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Steven Sklansky (231 KP) rated Live By Night (2017) in Movies
Sep 10, 2017
Cast (2 more)
Gun play
Costumes and Sets
Gangsters, Guns and Money. What more is there?
To me Ben Affleck has always been a good actor. It doesn't matter if it is a good movie or a bad one, he seems to make his acting ability known. Live by Night was no different, he played gangster very well. It might be because he was also directing himself. Some movies you can tell that the movie is being directed by the actor in the movie, but in this one you could not see that line. The senses he was in you could tell they were done with the same quality as a director sitting in a chair.
Ben Affleck really does love Boston, because once again that where this whole thing begins. I didn't live in the 20's but the Boston accent must not have been established yet. It was quite refreshing not to hear it in a movie. I really didn't know Boston's backstory but I guess like everywhere on the East Coast there was a mob presence. They did a really good job showing the life of someone in the mob. It wasn't just the killing and booze. It really went deep with the love story of both women and what he had to go though to keep the love and them alive. Even though one of them turned out to be a backstabbing bitch.
When the story progressed to Tampa it was interesting to see something that I don't think has been portrayed in movies. Or I have never seen it. The mob in Florida. The interactions between the Irish and Italian mob in a world of Mexicans and Cubans was done very well. There was a lot going on and it never got boring. The only part of the story that got a little off was rivalry of the mob in Tampa and Miami. You never saw the fights between them until the end. I just thought it was over and done with after the Italians were run out of town. Or maybe I just missed it.
I won't tell you what happened to anyone at the end but the gun fight was amazing. So may parts put in and the chirography was done very well. I think the very end could have been done differently. To me it was very off putting and didn't understand why they choose to go that direction. Granted it was based off a book that I never read and maybe that's the way it had to be. But it could have been written better in the book too. Books seem to get the point across better anyway.
If you like gangster movies, see it. If you like Ben Affleck, see it. If you just want to watch a movie not to be bored, see it.
Ben Affleck really does love Boston, because once again that where this whole thing begins. I didn't live in the 20's but the Boston accent must not have been established yet. It was quite refreshing not to hear it in a movie. I really didn't know Boston's backstory but I guess like everywhere on the East Coast there was a mob presence. They did a really good job showing the life of someone in the mob. It wasn't just the killing and booze. It really went deep with the love story of both women and what he had to go though to keep the love and them alive. Even though one of them turned out to be a backstabbing bitch.
When the story progressed to Tampa it was interesting to see something that I don't think has been portrayed in movies. Or I have never seen it. The mob in Florida. The interactions between the Irish and Italian mob in a world of Mexicans and Cubans was done very well. There was a lot going on and it never got boring. The only part of the story that got a little off was rivalry of the mob in Tampa and Miami. You never saw the fights between them until the end. I just thought it was over and done with after the Italians were run out of town. Or maybe I just missed it.
I won't tell you what happened to anyone at the end but the gun fight was amazing. So may parts put in and the chirography was done very well. I think the very end could have been done differently. To me it was very off putting and didn't understand why they choose to go that direction. Granted it was based off a book that I never read and maybe that's the way it had to be. But it could have been written better in the book too. Books seem to get the point across better anyway.
If you like gangster movies, see it. If you like Ben Affleck, see it. If you just want to watch a movie not to be bored, see it.
Sassy Brit (97 KP) rated Game Players in Books
Jun 5, 2019
When a group of children hiding in their secret den see someone burying drugs in a hole in the ground, they collectively decide to do the right thing – dig it up and take it to their local police station. Unfortunately, before they’ve had time to hand in the drugs, they discover the dead body of a local small-time dealer where the drugs would have been, had they not dug them up.
Eventually they decide to tell the police about the body they’ve found but not that they’ve got the drugs, because they don’t want to be blamed for the death of murdered man. To avoid getting into trouble, and having their secret den taken away from them, the kids make up a story of discovering the body whilst playing a game of hide-and-seek. But of course, kids lying to the police can only get them into more trouble, right?
Are they now responsible for someone’s death? If they hadn’t of meddled with the drugs, would the man still be alive? These are just some of the questions raised in the book Game Players by Anita Waller, which highlights how a group of innocent children get caught up in a major drug dealing racket, and become stuck with a heap of drugs that people are killing for! These guys mean business and they’ll stop at nothing to get their stash back. It’s worth a lot of money.
This is a great book, and I read it super-fast. The children find themselves having to grow up overnight when their childish actions come with deadly serious consequences. This believable story shows how one act of naive kindness can turn their lives upside down as events spiral out of control and their own lives, and those of their families, are put in danger.
The kids were great to read about, as they were really good friends who looked out for each other. I loved how they worked together to get themselves out of trouble, just like those in Stephen King’s The Stand. They’re a team and think they’ll be together forever. Just like kids thinking the hot summer holidays are never-ending. I also enjoyed reading how one boy’s dad was involved in a way which made me dislike him, but when things got really bad, he had a change of heart and stepped up to become the concerned father he should have been all along. This is just one, of many plot threads, which made this book a worthy read.
This is an entertaining and believable thriller, which I found both gripping and incredibly moving. It’s about the true bond of friendship, decisions having consequences and the games people play with their lives. I enjoyed it immensely and will look into reading more of Anita Waller’s books from now on. Superb!
Eventually they decide to tell the police about the body they’ve found but not that they’ve got the drugs, because they don’t want to be blamed for the death of murdered man. To avoid getting into trouble, and having their secret den taken away from them, the kids make up a story of discovering the body whilst playing a game of hide-and-seek. But of course, kids lying to the police can only get them into more trouble, right?
Are they now responsible for someone’s death? If they hadn’t of meddled with the drugs, would the man still be alive? These are just some of the questions raised in the book Game Players by Anita Waller, which highlights how a group of innocent children get caught up in a major drug dealing racket, and become stuck with a heap of drugs that people are killing for! These guys mean business and they’ll stop at nothing to get their stash back. It’s worth a lot of money.
This is a great book, and I read it super-fast. The children find themselves having to grow up overnight when their childish actions come with deadly serious consequences. This believable story shows how one act of naive kindness can turn their lives upside down as events spiral out of control and their own lives, and those of their families, are put in danger.
The kids were great to read about, as they were really good friends who looked out for each other. I loved how they worked together to get themselves out of trouble, just like those in Stephen King’s The Stand. They’re a team and think they’ll be together forever. Just like kids thinking the hot summer holidays are never-ending. I also enjoyed reading how one boy’s dad was involved in a way which made me dislike him, but when things got really bad, he had a change of heart and stepped up to become the concerned father he should have been all along. This is just one, of many plot threads, which made this book a worthy read.
This is an entertaining and believable thriller, which I found both gripping and incredibly moving. It’s about the true bond of friendship, decisions having consequences and the games people play with their lives. I enjoyed it immensely and will look into reading more of Anita Waller’s books from now on. Superb!
Sassy Brit (97 KP) rated Midday in Books
Jun 6, 2019
Contains spoilers, click to show
^^ Okay, so imagine the scene. Gay couple, Vincent and Ryan are living in a beautiful penthouse – a dream home only the rich can afford. Vince has a great job at a bank, with much responsibility; it’s how he can afford the place they live, and how Ryan gets to be a ‘kept man’, whilst he works from home writing his future bestseller. What a perfect life, eh?
^^ Nope. In reality they’ve a strained love, hate relationship. Ryan is high on drugs most of the time and not getting his bestseller written at all. And Vince, well, he’s just been accosted by a man called Darragh, who demands that he withdraw eight million Euros (2 from each bank he is in charge of) and deliver it back to him at the Penthouse, by midday – or he shoots Ryan dead! It’s far from the perfect life we are first lead to believe.
^^ What a fabulous read! There are several parts to this book which made this so much more than just a ‘grab the cash and save my boyfriend from dying’ story. Yes, that is the main theme, but the way it was written took the story much deeper and darker then I ever expected.
^^ The story is told from four different perspectives, Vince, Ryan, Darragh and Jack. We watch how Vince has the pressure to get the money to save his boyfriend. We hear about Ryan and what he really gets up to, and how he is being kept hostage in his own penthouse by Darragh fearing his possible death in only a few hours – if Vince doesn’t make it back in time. We also hear the thoughts and ideals of both the baddies, and they all have something worthwhile to bring to the story, which is why I think I enjoyed this read so much. At least a huge part of why!
^^ I did have one small gripe – the flashbacks – once I got used to this author’s style, I adjusted the way I read it. But I would’ve preferred perhaps a paragraph break, so I didn’t just get thrown out of the story at times this happened. Admittedly, some transitions were better than others.
^^ Despite this, I did find this a terrific read in other areas, and have to mention (in my usual semi-cryptic way, as to not give away spoilers) how I loved fearing for Ryan’s safety at the beginning, and then as I raced through the book, I changed my view of him and wanted him dead myself! Cleverly done, David B. Lyons!
^^ The use of wannabe gangster and rookie murderer Darragh was also very well woven into the story, as was the mysterious Jack.
Overall:
Midday: A tense, fast read, filled with dark secrets, betrayal, and an ending so twisted I didn’t see it rounding the corner until it was on top of me! NICE!
^^ Nope. In reality they’ve a strained love, hate relationship. Ryan is high on drugs most of the time and not getting his bestseller written at all. And Vince, well, he’s just been accosted by a man called Darragh, who demands that he withdraw eight million Euros (2 from each bank he is in charge of) and deliver it back to him at the Penthouse, by midday – or he shoots Ryan dead! It’s far from the perfect life we are first lead to believe.
^^ What a fabulous read! There are several parts to this book which made this so much more than just a ‘grab the cash and save my boyfriend from dying’ story. Yes, that is the main theme, but the way it was written took the story much deeper and darker then I ever expected.
^^ The story is told from four different perspectives, Vince, Ryan, Darragh and Jack. We watch how Vince has the pressure to get the money to save his boyfriend. We hear about Ryan and what he really gets up to, and how he is being kept hostage in his own penthouse by Darragh fearing his possible death in only a few hours – if Vince doesn’t make it back in time. We also hear the thoughts and ideals of both the baddies, and they all have something worthwhile to bring to the story, which is why I think I enjoyed this read so much. At least a huge part of why!
^^ I did have one small gripe – the flashbacks – once I got used to this author’s style, I adjusted the way I read it. But I would’ve preferred perhaps a paragraph break, so I didn’t just get thrown out of the story at times this happened. Admittedly, some transitions were better than others.
^^ Despite this, I did find this a terrific read in other areas, and have to mention (in my usual semi-cryptic way, as to not give away spoilers) how I loved fearing for Ryan’s safety at the beginning, and then as I raced through the book, I changed my view of him and wanted him dead myself! Cleverly done, David B. Lyons!
^^ The use of wannabe gangster and rookie murderer Darragh was also very well woven into the story, as was the mysterious Jack.
Overall:
Midday: A tense, fast read, filled with dark secrets, betrayal, and an ending so twisted I didn’t see it rounding the corner until it was on top of me! NICE!
Movie Metropolis (309 KP) rated Halloween II (2009) in Movies
Jun 10, 2019
Michael Myers has returned, again! But this time it’s personal. Halloween II is the brainchild of Rob Zombie who directed the remake of the 1978 John Carpenter original.
However, in this, the first sequel of the rebooted slasher series, Zombie has been able to splash his creative wisdom all over the celluloid with somewhat successful results. Unfortunately, in some parts, the phrase somewhat successful seems even more appropriate.
By now, we all know that having Sheri Moon in a Rob Zombie film is a given, but her role here is perhaps slightly too implausible for even the most hardened fans to appreciate, playing what seems like a schizophrenic Michael’s dead mother. Unfortunately, the idea, whilst being excellent at the pre-production stages of the movie, is badly executed on screen and what we’re left with, is a mess of a storyline that doesn’t ever know which way it is going; supernatural thriller one-minute and slasher flick the next.
Regrettably, Zombie has made some horrific choices concerning Michael’s character. Of course we have to give him credit for taking on a Halloween sequel without any prior experience. The inexperience shows in Michael, who has been turned into a Jason Voorhees rip off; grunting as he kills and not using the typical kitchen knife as the primary weapon. Here, Zombie also decides to remove Michael’s iconic mask, which should in theory become an iconic cinema moment; unfortunately it does not and is forgotten in a mass of blood and gore.
Negativity aside, the story is pretty much the same as last time around, though Zombie has focused in on Laurie Strode (Scout Taylor Compton) and the way her character changes from the events of Halloween night. As with giving the characters a back-story in the 2007 Halloween, this storyline change really does work and gives the film something which isn’t usually necessary for the horror genre; depth.
The acting is surprisingly superb; Compton is much better this time around and really brings a whole new grungy side to her character and most of the other returning characters are given much more room to grown and develop, probably due to the film’s long running time. On the other hand, Malcolm McDowell’s portrayal of the iconic Sam Loomis has been shoddily remastered into a greedy, fame-obsessed man whose objectives are simply to make as much money as possible. This doesn’t suit the role and leaves the usually excellent McDowell wanting.
Overall, Halloween II is a decent stab at recreating the old franchise; Zombie has made it work on so many levels and it certainly moves the game on. Unfortunately, he has tried to pack too many elements into the film and the pay off for that is a messy looking cinema encounter. Enjoyable as a film, yes, but the jury is still out on whether this deserves a spot on the Halloween collector’s shelf.
https://moviemetropolis.net/2010/10/19/halloween-ii-2009/
However, in this, the first sequel of the rebooted slasher series, Zombie has been able to splash his creative wisdom all over the celluloid with somewhat successful results. Unfortunately, in some parts, the phrase somewhat successful seems even more appropriate.
By now, we all know that having Sheri Moon in a Rob Zombie film is a given, but her role here is perhaps slightly too implausible for even the most hardened fans to appreciate, playing what seems like a schizophrenic Michael’s dead mother. Unfortunately, the idea, whilst being excellent at the pre-production stages of the movie, is badly executed on screen and what we’re left with, is a mess of a storyline that doesn’t ever know which way it is going; supernatural thriller one-minute and slasher flick the next.
Regrettably, Zombie has made some horrific choices concerning Michael’s character. Of course we have to give him credit for taking on a Halloween sequel without any prior experience. The inexperience shows in Michael, who has been turned into a Jason Voorhees rip off; grunting as he kills and not using the typical kitchen knife as the primary weapon. Here, Zombie also decides to remove Michael’s iconic mask, which should in theory become an iconic cinema moment; unfortunately it does not and is forgotten in a mass of blood and gore.
Negativity aside, the story is pretty much the same as last time around, though Zombie has focused in on Laurie Strode (Scout Taylor Compton) and the way her character changes from the events of Halloween night. As with giving the characters a back-story in the 2007 Halloween, this storyline change really does work and gives the film something which isn’t usually necessary for the horror genre; depth.
The acting is surprisingly superb; Compton is much better this time around and really brings a whole new grungy side to her character and most of the other returning characters are given much more room to grown and develop, probably due to the film’s long running time. On the other hand, Malcolm McDowell’s portrayal of the iconic Sam Loomis has been shoddily remastered into a greedy, fame-obsessed man whose objectives are simply to make as much money as possible. This doesn’t suit the role and leaves the usually excellent McDowell wanting.
Overall, Halloween II is a decent stab at recreating the old franchise; Zombie has made it work on so many levels and it certainly moves the game on. Unfortunately, he has tried to pack too many elements into the film and the pay off for that is a messy looking cinema encounter. Enjoyable as a film, yes, but the jury is still out on whether this deserves a spot on the Halloween collector’s shelf.
https://moviemetropolis.net/2010/10/19/halloween-ii-2009/
Nicole Hadley (380 KP) rated Laura Ingalls Is Ruining My Life in Books
Jun 18, 2018
Laura Ingalls Is Ruining My Life by Shelley Tougas is a middle grade novel where we meet Charlotte Lake. Charlotte and her family are constantly moving to new cities for her mother’s passion of wanting to be a published author. Charlotte’s mom wants to write a book about Laura Ingalls, who was inspirational to her as a child. Charlotte is embarrassed by her mother’s obsession and frustrated with constantly having to start a new school and new life. She never feels like she fits in anywhere. She has a twin brother who has chosen to not talk since he feels his voice is not being heard in the moves, and a younger sister who is perfect. Charlotte struggles to make friends and find her niche among so many moves.
The family recently relocated to Walnut Grove, one of the places Laura Ingalls grew up. It houses a Laura Ingalls museum that hosts an essay contest each year. In a spark of brilliance, Charlotte decides to enter the contests and win the grand prize of $500. She knows this money will change her family’s life and maybe help her mother put down some roots. As the contest deadline nears, Charlotte becomes very ill with the flu and misses over a week of school, and time to create her essay. At the last moment, she furiously scribbles out the line, “Laura Ingalls is ruining my life,” and turns that in as her essay. Her clever teacher reads this and probes Charlotte to write more and dig deeper.
The family rents out the basement of a house owned by Mia and Miguel, who live upstairs with their granddaughter, Julia. Charlotte has moved so many times that she is reluctant to learn the names of her fellow classmates or draw any attention to herself. After she is out sick at the very beginning of school, she starts to notice that her brother has made a lot of friends in her absence. Charlotte, however, is still uncomfortable and even fails a reading test so that she has to spend her lunch time doing remedial work. She hopes to win an essay contest about Wilder because the $500 would be helpful to her family, but Julia wins instead. The two girls start to volunteer at the Wilder museum, and start to become friends. Charlotte’s mother is writing very little, and as the year progresses, starts to slip into a significant depression. Rose’s father remarries, and Rose is devastated that he no longer schedules any of their visits together. When there is vandalism at the museum, Charlotte is blamed, but the real perpetrator is not any of the people who are suspected.
I recommend this book for any fans of pioneer life, Laura Ingalls Wilder, and middle grade readers. I received this book as an ARC from NetGalley via Macmillan Children’s Publishing Group and Roaring Brook Press.
The family recently relocated to Walnut Grove, one of the places Laura Ingalls grew up. It houses a Laura Ingalls museum that hosts an essay contest each year. In a spark of brilliance, Charlotte decides to enter the contests and win the grand prize of $500. She knows this money will change her family’s life and maybe help her mother put down some roots. As the contest deadline nears, Charlotte becomes very ill with the flu and misses over a week of school, and time to create her essay. At the last moment, she furiously scribbles out the line, “Laura Ingalls is ruining my life,” and turns that in as her essay. Her clever teacher reads this and probes Charlotte to write more and dig deeper.
The family rents out the basement of a house owned by Mia and Miguel, who live upstairs with their granddaughter, Julia. Charlotte has moved so many times that she is reluctant to learn the names of her fellow classmates or draw any attention to herself. After she is out sick at the very beginning of school, she starts to notice that her brother has made a lot of friends in her absence. Charlotte, however, is still uncomfortable and even fails a reading test so that she has to spend her lunch time doing remedial work. She hopes to win an essay contest about Wilder because the $500 would be helpful to her family, but Julia wins instead. The two girls start to volunteer at the Wilder museum, and start to become friends. Charlotte’s mother is writing very little, and as the year progresses, starts to slip into a significant depression. Rose’s father remarries, and Rose is devastated that he no longer schedules any of their visits together. When there is vandalism at the museum, Charlotte is blamed, but the real perpetrator is not any of the people who are suspected.
I recommend this book for any fans of pioneer life, Laura Ingalls Wilder, and middle grade readers. I received this book as an ARC from NetGalley via Macmillan Children’s Publishing Group and Roaring Brook Press.
Nadya R (9 KP) rated The Handmaid's Tale in Books
Jul 2, 2018
"Nolite te bastardes carborundorum"
Strange book.
I really wanted to like it and I kinda do.
Its way too biblical for me. With all these references to different Books connected with the Bible - the Bible stories are not really my thing. Yeah, I know that this is the point - the Religious takes over the world. But the author brings it too far than needed.
The story doesn’t have any logical order. It sounds like a diary of somebody who lost their common sense. All this illogical sentences. Like a flashes of memory in between the current situation. Lack of direct speech - there is no distinction between the narrator and the different characters. It’s so senseless in some points that I have to go back and to read the past couple of pages all over again so I can get the line out.
It's is situated in not-so-far future and it’s told by a woman with no name. All women are named after the family who owns them. In this case our narrator is OfFred - owned by a commander Fred’s family. The new government, that had risen, is proclaiming no rights for the women. Their only purpose is to give birth to a healthy babies. They don’t need money, jobs, books, pens or other things that we are taking for granted in our lives. They don’t need them to deliver babies, so they don’t need them at all.
"Tell, rather than write, because I have nothing to write with and writing is in any case forbidden.
But if it's a story, even in my head.
I must be telling it to someone. You don't tell a story only to yourself. There's always someone else.
Even when there is no one."
The Republic of Gilead, as I said, uses religion to control their lives. Every atrocity they do is justified by the Bible. The Bible has all the answers.
The story line is going around OfFred’s inner fights, her struggle to make the right choices, her dreams to be free again and to be with her child and her husband again. Along with her thoughts she shows us what is like to be a Handmaid. Her daily routine, the Rituals and all these small things that distract her from the reality.
"You can only be jealous of someone who has something you think you ought to have yourself"
Personaly, I don’t like the book that much. It’s senseless and not that easy to read. Not because of the topic, but the way it’s written. The shortage of direct speech took away the movement of the book. I know it should look like a diary, but even in the diaries, the difference between the narrator and others is shown in proper way. Probably I will need a second read to fully understand it. But for now the book left a big mess in my head.
"A man is just a woman's strategy for making other women."
Strange book.
I really wanted to like it and I kinda do.
Its way too biblical for me. With all these references to different Books connected with the Bible - the Bible stories are not really my thing. Yeah, I know that this is the point - the Religious takes over the world. But the author brings it too far than needed.
The story doesn’t have any logical order. It sounds like a diary of somebody who lost their common sense. All this illogical sentences. Like a flashes of memory in between the current situation. Lack of direct speech - there is no distinction between the narrator and the different characters. It’s so senseless in some points that I have to go back and to read the past couple of pages all over again so I can get the line out.
It's is situated in not-so-far future and it’s told by a woman with no name. All women are named after the family who owns them. In this case our narrator is OfFred - owned by a commander Fred’s family. The new government, that had risen, is proclaiming no rights for the women. Their only purpose is to give birth to a healthy babies. They don’t need money, jobs, books, pens or other things that we are taking for granted in our lives. They don’t need them to deliver babies, so they don’t need them at all.
"Tell, rather than write, because I have nothing to write with and writing is in any case forbidden.
But if it's a story, even in my head.
I must be telling it to someone. You don't tell a story only to yourself. There's always someone else.
Even when there is no one."
The Republic of Gilead, as I said, uses religion to control their lives. Every atrocity they do is justified by the Bible. The Bible has all the answers.
The story line is going around OfFred’s inner fights, her struggle to make the right choices, her dreams to be free again and to be with her child and her husband again. Along with her thoughts she shows us what is like to be a Handmaid. Her daily routine, the Rituals and all these small things that distract her from the reality.
"You can only be jealous of someone who has something you think you ought to have yourself"
Personaly, I don’t like the book that much. It’s senseless and not that easy to read. Not because of the topic, but the way it’s written. The shortage of direct speech took away the movement of the book. I know it should look like a diary, but even in the diaries, the difference between the narrator and others is shown in proper way. Probably I will need a second read to fully understand it. But for now the book left a big mess in my head.
"A man is just a woman's strategy for making other women."
Carma (21 KP) rated Just For Fun (Just Everyday Heroes: Day Shift, #4) in Books
Jun 17, 2019
Erin Nicholas incorporates Lori Foster, Castle and Pretty Woman, 3 of my favorite things, into this 5 star novel. Can it get any better? #WhatWouldRichardGereDo
Douglas Dooley Miller was a total ladies man, he didnt do commitment and he liked regular girls. Morgan James was no regular girl. He knew he was in trouble the moment he paid her bail and left her in the jail cell.
Morgan James couldnt believe she was searching out Doug Miller again after he left her to rot in the jail cell. Ok so it was only for 30 more minutes after he left and they didnt charge her or make her pay bail money but still. She needed his help, and it needed to be him and only him to help her out with a problem.
Dooley isnt one that his friends go to first for help or advice so when Morgan tracks him down and asks for a favor he has no idea what to do. I mean who doesnt want to help a gorgeous woman asking for a favor but he is still unsure he wants to accept this task.
Morgan likes Dooley and knows he is just the man to help. Their attraction is undeniable so there shouldnt be an issue in him helping her out for a few days. She just needs him to come with her on a business trip, and maybe keep her nights entertained. She doesnt know who else to ask, and honestly doesnt want anyone else for the job.
Dooley takes Morgan up on her offer and tries his best to not get involved. Dont get to know her, according to Sam and his buddies, or youll never want to let go. Too bad he has felt like that for the month hes already known her. Could she ever feel the same?
Once again the author takes us on a trip with the Bradford family and their friends. Each book references past characters but it never really totally involves them unnecessarily. That is one of the things I love about this author, funny enough following in the steps of the referenced Lori Foster who does the same. You get involved and invested in these characters and want to know all about them. Dooley was already a favorite of mine with his quick wit and passing advice. Knowing he needed a good match to keep up with him had me wondering who could possibly fill those shoes. Enter Morgan, his opposite on paper (so it seemed), but perfect to keep up with Dooley and all hes about.
It was nice getting to know Dooleys family dynamic and more about Kevin (who is the next book in the series) and I cant wait to continue on with my Bradford adventure.
Douglas Dooley Miller was a total ladies man, he didnt do commitment and he liked regular girls. Morgan James was no regular girl. He knew he was in trouble the moment he paid her bail and left her in the jail cell.
Morgan James couldnt believe she was searching out Doug Miller again after he left her to rot in the jail cell. Ok so it was only for 30 more minutes after he left and they didnt charge her or make her pay bail money but still. She needed his help, and it needed to be him and only him to help her out with a problem.
Dooley isnt one that his friends go to first for help or advice so when Morgan tracks him down and asks for a favor he has no idea what to do. I mean who doesnt want to help a gorgeous woman asking for a favor but he is still unsure he wants to accept this task.
Morgan likes Dooley and knows he is just the man to help. Their attraction is undeniable so there shouldnt be an issue in him helping her out for a few days. She just needs him to come with her on a business trip, and maybe keep her nights entertained. She doesnt know who else to ask, and honestly doesnt want anyone else for the job.
Dooley takes Morgan up on her offer and tries his best to not get involved. Dont get to know her, according to Sam and his buddies, or youll never want to let go. Too bad he has felt like that for the month hes already known her. Could she ever feel the same?
Once again the author takes us on a trip with the Bradford family and their friends. Each book references past characters but it never really totally involves them unnecessarily. That is one of the things I love about this author, funny enough following in the steps of the referenced Lori Foster who does the same. You get involved and invested in these characters and want to know all about them. Dooley was already a favorite of mine with his quick wit and passing advice. Knowing he needed a good match to keep up with him had me wondering who could possibly fill those shoes. Enter Morgan, his opposite on paper (so it seemed), but perfect to keep up with Dooley and all hes about.
It was nice getting to know Dooleys family dynamic and more about Kevin (who is the next book in the series) and I cant wait to continue on with my Bradford adventure.
Gareth von Kallenbach (980 KP) rated Teen Spirit (2019) in Movies
Jul 2, 2019
Seventeen year old Violet (Elle Fanning) loves to sing. She spends every free moment listening to her iPod or singing. But since her father left Violet and her mother alone, Marla (Agnieszka Grochowska), on a small farm on Isle of Wight, she has very little free time. Each morning, she feeds and cares for the animals on the farm before she heads to school. After school and every weekend she waits tables. Each night secretly she heads to a bar to sing for extra money to help save the farm, but also to have a chance to sing. When she sees a billboard advertising Teen Spirit, a singing competition show, she sees an opportunity to do the one thing that brings her joy and also help get her a better life. The only problem is that she will have to do it without her mother finding out. Since she is under eighteen she has to convince someone to act as her guardian. She asks an old drunk at the bar, Vlad (Zlatko Buric), who loves her singing to go with her. She soon finds out that the disheveled looking old Vlad used to be a famous opera singer. When she finds out she makes it to the second round Vlad helps convince her mother that she should continue chasing her dream with his help. Even though Violet is going against much more experienced and refined competition she is focus on continuing to chase her dream and make it to the Finals in London.
Teen Spirit is the directorial debut for Max Minghella who also wrote the film (written also The 9th Life of Louis Drax, actor in TVs The Handmaid’s Tale). The story was familiar, a small town girl with big dreams and talent trying to overcome overwhelming odds to accomplish a goal. But it is told in a unique way and I would call it a fresh take on the “Cinderella” story. The visuals were unique and interesting. Most of the singing scenes, and not just Violet, were up close or focused on the singer with the background out of focus. It was an original and interesting way to visually tell the story. Elle Fanning does a good job as the protagonist. She is both bold and vulnerable in the film. Zlatko Buric did a marvelous job and brought some much needed light moments in an overall darker film. I thought the music was good but maybe not my cup of tea.
I thought that overall this was an enjoyable film. Not really something I would generally seek out to watch but was originally made and had interesting characters. It is the same old story though and minus some originality in how it gets through the story the outcome is predictable. My wife enjoyed it a little more than I did so it would be a good date movie. Personally worth a stream or rental but not really theater prices.
Teen Spirit is the directorial debut for Max Minghella who also wrote the film (written also The 9th Life of Louis Drax, actor in TVs The Handmaid’s Tale). The story was familiar, a small town girl with big dreams and talent trying to overcome overwhelming odds to accomplish a goal. But it is told in a unique way and I would call it a fresh take on the “Cinderella” story. The visuals were unique and interesting. Most of the singing scenes, and not just Violet, were up close or focused on the singer with the background out of focus. It was an original and interesting way to visually tell the story. Elle Fanning does a good job as the protagonist. She is both bold and vulnerable in the film. Zlatko Buric did a marvelous job and brought some much needed light moments in an overall darker film. I thought the music was good but maybe not my cup of tea.
I thought that overall this was an enjoyable film. Not really something I would generally seek out to watch but was originally made and had interesting characters. It is the same old story though and minus some originality in how it gets through the story the outcome is predictable. My wife enjoyed it a little more than I did so it would be a good date movie. Personally worth a stream or rental but not really theater prices.
Kirk Bage (1775 KP) rated Gerald's Game (2017) in Movies
Mar 3, 2020
When I first heard about the Stephen King book called Gerald’s Game I was about 16 years old, and it scared the shit out of me! Just the concept and the idea of it happening to you. So I never read the book. In my mind, I had imagined the worst already and did not want to go there.
It was with some trepidation, then, that I stepped into this Netflix production, and may never have done so at all, were it not for some interesting reviews suggesting this was not normal horror fare, but more of a psychological exploration. Carla Gugino I barely knew. I have always liked Bruce Greenwood as an actor, however, so in I plunged…
For the next hour or so I was transfixed! The simplicity of the premise, the economy of the direction, and an innovative way of telling the story visually, had me hooked. It always felt like not a lot of money had been spent, but in a good way – no fancy tricks and gimmicks, just storytelling. And a few well placed shocks to the system that left me gasping out loud! (One moment in particular that had me jump to my feet shouting FFS involuntarily)
It isn’t a horror film in the way that genre has become in the last 20 years. No real jump shocks or manipulation, but some stomach churning moments of discomfort that genuinely disturb and make you want to look away! And all because we are invited to imagine ourselves in this situation. What would we do? How would we feel. And I always felt that was the power of this particular idea.
Psychologically, the notion that we may never truly know anyone, even ourselves, until the very worst happens is a compelling theme. The secrets we hide; the traumas that build our personalities, and just how strong would we be in a survival situation. And that is where this film is at its best. Gugino is never less than believable and occasionally incredible in achieving this. Greenwood is fine, and plays his part, but it is her film, no doubt at all.
Sadly, where this film fails is the last 15 minutes, when inexplicably the entire mood shifts and we find ourselves watching a completely different film, with a different message, and some of the worst backward facing exposition I have even seen! I won’t go into details here for spoilers sake… but, anything good achieved to that point was ruined by the ending.
Perhaps in the book the twist end makes sense this way, somehow. Here it is laughable. So much so that I need to know why they chose to do it? 30 years on from first hearing about it, I am going to be brave and read the book, because I can only believe loyalty to the source material could have led this production to such a preposterous ant-climax.
It was with some trepidation, then, that I stepped into this Netflix production, and may never have done so at all, were it not for some interesting reviews suggesting this was not normal horror fare, but more of a psychological exploration. Carla Gugino I barely knew. I have always liked Bruce Greenwood as an actor, however, so in I plunged…
For the next hour or so I was transfixed! The simplicity of the premise, the economy of the direction, and an innovative way of telling the story visually, had me hooked. It always felt like not a lot of money had been spent, but in a good way – no fancy tricks and gimmicks, just storytelling. And a few well placed shocks to the system that left me gasping out loud! (One moment in particular that had me jump to my feet shouting FFS involuntarily)
It isn’t a horror film in the way that genre has become in the last 20 years. No real jump shocks or manipulation, but some stomach churning moments of discomfort that genuinely disturb and make you want to look away! And all because we are invited to imagine ourselves in this situation. What would we do? How would we feel. And I always felt that was the power of this particular idea.
Psychologically, the notion that we may never truly know anyone, even ourselves, until the very worst happens is a compelling theme. The secrets we hide; the traumas that build our personalities, and just how strong would we be in a survival situation. And that is where this film is at its best. Gugino is never less than believable and occasionally incredible in achieving this. Greenwood is fine, and plays his part, but it is her film, no doubt at all.
Sadly, where this film fails is the last 15 minutes, when inexplicably the entire mood shifts and we find ourselves watching a completely different film, with a different message, and some of the worst backward facing exposition I have even seen! I won’t go into details here for spoilers sake… but, anything good achieved to that point was ruined by the ending.
Perhaps in the book the twist end makes sense this way, somehow. Here it is laughable. So much so that I need to know why they chose to do it? 30 years on from first hearing about it, I am going to be brave and read the book, because I can only believe loyalty to the source material could have led this production to such a preposterous ant-climax.