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Gareth von Kallenbach (974 KP) rated Hancock (2008) in Movies
Aug 14, 2019
Throughout the annals of cinema, the big screen has been home to some of the most larger-than-life heroes ever to spring from the pages of comic books. Recent adaptations of Spider-Man, Batman, and Superman, all went on to box office gold and with several more character adaptations in the works, there seems to be no end to the public’s desire to see tales based on costumed heroes with amazing powers.
In one of the more original twists on the hero genre, Will Smith stars as Hancock, a surly lush, who is more concerned about his next drink than he is about saving the day. Despite being blessed with amazing strength, invulnerability, and the ability to fly, Hancock is looked upon with disdain by most of the people of Los Angeles because his attitude is second only to the amazing amount of damage he causes in bringing local hoodlums to justice.
Shortly after causing nine million dollars in damage after his latest crime fighting effort, the mayor of L.A. places a warrant out for Hancock, having decided it was time for Hancock to be held accountable for the mayhem he has caused. At the same time, publicist Ray Embrey (Jason Bateman) is returning home after failing in his pitch to get a major pharmaceutical company to donate their new wonder drug in an effort to make the world better.
When danger arises during a traffic jam, Ray is saved by Hancock in the nick of time and is grateful for the efforts of the hero. Unfortunately a group of bystanders are convinced that Hancock could have saved Ray without making wreaking such havoc. In the midst of some heated verbal exchanges, Ray steps up for Hancock and expresses his gratitude to the hero and invites him home for dinner with his son and wife Mary (Charlize Theron). Undaunted by the gruff mannerisms of Hancock, Ray eventually convinces Hancock to let Ray represent him and sets out on a plan to remake Hancock’s image more positive and civic-friendly.
While this scenario presents several comedic moments, the film eventually changes tact, and becomes much darker in tone, and mired in a subplot of fate and mysticism that honestly seems greatly out-of-place with the tone established in the first three quarters of the film.
While it is notable that the filmmakers decided to try something different, the final result is a muddled effort that greatly undermines the laughs and momentum that were established earlier in the film. Smith does a great job but when he is not unleashing his sardonic quips, he seems to be disinterested and going through the motion for much of the last half of the film. Bateman does the best he can with a stock part and Theron seems woefully underused in a role that, while promising, really is not worthy of an actress of her skills.
Director Peter Berg does a solid job with the action and FX of the film, and clearly shows he has a knack for humor. Unfortunately the script by “X-Files” alum Vince Gilligan and Vince Ngo fails to live up to the potential of the premise and in the end leaves “Hancock” grounded.
In one of the more original twists on the hero genre, Will Smith stars as Hancock, a surly lush, who is more concerned about his next drink than he is about saving the day. Despite being blessed with amazing strength, invulnerability, and the ability to fly, Hancock is looked upon with disdain by most of the people of Los Angeles because his attitude is second only to the amazing amount of damage he causes in bringing local hoodlums to justice.
Shortly after causing nine million dollars in damage after his latest crime fighting effort, the mayor of L.A. places a warrant out for Hancock, having decided it was time for Hancock to be held accountable for the mayhem he has caused. At the same time, publicist Ray Embrey (Jason Bateman) is returning home after failing in his pitch to get a major pharmaceutical company to donate their new wonder drug in an effort to make the world better.
When danger arises during a traffic jam, Ray is saved by Hancock in the nick of time and is grateful for the efforts of the hero. Unfortunately a group of bystanders are convinced that Hancock could have saved Ray without making wreaking such havoc. In the midst of some heated verbal exchanges, Ray steps up for Hancock and expresses his gratitude to the hero and invites him home for dinner with his son and wife Mary (Charlize Theron). Undaunted by the gruff mannerisms of Hancock, Ray eventually convinces Hancock to let Ray represent him and sets out on a plan to remake Hancock’s image more positive and civic-friendly.
While this scenario presents several comedic moments, the film eventually changes tact, and becomes much darker in tone, and mired in a subplot of fate and mysticism that honestly seems greatly out-of-place with the tone established in the first three quarters of the film.
While it is notable that the filmmakers decided to try something different, the final result is a muddled effort that greatly undermines the laughs and momentum that were established earlier in the film. Smith does a great job but when he is not unleashing his sardonic quips, he seems to be disinterested and going through the motion for much of the last half of the film. Bateman does the best he can with a stock part and Theron seems woefully underused in a role that, while promising, really is not worthy of an actress of her skills.
Director Peter Berg does a solid job with the action and FX of the film, and clearly shows he has a knack for humor. Unfortunately the script by “X-Files” alum Vince Gilligan and Vince Ngo fails to live up to the potential of the premise and in the end leaves “Hancock” grounded.
ClareR (5674 KP) rated The Hunting Moon in Books
Dec 12, 2023
When will I learn to check that books are a one off or the second in a series? I mean, it was a couple of chapters in before I realised something was off, but I have to admit that I quickly filled in the gaps, and it didn’t spoil my listening pleasure. I really enjoyed this.
The world of Hemlock Falls is an interesting one - shut off from the non-magical, they look down on them somewhat, but still feel compelled to keep them (and themselves) safe from the nightmares in the forest separating the two peoples.
We join Winnie Wednesday after she has passed the hunter trials, her family has been welcomed back into the Luminaries after being cast aside by them for some reason (in book 1, I believe!), and Winnie is now a local celebrity. Not that she’s enjoying it very much. She’s worried that everyone is passing her attacker off as a werewolf, and she’s pretty certain that it’s another creature called a Whisperer. And the Whisperer is still killing hunters every night.
There’s a bit of romance as well - Jay Friday, who seems to have his own problems that he doesn’t want anyone to know about, is making advances to Winnie, and she doesn’t mind one bit. He’s a nice boy (I sound like a mum here, I cannot deny I am one).
I listened to this on Bolinda Audio through NetGalley, and the narrator, Caitlin Davies reads the story so well. There’s nothing quite like a good narrator, adding value to a story and bringing a world to life. The feelings of the characters were conveyed so effectively that I felt fully involved.
I think this opens up a whole argument as to whether books should be sectioned off into age groups. I mean, this is YA, so aimed at 12-18, and I can’t for the life of me understand why? Perhaps I’m a simple soul. OK, there’s no sex, but I’ll be honest - I don’t want to read about sex all the time. It can get a bit boring (controversial, perhaps, but there’s my opinion!). And YA seems to do fantasy and science fiction SO WELL!!
So I’m off to read The Luminaries and fill in some gaps, because I loved this second in what I assume will be a trilogy.
The world of Hemlock Falls is an interesting one - shut off from the non-magical, they look down on them somewhat, but still feel compelled to keep them (and themselves) safe from the nightmares in the forest separating the two peoples.
We join Winnie Wednesday after she has passed the hunter trials, her family has been welcomed back into the Luminaries after being cast aside by them for some reason (in book 1, I believe!), and Winnie is now a local celebrity. Not that she’s enjoying it very much. She’s worried that everyone is passing her attacker off as a werewolf, and she’s pretty certain that it’s another creature called a Whisperer. And the Whisperer is still killing hunters every night.
There’s a bit of romance as well - Jay Friday, who seems to have his own problems that he doesn’t want anyone to know about, is making advances to Winnie, and she doesn’t mind one bit. He’s a nice boy (I sound like a mum here, I cannot deny I am one).
I listened to this on Bolinda Audio through NetGalley, and the narrator, Caitlin Davies reads the story so well. There’s nothing quite like a good narrator, adding value to a story and bringing a world to life. The feelings of the characters were conveyed so effectively that I felt fully involved.
I think this opens up a whole argument as to whether books should be sectioned off into age groups. I mean, this is YA, so aimed at 12-18, and I can’t for the life of me understand why? Perhaps I’m a simple soul. OK, there’s no sex, but I’ll be honest - I don’t want to read about sex all the time. It can get a bit boring (controversial, perhaps, but there’s my opinion!). And YA seems to do fantasy and science fiction SO WELL!!
So I’m off to read The Luminaries and fill in some gaps, because I loved this second in what I assume will be a trilogy.
LilyLovesIndie (123 KP) rated The Trust Casefiles in Books
Nov 5, 2018
I received a complimentary copy of this book from the author in return for an honest review, and I am pleased to say I very much enjoyed it.
It is, what reads like, a collection of stories which are based on a 'Trust' who protect the humans by destroying vampires and other supernatural beings. There are lots of different types of vampires mentioned, as well as lots of different 'agents' for the Trust.
The book has many positive aspects which make it a very good read, however there are a couple of areas that, with minimal work, could make this book much better and easier to read. Firstly, it's necessary to point out that it's not, in my opinion at least, an easy read. The snippets don't always seem to flow on from each other, and this can make it quite confusing as a reader. In addition, I feel there are too many characters to keep up with and the major characters could just do with a little more development earlier on in the book to encourage the reader to engage and invest more emotion in them from the early pages.
That being said, there are many positive aspects that are a credit to Cushing. Perhaps the best of these is the variety of vampires covered in this book. The imagination necessary to create not only one unique brand of vampires for a book, but to create a huge variety, and making out that they are as diverse as humans is a novel concept that I've not encountered in such detail before. The fact that Cushing also dabbles into other supernatural beings as well makes this book a must read for those interested in traditional stereotypes of supernatural creatures.
In addition, I feel huge credit has to be given for the plot in this book. Although not entirely easy to follow throughout, the amount of twists and turns that Cushing has included is admirable. Each chapter delivers something new and very fresh to the story, and that's something few books manage. Personally, it needs to be just a bit more careful in the plot structure, and a few more signposts are needed to really help the reader find their way through the book a little easier, but it is immensely enjoyable to read.
In conclusion, I would recommend this book to anyone who likes traditional vampire tales with a twist. It's a fast paced book with plenty of action and a thoroughly enjoyable way to spend a few hours!
It is, what reads like, a collection of stories which are based on a 'Trust' who protect the humans by destroying vampires and other supernatural beings. There are lots of different types of vampires mentioned, as well as lots of different 'agents' for the Trust.
The book has many positive aspects which make it a very good read, however there are a couple of areas that, with minimal work, could make this book much better and easier to read. Firstly, it's necessary to point out that it's not, in my opinion at least, an easy read. The snippets don't always seem to flow on from each other, and this can make it quite confusing as a reader. In addition, I feel there are too many characters to keep up with and the major characters could just do with a little more development earlier on in the book to encourage the reader to engage and invest more emotion in them from the early pages.
That being said, there are many positive aspects that are a credit to Cushing. Perhaps the best of these is the variety of vampires covered in this book. The imagination necessary to create not only one unique brand of vampires for a book, but to create a huge variety, and making out that they are as diverse as humans is a novel concept that I've not encountered in such detail before. The fact that Cushing also dabbles into other supernatural beings as well makes this book a must read for those interested in traditional stereotypes of supernatural creatures.
In addition, I feel huge credit has to be given for the plot in this book. Although not entirely easy to follow throughout, the amount of twists and turns that Cushing has included is admirable. Each chapter delivers something new and very fresh to the story, and that's something few books manage. Personally, it needs to be just a bit more careful in the plot structure, and a few more signposts are needed to really help the reader find their way through the book a little easier, but it is immensely enjoyable to read.
In conclusion, I would recommend this book to anyone who likes traditional vampire tales with a twist. It's a fast paced book with plenty of action and a thoroughly enjoyable way to spend a few hours!
Hazel (1853 KP) rated The Children of Hare Hill in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Set in the National Trust owned gardens in Cheshire, Scott McKenzie writes about the loss of a parent from the perspective of young children. <i>The Children of Hare Hill </i>deals with the grief and confusion of those too young to fully comprehend the impact a death has upon the remaining family members. Charlotte, aged 8, and Ben, aged 5, lost their father two years ago and now it is time to say goodbye.
McKenzie sets the story in Hare Hill Gardens, a place he loves to visit with his own children. It is here that the two protagonists are scattering their father’s ashes. Around the gardens are thirteen wooden hares that visitors are encouraged to find, something that the children enjoyed doing with their father numerous times. After their difficult task, Charlotte and Ben fall asleep in the walled garden and, on waking, discover the secret of Hare Hill.
Although still in the same place they fell asleep, Charlotte and Ben are now in a magical version of the gardens where the hares are real animals that have been turned into wooden statues. In order to release them from the spell they have to complete several tricky quests. From riddles to number puzzles the children rely on each other’s knowledge and strengths to save the hares and discover who is waiting for them at the end.
When thinking about magical lands we tend to expect witches and wizards, broomsticks and complicated spells, however that is not the case in <i>The Children of Hare Hill</i>. The tasks that befall the siblings are ones that can be solved by “normal” children with the help of their memories of their father. It is an interesting concept and a beautiful way of remembering the life of a loved one.
It is not clear who the target audience is for this novel. Presumably the ages of the characters and the shortness of the story (166 pages) are more inclined to the younger reader, however the narrative and language suggests otherwise. A child of Charlotte’s age is unlikely to read books containing words such as “serendipitous”, “reminisced” and “crescendo”. Scott McKenzie is such an intellectual writer with a beautiful way with words, yet it backfires when targeted at children.
Putting the target audience issue aside, <i>The Children of Hare Hill</i> is a delightful short story that manages to evoke many emotions in the reader. The sadness that comes with reading about death is overshadowed by the bravery of the siblings, their love for one another and the fun they have solving the riddles and tasks as they race around the gardens. Instead of dwelling on the negative feelings the characters are inevitably feeling, McKenzie focuses on happy memories, making what could have been a heart-wrenching story into a heart warming one instead.
Set in the National Trust owned gardens in Cheshire, Scott McKenzie writes about the loss of a parent from the perspective of young children. <i>The Children of Hare Hill </i>deals with the grief and confusion of those too young to fully comprehend the impact a death has upon the remaining family members. Charlotte, aged 8, and Ben, aged 5, lost their father two years ago and now it is time to say goodbye.
McKenzie sets the story in Hare Hill Gardens, a place he loves to visit with his own children. It is here that the two protagonists are scattering their father’s ashes. Around the gardens are thirteen wooden hares that visitors are encouraged to find, something that the children enjoyed doing with their father numerous times. After their difficult task, Charlotte and Ben fall asleep in the walled garden and, on waking, discover the secret of Hare Hill.
Although still in the same place they fell asleep, Charlotte and Ben are now in a magical version of the gardens where the hares are real animals that have been turned into wooden statues. In order to release them from the spell they have to complete several tricky quests. From riddles to number puzzles the children rely on each other’s knowledge and strengths to save the hares and discover who is waiting for them at the end.
When thinking about magical lands we tend to expect witches and wizards, broomsticks and complicated spells, however that is not the case in <i>The Children of Hare Hill</i>. The tasks that befall the siblings are ones that can be solved by “normal” children with the help of their memories of their father. It is an interesting concept and a beautiful way of remembering the life of a loved one.
It is not clear who the target audience is for this novel. Presumably the ages of the characters and the shortness of the story (166 pages) are more inclined to the younger reader, however the narrative and language suggests otherwise. A child of Charlotte’s age is unlikely to read books containing words such as “serendipitous”, “reminisced” and “crescendo”. Scott McKenzie is such an intellectual writer with a beautiful way with words, yet it backfires when targeted at children.
Putting the target audience issue aside, <i>The Children of Hare Hill</i> is a delightful short story that manages to evoke many emotions in the reader. The sadness that comes with reading about death is overshadowed by the bravery of the siblings, their love for one another and the fun they have solving the riddles and tasks as they race around the gardens. Instead of dwelling on the negative feelings the characters are inevitably feeling, McKenzie focuses on happy memories, making what could have been a heart-wrenching story into a heart warming one instead.
Gareth von Kallenbach (974 KP) rated X-Men: Apocalypse (2016) in Movies
Aug 6, 2019
Full disclosure, I grew up a huge X-Men fan. As a kid it was one of the few comics that I would try read as often as I could. I would borrow my friends books, convince my mom to buy me an issue every chance I got and like so many growing up in the early 90s, never miss a Saturday morning episode of the fantastic X-Men cartoon.
As such, I have been waiting for the films to capture the X-Men team dynamic while creating interesting fleshed out characters for the mass audiences to appreciate. I felt the franchise was headed in that direction with the last two films, X-Men: First class and X-Men: Days of Futures Past. Unfortunately, X-Men: Apocalypse takes a bit of a stumble in this department when it tries to introduce several fan favorite characters to this X-Men Universe. However it sacrifices solid character development in order to introduce them all in this one story. That’s not to say that this decision makes a bad film, it’s just that the characters are somewhat hollow and we never really connect with any of them. Not even the older characters who we already know. In the 2016 landscape of superhero/comic movies, when you have too many hollow characters the film often feels like we are just going through the motions of fan service, rather than telling a good story though film. This shallow character development makes me wish that instead of making more X-Men movies, Fox would team up with Netflix and produce an episodic series that can really dig down into the story of these characters and the missions they go on to help all of humanity…sigh…one can hope.
As for the rest of this film, it is safe to say that it is a fun popcorn adventure just in time for the summer blockbuster season. The first act suffers from a bit of pacing issues, but once the film starts to pick up steam, it becomes a full action packed adventure filled with all the mutant powers you would expect from an X-Men film. We receive excellent performances we have come to expect from James McAvoy, Michael Fassbender, Jennifer Lawrence and the rest of the standard cast. As far as the new characters added to this film, Sophie Turner (Game of Thrones) is the stand out as Jean Gery. She delivers one of the few nuanced performances of the whole film and I look forward to her continuing to build on the roll in future X-Men films.
X-Men: Apocalypse is more of what you would expect from the X-Men series. Not terrible but not all that great either. Fans will be exited and enjoy this entry to the series while casual viewers will enjoy the blockbuster elements.
As such, I have been waiting for the films to capture the X-Men team dynamic while creating interesting fleshed out characters for the mass audiences to appreciate. I felt the franchise was headed in that direction with the last two films, X-Men: First class and X-Men: Days of Futures Past. Unfortunately, X-Men: Apocalypse takes a bit of a stumble in this department when it tries to introduce several fan favorite characters to this X-Men Universe. However it sacrifices solid character development in order to introduce them all in this one story. That’s not to say that this decision makes a bad film, it’s just that the characters are somewhat hollow and we never really connect with any of them. Not even the older characters who we already know. In the 2016 landscape of superhero/comic movies, when you have too many hollow characters the film often feels like we are just going through the motions of fan service, rather than telling a good story though film. This shallow character development makes me wish that instead of making more X-Men movies, Fox would team up with Netflix and produce an episodic series that can really dig down into the story of these characters and the missions they go on to help all of humanity…sigh…one can hope.
As for the rest of this film, it is safe to say that it is a fun popcorn adventure just in time for the summer blockbuster season. The first act suffers from a bit of pacing issues, but once the film starts to pick up steam, it becomes a full action packed adventure filled with all the mutant powers you would expect from an X-Men film. We receive excellent performances we have come to expect from James McAvoy, Michael Fassbender, Jennifer Lawrence and the rest of the standard cast. As far as the new characters added to this film, Sophie Turner (Game of Thrones) is the stand out as Jean Gery. She delivers one of the few nuanced performances of the whole film and I look forward to her continuing to build on the roll in future X-Men films.
X-Men: Apocalypse is more of what you would expect from the X-Men series. Not terrible but not all that great either. Fans will be exited and enjoy this entry to the series while casual viewers will enjoy the blockbuster elements.
Nicole Hadley (380 KP) rated Defending Taylor in Books
Jun 14, 2018
<a href="https://awindowintobooks.wordpress.com">Full Review</a>
I received an Advance Reader Copy from the publisher via NetGalley.
About a year ago I discovered Miranda Kenneally. The first book I read was Breathe, Annie, Breath and I immediately fell in love with her writing style and the characters. I am a person who loves sports. I played soccer starting from the age of 7, so when I heard about this book I was very excited. While I enjoyed the book very much I did not enjoy it as much as Kenneally's other books.
Defending Taylor is about Taylor. Taylor is the daughter of a state senator. Previously she attended St. Andrews, an elite private school; however, she was kicked out when she lied about drugs that were found in her possession saying that they belonged to her when in fact they belonged to her boyfriend. Her decision to lie not only caused a lot of problems. It caused her to be kicked out of St. Andrews. It caused problems with her dad's re-election campaign. Now that Taylor no longer can attend St. Andrews she must enroll in Hundred Oaks High School for her senior year.
Taylor feels terrible about everything, and things seems to be getting worse but she is not sure how to solve it; other than telling the truth, but telling the truth now will do not good; in fact, it may make it worse. Part of Taylor's consequence is to visit a counselor several times a week. Taylor at first does not like it but as time goes on it gets better and the counselor helps Taylor sort out some of her feelings and big decisions about her future.
When Taylor was at St. Andrews she played on the soccer team and was due to become the captain her senior year; however, with being expelled she lost that position. Taylor joined Hundred Oaks team to get to mind off of all the stress. Unfortunately, the team is one of the worse in the state and Taylor learns why fast. Taylor thought soccer would help with making friends but the team is not a team and only makes her frustrated. When Ezra, Taylor's brothers friend, comes into the picture, that when things begin to turn around for Taylor. Taylor has had a crush on Ezra for many years. Ezra helps Taylor find her old self again.
This books shows that a teenagers life is not always perfect. Life has its ups and downs even if your family is in the spotlight. It does not matter if you put the pressure on yourself or you take the blame for something you did not do; life is not always perfect.
I received an Advance Reader Copy from the publisher via NetGalley.
About a year ago I discovered Miranda Kenneally. The first book I read was Breathe, Annie, Breath and I immediately fell in love with her writing style and the characters. I am a person who loves sports. I played soccer starting from the age of 7, so when I heard about this book I was very excited. While I enjoyed the book very much I did not enjoy it as much as Kenneally's other books.
Defending Taylor is about Taylor. Taylor is the daughter of a state senator. Previously she attended St. Andrews, an elite private school; however, she was kicked out when she lied about drugs that were found in her possession saying that they belonged to her when in fact they belonged to her boyfriend. Her decision to lie not only caused a lot of problems. It caused her to be kicked out of St. Andrews. It caused problems with her dad's re-election campaign. Now that Taylor no longer can attend St. Andrews she must enroll in Hundred Oaks High School for her senior year.
Taylor feels terrible about everything, and things seems to be getting worse but she is not sure how to solve it; other than telling the truth, but telling the truth now will do not good; in fact, it may make it worse. Part of Taylor's consequence is to visit a counselor several times a week. Taylor at first does not like it but as time goes on it gets better and the counselor helps Taylor sort out some of her feelings and big decisions about her future.
When Taylor was at St. Andrews she played on the soccer team and was due to become the captain her senior year; however, with being expelled she lost that position. Taylor joined Hundred Oaks team to get to mind off of all the stress. Unfortunately, the team is one of the worse in the state and Taylor learns why fast. Taylor thought soccer would help with making friends but the team is not a team and only makes her frustrated. When Ezra, Taylor's brothers friend, comes into the picture, that when things begin to turn around for Taylor. Taylor has had a crush on Ezra for many years. Ezra helps Taylor find her old self again.
This books shows that a teenagers life is not always perfect. Life has its ups and downs even if your family is in the spotlight. It does not matter if you put the pressure on yourself or you take the blame for something you did not do; life is not always perfect.
Hadley (567 KP) rated The Silver Eyes (Five Nights at Freddy's, #1) in Books
Jul 5, 2019
It was in 2014 when the video game Five Nights at Freddy's debuted, and now it's one of the most well known horror games in the world. Homicidal animatronics, a nighttime security guard, and a children's pizza restaurant make up Scott Cawthon's world in FNAF. Fast forward to 2016: Cawthon makes the game's story into a book series. The lore surrounding the video game franchise seems to be more sought after than the game play itself. ' The Silver Eyes' is the first of three books telling the dark story from Cawthon, but from the eyes of the animatronics creator's daughter, Charlie, instead of the night guard at Freddy Fazbear's Pizzeria.
We start with seventeen-year-old Charlie, who is returning to her hometown of Hurricane, Utah for a scholarship/memorial ceremony dedicated to her deceased childhood friend, Michael. She has a reunion with other childhood friends: Carlton, Jessica, John, Lamar and Marla; all of who share the same tragedy of Michael's disappearance from when they were children at Freddy Fazbear's. This disappearance seems to be the only thing the group can discuss, but more so from Charlie because her father was blamed for Michael's disappearance. This, the shared experience of being present at the time of Michael's kidnapping, and having been part of the same circle of friends, dominates this story. Charlie is our main point of view, but we are given a few glimpses from other characters which end up irrelevant.
Charlie's father, years before, had the pizzeria Freddy Fazbear's built in Hurricane, but after Michael was kidnapped while being there, it was shut down and, now, a mall is being built around it. But, with the stigma coming from Fazbear's kidnapping, no businesses will agree to have their store put inside the new building, leaving it abandoned. Right away, the reader is taken with the group of friends on a trip to the building, where they break into Fazbear's with only a lone guard on duty, but with the amount of noise the group makes and even, somehow, turning the electricity back on, it's unreasonable to the reader that the guard isn't aware of their presence. (Even the characters don't seem worried about the guard coming in and kicking them out).
Without trying to give any spoilers away to those who may not know the story- the night guard finally shows up later on in the book, but only to join the group on their third adventure through the abandoned Fazbear's. And it is as this point, the book is at it's best. Even the writing seems to change - - - as if a different person took over for the second part of the book (which is a good thing).
Cawthon and Breed-Wrisley tried their best to convey the story of Five Nights at Freddy's, but although the story is a good one, the writing is lacking in many aspects. There's not just a few inconsistencies that I found, but rather a lot, and one of these is an important one: Charlie,earlier on in the story, tells us about her twin brother, Sammy, being kidnapped from the first Pizzeria her father had built, but later on, she states that Sammy was present at the newer Fazbear's when clearly he had been kidnapped before the newer restaurant was even built.
This story isn't so much about animatronics and a child murderer, but rather a group of children that shared a trauma that permeates into their adulthood. Sadly, the symptoms of this trauma aren't clearly stated from a reality stand point, but the teen drama is held in-check, making it a much more pleasant read than most young adult books. Character development is also lacking enough that--- even the main character--- seems like a stranger to the reader, where interactions between most of the group seems forced and unreasonable.
I can only recommend this book to fans of Five Nights at Freddy's, but as just a casual reader of the horror genre, the writing is a huge disappointment. I can't and won't read this again.
We start with seventeen-year-old Charlie, who is returning to her hometown of Hurricane, Utah for a scholarship/memorial ceremony dedicated to her deceased childhood friend, Michael. She has a reunion with other childhood friends: Carlton, Jessica, John, Lamar and Marla; all of who share the same tragedy of Michael's disappearance from when they were children at Freddy Fazbear's. This disappearance seems to be the only thing the group can discuss, but more so from Charlie because her father was blamed for Michael's disappearance. This, the shared experience of being present at the time of Michael's kidnapping, and having been part of the same circle of friends, dominates this story. Charlie is our main point of view, but we are given a few glimpses from other characters which end up irrelevant.
Charlie's father, years before, had the pizzeria Freddy Fazbear's built in Hurricane, but after Michael was kidnapped while being there, it was shut down and, now, a mall is being built around it. But, with the stigma coming from Fazbear's kidnapping, no businesses will agree to have their store put inside the new building, leaving it abandoned. Right away, the reader is taken with the group of friends on a trip to the building, where they break into Fazbear's with only a lone guard on duty, but with the amount of noise the group makes and even, somehow, turning the electricity back on, it's unreasonable to the reader that the guard isn't aware of their presence. (Even the characters don't seem worried about the guard coming in and kicking them out).
Without trying to give any spoilers away to those who may not know the story- the night guard finally shows up later on in the book, but only to join the group on their third adventure through the abandoned Fazbear's. And it is as this point, the book is at it's best. Even the writing seems to change - - - as if a different person took over for the second part of the book (which is a good thing).
Cawthon and Breed-Wrisley tried their best to convey the story of Five Nights at Freddy's, but although the story is a good one, the writing is lacking in many aspects. There's not just a few inconsistencies that I found, but rather a lot, and one of these is an important one: Charlie,earlier on in the story, tells us about her twin brother, Sammy, being kidnapped from the first Pizzeria her father had built, but later on, she states that Sammy was present at the newer Fazbear's when clearly he had been kidnapped before the newer restaurant was even built.
This story isn't so much about animatronics and a child murderer, but rather a group of children that shared a trauma that permeates into their adulthood. Sadly, the symptoms of this trauma aren't clearly stated from a reality stand point, but the teen drama is held in-check, making it a much more pleasant read than most young adult books. Character development is also lacking enough that--- even the main character--- seems like a stranger to the reader, where interactions between most of the group seems forced and unreasonable.
I can only recommend this book to fans of Five Nights at Freddy's, but as just a casual reader of the horror genre, the writing is a huge disappointment. I can't and won't read this again.
Debbiereadsbook (1166 KP) rated The Alpha Prince (Kingdom of Askara #3) in Books
Mar 25, 2020
Absolutely the best one of three!
*Audible purchased, Jan 2020*
This is book 3, the final book, in the Kingdom of Askara trilogy. You don't NEED the other two books for this to make sense, but I personally think it would help a great deal. Just what I think, some others may say you need them. Luca and Kitt (The Alpha King) do pop up, near the end, though and it was fun to catch up with them both.
I said in my review of The Alpha Heir that THAT book was my favourite of the two, and that I had this one to listen to, and would probaby change my mind. Guess what?
THIS one is my favourite of the three!
Justice is descended from the wolves sent out into the desert to die for their crimes. Many generations later, and the desert can no longer keep their population alive. Justice doesn't want to leave, but he must, for his people. The Games that the evil alpha, Darius, in a close by pack organises is a perfect way to execute the plan that Justice has been years in the making, and alos to take down said evil alpha. Finding the prize of the games is the son of Darius, puts Justice on edge. He shouldn't be selling his son off. Then Justice meets Cashel and his carefully laid plans a decade in the making are thrown up in the air: Cashel is his mate.
Cashel has led a closeted life, being kept away from the pack, so much pain at his father's hands, he isn't really surprised that his father has sold him to whoever is big enough and strong enough to breed an heir for him. But when Cashel is paraded in nothing more than a lion cloth and a butt plug, he knows he really is in trouble this time. Justice is the only one of the competitors in the game who pays any attention to Cashel laps up that attention more than he should. But is Justice really the only way he can be free from his father's wrath? Can Cashel ever be TRULY free, to just be himself?
Like I said, my favourite of the three! So many twists and turns, some I saw coming, some really came out of left field! Loved that I was kept being surprised right til the end!
For Justice, he knows Cashel is his mate, he has that profound MINE moment. Cashel, though, not so much. His wolf has been so quiet for so long, Cashel wasn't even sure his wolf was still inside. he doesn't get that MINE moment til much later in the book, when his wolf comes to the surface following an order from his Alpha. Their attraction is powerful and deep, as only the matings on Askara are, and it isn't long before Cashel and Justice get some sexy time. hot hot hot!
Darius' madness goes deep, and his plans for an heir are deadly should his new *mate* produce a girl. His pack is suffering but it isn't clear, not for a time, just how far he will go to get what he wants, who he will KILL to get what he wants. Horrible listening, when things start to become clear. Horrible.
Michael Pauley narrates this instalment.
He did not narrate books one and two, and I was curious as to how close Pauley could get Joel Leslie's voices for previous characters. However, because its been a time since I listened, and because there is very little of Luca and Kitt and none of Taegan and Caleb, it didn't really matter if they didn't match. Not to me, anyway.
Pauley does a great job though!
He gets over all of Justice's worry about his pack, his people, his mate. He gets over all of Cashel's pain of what he has suffered at the hands of his father and his plans. Listening to what Darius was doing, planned to do, HAD done to cashel was awful, and it made me cry in places.
Pauley's reading voice is deep and even, and I had no trouble deciphering multi person conversations. I kept up with everything and everyone.
It's a shame these had to end, and maybe, one day, Ms Sue can write a follow up to these stories, just to catch up with everyone and with the Kingdom of Askara and how things how changed, hopefully for the better.
5 stars for the book
5 stars for the narration
5 stars overall.
**same worded review will appear elsewhere**
This is book 3, the final book, in the Kingdom of Askara trilogy. You don't NEED the other two books for this to make sense, but I personally think it would help a great deal. Just what I think, some others may say you need them. Luca and Kitt (The Alpha King) do pop up, near the end, though and it was fun to catch up with them both.
I said in my review of The Alpha Heir that THAT book was my favourite of the two, and that I had this one to listen to, and would probaby change my mind. Guess what?
THIS one is my favourite of the three!
Justice is descended from the wolves sent out into the desert to die for their crimes. Many generations later, and the desert can no longer keep their population alive. Justice doesn't want to leave, but he must, for his people. The Games that the evil alpha, Darius, in a close by pack organises is a perfect way to execute the plan that Justice has been years in the making, and alos to take down said evil alpha. Finding the prize of the games is the son of Darius, puts Justice on edge. He shouldn't be selling his son off. Then Justice meets Cashel and his carefully laid plans a decade in the making are thrown up in the air: Cashel is his mate.
Cashel has led a closeted life, being kept away from the pack, so much pain at his father's hands, he isn't really surprised that his father has sold him to whoever is big enough and strong enough to breed an heir for him. But when Cashel is paraded in nothing more than a lion cloth and a butt plug, he knows he really is in trouble this time. Justice is the only one of the competitors in the game who pays any attention to Cashel laps up that attention more than he should. But is Justice really the only way he can be free from his father's wrath? Can Cashel ever be TRULY free, to just be himself?
Like I said, my favourite of the three! So many twists and turns, some I saw coming, some really came out of left field! Loved that I was kept being surprised right til the end!
For Justice, he knows Cashel is his mate, he has that profound MINE moment. Cashel, though, not so much. His wolf has been so quiet for so long, Cashel wasn't even sure his wolf was still inside. he doesn't get that MINE moment til much later in the book, when his wolf comes to the surface following an order from his Alpha. Their attraction is powerful and deep, as only the matings on Askara are, and it isn't long before Cashel and Justice get some sexy time. hot hot hot!
Darius' madness goes deep, and his plans for an heir are deadly should his new *mate* produce a girl. His pack is suffering but it isn't clear, not for a time, just how far he will go to get what he wants, who he will KILL to get what he wants. Horrible listening, when things start to become clear. Horrible.
Michael Pauley narrates this instalment.
He did not narrate books one and two, and I was curious as to how close Pauley could get Joel Leslie's voices for previous characters. However, because its been a time since I listened, and because there is very little of Luca and Kitt and none of Taegan and Caleb, it didn't really matter if they didn't match. Not to me, anyway.
Pauley does a great job though!
He gets over all of Justice's worry about his pack, his people, his mate. He gets over all of Cashel's pain of what he has suffered at the hands of his father and his plans. Listening to what Darius was doing, planned to do, HAD done to cashel was awful, and it made me cry in places.
Pauley's reading voice is deep and even, and I had no trouble deciphering multi person conversations. I kept up with everything and everyone.
It's a shame these had to end, and maybe, one day, Ms Sue can write a follow up to these stories, just to catch up with everyone and with the Kingdom of Askara and how things how changed, hopefully for the better.
5 stars for the book
5 stars for the narration
5 stars overall.
**same worded review will appear elsewhere**
Kristina (502 KP) rated The Consequences Series Box Set (Consequences, #1-5) in Books
Dec 7, 2020
It may not be completely fair, but most of my ratings include how I feel about the grammar - if there are several punctuation errors, mispelled words, and other mistakes. Because of the grammatical errors in the majority of the Consequences series, these books did not receive the star rating I would have preferred to give them. Consequences and Truth both received 3 stars, but can become a 3.5 rating with corrections. Convicted I gave 3.5 stars, but could easily be 4 stars after editing. Revealed earned 4 stars from me - the grammar, punctuation and spelling were much, much better, therefore this was the highest rating I will give it. Beyond the Consequences was only given 3 stars.
Below I have included my separate reviews for each book.
Truth: I'll be perfectly honest. I've become so familiar with reading from the first person perspective, it's a little difficult to fully immerse myself in a story written in third person; partly because the point of views change so quickly, sometimes without warning, and there are so many, it's hard to keep up with. In Truth, we read (in third person) through Claire's, Tony's, Harry's, Phil's, Sophia's, Derek's, Nathaniel's, Marie's, and Catherine's point of view. In fact, there may even be one or two I'm forgetting. The point is, it was kind of hard to concentrate, especially when the POV changed without any real consistency. However, despite this and some easy to overlook, but not completely dismissed, grammatical errors, I truly enjoyed Truth. I read Consequences over a year ago and have been desperate to find out how the story continues. The first book left me appalled, disgusted, and just as determined to seek revenge as Claire. However, this book left me completely shocked. There were so many twists and turns, so many events that I was in no way prepared for - I loved it. Aleatha kept me on my toes and I couldn't have predicted anything that happened. Of course, my one real worry is that Claire took Tony back. I told myself that, if one were to pretend the events in Consequences didn't occur, Tony's attempts to rekindle his marriage with Claire would be sweet. However, I can't just forget those things happened. Tony hit her, he isolated her, he kidnapped her and controlled every aspect of her life, he manipulated her and abused her more ways than physically. He raped her. In candor, the first of his several sins could probably be overlooked if he were completely and totally dedicated to not only making it up to Claire, but to making sure those moments never occurred again. However, I absolutely cannot get over the fact that he raped her, repeatedly. Something like that can't, and shouldn't, be forgiven. In the first book, I assumed he had successfully brainwashed her into believe she loved him, so I could forgive her for forgiving him. But in Truth, she was able to step away and realize just how much power she could wield over him, yet she fell right back into his arms. I look forward to reading from Tony's point of view to see whether or not I can be persuaded to agree with Claire and her love for him. Until then, I will continue to have my reservations.
Convicted: Man, what a roller coaster! Romig kept me guessing throughout the whole book and, honestly, worried about how everything would turn out. I had my fears from the beginning - with each new chapter, they grew and grew. I actually caught myself hoping Claire would get the happily ever after she so desperately wanted, even if that included Tony. In reality, I still find it hard to chew that the fact Tony raped her could actually be overlooked. However, there is this magical sense of self-preservation called "suspension of belief", which allows us readers to, well, suspend our beliefs to morally accept something from a book that we most certainly wouldn't in real life. I even found myself cheering the couple on, completely forgetting about the past, only to be reminded and question myself. Whether it's absurd for me to have eventually made peace with Claire's decision to love and forgive Tony for his trangressions, that's what happened. Despite the typical grammatical and punctuation errors dotted throughout the book, I rated Convicted with 3.5 stars instead of 3, because I was truly enthralled from beginning to end. It was a worthy read and, as usual, I'm a little sad to be officially parted with Claire and Tony (if you don't include Tony's POV books), but I'm happy with the way their story ended.
Beyond the Consequences: The grammar matched that of Revealed - much improved from the first 3 Consequences books - but I felt incredibly bored throughout most of it. I felt like it was being dragged out; if Aleatha had made it so Patricia and Rudolf were working together, I believe it would have made this story shorter and, therefore, more enjoyable.
Below I have included my separate reviews for each book.
Truth: I'll be perfectly honest. I've become so familiar with reading from the first person perspective, it's a little difficult to fully immerse myself in a story written in third person; partly because the point of views change so quickly, sometimes without warning, and there are so many, it's hard to keep up with. In Truth, we read (in third person) through Claire's, Tony's, Harry's, Phil's, Sophia's, Derek's, Nathaniel's, Marie's, and Catherine's point of view. In fact, there may even be one or two I'm forgetting. The point is, it was kind of hard to concentrate, especially when the POV changed without any real consistency. However, despite this and some easy to overlook, but not completely dismissed, grammatical errors, I truly enjoyed Truth. I read Consequences over a year ago and have been desperate to find out how the story continues. The first book left me appalled, disgusted, and just as determined to seek revenge as Claire. However, this book left me completely shocked. There were so many twists and turns, so many events that I was in no way prepared for - I loved it. Aleatha kept me on my toes and I couldn't have predicted anything that happened. Of course, my one real worry is that Claire took Tony back. I told myself that, if one were to pretend the events in Consequences didn't occur, Tony's attempts to rekindle his marriage with Claire would be sweet. However, I can't just forget those things happened. Tony hit her, he isolated her, he kidnapped her and controlled every aspect of her life, he manipulated her and abused her more ways than physically. He raped her. In candor, the first of his several sins could probably be overlooked if he were completely and totally dedicated to not only making it up to Claire, but to making sure those moments never occurred again. However, I absolutely cannot get over the fact that he raped her, repeatedly. Something like that can't, and shouldn't, be forgiven. In the first book, I assumed he had successfully brainwashed her into believe she loved him, so I could forgive her for forgiving him. But in Truth, she was able to step away and realize just how much power she could wield over him, yet she fell right back into his arms. I look forward to reading from Tony's point of view to see whether or not I can be persuaded to agree with Claire and her love for him. Until then, I will continue to have my reservations.
Convicted: Man, what a roller coaster! Romig kept me guessing throughout the whole book and, honestly, worried about how everything would turn out. I had my fears from the beginning - with each new chapter, they grew and grew. I actually caught myself hoping Claire would get the happily ever after she so desperately wanted, even if that included Tony. In reality, I still find it hard to chew that the fact Tony raped her could actually be overlooked. However, there is this magical sense of self-preservation called "suspension of belief", which allows us readers to, well, suspend our beliefs to morally accept something from a book that we most certainly wouldn't in real life. I even found myself cheering the couple on, completely forgetting about the past, only to be reminded and question myself. Whether it's absurd for me to have eventually made peace with Claire's decision to love and forgive Tony for his trangressions, that's what happened. Despite the typical grammatical and punctuation errors dotted throughout the book, I rated Convicted with 3.5 stars instead of 3, because I was truly enthralled from beginning to end. It was a worthy read and, as usual, I'm a little sad to be officially parted with Claire and Tony (if you don't include Tony's POV books), but I'm happy with the way their story ended.
Beyond the Consequences: The grammar matched that of Revealed - much improved from the first 3 Consequences books - but I felt incredibly bored throughout most of it. I felt like it was being dragged out; if Aleatha had made it so Patricia and Rudolf were working together, I believe it would have made this story shorter and, therefore, more enjoyable.
Atypical Plays for Atypical Actors
Book
Although disabled characters appear often in plays within the Western theatrical tradition, seldom...