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Brightburn (2019)
Brightburn (2019)
2019 | Horror
Overall everything (0 more)
!!!!! WOW!!!!!
The last SONY production I saw was Venom... And while it was alright, it could've been so much better.
So lets just say I went into BRIGHT BURN with a little hesitation....
Was I ever wrong to hesitate...
Brandon Brier is a weird kid... Not well liked by his peers, the only friends he has are his parents and his aunt and uncle... And he just doesn't seem to understand what's going on within himself... Puberty can be a mother fucker...
While most normal kids grow hair in funny places and start thinking about girls, Brandon can shoot 5 million degree lasers from his eyes and stop lawnmower blades with his wrists... Did I mention he could fly??? Well... He can fly too...
Soon Brandon starts using his amazing gifts as weapon s to get back at the people who try and stop him from his ultimate goal... Take The World.
Oh... And I also forgot to mention he came to earth kind of like Superman... Landed on a farm in BrightBurn, Kansas... Was adopted by a struggling couple trying to have kids... And raised as their own... But Fucking KAL-El this little bastard is not...
He proceeds to off a shit ton of people in various manners... Even picking a pick up truck up with his mind and sending it crashingto the ground in one of the best practical effects I have seen in almost a decade...
We go through the motions like most super hero films, but these motions include glass to an eyeball, shattered fingers and wrists, a half decap hold the soy milk latte and so on and so forth.
BrightBurn is an impressive little film that kept me wanting more... You did it this time SONY... You kept me engaged and interested... And I can't wait to see what you come up with next.... (Psst... Psst... CARNAGE Sony... Fuck Venom....)
  
Emma in the Night
Emma in the Night
Wendy Walker | 2017 | Fiction & Poetry, Mystery, Thriller
8
7.9 (8 Ratings)
Book Rating
Cass and Emma are sisters. And like most sisters, some days they are best friends and some days they just aren't. But one thing that keeps them tethered to each other is their shared love/hate relationship with their mother. She is a narcissist and only praise of the utmost will allow her to bring her children any joy. Then the girls disappear and three years later Cass shows up at her mother's doorstep, demanding that they find Emma. Cass describes the place they had been living for the past three years and hopes that the FBI and investigators are able to find this mysterious island and Emma.

Thank you to NetGalley and St. Martin's Press for the opportunity to read and review this book.

This book started off a little slow for me. Hearing the background information about what happened before the disappearance, intertwined with what was going on now to describe the place the girls were being held, took up the first half of the book. Told from the perspective of Cass, the youngest daughter and Dr. Winter the FBI Psychiatrist who did the initial investigation. After that, the reading went by much faster when the twists and turns started to take place.

Cass and Emma have a mother who constantly needs to be told how beautiful she is and how good of a mother she is. The only problem is that she's not. But hearing these things make her feel good about herself and keep her children on her good side. When things don't go the way she wants, she punishes the girls in unspeakable manners. Buying one a gift the other wanted, favoring one child and ignoring the other. This is a family that has a lot of issues going on inside of their home. They way things are handled are completely out of spite for another member of the family. Although this book had a slow start, it really had a great ending. So stick with it if you have to and it will be well worth it.

Wendy Walker also wrote, All is Not Forgotten which was also a great book released last year. I look forward to what else Ms. Walker has in store.
  
Yeah Yeah Yeah: The Story of Modern Pop
Yeah Yeah Yeah: The Story of Modern Pop
(0 Ratings)
Book Favorite

"There is something faintly off-putting about this book’s subtitle. We live in a world where the obsession with music’s past threatens to overwhelm its present, where the only music magazines that sell in any quantity deal in heritage rock, where virtually the only TV coverage of music comes via retrospective documentaries: the story of modern pop has been told and retold until it’s been reduced to a series of tired anecdotes and over-familiar landmarks. But Yeah Yeah Yeah’s brilliance lies in the personal, idiosyncratic route Bob Stanley takes through the past: for him, the modern pop era begins not with Elvis or “Rock Around the Clock”, but the release of Johnnie Ray’s 1954 album Live at the London Palladium, the first time a screaming teenage audience had been heard on record in the UK. He devotes more space to 1970 one-hit wonders Edison Lighthouse than to Led Zeppelin, delivers a withering verdict on some surprising sacred cows – Joni Mitchell, Patti Smith, Steely Dan – and is great at unearthing a forgotten quote that challenges what you might call the authorised version of events: at the height of the 1967’s Summer of Love, he finds the Who’s Pete Townshend not boggling at the new frontiers mapped out by psychedelia, but grumpily complaining that “people aren’t jiving in the listening boxes in record shops any more like we did to a Cliff Richard ‘newie’”. Stanley has a way of tackling well-worn topics – not least the Beatles – from unlikely angles, and of talking about artists you’ve never heard of with a contagious enthusiasm that makes hearing them seem like a matter of urgency. Best of all, he makes you laugh out loud while getting directly to the heart of the matter. The lugubrious late 70s output of Pink Floyd sounds like music made by people “who hated being themselves”. The punk-era Elvis Costello sang “like he was standing in a fridge”, and the experience of listening to novelty ska revivalists Bad Manners is “like being on a waltzer when you’ve had three pints and desperately need the toilet”. If you’ve ever heard them, you’ll know exactly what he means."

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