Making Award Winning Wines at Home: Professional Methods For the Amateur Winemaker
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Bill Smith's introduction to winemaking happened when he worked in California, where he visited...
Vegetable Growing: A Money-Saving Guide
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A brief, invaluable guide to the art of growing vegetables around the year and saving money in the...
Latte or Cappuccino: 125 Decisions That Will Change Your Life
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The media is filled with conflicting studies and reports on what people should buy, eat or drink,...
The Shape of Darkness
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As the age of the photograph dawns in Victorian Bath, silhouette artist Agnes is struggling to keep...
Historical Fiction Gothic Victorian Bath
Mr. Brown Can Moo! Can You?
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Kids will love this noise-filled Bright and Early Book classic from the one and only Dr. Seuss! ...
Merissa (13580 KP) rated Finding Harbor (The Long Shadow Series #3) in Books
Nov 21, 2025
The first half of the book is fairly fast-paced as Patrick lands on the shores of St. Ann's, a small village in the middle of nowhere, for a deal that was a scam. He doesn't have enough money on him for a return ticket and is unsure of what to do. Angus is the local giant who seems to have everyone's respect. Patrick asks for a job, Angus gives him not only that but a place to live too. They kiss. Everything's tickety-boo.
BUT then comes the second half which, for me, felt a little off in the pacing. It also felt a little repetitive. During this time, I didn't really feel anything significant between the two men, beyond a push/pull situation where nothing seemed resolved.
You see, Patrick goes to The Rusty Anchor, against Angus' advice, and gets into a situation where Angus rescues him. Angus literally carries him out, making a statement to the town. Then they drift apart. Preacher comes to town, making everyone question the morality of Angus and Patrick living together. Sailors come to the store and cause trouble, Angus deals with them, Patrick and Angus drift apart. Mary goes into a three-day labour, Patrick and Angus help, then they drift apart. Angus saves Patrick from runaway horses and carries him home, once again making a statement to the town.
Overall, this is a low steam story that I enjoyed. I'm struggling to say whether or not it's high angst or medium. There are also lots of things left open, so I'm unsure if they're in other books or if this is their story done with. There is no obvious cliffhanger or HEA, but more of a HFN. Considering the time of the story, that isn't really a surprise.
I do think that this story would be better read as part of the series, simply because I am unsure of how much I have missed by not having read the others. I am sure this book will be popular and have no hesitation in recommending it to readers of this author.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 21, 2025
SAS - Men in the Making: An Original's Account of Operations in Sicily and Italy
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Peter Davis was the youngest officer in the SAS during World War II. In his autobiographical...
Academic Anthropology and the Museum: Back to the Future
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The museum boom, with its accompanying objectification and politicization of culture, finds its...
The Fall of the Ottomans: The Great War in the Middle East, 1914-1920
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SUNDAY TIMES TOP TEN BESTSELLER WINNER OF THE BRITISH ARMY MILITARY BOOK OF THE YEAR 2016 'Truly...
Acanthea Grimscythe (300 KP) rated Nail's Crossing (Bill Maytubby & Hannah Bond Mystery #1) in Books
May 16, 2018
Nail’s Crossing is a fast-paced police procedural from debut author Kris Lackey. Set in Southeastern Oklahoma, the novel dips into Arkansas (my stomping grounds) and Louisiana. Some scenes take place in Oklahoma City, in neighborhoods I know well and the locales depicted in this book are precisely why when I received an email regarding it, I absolutely had to read it.
This book is in the first in a series centered around Bill Maytubby, a reservation police officer, and Hannah Bond, a sturdy, no-bullshit female officers from the county. In these two and the many side characters, Lackey proves adept at making his cast realistic and relateable – which is something I find wanting in other books far too often.
The plot of Nail’s Crossing deals with the aftermath of a young woman’s murder and a varied group of individuals that are responsible for her death. By focusing on the apprehension of the criminals, rather than the psychology behind why they killed the woman make this title a refreshing read, especially after all the books I’ve read lately that try and compare themselves to Gone Girl.
I’ve been in a bit of a slump recently, so the fact I devoured Lackey’s book in only a couple sittings speaks volumes to his ability to maintain a constant flow of action. Unlike many books I’ve read where the author refers to stereotypes to depict certain demographics, Lackey’s portrayal of poverty-stricken southerners is accurate. Considering I live in one of Arkansas’s poorest counties, this meant a lot to me. Lackey has given those without voices one within the pages of his novel that, if you’re looking for it, remind readers that we’re our own culture as well (and not by clinging to Confederate rhetoric like the ones of today seem to).
I look forward to more books in this series, that’s for sure. I’d like to thank Blackstone Audiobooks for providing me with a free copy of this book at no charge in exchange for an honest and unbiased review.

