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Eilidh G Clark (177 KP) rated The Portrait of Mr W.H. in Books
May 14, 2017
. As a paradox to the realism and ethics of the period, decadent writers, artists, and poets challenged a society that strove for a standard in public discourse.
First published in 1889, Oscar Wilde’s The Portrait of Mr W.H., is a short story about the efforts of three characters trying to discover the identity of Shakespeare’s Mr W.H. ; the dedicatee of his many sonnets. Wilde’s novel is a prime example of decadent literature and aestheticism, which, as a result, challenges the Victorian ideals of moral decency and public rectitude. The author uses paradox in the novel to present a theory that contradicts the conservative critics of Shakespeare’s sonnets.
Wilde presents a subjective interpretation of Shakespeare’s sonnets that portrays homoerotic sexual desire as the force for creative inspiration. Foremost, through the character Cyril Graham, the author demonstrates that art is ‘an attempt to realise one’s own personality on some imaginative plane out of reach of the trammelling accidents and limitations of real life’, (Wilde, p.111).
Taking from a hypothesis in the previous century by Edmund Malone and Thomas Tyrwhitt, the character of Cyril forms a theory in which Mr W.H. is a young actor named Willie Hughes, employed by Shakespeare and who is the muse to which the sonnets are devoted. Cyril investigates each poem and pieces together a theory he believes to be true.
On the surface, Cyril’s theory derives from feeling and beauty rather than logic and instruction.
The withholding of facts in Shakespeare’s sonnets energises Cyril. He scours the poems to find a clue that harmonise with his own feelings. Cyril believes that Shakespeare influences his readers by guiding them to Willie Hughes.
Cyril, spurned by the moralistic interpretations of previous critics, becomes enthralled by Shakespeare’s muse.
Wilde presents a subjective interpretation of Shakespeare’s sonnets that portrays homoerotic sexual desire as the force for creative inspiration. Foremost, through the character Cyril Graham, the author demonstrates that art is ‘an attempt to realise one’s own personality on some imaginative plane out of reach of the trammelling accidents and limitations of real life’, (Wilde, p.111).
Taking from a hypothesis in the previous century by Edmund Malone and Thomas Tyrwhitt, the character of Cyril forms a theory in which Mr W.H. is a young actor named Willie Hughes, employed by Shakespeare and who is the muse to which the sonnets are devoted. Cyril investigates each poem and pieces together a theory he believes to be true.
On the surface, Cyril’s theory derives from feeling and beauty rather than logic and instruction.
The withholding of facts in Shakespeare’s sonnets energises Cyril. He scours the poems to find a clue that harmonise with his own feelings. Cyril believes that Shakespeare influences his readers by guiding them to Willie Hughes.
Cyril, spurned by the moralistic interpretations of previous critics, becomes enthralled by Shakespeare’s muse.
BookInspector (124 KP) rated After He Died in Books
Sep 24, 2020
The main protagonist in this novel is Paula, a middle-class housewife, who just became a widow. A young woman – Cara, is trying to shine a different light on Paula’s deceased husband Thomas. This novel is told from two different perspectives – Paula’s and Cara’s. This book is soaked with grief, both of these characters lost people in their past, and they are still dealing with their grief. I really liked Paula in this book. I could feel her pain and her confusion, and to be honest, I was confused with her because all those little clues and words left me as much baffled as Paula herself. I really wanted to like Cara in this novel, but I couldn’t bond with her. I did like what she represented and I did like her attitude, but I couldn’t warm up to her.
The narrative of this novel is very masterfully delivered. It covers a really wide spectrum of events: we have a domestic noir, filled with family relationships and grief, and at the same time we have murders and mystery which are unfolding very slowly. I really liked the topics M. Malone discussed in this book, such as poverty and homelessness; how people deal with grief and what death brings to the families; drugs and how it influences people and their future, etc. I think this novel is more character driven than the investigation itself, but all these talks about feelings and sadness were too much for me at times, I wanted more pace and more unexpected findings. 🙂 Don’t get me wrong, there were plenty of surprises and twists, but I needed more. 😀
I really enjoyed M. Malone’s writing style, it is a very well crafted novel, and his way of sharing Scottish lingual nuances was absolutely adorable and I really liked them. 🙂 This book has a very strong “rich vs. poor” accent, and the setting is changing between luxury, wellness, and shady areas with homeless people, and I found it very well balanced in this book. The chapters were pretty short, and the whole novel was quick and easy to read. The ending of this book rounded this novel very well and it did leave me satisfied. So, to conclude, this is a very sensitive novel, where the pain after someone’s death is very raw and haunting, but at the same time, it is a great thriller filled with very realistic and casual characters and a very unexpected plot. I really liked this novel, and I hope you will give this book a try and enjoy as much as I did.
The narrative of this novel is very masterfully delivered. It covers a really wide spectrum of events: we have a domestic noir, filled with family relationships and grief, and at the same time we have murders and mystery which are unfolding very slowly. I really liked the topics M. Malone discussed in this book, such as poverty and homelessness; how people deal with grief and what death brings to the families; drugs and how it influences people and their future, etc. I think this novel is more character driven than the investigation itself, but all these talks about feelings and sadness were too much for me at times, I wanted more pace and more unexpected findings. 🙂 Don’t get me wrong, there were plenty of surprises and twists, but I needed more. 😀
I really enjoyed M. Malone’s writing style, it is a very well crafted novel, and his way of sharing Scottish lingual nuances was absolutely adorable and I really liked them. 🙂 This book has a very strong “rich vs. poor” accent, and the setting is changing between luxury, wellness, and shady areas with homeless people, and I found it very well balanced in this book. The chapters were pretty short, and the whole novel was quick and easy to read. The ending of this book rounded this novel very well and it did leave me satisfied. So, to conclude, this is a very sensitive novel, where the pain after someone’s death is very raw and haunting, but at the same time, it is a great thriller filled with very realistic and casual characters and a very unexpected plot. I really liked this novel, and I hope you will give this book a try and enjoy as much as I did.
Bob Mann (459 KP) rated Military Wives (2020) in Movies
Feb 25, 2020
The story perfectly balances between melodrama and feel good comedy (1 more)
Kristin Scott-Thomas and Sharon Horgan work fabulously together
Bound to grab the grey pound and be a huge UK success
I must admit that I was a bit of a drag-along to this one. The trailer excited me not.... one.... bit. Sentimental film. Dull story. Wrong demographic. No, no, no. But... in this case I am very happy to be proved wrong, wrong, wrong.
True that I didn't sit in the ideal demographic for this movie. 90% of the audience at the UK premiere showing I attended last night were female and older that me. This is a movie to turn the blue-rinse crowd out in DROVES! Because the - inherently British - story is engaging and rewarding from start to finish.
Loosely based on the true story, it's 2010 and a regiment of husbands (and at least one wife.... nice to see an all female marriage featured) are dispatched from the fictional "Flitcroft Barracks" to Afghanistan on a tour of duty. Thereafter every ring at the door by a friend spells mild panic ; every thoughtless call from an accident-chaser induces hypertension.
Trying to take their minds off there loved ones, Colonel's wife Kate (Kristin Scott Thomas) muscles in on the insipid entertainment plans of Lisa (Sharon Horgan) in organising a singing group. Lisa thinks "girls just wanna have fun"; Kate thinks they should be training as a proper choir. Sparks fly.
But against all the odds, the women progressively improve until they get the chance to present their talents to an unaware nation.
My wife summed up in one word why this movie is so good...... "balance". The movie covers topics of fear, grief, social conflict, family conflict and uplifting joy. One step off the tightrope could have spelled disaster. But director Peter Cattaneo, of "Full Monty" fame, through the expert script of Roseanne Flynn and Rachel Tunnard, walks that line with perfect balance. It never feels overly melodramatic; never feels a light piece of superficial fluff either.
And when "the performance" happens, you will be hard pushed not to need a tissue or two..... I certainly succumbed to the emotion of the moment.
At the core of the story are the perfectly cast duo of Kristin Scott Thomas and Sharon Horgan. With just a handful of introductory lines, you quickly get the measure of Kate's character, without ever knowing the story behind the icy and brittle facade. The conflict between her and the fun-loving egalitarian Lisa is writ large. What's nice here is that you are never totally sure who's side of the argument you are on. It is easy to side with Lisa at the start of the film, but as you learn more and particularly after a particularly careless act by Lisa towards the end of the film, your sympathies change.
The rest of the excellent ensemble cast also work naturally together, with Emma Lowndes as Annie and Amy James-Kelly as the newly married Sarah being particularly impressive.This feels like a group of actors who were brought together to film a story and bonded as friends in the process. You end up caring a great deal for what happens to them
Although the script is based on the true story of the military wives it diverges significantly from what actually happens in the interests of an engaging story. Choirmaster Gareth Malone was, of course, actively involved in the true story as a part of a TV programme, but none of that is referenced in the movie. But that doesn't remotely impinge on your enjoyment of the movie for one second.
In particular, a sub-story about the long-term effects of grief is particularly well handled, with 'Dave' turning from being a passive to an active participant in the story at a key moment.
It's that depressing time of the year when everyone is fed up of rain, wind and dripping noses. It's a time of year when you look for some uplifting entertainment.... people surely watch "Death in Paradise" for the sun rather than the stories? Ladies - and the odd gentleman - I give you "Military Wives". It's not bloody Shakespeare. But if this doesn't make you feel uplifted and better about the world, then I will dutifully kiss the regimental goat.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/02/25/one-manns-movies-film-review-military-wives-2020/. Thanks).
True that I didn't sit in the ideal demographic for this movie. 90% of the audience at the UK premiere showing I attended last night were female and older that me. This is a movie to turn the blue-rinse crowd out in DROVES! Because the - inherently British - story is engaging and rewarding from start to finish.
Loosely based on the true story, it's 2010 and a regiment of husbands (and at least one wife.... nice to see an all female marriage featured) are dispatched from the fictional "Flitcroft Barracks" to Afghanistan on a tour of duty. Thereafter every ring at the door by a friend spells mild panic ; every thoughtless call from an accident-chaser induces hypertension.
Trying to take their minds off there loved ones, Colonel's wife Kate (Kristin Scott Thomas) muscles in on the insipid entertainment plans of Lisa (Sharon Horgan) in organising a singing group. Lisa thinks "girls just wanna have fun"; Kate thinks they should be training as a proper choir. Sparks fly.
But against all the odds, the women progressively improve until they get the chance to present their talents to an unaware nation.
My wife summed up in one word why this movie is so good...... "balance". The movie covers topics of fear, grief, social conflict, family conflict and uplifting joy. One step off the tightrope could have spelled disaster. But director Peter Cattaneo, of "Full Monty" fame, through the expert script of Roseanne Flynn and Rachel Tunnard, walks that line with perfect balance. It never feels overly melodramatic; never feels a light piece of superficial fluff either.
And when "the performance" happens, you will be hard pushed not to need a tissue or two..... I certainly succumbed to the emotion of the moment.
At the core of the story are the perfectly cast duo of Kristin Scott Thomas and Sharon Horgan. With just a handful of introductory lines, you quickly get the measure of Kate's character, without ever knowing the story behind the icy and brittle facade. The conflict between her and the fun-loving egalitarian Lisa is writ large. What's nice here is that you are never totally sure who's side of the argument you are on. It is easy to side with Lisa at the start of the film, but as you learn more and particularly after a particularly careless act by Lisa towards the end of the film, your sympathies change.
The rest of the excellent ensemble cast also work naturally together, with Emma Lowndes as Annie and Amy James-Kelly as the newly married Sarah being particularly impressive.This feels like a group of actors who were brought together to film a story and bonded as friends in the process. You end up caring a great deal for what happens to them
Although the script is based on the true story of the military wives it diverges significantly from what actually happens in the interests of an engaging story. Choirmaster Gareth Malone was, of course, actively involved in the true story as a part of a TV programme, but none of that is referenced in the movie. But that doesn't remotely impinge on your enjoyment of the movie for one second.
In particular, a sub-story about the long-term effects of grief is particularly well handled, with 'Dave' turning from being a passive to an active participant in the story at a key moment.
It's that depressing time of the year when everyone is fed up of rain, wind and dripping noses. It's a time of year when you look for some uplifting entertainment.... people surely watch "Death in Paradise" for the sun rather than the stories? Ladies - and the odd gentleman - I give you "Military Wives". It's not bloody Shakespeare. But if this doesn't make you feel uplifted and better about the world, then I will dutifully kiss the regimental goat.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/02/25/one-manns-movies-film-review-military-wives-2020/. Thanks).
Lee (2222 KP) rated Military Wives (2020) in Movies
Mar 9, 2020
Based on true events, Military Wives tells the story of how the very first military wives charity group came to be formed. That initial group was soon followed by more Military Wives groups, with some of the earlier ones even starring in 2011 BBC reality show 'The Choir', led by Gareth Malone. The Military Wives choirs have continued to grow since then and now comprise of 2000 women, located at over 70 military bases around the world, producing hit singles and albums as they go from strength to strength. The movie is directed by Peter Cattaneo, who directed The Full Monty, and the trailer really does have that traditional feel-good British comedy vibe which we seem to churn out year after year in an attempt to be "this years Full Monty". I wasn't sure if this was going to be for me, but after I found myself thoroughly enjoying Fisherman's Friends last year, I went in with an open mind.
At a UK army base, soldiers are preparing to leave for another tour in Afghanistan. As they say goodbye, we're given a chance to be introduced to the wives and families who will remain in the houses located on the base while the soldiers are away. Straight away, we get real insight into the lives of these women - trying to maintain some kind of normality, while constantly living in fear of the phone call or the knock at the door that might come at any time and turn their lives upside down. The women all vary in their experience of army life - from young, newly married wives to wives who are old hands at moving from base to base and country to country, coping without their husband for long periods of time.
Kate (Kristin Scott Thomas) is married to the regiment's colonel and assumes that she is therefore superior to all the other women on the base - jumping the queue in the small on-site grocery store and generally looking down her nose at the others. Lisa (Sharon Horgan) is much more laid back than Kate, happy to just go with the flow. She has been charged with pastoral care for the wives while their partners are away, and is more than happy just to organise the odd coffee morning or a few glasses of wine rather than anything more productive and engaging for the group. With her husband away, and having to deal with a past tragedy that we learn more about as the story unfolds, Kate decides to try and poke her nose in and organise Lisa and the other wives. Consequently, Kate and Lisa clash... regularly.
After unsuccessfully trying out knitting as a suggested activity, one of the wives suggests singing. Unfortunately though, none of the women appear to be very good at singing and the bickering between Kate and Lisa doesn't really help improve them either. While Kate reads up on vocal warm-ups and learning how to conduct a choir, Lisa digs out her old electronic keyboard and is happy just to have the group try and sing along to a few old pop songs.
Military Wives does manage to follow that traditional Full Monty template I described earlier - with a mismatched bunch of inexperienced singers who eventually manage to get it together enough to be able to perform their own song at the Royal Albert Hall. However, I did feel that the emotion and the drama surrounding these women, who could lose their husband/wife at any moment, really brought something different to the movie, something which I don't feel the trailer accurately portrays. The comedy and the feel-good factor that these trailers like to put across was a lot more subtle, and as a result I enjoyed it far more than I was expecting to.
At a UK army base, soldiers are preparing to leave for another tour in Afghanistan. As they say goodbye, we're given a chance to be introduced to the wives and families who will remain in the houses located on the base while the soldiers are away. Straight away, we get real insight into the lives of these women - trying to maintain some kind of normality, while constantly living in fear of the phone call or the knock at the door that might come at any time and turn their lives upside down. The women all vary in their experience of army life - from young, newly married wives to wives who are old hands at moving from base to base and country to country, coping without their husband for long periods of time.
Kate (Kristin Scott Thomas) is married to the regiment's colonel and assumes that she is therefore superior to all the other women on the base - jumping the queue in the small on-site grocery store and generally looking down her nose at the others. Lisa (Sharon Horgan) is much more laid back than Kate, happy to just go with the flow. She has been charged with pastoral care for the wives while their partners are away, and is more than happy just to organise the odd coffee morning or a few glasses of wine rather than anything more productive and engaging for the group. With her husband away, and having to deal with a past tragedy that we learn more about as the story unfolds, Kate decides to try and poke her nose in and organise Lisa and the other wives. Consequently, Kate and Lisa clash... regularly.
After unsuccessfully trying out knitting as a suggested activity, one of the wives suggests singing. Unfortunately though, none of the women appear to be very good at singing and the bickering between Kate and Lisa doesn't really help improve them either. While Kate reads up on vocal warm-ups and learning how to conduct a choir, Lisa digs out her old electronic keyboard and is happy just to have the group try and sing along to a few old pop songs.
Military Wives does manage to follow that traditional Full Monty template I described earlier - with a mismatched bunch of inexperienced singers who eventually manage to get it together enough to be able to perform their own song at the Royal Albert Hall. However, I did feel that the emotion and the drama surrounding these women, who could lose their husband/wife at any moment, really brought something different to the movie, something which I don't feel the trailer accurately portrays. The comedy and the feel-good factor that these trailers like to put across was a lot more subtle, and as a result I enjoyed it far more than I was expecting to.