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Emma @ The Movies (1786 KP) rated Pride and Prejudice and Zombies (2016) in Movies
Sep 25, 2019
A film for all those women who dream of chivalry, but want to kick some ass.
Contains spoilers, click to show
"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains."
A mysterious plague has fallen across England. The countryside is a relative haven, where the city has become a playground for unmentionables. The oriental arts have become the fashion and a desirable young lady no longer needs to be the prim and proper wife, unless your name is Mr Collins.
The Bennet's lovely daughters, beautiful and strong of body and mind are accustomed to a regimented life of training, until the handsome stranger Mr Bingley comes to the country. A whirlwind of romance and the undead lead them into a battle for family and love.
Heaving bosoms, country estates. Brain eating corpses and assorted weaponry. Everything you'd expect when the undead meets Jane Austen. As if on cue my playlist has shuffled to Zombie by The Cranberries. I can't deny enjoying this film, I should point out that I was always going to enjoy it, be it Oscar or Razzie worthy. It definitely had the potential to be an epic re-watchable classic or the B-movie winner that shone from the book.
When it was first published I picked it up almost instantly and soon found Quirk Books and other crossover books developing a little shrine-like area. [Now given pride of place in my nerd room.] Having a dislike of classics embedded in me from school and enjoying the general kick-assery of action films, it was a great crossover to bring those classics back into my life.
Admission time, while I've read the book I can't actually remember when, it was dozens of books ago. I loved it but not everyone did. I'm going to make a big sweeping statement. [Sorry, not sorry] It's not a Jane Austen book people, get over it. "He's ruined Elizabeth Bennet!" No he's taken a strong minded female character and put her in a new fantasy setting. I'm sure there would have been less objections if all the names were different (and the title too) and it was just described as "loosely based on Jane Austen's Pride and Prejudice". But swings and roundabouts, because it probably wouldn't have been as popular if it wasn't called Pride and Prejudice and Zombies.
Sam Riley's Mr Darcy was no Colin Firth, but it was still very good. It did kind of seem like they threw him in a lake because they felt they should pay homage to Firth's dunking.
Note to those who see the film, Liz Bennet's heaving bosom is seen on a regular basis and is entirely distracting. I'm not sure there's a plot line linked to them, they're just always there, they probably should have got their own credit for the part.
I think my favourite scene was where Darcy came to Elizabeth to proclaim his love... and then they proceed to beat each other with sticks, books, basically whatever is to hand. Heated and packed with sexual tension it made for entertaining viewing. It also reminded me of the scene in Buffy where the slayer and Spike fight in an abandoned building, and the amount of sexual tension between the pair results in breaking the building, amongst other things... but those other things probably wouldn't work so well in Austen's time.
Even with all the bits that brought a smile to my face and made for enjoyable watching, there were some things I couldn't help but be annoyed with.
Firstly, Matt Smith, my dear number 11... [insert long silence here] I know Mr Collins is there for the annoying comic relief and awkwardness but oh my god. It was too much and I was overcome with annoyance. The cast is made up of relatively unknown people, with the exceptions of Charles Dance, Sally Phillips and Matt Smith. I can't help but wonder if Mr Collins would have been easier to deal with if he was an unknown actor.
The camera work had its own peculiarities. Some shots were taken from the zombies point of view. They were blurred and frustrating to watch, I can't really tell what it added. I'm sure it would have added a bit more drama if you'd seen the potential victim being run at. Again, I'm not an expert in showbiz filming but I'm fairly certain that making your audience want to throw up is not the idea. Right near the end there is a shot that perfectly portrays the devastation of the situation...
"How should we get across the devastation of the city and cut out to the next scene?"
"Spin the camera round until people want to vomit?"
"GENIUS!"
I sat there feeling a bit woozy, trying to avoid looking at the screen for the whole thing. I'm not sure either of the fancy styles really improved anything.
My only other wonder about the film is whether it should have gone all out spoof. This was a sensible spoof [relatively speaking], in that it wasn't made specifically for laughs. It did have some, but there were also some moments of emotion too. Should they have played the film out for more comedy? Who knows, but I feel the scene where Darcy and Elizabeth are stabbing a field to kill zombies that are buried underneath was completely wasted in a sensible spoof!
All in all I did enjoy it, but for those of you looking to see it at the cinema I'm not sure it's worth a £10 ticket. Well worth it if you have an offer of some description though. Just remember going in to it that it isn't Jane Austen, it's just your run of the mill zombie period drama... wow, never thought I'd say that sentence.
A mysterious plague has fallen across England. The countryside is a relative haven, where the city has become a playground for unmentionables. The oriental arts have become the fashion and a desirable young lady no longer needs to be the prim and proper wife, unless your name is Mr Collins.
The Bennet's lovely daughters, beautiful and strong of body and mind are accustomed to a regimented life of training, until the handsome stranger Mr Bingley comes to the country. A whirlwind of romance and the undead lead them into a battle for family and love.
Heaving bosoms, country estates. Brain eating corpses and assorted weaponry. Everything you'd expect when the undead meets Jane Austen. As if on cue my playlist has shuffled to Zombie by The Cranberries. I can't deny enjoying this film, I should point out that I was always going to enjoy it, be it Oscar or Razzie worthy. It definitely had the potential to be an epic re-watchable classic or the B-movie winner that shone from the book.
When it was first published I picked it up almost instantly and soon found Quirk Books and other crossover books developing a little shrine-like area. [Now given pride of place in my nerd room.] Having a dislike of classics embedded in me from school and enjoying the general kick-assery of action films, it was a great crossover to bring those classics back into my life.
Admission time, while I've read the book I can't actually remember when, it was dozens of books ago. I loved it but not everyone did. I'm going to make a big sweeping statement. [Sorry, not sorry] It's not a Jane Austen book people, get over it. "He's ruined Elizabeth Bennet!" No he's taken a strong minded female character and put her in a new fantasy setting. I'm sure there would have been less objections if all the names were different (and the title too) and it was just described as "loosely based on Jane Austen's Pride and Prejudice". But swings and roundabouts, because it probably wouldn't have been as popular if it wasn't called Pride and Prejudice and Zombies.
Sam Riley's Mr Darcy was no Colin Firth, but it was still very good. It did kind of seem like they threw him in a lake because they felt they should pay homage to Firth's dunking.
Note to those who see the film, Liz Bennet's heaving bosom is seen on a regular basis and is entirely distracting. I'm not sure there's a plot line linked to them, they're just always there, they probably should have got their own credit for the part.
I think my favourite scene was where Darcy came to Elizabeth to proclaim his love... and then they proceed to beat each other with sticks, books, basically whatever is to hand. Heated and packed with sexual tension it made for entertaining viewing. It also reminded me of the scene in Buffy where the slayer and Spike fight in an abandoned building, and the amount of sexual tension between the pair results in breaking the building, amongst other things... but those other things probably wouldn't work so well in Austen's time.
Even with all the bits that brought a smile to my face and made for enjoyable watching, there were some things I couldn't help but be annoyed with.
Firstly, Matt Smith, my dear number 11... [insert long silence here] I know Mr Collins is there for the annoying comic relief and awkwardness but oh my god. It was too much and I was overcome with annoyance. The cast is made up of relatively unknown people, with the exceptions of Charles Dance, Sally Phillips and Matt Smith. I can't help but wonder if Mr Collins would have been easier to deal with if he was an unknown actor.
The camera work had its own peculiarities. Some shots were taken from the zombies point of view. They were blurred and frustrating to watch, I can't really tell what it added. I'm sure it would have added a bit more drama if you'd seen the potential victim being run at. Again, I'm not an expert in showbiz filming but I'm fairly certain that making your audience want to throw up is not the idea. Right near the end there is a shot that perfectly portrays the devastation of the situation...
"How should we get across the devastation of the city and cut out to the next scene?"
"Spin the camera round until people want to vomit?"
"GENIUS!"
I sat there feeling a bit woozy, trying to avoid looking at the screen for the whole thing. I'm not sure either of the fancy styles really improved anything.
My only other wonder about the film is whether it should have gone all out spoof. This was a sensible spoof [relatively speaking], in that it wasn't made specifically for laughs. It did have some, but there were also some moments of emotion too. Should they have played the film out for more comedy? Who knows, but I feel the scene where Darcy and Elizabeth are stabbing a field to kill zombies that are buried underneath was completely wasted in a sensible spoof!
All in all I did enjoy it, but for those of you looking to see it at the cinema I'm not sure it's worth a £10 ticket. Well worth it if you have an offer of some description though. Just remember going in to it that it isn't Jane Austen, it's just your run of the mill zombie period drama... wow, never thought I'd say that sentence.
Haley Mathiot (9 KP) rated Wanderlove in Books
Apr 27, 2018
Wanderlove was one of the most refreshing books I've read in a very long time. It's against the grain, unique, one of a kind, and inspiring.
So. This is why I loved it.
The characters were real. Bria is a real girl with real problems and real memories. She was really hurt, and as a reader, I felt it, and even though (as she says in the book) other people out there in third world countries have big problems, her problems were big to her, and they were real to her. And because they were real to her, they were real to me. Rowan was a guy with a screwed up past, trying to stick to the straight and narrow, but it's hard when you're just prone to being a bad boy. His memories haunt him and give him so much depth that I wouldn't have him any other way.
The relationship between Bria and Rowan was a beautiful breath of fresh air. Yes they had their arguments, yes they had their miscommunications, but for the most part, they communicated with each other—or at least tried—they worked together and made sacrifices for each other, and they forgave each other. They apologized for the real stuff—sometimes the small stuff, but stuff that had actually hurt the other person, no matter how small. BUT! Hubbard managed to write this whole beautiful relationship WITHOUT making it a victim of Happyland Syndrome. Gold stars for her!
The plot was a total surprise the whole way through. Because of the concept of the story (backpacking wherever they felt so inclined without planning ahead too much), the plot had to reflect that free-flowing laidback unplanned feeling, the feeling that it was all happening randomly and the characters (and therefore the author) were making spontaneous decisions. And it did: I never knew what would happen next. But I always knew it would be excellent.
The writing was great! It was so descriptive that I feel like I've watched a movie or an advertisement for a vacation (but without the annoying sales pitch), or maybe looked at photographs of the area… and at times, I could feel the sand between my toes and the water lapping at my ankles, and the sun on my face. I went headlong into this story and got lost in it.
I loved the ending. It was one of those open endings where you know what happens, but you don't know how, and that's okay because you know it turned out wonderfully. There was enough of a conclusion that I felt like the story was complete when I got to it, but not so much that it threw me out of the story in a jolt. (Also: love the cover. It's perfect.)
Lastly: The message. I'm not going to spoil anything, or give it away, or take away your reason to read it. But, there's a wonderful (subtle un-preachy) message in this book about past memories, future hope, trust, and what it means to change as a person. Bria grew up. She kept her fun-side, but she grew up. Rowan grew up too (it took him a little longer, but he managed). And they're going to continue to grow together. I loved watching it happen, and I hope you get a chance to see it too.
Content/recommendation: No sex, maybe 1 bad word total? It was wonderful. Ages 14+
*This would make an excellent summer read! Add to your vacation lists!*
So. This is why I loved it.
The characters were real. Bria is a real girl with real problems and real memories. She was really hurt, and as a reader, I felt it, and even though (as she says in the book) other people out there in third world countries have big problems, her problems were big to her, and they were real to her. And because they were real to her, they were real to me. Rowan was a guy with a screwed up past, trying to stick to the straight and narrow, but it's hard when you're just prone to being a bad boy. His memories haunt him and give him so much depth that I wouldn't have him any other way.
The relationship between Bria and Rowan was a beautiful breath of fresh air. Yes they had their arguments, yes they had their miscommunications, but for the most part, they communicated with each other—or at least tried—they worked together and made sacrifices for each other, and they forgave each other. They apologized for the real stuff—sometimes the small stuff, but stuff that had actually hurt the other person, no matter how small. BUT! Hubbard managed to write this whole beautiful relationship WITHOUT making it a victim of Happyland Syndrome. Gold stars for her!
The plot was a total surprise the whole way through. Because of the concept of the story (backpacking wherever they felt so inclined without planning ahead too much), the plot had to reflect that free-flowing laidback unplanned feeling, the feeling that it was all happening randomly and the characters (and therefore the author) were making spontaneous decisions. And it did: I never knew what would happen next. But I always knew it would be excellent.
The writing was great! It was so descriptive that I feel like I've watched a movie or an advertisement for a vacation (but without the annoying sales pitch), or maybe looked at photographs of the area… and at times, I could feel the sand between my toes and the water lapping at my ankles, and the sun on my face. I went headlong into this story and got lost in it.
I loved the ending. It was one of those open endings where you know what happens, but you don't know how, and that's okay because you know it turned out wonderfully. There was enough of a conclusion that I felt like the story was complete when I got to it, but not so much that it threw me out of the story in a jolt. (Also: love the cover. It's perfect.)
Lastly: The message. I'm not going to spoil anything, or give it away, or take away your reason to read it. But, there's a wonderful (subtle un-preachy) message in this book about past memories, future hope, trust, and what it means to change as a person. Bria grew up. She kept her fun-side, but she grew up. Rowan grew up too (it took him a little longer, but he managed). And they're going to continue to grow together. I loved watching it happen, and I hope you get a chance to see it too.
Content/recommendation: No sex, maybe 1 bad word total? It was wonderful. Ages 14+
*This would make an excellent summer read! Add to your vacation lists!*
Merissa (12897 KP) rated Wicked Whiskey Love (The Whiskeys #4) in Books
Nov 7, 2018
Wicked Whiskey Love (The Whiskeys #4) by Melissa Foster
Wicked Whiskey Love is the fourth book in The Whiskeys series, but each book can be read as a standalone. In this one, we meet Sarah, a single mum of two with one on the way. Now she hasn't had it easy, but we don't find out the whole story all at once. Bones is the brother who plans, the one who checks out his options before making a move... until it came to Sarah and her children. Then he was all in from the get go.
This is an emotional book, both good and bad ones, that will have you laughing out loud and reaching for the kleenex too. Sarah's story is a hard one, but Bones is there for her every step of the way, even when she tries to push him away. With cameo appearances from the rest of the family, this book not only managed to give me what I wanted for Bones, but also has left me hanging on for more. There are so many more characters I want stories for. The brothers are done, but what about Dixie? And Josie, and Quincey? Do I need to go on?
This really was an exceptional read, with no editing or grammatical errors that disrupted my reading flow. The pacing was smooth, and the characters fully rounded and diverse. I thought Tru Blue was my favourite, but now I'm hedging my bets with this one. Absolutely loved it, and can I say, that cover? Yum! There is a warning at the beginning of the book about an ovary explosion when Bones gets going. Heed the warning, girls, because he makes my heart melt!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is an emotional book, both good and bad ones, that will have you laughing out loud and reaching for the kleenex too. Sarah's story is a hard one, but Bones is there for her every step of the way, even when she tries to push him away. With cameo appearances from the rest of the family, this book not only managed to give me what I wanted for Bones, but also has left me hanging on for more. There are so many more characters I want stories for. The brothers are done, but what about Dixie? And Josie, and Quincey? Do I need to go on?
This really was an exceptional read, with no editing or grammatical errors that disrupted my reading flow. The pacing was smooth, and the characters fully rounded and diverse. I thought Tru Blue was my favourite, but now I'm hedging my bets with this one. Absolutely loved it, and can I say, that cover? Yum! There is a warning at the beginning of the book about an ovary explosion when Bones gets going. Heed the warning, girls, because he makes my heart melt!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Merissa (12897 KP) rated Ghost Moon (The Wolfborne Saga #4) in Books
Jan 20, 2020
Ghost Moon is the fourth book in The Wolfborne Saga and we continue with Zev's story. Isley doesn't feature in this one so I'm guessing she isn't 'the one' for Zev (for now, at least). Instead, we have Zev and the usual crew trying to clear up after the earthquake and also find reason to keep going. Virgo is especially hard hit after the events at the end of the prior book.
Now, I know I said I thought Dark Coven was the best so far, and it was... until this one. This one has just ticked all of my boxes, making me devour the whole book in one sitting.
There are many emotions in this book, some good, and some bad. I certainly feel for Zev, and for Ceren, but in different ways. I thought my heart would break with Virgo but then he had to act like a tool at the end. I know I will still like him for it in the next book, but I struggled to understand just HOW he could do that to Zev. Zev isn't Virgo's pet, to do as he wishes, and Zev's agreement was never sought. I found this to be very disappointing and so am hopeful Virgo will redeem himself soon.
As for the rest of it, you still have an amazing supporting cast, and now the werewolves aren't as many, you can see the different temperaments coming through. The pacing remains smooth and the story keeps you turning the pages.
This is definitely my favourite of the series so far but I also highly recommend reading them in order as it just won't make any sense if you don't.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Now, I know I said I thought Dark Coven was the best so far, and it was... until this one. This one has just ticked all of my boxes, making me devour the whole book in one sitting.
There are many emotions in this book, some good, and some bad. I certainly feel for Zev, and for Ceren, but in different ways. I thought my heart would break with Virgo but then he had to act like a tool at the end. I know I will still like him for it in the next book, but I struggled to understand just HOW he could do that to Zev. Zev isn't Virgo's pet, to do as he wishes, and Zev's agreement was never sought. I found this to be very disappointing and so am hopeful Virgo will redeem himself soon.
As for the rest of it, you still have an amazing supporting cast, and now the werewolves aren't as many, you can see the different temperaments coming through. The pacing remains smooth and the story keeps you turning the pages.
This is definitely my favourite of the series so far but I also highly recommend reading them in order as it just won't make any sense if you don't.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Passion into Profit: How to Make Big Money from Who You are and What You Know
Book
It's time to get paid what you're truly worth Although you may not realise it, the knowledge and...
Merissa (12897 KP) rated The Shape of Stars Unknown (The Aldarfall Saga #1) in Books
Jan 27, 2021 (Updated Aug 7, 2023)
THE SHAPE OF STARS UNKNOWN is the first book in the Aldarfall series, and settle yourself down because this is a hefty book!
We start off with Silver - she is alone in the world and kind of drifting. She is making do and trying to pay off debt, but nothing really zings for her. Then she meets Julian, who may be her saviour, maybe not. He leads her into a world where things are not as they appear.
Living just outside of Frankfurt myself, I loved reading about local places, even if the people are imaginary! I've never been to Tokyo, but I now have a better understanding of the place, given how in-depth the details were.
The pacing is perfect for this book. It is slow in places, even with action almost constantly going on, and yet is never too slow. Nor is it rushed, there are enough details that you need to read. This book is not for skim readers!
The world-building is excellent and I loved the characters. Lau is my favourite (obviously), but I love the relationship he has with Rafe, Julian, and then Silver. Each one is completely different and yet helps to make up who Lau is.
The epilogue was no surprise, but I really can't wait to see what happens next after the ending - yes, two different occasions.
It is unusual to find a book as long as this one but trust me when I tell you that you will be gripped for all 500+ pages. A surprisingly brilliant read that I thoroughly enjoyed and can't wait for book 2! Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 27, 2021
We start off with Silver - she is alone in the world and kind of drifting. She is making do and trying to pay off debt, but nothing really zings for her. Then she meets Julian, who may be her saviour, maybe not. He leads her into a world where things are not as they appear.
Living just outside of Frankfurt myself, I loved reading about local places, even if the people are imaginary! I've never been to Tokyo, but I now have a better understanding of the place, given how in-depth the details were.
The pacing is perfect for this book. It is slow in places, even with action almost constantly going on, and yet is never too slow. Nor is it rushed, there are enough details that you need to read. This book is not for skim readers!
The world-building is excellent and I loved the characters. Lau is my favourite (obviously), but I love the relationship he has with Rafe, Julian, and then Silver. Each one is completely different and yet helps to make up who Lau is.
The epilogue was no surprise, but I really can't wait to see what happens next after the ending - yes, two different occasions.
It is unusual to find a book as long as this one but trust me when I tell you that you will be gripped for all 500+ pages. A surprisingly brilliant read that I thoroughly enjoyed and can't wait for book 2! Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 27, 2021
As a worker tears apart an old house under construction in London, he makes an unsettling discovery: tiny bones. The police believe they belong to a baby who was buried years earlier. The story catches the eye of journalist Kate Waters, who immediately wants to determine the child's identity. Her research leads her to a missing child from several decades in the past: a stolen baby, who was never found. Kate finds herself drawn into the missing baby's case and the lives of several women: Angela, a mother who had her baby stolen many years ago; Emma, who once lived on the block where the baby's bones were found; and Jude, Emma's mother.
I really enjoyed Barton's previous novel, The Widow, and I have to say that THE CHILD did not disappoint. It's hard exactly to describe her books, but they have some sort of power over you, drawing you into their narrative and making it difficult to come back to reality until you've reached the end. Much like THE WIDOW, we're presented with a cast of disparate characters-not all of whom are particularly likeable. I hadn't realized, for some reason, that THE CHILD would feature Kate again--a journalist we previously met in Barton's earlier book. I found Kate a much more engaging protagonist this time around: she came across as more human and flawed.
Otherwise, the novel focuses on timid, depressed Emma and her difficult relationship with her mother, Jude, who kicked Emma out of the house at the sixteen. Each woman has a turn at the narration, as does Angela, who is still reeling from having her baby stolen from the hospital (and never found). Barton does a skillful job weaving their stories together. Everything unfolds in bits and pieces as the tale progresses in the eyes of each of our narrators. For me, it was extremely riveting: just as one shocking piece came out, another one would fall into place.
Barton also gives us an excellent look into the journalism business, with a focus on how Kate writes her stories, with a strong emphasis on real (face-to-face, non-Internet-based) research. We see firsthand how the current social media craze is affecting the newspaper world. It's refreshing, as we get to basically see a crime/story solved, yet not necessarily through the lens of a typical police drama.
Overall, I really enjoyed this one. I figured out parts of it as it went along, but found it to be a very compelling read. Definitely worth picking up.
I really enjoyed Barton's previous novel, The Widow, and I have to say that THE CHILD did not disappoint. It's hard exactly to describe her books, but they have some sort of power over you, drawing you into their narrative and making it difficult to come back to reality until you've reached the end. Much like THE WIDOW, we're presented with a cast of disparate characters-not all of whom are particularly likeable. I hadn't realized, for some reason, that THE CHILD would feature Kate again--a journalist we previously met in Barton's earlier book. I found Kate a much more engaging protagonist this time around: she came across as more human and flawed.
Otherwise, the novel focuses on timid, depressed Emma and her difficult relationship with her mother, Jude, who kicked Emma out of the house at the sixteen. Each woman has a turn at the narration, as does Angela, who is still reeling from having her baby stolen from the hospital (and never found). Barton does a skillful job weaving their stories together. Everything unfolds in bits and pieces as the tale progresses in the eyes of each of our narrators. For me, it was extremely riveting: just as one shocking piece came out, another one would fall into place.
Barton also gives us an excellent look into the journalism business, with a focus on how Kate writes her stories, with a strong emphasis on real (face-to-face, non-Internet-based) research. We see firsthand how the current social media craze is affecting the newspaper world. It's refreshing, as we get to basically see a crime/story solved, yet not necessarily through the lens of a typical police drama.
Overall, I really enjoyed this one. I figured out parts of it as it went along, but found it to be a very compelling read. Definitely worth picking up.
Hazel (1853 KP) rated Window in the Wall in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>The Window in the Wall</i> by Ginny Merritt is based upon the bible story of Rahab and the spies, and the fall of Jericho. Although most Christians will know this story well it is probably not as well known amongst children. By making the main character a young girl, Talia, Merritt makes it suitable for young readers to enjoy.
Talia lives with her parents and brother within the walls of Jericho and loves helping her father in the flax fields. An approaching army strikes fear into her heart despite reassurances that nothing can destroy the strong walls and get into the city. However Talia’s aunt, Rahab, has been told different by a couple of Israelite spies who promise her and all her family safety as a reward for helping them. As many family members that Rahab can persuade sit and wait in Rahab’s room to see what happens and hopefully be saved. Unfortunately there are a few people who refuse to believe in what Rahab is saying nor that there is a God that is Lord of all.
Those familiar with the story will know the outcome of the story, but children will race through this book eagerly wanting to discover what happens to Talia and her family.
As an adult reading <i>The Window in the Wall</i> the references to Rahab’s characteristics will make more sense whereas they will most likely go over children’s heads. Having it written from a child’s perspective will help children to learn this bible story. Talia has many questions, which adults will not answer, as will the readers!
Merritt has helpfully included a pronunciation guide at the back of the book to help readers with the tricky foreign names that they encounter in the story. As an adult these names were not particularly difficult, but this would be a great benefit to younger readers.
Adults that read this book need to keep in mind the age of the target audience. The story does not go into much depth and may not be that engaging to those familiar with their bible stories.
The story of Rahab is not an easy one to rewrite for children but Merritt has done an excellent job. Books such as <i>The Window in the Wall</i> would be a great way of teaching Christian children about their faith without boring them with sermons.
<i>The Window in the Wall</i> by Ginny Merritt is based upon the bible story of Rahab and the spies, and the fall of Jericho. Although most Christians will know this story well it is probably not as well known amongst children. By making the main character a young girl, Talia, Merritt makes it suitable for young readers to enjoy.
Talia lives with her parents and brother within the walls of Jericho and loves helping her father in the flax fields. An approaching army strikes fear into her heart despite reassurances that nothing can destroy the strong walls and get into the city. However Talia’s aunt, Rahab, has been told different by a couple of Israelite spies who promise her and all her family safety as a reward for helping them. As many family members that Rahab can persuade sit and wait in Rahab’s room to see what happens and hopefully be saved. Unfortunately there are a few people who refuse to believe in what Rahab is saying nor that there is a God that is Lord of all.
Those familiar with the story will know the outcome of the story, but children will race through this book eagerly wanting to discover what happens to Talia and her family.
As an adult reading <i>The Window in the Wall</i> the references to Rahab’s characteristics will make more sense whereas they will most likely go over children’s heads. Having it written from a child’s perspective will help children to learn this bible story. Talia has many questions, which adults will not answer, as will the readers!
Merritt has helpfully included a pronunciation guide at the back of the book to help readers with the tricky foreign names that they encounter in the story. As an adult these names were not particularly difficult, but this would be a great benefit to younger readers.
Adults that read this book need to keep in mind the age of the target audience. The story does not go into much depth and may not be that engaging to those familiar with their bible stories.
The story of Rahab is not an easy one to rewrite for children but Merritt has done an excellent job. Books such as <i>The Window in the Wall</i> would be a great way of teaching Christian children about their faith without boring them with sermons.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Heartbreakers (The Heartbreakers Chronicles, #1) in Books
Jan 23, 2020
<h2><em><strong>The Heartbreakers</strong></em><strong> by Ali Novak has got to be one of the cutest novels I've read in 2018.</strong></h2>
Wow. Way to expose that this review is months late, Sophia.
I adored every moment of reading and want more from Novak because she brought out nearly <em>all</em> the feels. Plus if I didn't have final projects or work at the time, I'm pretty sure I would have finished this in one sitting and be a sad bookwyrm right after.
<h3>The relationships are A+! 😍</h3>
From the very beginning, the band members and Stella have a great friendship and Novak does a phenomenal job showing that. They got along well quickly and while they had their disputes here and there, it's obvious they all enjoyed hanging out and spending time together.
I also loved the sibling relationship between Stella and her siblings. Since her sister, Cara found out she had cancer, Stella has been making the effort to stay with her sister as much as she can and that made me cry on the inside. This is one of the struggles that Stella deals with throughout the novel: how can she be with Cara and make the most of the time they have left while creating a life for herself as well?
<h3>Lots of cheese and insta-love, but we're not complaining.</h3>
I hate cheese and insta-love, but I had no issues with the massive amounts of them throughout <em>The Heartbreakers</em>. I found myself thoroughly enjoying the novel regardless of the tropes and cliches that I find myself trying to avoid often. The characters play pranks on each other often, which sometimes aggravate me personally in other books because they go too far, but I loved reading them. Plus I personally felt the pranks fit the characters' personalities and really added to the relationship value.
<h3>It's unrealistic but I don't think I cared.</h3>
I really don't think I cared because I was enjoying other aspects of the book and it kind of balanced everything out. And well... maybe my mood. I think I was reading way too much fantasy and got tired of that so I needed a good, fluffy AF contemporary novel to get me back on my reading toes. <em>The Heartbreakers</em> certainly delivered the fluffiness I needed.
<a href="https://bookwyrmingthoughts.com/the-heartbreakers-by-ali-novak/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Wow. Way to expose that this review is months late, Sophia.
I adored every moment of reading and want more from Novak because she brought out nearly <em>all</em> the feels. Plus if I didn't have final projects or work at the time, I'm pretty sure I would have finished this in one sitting and be a sad bookwyrm right after.
<h3>The relationships are A+! 😍</h3>
From the very beginning, the band members and Stella have a great friendship and Novak does a phenomenal job showing that. They got along well quickly and while they had their disputes here and there, it's obvious they all enjoyed hanging out and spending time together.
I also loved the sibling relationship between Stella and her siblings. Since her sister, Cara found out she had cancer, Stella has been making the effort to stay with her sister as much as she can and that made me cry on the inside. This is one of the struggles that Stella deals with throughout the novel: how can she be with Cara and make the most of the time they have left while creating a life for herself as well?
<h3>Lots of cheese and insta-love, but we're not complaining.</h3>
I hate cheese and insta-love, but I had no issues with the massive amounts of them throughout <em>The Heartbreakers</em>. I found myself thoroughly enjoying the novel regardless of the tropes and cliches that I find myself trying to avoid often. The characters play pranks on each other often, which sometimes aggravate me personally in other books because they go too far, but I loved reading them. Plus I personally felt the pranks fit the characters' personalities and really added to the relationship value.
<h3>It's unrealistic but I don't think I cared.</h3>
I really don't think I cared because I was enjoying other aspects of the book and it kind of balanced everything out. And well... maybe my mood. I think I was reading way too much fantasy and got tired of that so I needed a good, fluffy AF contemporary novel to get me back on my reading toes. <em>The Heartbreakers</em> certainly delivered the fluffiness I needed.
<a href="https://bookwyrmingthoughts.com/the-heartbreakers-by-ali-novak/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Hazel (1853 KP) rated Stork Mountain in Books
May 25, 2017
Captivating
I received this book for free through Goodreads First Reads.
Bulgarian-born, short storywriter Miroslav Penkov has turned to full-length novels with this captivating book, Stork Mountain. Set in the Bulgarian Strandja Mountains on the border of Turkey, he explores religion, mythology, the past and the present in a society affected by long-term political unrest.
The narrator, a young man who remains nameless throughout, relocated to the United States of America as a child after the fall of Communism. Now he returns to his home country to find his grandfather, an elderly man he lost contact with three years ago. However his real motive is purely for self gain: to sell his section of the family land in order to pay off student loans and his rising debt.
Naturally, things do not go according to plan. The protagonist finds his grandfather hiding in the village of Klisura, a place divided between the Christians and the Muslims. He also discovers that there is no longer any land for him to sell, making his journey fairly pointless. Instead of returning to the Western world, he stays in his grandfather’s house and, very slowly, begins to learn the truth about his family’s past, the man his grandfather once was, and the superstitious pagan activities still affecting some of the village’s inhabitants today.
Stork Mountain is full of the history, folklore and mythology of a little known about European country. Although ultimately a contemporary novel, there is a lot to learn about events that led up to southern Bulgaria’s current condition. As well as being informative, Penkov plays with his readers’ hearts by including a Romeo and Juliet-esque relationship between the narrator and a Muslim girl, and also reveals a similar affair between a younger Grandfather and the girl of his dreams.
Books containing politics are often reserved for those with particular interest in the topic, however Stork Mountain is suitable for a much larger audience. The inclusion of Bulgarian folklore adds a dark fairytale-like quality to the story; and the romance, something for the reader to latch onto.
On reading the blurb I jumped to the conclusion that this book would be boring. I was wrong. Whereas stories with similar themes can be hard going, Stork Mountain was fast paced and easy to read. There were a few confusions about who was talking or whether the narrative was about the past or the future, but these issues may be something that is improved upon as the author finds his groove in full-length novels.
Even if, like me, you have prejudged this book to be boring, I urge you to give it a go. You may find yourself pleasantly surprised. Miroslav Penkov definitely has a future in the world of literature.
Bulgarian-born, short storywriter Miroslav Penkov has turned to full-length novels with this captivating book, Stork Mountain. Set in the Bulgarian Strandja Mountains on the border of Turkey, he explores religion, mythology, the past and the present in a society affected by long-term political unrest.
The narrator, a young man who remains nameless throughout, relocated to the United States of America as a child after the fall of Communism. Now he returns to his home country to find his grandfather, an elderly man he lost contact with three years ago. However his real motive is purely for self gain: to sell his section of the family land in order to pay off student loans and his rising debt.
Naturally, things do not go according to plan. The protagonist finds his grandfather hiding in the village of Klisura, a place divided between the Christians and the Muslims. He also discovers that there is no longer any land for him to sell, making his journey fairly pointless. Instead of returning to the Western world, he stays in his grandfather’s house and, very slowly, begins to learn the truth about his family’s past, the man his grandfather once was, and the superstitious pagan activities still affecting some of the village’s inhabitants today.
Stork Mountain is full of the history, folklore and mythology of a little known about European country. Although ultimately a contemporary novel, there is a lot to learn about events that led up to southern Bulgaria’s current condition. As well as being informative, Penkov plays with his readers’ hearts by including a Romeo and Juliet-esque relationship between the narrator and a Muslim girl, and also reveals a similar affair between a younger Grandfather and the girl of his dreams.
Books containing politics are often reserved for those with particular interest in the topic, however Stork Mountain is suitable for a much larger audience. The inclusion of Bulgarian folklore adds a dark fairytale-like quality to the story; and the romance, something for the reader to latch onto.
On reading the blurb I jumped to the conclusion that this book would be boring. I was wrong. Whereas stories with similar themes can be hard going, Stork Mountain was fast paced and easy to read. There were a few confusions about who was talking or whether the narrative was about the past or the future, but these issues may be something that is improved upon as the author finds his groove in full-length novels.
Even if, like me, you have prejudged this book to be boring, I urge you to give it a go. You may find yourself pleasantly surprised. Miroslav Penkov definitely has a future in the world of literature.