’t need them at all.
"Tell, rather than write, because I have nothing to write with and writing is in any case forbidden.
But if it's a story, even in my head.
I must be telling it to someone. You don't tell a story only to yourself. There's always someone else.
Even when there is no one."
The Republic of Gilead, as I said, uses religion to control their lives. Every atrocity they do is justified by the Bible. The Bible has all the answers.
The story line is going around OfFred’s inner fights, her struggle to make the right choices, her dreams to be free again and to be with her child and her husband again. Along with her thoughts she shows us what is like to be a Handmaid. Her daily routine, the Rituals and all these small things that distract her from the reality.
"You can only be jealous of someone who has something you think you ought to have yourself"
Personaly, I don’t like the book that much. It’s senseless and not that easy to read. Not because of the topic, but the way it’s written. The shortage of direct speech took away the movement of the book. I know it should look like a diary, but even in the diaries, the difference between the narrator and others is shown in proper way. Probably I will need a second read to fully understand it. But for now the book left a big mess in my head.
"A man is just a woman's strategy for making other women."
Carma (21 KP) rated Just For Fun (Just Everyday Heroes: Day Shift, #4) in Books
Jun 17, 2019
Erin Nicholas incorporates Lori Foster, Castle and Pretty Woman, 3 of my favorite things, into this 5 star novel. Can it get any better? #WhatWouldRichardGereDo
Douglas Dooley Miller was a total ladies man, he didnt do commitment and he liked regular girls. Morgan James was no regular girl. He knew he was in trouble the moment he paid her bail and left her in the jail cell.
Morgan James couldnt believe she was searching out Doug Miller again after he left her to rot in the jail cell. Ok so it was only for 30 more minutes after he left and they didnt charge her or make her pay bail money but still. She needed his help, and it needed to be him and only him to help her out with a problem.
Dooley isnt one that his friends go to first for help or advice so when Morgan tracks him down and asks for a favor he has no idea what to do. I mean who doesnt want to help a gorgeous woman asking for a favor but he is still unsure he wants to accept this task.
Morgan likes Dooley and knows he is just the man to help. Their attraction is undeniable so there shouldnt be an issue in him helping her out for a few days. She just needs him to come with her on a business trip, and maybe keep her nights entertained. She doesnt know who else to ask, and honestly doesnt want anyone else for the job.
Dooley takes Morgan up on her offer and tries his best to not get involved. Dont get to know her, according to Sam and his buddies, or youll never want to let go. Too bad he has felt like that for the month hes already known her. Could she ever feel the same?
Once again the author takes us on a trip with the Bradford family and their friends. Each book references past characters but it never really totally involves them unnecessarily. That is one of the things I love about this author, funny enough following in the steps of the referenced Lori Foster who does the same. You get involved and invested in these characters and want to know all about them. Dooley was already a favorite of mine with his quick wit and passing advice. Knowing he needed a good match to keep up with him had me wondering who could possibly fill those shoes. Enter Morgan, his opposite on paper (so it seemed), but perfect to keep up with Dooley and all hes about.
It was nice getting to know Dooleys family dynamic and more about Kevin (who is the next book in the series) and I cant wait to continue on with my Bradford adventure.
Douglas Dooley Miller was a total ladies man, he didnt do commitment and he liked regular girls. Morgan James was no regular girl. He knew he was in trouble the moment he paid her bail and left her in the jail cell.
Morgan James couldnt believe she was searching out Doug Miller again after he left her to rot in the jail cell. Ok so it was only for 30 more minutes after he left and they didnt charge her or make her pay bail money but still. She needed his help, and it needed to be him and only him to help her out with a problem.
Dooley isnt one that his friends go to first for help or advice so when Morgan tracks him down and asks for a favor he has no idea what to do. I mean who doesnt want to help a gorgeous woman asking for a favor but he is still unsure he wants to accept this task.
Morgan likes Dooley and knows he is just the man to help. Their attraction is undeniable so there shouldnt be an issue in him helping her out for a few days. She just needs him to come with her on a business trip, and maybe keep her nights entertained. She doesnt know who else to ask, and honestly doesnt want anyone else for the job.
Dooley takes Morgan up on her offer and tries his best to not get involved. Dont get to know her, according to Sam and his buddies, or youll never want to let go. Too bad he has felt like that for the month hes already known her. Could she ever feel the same?
Once again the author takes us on a trip with the Bradford family and their friends. Each book references past characters but it never really totally involves them unnecessarily. That is one of the things I love about this author, funny enough following in the steps of the referenced Lori Foster who does the same. You get involved and invested in these characters and want to know all about them. Dooley was already a favorite of mine with his quick wit and passing advice. Knowing he needed a good match to keep up with him had me wondering who could possibly fill those shoes. Enter Morgan, his opposite on paper (so it seemed), but perfect to keep up with Dooley and all hes about.
It was nice getting to know Dooleys family dynamic and more about Kevin (who is the next book in the series) and I cant wait to continue on with my Bradford adventure.
Gareth von Kallenbach (980 KP) rated Teen Spirit (2019) in Movies
Jul 2, 2019
Seventeen year old Violet (Elle Fanning) loves to sing. She spends every free moment listening to her iPod or singing. But since her father left Violet and her mother alone, Marla (Agnieszka Grochowska), on a small farm on Isle of Wight, she has very little free time. Each morning, she feeds and cares for the animals on the farm before she heads to school. After school and every weekend she waits tables. Each night secretly she heads to a bar to sing for extra money to help save the farm, but also to have a chance to sing. When she sees a billboard advertising Teen Spirit, a singing competition show, she sees an opportunity to do the one thing that brings her joy and also help get her a better life. The only problem is that she will have to do it without her mother finding out. Since she is under eighteen she has to convince someone to act as her guardian. She asks an old drunk at the bar, Vlad (Zlatko Buric), who loves her singing to go with her. She soon finds out that the disheveled looking old Vlad used to be a famous opera singer. When she finds out she makes it to the second round Vlad helps convince her mother that she should continue chasing her dream with his help. Even though Violet is going against much more experienced and refined competition she is focus on continuing to chase her dream and make it to the Finals in London.
Teen Spirit is the directorial debut for Max Minghella who also wrote the film (written also The 9th Life of Louis Drax, actor in TVs The Handmaid’s Tale). The story was familiar, a small town girl with big dreams and talent trying to overcome overwhelming odds to accomplish a goal. But it is told in a unique way and I would call it a fresh take on the “Cinderella” story. The visuals were unique and interesting. Most of the singing scenes, and not just Violet, were up close or focused on the singer with the background out of focus. It was an original and interesting way to visually tell the story. Elle Fanning does a good job as the protagonist. She is both bold and vulnerable in the film. Zlatko Buric did a marvelous job and brought some much needed light moments in an overall darker film. I thought the music was good but maybe not my cup of tea.
I thought that overall this was an enjoyable film. Not really something I would generally seek out to watch but was originally made and had interesting characters. It is the same old story though and minus some originality in how it gets through the story the outcome is predictable. My wife enjoyed it a little more than I did so it would be a good date movie. Personally worth a stream or rental but not really theater prices.
Teen Spirit is the directorial debut for Max Minghella who also wrote the film (written also The 9th Life of Louis Drax, actor in TVs The Handmaid’s Tale). The story was familiar, a small town girl with big dreams and talent trying to overcome overwhelming odds to accomplish a goal. But it is told in a unique way and I would call it a fresh take on the “Cinderella” story. The visuals were unique and interesting. Most of the singing scenes, and not just Violet, were up close or focused on the singer with the background out of focus. It was an original and interesting way to visually tell the story. Elle Fanning does a good job as the protagonist. She is both bold and vulnerable in the film. Zlatko Buric did a marvelous job and brought some much needed light moments in an overall darker film. I thought the music was good but maybe not my cup of tea.
I thought that overall this was an enjoyable film. Not really something I would generally seek out to watch but was originally made and had interesting characters. It is the same old story though and minus some originality in how it gets through the story the outcome is predictable. My wife enjoyed it a little more than I did so it would be a good date movie. Personally worth a stream or rental but not really theater prices.
Kirk Bage (1775 KP) rated Gerald's Game (2017) in Movies
Mar 3, 2020
When I first heard about the Stephen King book called Gerald’s Game I was about 16 years old, and it scared the shit out of me! Just the concept and the idea of it happening to you. So I never read the book. In my mind, I had imagined the worst already and did not want to go there.
It was with some trepidation, then, that I stepped into this Netflix production, and may never have done so at all, were it not for some interesting reviews suggesting this was not normal horror fare, but more of a psychological exploration. Carla Gugino I barely knew. I have always liked Bruce Greenwood as an actor, however, so in I plunged…
For the next hour or so I was transfixed! The simplicity of the premise, the economy of the direction, and an innovative way of telling the story visually, had me hooked. It always felt like not a lot of money had been spent, but in a good way – no fancy tricks and gimmicks, just storytelling. And a few well placed shocks to the system that left me gasping out loud! (One moment in particular that had me jump to my feet shouting FFS involuntarily)
It isn’t a horror film in the way that genre has become in the last 20 years. No real jump shocks or manipulation, but some stomach churning moments of discomfort that genuinely disturb and make you want to look away! And all because we are invited to imagine ourselves in this situation. What would we do? How would we feel. And I always felt that was the power of this particular idea.
Psychologically, the notion that we may never truly know anyone, even ourselves, until the very worst happens is a compelling theme. The secrets we hide; the traumas that build our personalities, and just how strong would we be in a survival situation. And that is where this film is at its best. Gugino is never less than believable and occasionally incredible in achieving this. Greenwood is fine, and plays his part, but it is her film, no doubt at all.
Sadly, where this film fails is the last 15 minutes, when inexplicably the entire mood shifts and we find ourselves watching a completely different film, with a different message, and some of the worst backward facing exposition I have even seen! I won’t go into details here for spoilers sake… but, anything good achieved to that point was ruined by the ending.
Perhaps in the book the twist end makes sense this way, somehow. Here it is laughable. So much so that I need to know why they chose to do it? 30 years on from first hearing about it, I am going to be brave and read the book, because I can only believe loyalty to the source material could have led this production to such a preposterous ant-climax.
It was with some trepidation, then, that I stepped into this Netflix production, and may never have done so at all, were it not for some interesting reviews suggesting this was not normal horror fare, but more of a psychological exploration. Carla Gugino I barely knew. I have always liked Bruce Greenwood as an actor, however, so in I plunged…
For the next hour or so I was transfixed! The simplicity of the premise, the economy of the direction, and an innovative way of telling the story visually, had me hooked. It always felt like not a lot of money had been spent, but in a good way – no fancy tricks and gimmicks, just storytelling. And a few well placed shocks to the system that left me gasping out loud! (One moment in particular that had me jump to my feet shouting FFS involuntarily)
It isn’t a horror film in the way that genre has become in the last 20 years. No real jump shocks or manipulation, but some stomach churning moments of discomfort that genuinely disturb and make you want to look away! And all because we are invited to imagine ourselves in this situation. What would we do? How would we feel. And I always felt that was the power of this particular idea.
Psychologically, the notion that we may never truly know anyone, even ourselves, until the very worst happens is a compelling theme. The secrets we hide; the traumas that build our personalities, and just how strong would we be in a survival situation. And that is where this film is at its best. Gugino is never less than believable and occasionally incredible in achieving this. Greenwood is fine, and plays his part, but it is her film, no doubt at all.
Sadly, where this film fails is the last 15 minutes, when inexplicably the entire mood shifts and we find ourselves watching a completely different film, with a different message, and some of the worst backward facing exposition I have even seen! I won’t go into details here for spoilers sake… but, anything good achieved to that point was ruined by the ending.
Perhaps in the book the twist end makes sense this way, somehow. Here it is laughable. So much so that I need to know why they chose to do it? 30 years on from first hearing about it, I am going to be brave and read the book, because I can only believe loyalty to the source material could have led this production to such a preposterous ant-climax.
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