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Chris Sawin (602 KP) rated Midsommar (2019) in Movies
Jun 26, 2019 (Updated Jul 4, 2019)
When a director like Ari Aster only has two full-length features under his belt, it’s difficult not to compare his works but the truth of the matter is that Hereditary and Midsommar are two incredibly different films. Hereditary seemed to thrive on lurking in the shadows visually to assist in its dark storytelling. Nearly all of Midsommar takes place under blinding sunlight making the horrific events that unfold feel stranger and even more out of place, confusing, and bizarrely unsettling. Based on his two films though, Aster does seem to flock towards a few common themes. Grief, loss, and the inability to cope have plagued the main characters of his films while the importance of family takes a high precedence. Hereditary was more about a specific family attempting to stay together while already being in shambles and Midsommar attempts to create a new family on more than one occasion with the possibility of constant expansion.
Dani’s (Florence Pugh) life is turned inside out once a devastating tragedy leaves her dumbstruck. She leans on her boyfriend of four years, Christian (Jack Reynor), for support, but their relationship is obviously strained. Along with their friends Josh (William Jackson Harper) and Mark (Will Poulter), Dani and Christian end up going on vacation to rural Sweden. They travel to a small village where their friend Pelle (Vilhelm Blomgren) grew up and now serves as their host. A rare nine-day festival that only occurs once every 90 years is being celebrated. Josh is utilizing the trip as a means to bulk up his folklore thesis for college while Mark is more interested in partaking in the Swedish women. Christian is attempting to figure out what his thesis will be while Dani searches for some sort of guidance after such a tragic occurrence. Their trip becomes increasingly more peculiar the longer they stay as they’re forced to witness violent rituals and are encouraged to embrace the ways of a Pagan cult.
The intricate illustrations throughout the film like in the opening shot, the elongated love potion cloth, or the walls of the barn-like structure Dani and her friends sleep in, give Midsommar this dark fairy tale aspect to it that a film like Pan’s Labyrinth would be proud of. The Pagan roots of Pelle’s village and the film’s metaphorical feet being so firmly planted in such rich folklore give Midsommar this cautiously fanciful aesthetic. The film capitalizes on the nostalgic sensation of when fairy tales and children’s books were read to you as a child. There are consistent signs that things aren’t right, paranoia lurks around every corner, and the locals set off every ominous alarm in your body, but there’s that naïve part of us buried deep down that wishes for and hopes for a happy ending because cosmetically we believe that is what resides at the end of every fairy tale not written by Jakob and Wilhelm Grimm (The Brothers Grimm).
It’s also interesting observing the main and supporting characters of the film or basically all of the “outsider” guests of the festival. Pelle acts as a conduit/guide between his village and the outside world, Josh is a historian/researcher, Mark is a mocker/fool, Dani and Christian are a strained couple, and Connie (Ellora Torchia) and Simon (Archie Madekwe) are a flourishing one. According to Wikipedia, Ari Aster based Dani and Christian’s relationship on a bad breakup. Midsommar is also way funnier than it has any right to be; something Hereditary completely distanced itself from. Midsommar goes out of its way to boast about who Dani’s real family is in the film. The unified chanting, outrageous theatrics, and harmonized moaning may seem like mockery or complete insanity to some. While it is humorous at times, it seems like this is the way the locals can experience everything everyone else does as a cohesive unit. This seems relevant to emotions, hallucinogens, and even sustenance; this cult does everything together.
Midsommar isn’t going to sit right with a lot of people, especially since Ari Aster desired to be confusing when it came to making the film. With all of the drug-taking in the film being so common, Midsommar may leave you feeling as groggy and disoriented as the characters on screen. However, in between the sacrifices, the brutality, the graphic nature of the film, inbred oracles, and plethora of naked mature women moaning in unison there’s something unique and brilliant about Midsommar you can’t find elsewhere. It may draw parallels to films like Robin Hardy’s The Wicker Man and may feel like a bleaker version of The Wizard of Oz on a bad acid trip, but Midsommar is unlike any other film you’ll see this year. In a way, Dani and her friends all get exactly what they came for but the end outcome is that the majority of them bit off more than they could chew. Truth be told, you’ll never look at a bear in a film the same way again even if it does remind you of the Tanooki suit Mario wore in Super Mario Bros 3. This is the type of film where you could literally tell someone everything that happens and it wouldn’t really spoil the film for them. The context of these events is important to witness in succession and in their entirety since what each individual takes away from the film will likely differ person to person.
There’s a deliberate pacing of the film many will find too slow and uneventful as the film’s two and a half hour runtime will already feel daunting. Aster has teased that the original cut of the film was three hours and 45 minutes and he has a version of the film that is 25 minutes longer that was difficult to cut down to the theatrical cut currently in theaters. An extended cut of the film or a large amount of deleted scenes on the Blu-ray (how about that levitation sequence from the trailer?) would certainly be intriguing.
If you enjoy ambiguous filmmaking where everything isn’t explained and the film’s imagery can mean more than one specific thing, then Midsommar may be worth checking out. It is an outlandish experiment by Ari Aster that a large quantity will likely deem a failure. Personally speaking though, Midsommar is such an unconventionally different ceremonial fever dream loaded with preposterousness, beautiful cinematography, hilarity, and anxiety-fueled-dread that it’s not only memorable and bold but also the type of one-of-a-kind film experience I crave whenever the lights dim and the quiet hum of a projector accelerates into a dull yet soothing roar.
Dani’s (Florence Pugh) life is turned inside out once a devastating tragedy leaves her dumbstruck. She leans on her boyfriend of four years, Christian (Jack Reynor), for support, but their relationship is obviously strained. Along with their friends Josh (William Jackson Harper) and Mark (Will Poulter), Dani and Christian end up going on vacation to rural Sweden. They travel to a small village where their friend Pelle (Vilhelm Blomgren) grew up and now serves as their host. A rare nine-day festival that only occurs once every 90 years is being celebrated. Josh is utilizing the trip as a means to bulk up his folklore thesis for college while Mark is more interested in partaking in the Swedish women. Christian is attempting to figure out what his thesis will be while Dani searches for some sort of guidance after such a tragic occurrence. Their trip becomes increasingly more peculiar the longer they stay as they’re forced to witness violent rituals and are encouraged to embrace the ways of a Pagan cult.
The intricate illustrations throughout the film like in the opening shot, the elongated love potion cloth, or the walls of the barn-like structure Dani and her friends sleep in, give Midsommar this dark fairy tale aspect to it that a film like Pan’s Labyrinth would be proud of. The Pagan roots of Pelle’s village and the film’s metaphorical feet being so firmly planted in such rich folklore give Midsommar this cautiously fanciful aesthetic. The film capitalizes on the nostalgic sensation of when fairy tales and children’s books were read to you as a child. There are consistent signs that things aren’t right, paranoia lurks around every corner, and the locals set off every ominous alarm in your body, but there’s that naïve part of us buried deep down that wishes for and hopes for a happy ending because cosmetically we believe that is what resides at the end of every fairy tale not written by Jakob and Wilhelm Grimm (The Brothers Grimm).
It’s also interesting observing the main and supporting characters of the film or basically all of the “outsider” guests of the festival. Pelle acts as a conduit/guide between his village and the outside world, Josh is a historian/researcher, Mark is a mocker/fool, Dani and Christian are a strained couple, and Connie (Ellora Torchia) and Simon (Archie Madekwe) are a flourishing one. According to Wikipedia, Ari Aster based Dani and Christian’s relationship on a bad breakup. Midsommar is also way funnier than it has any right to be; something Hereditary completely distanced itself from. Midsommar goes out of its way to boast about who Dani’s real family is in the film. The unified chanting, outrageous theatrics, and harmonized moaning may seem like mockery or complete insanity to some. While it is humorous at times, it seems like this is the way the locals can experience everything everyone else does as a cohesive unit. This seems relevant to emotions, hallucinogens, and even sustenance; this cult does everything together.
Midsommar isn’t going to sit right with a lot of people, especially since Ari Aster desired to be confusing when it came to making the film. With all of the drug-taking in the film being so common, Midsommar may leave you feeling as groggy and disoriented as the characters on screen. However, in between the sacrifices, the brutality, the graphic nature of the film, inbred oracles, and plethora of naked mature women moaning in unison there’s something unique and brilliant about Midsommar you can’t find elsewhere. It may draw parallels to films like Robin Hardy’s The Wicker Man and may feel like a bleaker version of The Wizard of Oz on a bad acid trip, but Midsommar is unlike any other film you’ll see this year. In a way, Dani and her friends all get exactly what they came for but the end outcome is that the majority of them bit off more than they could chew. Truth be told, you’ll never look at a bear in a film the same way again even if it does remind you of the Tanooki suit Mario wore in Super Mario Bros 3. This is the type of film where you could literally tell someone everything that happens and it wouldn’t really spoil the film for them. The context of these events is important to witness in succession and in their entirety since what each individual takes away from the film will likely differ person to person.
There’s a deliberate pacing of the film many will find too slow and uneventful as the film’s two and a half hour runtime will already feel daunting. Aster has teased that the original cut of the film was three hours and 45 minutes and he has a version of the film that is 25 minutes longer that was difficult to cut down to the theatrical cut currently in theaters. An extended cut of the film or a large amount of deleted scenes on the Blu-ray (how about that levitation sequence from the trailer?) would certainly be intriguing.
If you enjoy ambiguous filmmaking where everything isn’t explained and the film’s imagery can mean more than one specific thing, then Midsommar may be worth checking out. It is an outlandish experiment by Ari Aster that a large quantity will likely deem a failure. Personally speaking though, Midsommar is such an unconventionally different ceremonial fever dream loaded with preposterousness, beautiful cinematography, hilarity, and anxiety-fueled-dread that it’s not only memorable and bold but also the type of one-of-a-kind film experience I crave whenever the lights dim and the quiet hum of a projector accelerates into a dull yet soothing roar.
Debbiereadsbook (1202 KP) rated Their Bounty (Four Mercenaries #1) in Books
May 30, 2019
took me a while, but i did enjoy it.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Clover is rescued from the hands of traffickers and lands in the lap of a group of mercenaries. Tank, Boar, Pyro and Drake are a well-established group who right some of the world's wrongs, mostly on the wrong side of the line. But Clover is now a witness to a job, and there is a bounty on his head. They need to keep him safe. In the meantime, what harm is a little fun with the young man, huh?
I border-line did not finish this. I kept putting it down and picking it up again. I did though, eventually.
I think what bothered me the most, was the speed at which Clover gave himself to all four of the group. Very quickly, VERY quickly, he is calling Tank Daddy and Pyro and Boar are partaking of Clover’s body. Drake takes a lot longer to come around, but he does, eventually. Maybe it’s just me, maybe I expected Clover to be a bit more. . resistant to what Tank suggests. But he isn’t, he just jumps straight in!
What I did like, though, was that ALL the guys are very different. Tank is the boss, but he is also the biggest baddest mofo in the group. Boar is a bear of a man, but the youngest (not counting Clover) of the group. He has the sweetest soul, for a bad-ish guy! Pyro is a bit bouncy, maybe even a little messed in the head, but it’s Drake who held my attention the most. Drake is clearly against Clover right from the start. He does come around, but it takes him a long time. He makes it clear what his kink is, and what would happen to Clover if Drake got his hands on him, but Clover is non-plussed by that.
All the guys get a voice, but I wasn’t sure if Drake would, since it’s a long time before he does. I’m glad he does though. I think, from what was said here, Drake will come out of himself a lot more now he’s accepted Clover is theirs. He doesn’t say much, but what he did say to Clover carried a lot of weight and says a lot about Drake and his past.
Clover and Tank have the majority voices though.
It is hot off the charts, with Clover the centre of every scene. There are 2/3/4-way scenes, and everyone gets a piece of Clover, not that Clover really minds, he just wants to be safe!
It carries some difficult topics, trafficking, murder, drugs but all dealt with well. I didn’t see any spelling or editing errors to spoil my reading.
I went through Merikan’s entire back catalogue to see if I had read anything else by this author, and it appears not. I would like to read more, even though I struggled with the SPEED at which things moved, I did enjoy it. I wrote 3 stars at the top of the page when I wrote this up, but now I’m typing my review up, I’m upgrading to 4 stars. I think it was just these guys and the way they work, rather than that speed making for a negative reaction to this book. I really want to see what’s gonna happen with these guys, and they will have two more books for me get used to them!
4 stars
**same worded review will appear elsewhere**
Clover is rescued from the hands of traffickers and lands in the lap of a group of mercenaries. Tank, Boar, Pyro and Drake are a well-established group who right some of the world's wrongs, mostly on the wrong side of the line. But Clover is now a witness to a job, and there is a bounty on his head. They need to keep him safe. In the meantime, what harm is a little fun with the young man, huh?
I border-line did not finish this. I kept putting it down and picking it up again. I did though, eventually.
I think what bothered me the most, was the speed at which Clover gave himself to all four of the group. Very quickly, VERY quickly, he is calling Tank Daddy and Pyro and Boar are partaking of Clover’s body. Drake takes a lot longer to come around, but he does, eventually. Maybe it’s just me, maybe I expected Clover to be a bit more. . resistant to what Tank suggests. But he isn’t, he just jumps straight in!
What I did like, though, was that ALL the guys are very different. Tank is the boss, but he is also the biggest baddest mofo in the group. Boar is a bear of a man, but the youngest (not counting Clover) of the group. He has the sweetest soul, for a bad-ish guy! Pyro is a bit bouncy, maybe even a little messed in the head, but it’s Drake who held my attention the most. Drake is clearly against Clover right from the start. He does come around, but it takes him a long time. He makes it clear what his kink is, and what would happen to Clover if Drake got his hands on him, but Clover is non-plussed by that.
All the guys get a voice, but I wasn’t sure if Drake would, since it’s a long time before he does. I’m glad he does though. I think, from what was said here, Drake will come out of himself a lot more now he’s accepted Clover is theirs. He doesn’t say much, but what he did say to Clover carried a lot of weight and says a lot about Drake and his past.
Clover and Tank have the majority voices though.
It is hot off the charts, with Clover the centre of every scene. There are 2/3/4-way scenes, and everyone gets a piece of Clover, not that Clover really minds, he just wants to be safe!
It carries some difficult topics, trafficking, murder, drugs but all dealt with well. I didn’t see any spelling or editing errors to spoil my reading.
I went through Merikan’s entire back catalogue to see if I had read anything else by this author, and it appears not. I would like to read more, even though I struggled with the SPEED at which things moved, I did enjoy it. I wrote 3 stars at the top of the page when I wrote this up, but now I’m typing my review up, I’m upgrading to 4 stars. I think it was just these guys and the way they work, rather than that speed making for a negative reaction to this book. I really want to see what’s gonna happen with these guys, and they will have two more books for me get used to them!
4 stars
**same worded review will appear elsewhere**
EmersonRose (320 KP) rated In The Dark Corner I Stood Alone in Books
Nov 20, 2019
I stood alone in a dark corner. My imagination ran wild.”
In the Dark Corner, I stood Alone is a collection of short stories by author Petra Pavlikova, published on June 12th, 2018. These short stories pull together themes of women and fairytales. Telling stories about strong women in stressful situations, difficult because they are real, and how these women pull through, with a healthy dose of the fantastical. The collection itself is a short and easy read as the stories range in length from 5-20 pages each. I loved the beautiful imagery created in these stories as they each take you on fantastic journeys.
The characters in these stories are such strong and relatable women that I fell in love with each one as I read their story. From beginning to end this book captured this beautiful whimsey that kept me captivated in each story. As you read, each has a distinctive story to tell, but they are all in the same unique voice that has a charming but straightforward tone that captures the fairytale quality splendidly. I think that my favorite story may be The Smell of Sweet Lavender, as it tackles a heart-wrenching tale of trying to be true to yourself and the cost it sometimes has on those that you love most. But each was so unique that they held different messages and meanings to them, that I could see myself having a different favorite depending on what mood I was in at the time. This is definitely one of those books that I could see myself re-reading whenever I just wanted to curl up with a sweet set of stories that allow my imagination wander in the realm of fairies and distant kingdoms. The magic in them creates a tone but the themes within them last without extra flare, making them that much more poignant.
The other thing that makes this book really stand out is the remarkable work of the illustrator Anastasia Telegina. From the small flowers and bright colored pages to the exquisite images of the women in the book, the watercolor work is astounding and fits in perfectly with the wanderlust tone of the writing. Each time I saw that stories full image, I was blown away by the beauty and talent. They play with your imagination rather than entirely putting images in your head, keeping the fluidity of the imagination intact while still creating magnificent images. Creating perhaps what is more what a child might imagine from what is described that a realistic picture. This pair clearly makes an excellent team.
These are stories for almost any age in the themes it tackles and the beautiful way in which they are told. While some of the ideas may be intense for a younger audience, the way in which the stories are told make them accessible to any reader. They are important topics dealt with in a way that is natural and very real world, while held within a slightly more fantastical space. I very much enjoyed reading this book and would definitely recommend it. I will be keeping an eye out to read more from this author. Five Stars.
In the Dark Corner, I stood Alone is a collection of short stories by author Petra Pavlikova, published on June 12th, 2018. These short stories pull together themes of women and fairytales. Telling stories about strong women in stressful situations, difficult because they are real, and how these women pull through, with a healthy dose of the fantastical. The collection itself is a short and easy read as the stories range in length from 5-20 pages each. I loved the beautiful imagery created in these stories as they each take you on fantastic journeys.
The characters in these stories are such strong and relatable women that I fell in love with each one as I read their story. From beginning to end this book captured this beautiful whimsey that kept me captivated in each story. As you read, each has a distinctive story to tell, but they are all in the same unique voice that has a charming but straightforward tone that captures the fairytale quality splendidly. I think that my favorite story may be The Smell of Sweet Lavender, as it tackles a heart-wrenching tale of trying to be true to yourself and the cost it sometimes has on those that you love most. But each was so unique that they held different messages and meanings to them, that I could see myself having a different favorite depending on what mood I was in at the time. This is definitely one of those books that I could see myself re-reading whenever I just wanted to curl up with a sweet set of stories that allow my imagination wander in the realm of fairies and distant kingdoms. The magic in them creates a tone but the themes within them last without extra flare, making them that much more poignant.
The other thing that makes this book really stand out is the remarkable work of the illustrator Anastasia Telegina. From the small flowers and bright colored pages to the exquisite images of the women in the book, the watercolor work is astounding and fits in perfectly with the wanderlust tone of the writing. Each time I saw that stories full image, I was blown away by the beauty and talent. They play with your imagination rather than entirely putting images in your head, keeping the fluidity of the imagination intact while still creating magnificent images. Creating perhaps what is more what a child might imagine from what is described that a realistic picture. This pair clearly makes an excellent team.
These are stories for almost any age in the themes it tackles and the beautiful way in which they are told. While some of the ideas may be intense for a younger audience, the way in which the stories are told make them accessible to any reader. They are important topics dealt with in a way that is natural and very real world, while held within a slightly more fantastical space. I very much enjoyed reading this book and would definitely recommend it. I will be keeping an eye out to read more from this author. Five Stars.
The Wonder Weeks
Health & Fitness and Reference
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The Wonder Weeks worldwide bestselling baby app is a personalized weekly calendar of your baby’s...
Ross (3284 KP) rated Awaken Online: Catharsis in Books
Jan 4, 2019
Bloody loved it
Catharsis takes the ideas of LitRPG (see Ready Player One for the best known but lowest explored potential example) and goes to town on it, really showing how open such an online world would be to be exploited.
Jason has always been fairly downtrodden in his high-achieving school and is neglected by his parents. One day, Falling Down-style, events transpire to make him snap and shout at his teacher and headmaster, and is expelled. He rushed home and immerses himself in the brand new online world of AO (Awaken Online).
As with Euphora Online (Phil Tucker), AO has been designed with the help of AI to try and maximise the time gamers would want to spend in the game. We are treated to flashbacks by the developers/testers who are seeing the changes the AI is making to the game's code and are trying to assess whether it remains safe for release.
Jason starts the game from scratch but due to an unusual reaction to an initial test is aligned to evil, and is therefore treated with suspicion by the in-game characters meant to help him train and become familiar with his new surroundings. This begins the chain of events that lead Jason to the path of in-game evil, in true Walter White style as one slightly dubious decision after another sees him become embroiled in some very nasty events.
Over the course of the game, Jason is honest with himself and knows what he's doing is bad but hey its just a game, why not have some fun with it. And he does. As his power grows, so does the nastiness of his actions and he soon becomes very powerful in certain ways (but thankfully more strategically and directing the action than suddenly becoming a battle master or he-man).
The world around Jason develops as he does, and his actions truly start to shape his game experience, and that of other people. I can't really go into much more detail without dropping spoilers but there are some absolutely fantastic sequences.
The game supposedly uses time compression so that an hour in the real world will feel like 3 or 4 hours in the game. My one gripe with the book is that when the game developers notice Jason's unprecedented progress through the game they begin to watch his actions and this seems to be real-time - there is no real attempt to explain how they can watch it as it unfolds (or the fact that what they are seeing will have happened quite some time before and events will have continued from there).
This book has more interaction between Jason's real life and in-game life than Euphoria Online did, which helps to explain his motivation for decisions. His real life troubles and requirements drive his desires in-game.
As usual, there is the evil AI/conspiracy aspect to the world, but this doesn't yet feel quite as big a deal as in other books, but I think that is the groundwork laid for the next two books (plus two side-quests).
I heartily recommend this book, but readers should not expect something like Ready Player one, much more like D&D or The Witcher style gaming.
Jason has always been fairly downtrodden in his high-achieving school and is neglected by his parents. One day, Falling Down-style, events transpire to make him snap and shout at his teacher and headmaster, and is expelled. He rushed home and immerses himself in the brand new online world of AO (Awaken Online).
As with Euphora Online (Phil Tucker), AO has been designed with the help of AI to try and maximise the time gamers would want to spend in the game. We are treated to flashbacks by the developers/testers who are seeing the changes the AI is making to the game's code and are trying to assess whether it remains safe for release.
Jason starts the game from scratch but due to an unusual reaction to an initial test is aligned to evil, and is therefore treated with suspicion by the in-game characters meant to help him train and become familiar with his new surroundings. This begins the chain of events that lead Jason to the path of in-game evil, in true Walter White style as one slightly dubious decision after another sees him become embroiled in some very nasty events.
Over the course of the game, Jason is honest with himself and knows what he's doing is bad but hey its just a game, why not have some fun with it. And he does. As his power grows, so does the nastiness of his actions and he soon becomes very powerful in certain ways (but thankfully more strategically and directing the action than suddenly becoming a battle master or he-man).
The world around Jason develops as he does, and his actions truly start to shape his game experience, and that of other people. I can't really go into much more detail without dropping spoilers but there are some absolutely fantastic sequences.
The game supposedly uses time compression so that an hour in the real world will feel like 3 or 4 hours in the game. My one gripe with the book is that when the game developers notice Jason's unprecedented progress through the game they begin to watch his actions and this seems to be real-time - there is no real attempt to explain how they can watch it as it unfolds (or the fact that what they are seeing will have happened quite some time before and events will have continued from there).
This book has more interaction between Jason's real life and in-game life than Euphoria Online did, which helps to explain his motivation for decisions. His real life troubles and requirements drive his desires in-game.
As usual, there is the evil AI/conspiracy aspect to the world, but this doesn't yet feel quite as big a deal as in other books, but I think that is the groundwork laid for the next two books (plus two side-quests).
I heartily recommend this book, but readers should not expect something like Ready Player one, much more like D&D or The Witcher style gaming.
GoTalk Now
Education and Medical
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Attainment has been making augmentative and alternative communication (AAC) tools for 25 years. Our...
Haley Mathiot (9 KP) rated Knitting with Gigi in Books
Apr 27, 2018
Knitting with Gigi is an awesome kid’s book for any child (or adult!) who wants to learn to knit. There are good instructions and wonderful illustrations to help learn the basic cast-on (starting), knit stitch, decreasing (making it a different shape), and bind-off (ending). Some knitting books are very difficult to learn how to knit from, but the instructions in Knitting with Gigi are very clear. 8 kid-friendly projects make up the second half of the book, all of them easy to follow and perfect for a beginner.
Gigi also has a website where kids can join the “Gigi’s kindness corps” and knit for those in need. Her website also includes videos of instructions to get to “the next step” so to speak. The videos explain the purl stitch, different cast-on methods, and techniques of finishing. By the time a young knitter has finished the projects in the book and watched and learned the information in the videos, they will be ready to go further into the knitting world.
I want to point out a wonderful thing that Gigi (who speaks in verse) has said: “Practice makes perfect will never apply. We all make mistakes, no matter how hard we try. So be of good cheer and do not despair. With time and some care you’ll have something to wear.” Every young knitter should hear this—and experienced ones, too!
The only thing I wish this book had touched on (but didn’t mention) is gauge. Gauge is important because everyone knits differently (example: I knit loose with wool and tight with double pointed needles, so my hat or mittens or whatever else I made might not fit, even if i followed the instructions 100%) so sometimes yarn or needle changes have to be made to make sure things fit. The patterns in the book were not dependent on gauge, (which is probably why it wasn’t brought up) but it is still an important thing for any knitter to learn.
Recommendation: boys and girls ages 6+. Adults could learn to knit with their kids with this book too!
**Thank you to Martingale and Company for providing my review copy!**
Gigi also has a website where kids can join the “Gigi’s kindness corps” and knit for those in need. Her website also includes videos of instructions to get to “the next step” so to speak. The videos explain the purl stitch, different cast-on methods, and techniques of finishing. By the time a young knitter has finished the projects in the book and watched and learned the information in the videos, they will be ready to go further into the knitting world.
I want to point out a wonderful thing that Gigi (who speaks in verse) has said: “Practice makes perfect will never apply. We all make mistakes, no matter how hard we try. So be of good cheer and do not despair. With time and some care you’ll have something to wear.” Every young knitter should hear this—and experienced ones, too!
The only thing I wish this book had touched on (but didn’t mention) is gauge. Gauge is important because everyone knits differently (example: I knit loose with wool and tight with double pointed needles, so my hat or mittens or whatever else I made might not fit, even if i followed the instructions 100%) so sometimes yarn or needle changes have to be made to make sure things fit. The patterns in the book were not dependent on gauge, (which is probably why it wasn’t brought up) but it is still an important thing for any knitter to learn.
Recommendation: boys and girls ages 6+. Adults could learn to knit with their kids with this book too!
**Thank you to Martingale and Company for providing my review copy!**
Real Women, Real Leaders: Surviving and Succeeding in the Business World
Kathleen Hurley and Priscilla Shumway
Book
Plan your path to leadership with insight from real women at the top In Real Women, Real Leadership,...
Emma @ The Movies (1786 KP) rated Artemis Fowl (2020) in Movies
Jun 13, 2020
Disney: "We're making a film of Artemis Fowl!"
Me: *wildly switches from happiness to devastation about the possibilities*
Artemis Fowl's father, Artemis Fowl Snr., has gone missing, the media is portraying him as a criminal and calling for answers. Shocked and confused by what's happening Artemis Jnr. receives a phone call from his father's kidnapper and must hand over an item to secure his release. But he's no idea what the item is, or where, he's about to learn a great deal about fantastical things in a very short space of time and meet an odd selection of new friends.
So... I'm going to break this down into two parts, the first bit will be just about the film and the second will be me ranting about the film in conjunction with the book... *calm thoughts* Let us begin.
From the very beginning I was thrown, the opening in no way seems like a family film and I was wondering if by avoiding reading about it all beforehand that I'd got the wrong idea about what to expect.
With such a good cast backing up our newcomers I had medium hopes for what was going to hit our screens...
Ferdia Shaw takes on the part of Artemis Fowl Jnr., putting aside the comparison between the two versions until later, the performance isn't bad but it's quite forgettable. The same sadly goes for Lara McDonnell as Holly Short. Neither one has much of a presence on screen and I think that's mostly to do with the fact that Artemis and Holly are both rather bland in the whole story.
There's something oddly appealing about Josh Gad as Mulch but I'm not sure that giving him such a large role as narrator worked. It's never really clear why he's given that role and the scene's where we cut back to him talking are given a strange noir look that doesn't match with the rest of the film. Even so, I'm willing to concede that he's my favourite character as he has just enough humour to carry it.
Judi Dench as Commander Root was a little bit of a challenge to see. Root is a gruff but caring character, the trouble come in the fact that the change comes quite unnaturally at times.
One of the main failings is that there are times when the script feels poor, the dialogue is a little forced and doesn't fit with the characters, couple that with a variety of scenes that don't fit with the style of everything else and the fact that some pieces could be removed without really affecting anything around it and I'm left less than inspired by the film.
I did like the look of Haven City, the animation of the overhead view looked really promising. As we got into the city though I couldn't help but think it looked a little cheap and the aesthetic wasn't great. Effects, in general, were not good if I'm honest, particularly when you get to the siege on Fowl manor, when the siege is ending it comes with some chaos that is a perfect example of this coupled with another example of how the story glosses over an explanation of what's happening that could have offered some extra development for characters. (Specifically in this instance, Foley, who was woefully underused. He might not have been as majestic as a Brosnan centaur but he deserved better than the film gave him.)
By the end a lot of things get resolved seemingly by fairy magic because it's not clear how any of it happens. Potentially it's something that I wouldn't have noticed as there's a certain amount of this kind of wrapping up that you can forgive, but by this point I was so frustrated by everything that I was spotting everything.
I'm aware I'm waffling more than I intended so let me "briefly" mention things regarding the book...
The film is, in my opinion, only vaguely based on the book. It has kept ideas and pieces of story while removing and adding characters to varying degrees. Notably Artemis' mother is gone and his father is there instead. Removing mum makes Juliet's inclusion surplus to requirements, I can understand wanting to keep her for a young female character for viewers to identify with, but the role she ends up with is bland and in no way lives up to the book's version. The blandness also extends to her brother, Butler, and that's partly because of the major change they made...
Artemis. He is barely recognisable in comparison. He's a jeans-wearing, surfing, tween? He's much more casual than the original and this fluffier version doesn't have the same edge that book Artemis does. In their revamp they have changed his story and I very quickly felt like it could have been a sequel to the books, Artemis Snr. felt more like the Artemis from the books grown up and he was teaching his son about all the things he learnt. Part of the thing I enjoyed about the books is that Artemis was always an anti-hero of sorts, he was very difficult to like at times because of his actions, film Artemis is a little bit jumbled in this respect as they give him a very clear reason for the things he does so when he tries to show that tough side it doesn't have any impact.
There are a lot of differences, but I will leave that analysis for someone who is much more thorough at scouring the books and film than I am. I'll be keeping my eye out for other reviews with the comparisons in, if you spot any then please leave a link in the comments below.
When it came to scoring this I thought about it on two levels.
As a film from such a big company I was quite shocked by the quality of script and effects, there was a baddie that didn't really participate in anything and there were scenes and characters which weren't needed... and to finish it off in such an obvious set up for a sequel... I was done. I had marked it down for a generous score of 2 stars, that's normally my "I didn't like it but I can see why other people might" score, but I can't quite see what would appeal to people in it if I'm honest.
As an adaptation of the book I was too frustrated by the changes they made to Artemis, they essentially changed the fundamentals of the character and that had a knock-on effect to other characters as well. No one came out unscathed, but even though Mulch was heavily adapted I was glad that some of his humour was still there. Scoring on this basis I would have given it 1 star, but again, that felt generous to me.
In the end I will always score something on my enjoyment, in this instance it seems fair to even out the two scores. They've taken a great book and removed most of its personality, the final product was not exciting to watch and I don't think I could bring myself to watch a sequel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/artemis-fowl-movie-review.html
Me: *wildly switches from happiness to devastation about the possibilities*
Artemis Fowl's father, Artemis Fowl Snr., has gone missing, the media is portraying him as a criminal and calling for answers. Shocked and confused by what's happening Artemis Jnr. receives a phone call from his father's kidnapper and must hand over an item to secure his release. But he's no idea what the item is, or where, he's about to learn a great deal about fantastical things in a very short space of time and meet an odd selection of new friends.
So... I'm going to break this down into two parts, the first bit will be just about the film and the second will be me ranting about the film in conjunction with the book... *calm thoughts* Let us begin.
From the very beginning I was thrown, the opening in no way seems like a family film and I was wondering if by avoiding reading about it all beforehand that I'd got the wrong idea about what to expect.
With such a good cast backing up our newcomers I had medium hopes for what was going to hit our screens...
Ferdia Shaw takes on the part of Artemis Fowl Jnr., putting aside the comparison between the two versions until later, the performance isn't bad but it's quite forgettable. The same sadly goes for Lara McDonnell as Holly Short. Neither one has much of a presence on screen and I think that's mostly to do with the fact that Artemis and Holly are both rather bland in the whole story.
There's something oddly appealing about Josh Gad as Mulch but I'm not sure that giving him such a large role as narrator worked. It's never really clear why he's given that role and the scene's where we cut back to him talking are given a strange noir look that doesn't match with the rest of the film. Even so, I'm willing to concede that he's my favourite character as he has just enough humour to carry it.
Judi Dench as Commander Root was a little bit of a challenge to see. Root is a gruff but caring character, the trouble come in the fact that the change comes quite unnaturally at times.
One of the main failings is that there are times when the script feels poor, the dialogue is a little forced and doesn't fit with the characters, couple that with a variety of scenes that don't fit with the style of everything else and the fact that some pieces could be removed without really affecting anything around it and I'm left less than inspired by the film.
I did like the look of Haven City, the animation of the overhead view looked really promising. As we got into the city though I couldn't help but think it looked a little cheap and the aesthetic wasn't great. Effects, in general, were not good if I'm honest, particularly when you get to the siege on Fowl manor, when the siege is ending it comes with some chaos that is a perfect example of this coupled with another example of how the story glosses over an explanation of what's happening that could have offered some extra development for characters. (Specifically in this instance, Foley, who was woefully underused. He might not have been as majestic as a Brosnan centaur but he deserved better than the film gave him.)
By the end a lot of things get resolved seemingly by fairy magic because it's not clear how any of it happens. Potentially it's something that I wouldn't have noticed as there's a certain amount of this kind of wrapping up that you can forgive, but by this point I was so frustrated by everything that I was spotting everything.
I'm aware I'm waffling more than I intended so let me "briefly" mention things regarding the book...
The film is, in my opinion, only vaguely based on the book. It has kept ideas and pieces of story while removing and adding characters to varying degrees. Notably Artemis' mother is gone and his father is there instead. Removing mum makes Juliet's inclusion surplus to requirements, I can understand wanting to keep her for a young female character for viewers to identify with, but the role she ends up with is bland and in no way lives up to the book's version. The blandness also extends to her brother, Butler, and that's partly because of the major change they made...
Artemis. He is barely recognisable in comparison. He's a jeans-wearing, surfing, tween? He's much more casual than the original and this fluffier version doesn't have the same edge that book Artemis does. In their revamp they have changed his story and I very quickly felt like it could have been a sequel to the books, Artemis Snr. felt more like the Artemis from the books grown up and he was teaching his son about all the things he learnt. Part of the thing I enjoyed about the books is that Artemis was always an anti-hero of sorts, he was very difficult to like at times because of his actions, film Artemis is a little bit jumbled in this respect as they give him a very clear reason for the things he does so when he tries to show that tough side it doesn't have any impact.
There are a lot of differences, but I will leave that analysis for someone who is much more thorough at scouring the books and film than I am. I'll be keeping my eye out for other reviews with the comparisons in, if you spot any then please leave a link in the comments below.
When it came to scoring this I thought about it on two levels.
As a film from such a big company I was quite shocked by the quality of script and effects, there was a baddie that didn't really participate in anything and there were scenes and characters which weren't needed... and to finish it off in such an obvious set up for a sequel... I was done. I had marked it down for a generous score of 2 stars, that's normally my "I didn't like it but I can see why other people might" score, but I can't quite see what would appeal to people in it if I'm honest.
As an adaptation of the book I was too frustrated by the changes they made to Artemis, they essentially changed the fundamentals of the character and that had a knock-on effect to other characters as well. No one came out unscathed, but even though Mulch was heavily adapted I was glad that some of his humour was still there. Scoring on this basis I would have given it 1 star, but again, that felt generous to me.
In the end I will always score something on my enjoyment, in this instance it seems fair to even out the two scores. They've taken a great book and removed most of its personality, the final product was not exciting to watch and I don't think I could bring myself to watch a sequel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/artemis-fowl-movie-review.html