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Whatchareadin (174 KP) rated Emma in the Night in Books

Apr 9, 2019  
Emma in the Night
Emma in the Night
Wendy Walker | 2017 | Fiction & Poetry, Mystery, Thriller
8
7.9 (8 Ratings)
Book Rating
Cass and Emma are sisters. And like most sisters, some days they are best friends and some days they just aren't. But one thing that keeps them tethered to each other is their shared love/hate relationship with their mother. She is a narcissist and only praise of the utmost will allow her to bring her children any joy. Then the girls disappear and three years later Cass shows up at her mother's doorstep, demanding that they find Emma. Cass describes the place they had been living for the past three years and hopes that the FBI and investigators are able to find this mysterious island and Emma.

Thank you to NetGalley and St. Martin's Press for the opportunity to read and review this book.

This book started off a little slow for me. Hearing the background information about what happened before the disappearance, intertwined with what was going on now to describe the place the girls were being held, took up the first half of the book. Told from the perspective of Cass, the youngest daughter and Dr. Winter the FBI Psychiatrist who did the initial investigation. After that, the reading went by much faster when the twists and turns started to take place.

Cass and Emma have a mother who constantly needs to be told how beautiful she is and how good of a mother she is. The only problem is that she's not. But hearing these things make her feel good about herself and keep her children on her good side. When things don't go the way she wants, she punishes the girls in unspeakable manners. Buying one a gift the other wanted, favoring one child and ignoring the other. This is a family that has a lot of issues going on inside of their home. They way things are handled are completely out of spite for another member of the family. Although this book had a slow start, it really had a great ending. So stick with it if you have to and it will be well worth it.

Wendy Walker also wrote, All is Not Forgotten which was also a great book released last year. I look forward to what else Ms. Walker has in store.
  
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Alexis Petridis recommended Yeah Yeah Yeah: The Story of Modern Pop in Books (curated)

 
Yeah Yeah Yeah: The Story of Modern Pop
Yeah Yeah Yeah: The Story of Modern Pop
Bob Stanley | 2021
(0 Ratings)
Book Favorite

"There is something faintly off-putting about this book’s subtitle. We live in a world where the obsession with music’s past threatens to overwhelm its present, where the only music magazines that sell in any quantity deal in heritage rock, where virtually the only TV coverage of music comes via retrospective documentaries: the story of modern pop has been told and retold until it’s been reduced to a series of tired anecdotes and over-familiar landmarks. But Yeah Yeah Yeah’s brilliance lies in the personal, idiosyncratic route Bob Stanley takes through the past: for him, the modern pop era begins not with Elvis or “Rock Around the Clock”, but the release of Johnnie Ray’s 1954 album Live at the London Palladium, the first time a screaming teenage audience had been heard on record in the UK. He devotes more space to 1970 one-hit wonders Edison Lighthouse than to Led Zeppelin, delivers a withering verdict on some surprising sacred cows – Joni Mitchell, Patti Smith, Steely Dan – and is great at unearthing a forgotten quote that challenges what you might call the authorised version of events: at the height of the 1967’s Summer of Love, he finds the Who’s Pete Townshend not boggling at the new frontiers mapped out by psychedelia, but grumpily complaining that “people aren’t jiving in the listening boxes in record shops any more like we did to a Cliff Richard ‘newie’”. Stanley has a way of tackling well-worn topics – not least the Beatles – from unlikely angles, and of talking about artists you’ve never heard of with a contagious enthusiasm that makes hearing them seem like a matter of urgency. Best of all, he makes you laugh out loud while getting directly to the heart of the matter. The lugubrious late 70s output of Pink Floyd sounds like music made by people “who hated being themselves”. The punk-era Elvis Costello sang “like he was standing in a fridge”, and the experience of listening to novelty ska revivalists Bad Manners is “like being on a waltzer when you’ve had three pints and desperately need the toilet”. If you’ve ever heard them, you’ll know exactly what he means."

Source
  
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Johnny Messias (25 KP) rated The Irishman (2019) in Movies

Oct 14, 2019  
The Irishman (2019)
The Irishman (2019)
2019 | Biography, Crime, Drama
10
8.2 (37 Ratings)
Movie Rating Watch
Al Pacino as Hoffa (6 more)
Joe Pesci is wonderful
De Niro anchors the film
Scorsese on top form
Thelma Schoonmaker’s editing
Steve Zaillian’s script
De Niro and Pacino together
Uncanny valley with some of the de-ageing (0 more)
Marty’s marvellous Oldfellas
The Irishman – BFI London Film Festival Review Oct 13th 2019.
 
An extended cinematic love letter to some of the finest actors of the last 40 years, and to a bygone era of US history, The Irishman is reassuringly brilliant. Like the best Scorsese joints, its business is power brokers, mobsters and underground schemers, but often as a comedy of manners. De Niro anchors the story, yes as mob enforcer but also as a kind of killer Forrest Gump; “connected” to some key milestones in 1960s America; Bay of Pigs, Jimmy Hoffa’s teamsters, RFK, then later the shadow of Nixon. Famously, we see De Niro’s titular character Frank in his 20s, 30s, 40s, right up until the old age home. Scorsese uses computerised de-aging technology to achieve the effect make-up artists might have parlayed. It works well—mostly. What grips you and takes you in is the bravura acting. Al Pacino gives a wonderful performance as Jimmy Hoffa. He goes full “Pacino” with speeches and grandstanding but it is the lilt of this voice (all sing song) in quiet moments that makes this the best we’ve seen from Al in many a year. Joe Pesci as well. He’s kind of the centre of this world, as the mobster who links up De Niro to Pacino’s Hoffa. Pesci speaks quietly and carefully; you sense how much power he has without any of the violence that was trademark in his famous Casino and Goodfellas roles. Over nearly 3.5 hours (never seems long) what you get is a beautifully written, shot, edited and performed drama about loyalty, friendship and a creeping sense of regret. All with the backdrop of this fascinating period: JFK, Union movements, Cuba, Fidel Castro. It lingers long in the memory and it’s one to cherish, since we surely won’t see its like again.