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Heather Cranmer (2721 KP) rated Dollhouse (Dark Carousel #1) in Books
Oct 29, 2020
I had been in a book funk for awhile, so when someone recommended Dollhouse by Anya Allyn, I thought I'd give it a try. It seemed right up my alley, and luckily, I wasn't disappointed!
I loved the plot of Dollhouse! Cassie, Evan, Aisha, and Lacey are all friends from school. One day they venture out in the forest. Aisha leaves the group and ventures further into the forest. The three others look for Aisha, but it's like she's vanished. With the cops not being able to find Aisha and Evan being accused of her disappearance, Lacy, Evan, and Cassie go back to the forest to look for her. They find a huge mansion and decide to go in it to search for Aisha. However, what they find is a secret passage that leads into a real life dollhouse where the girls are all forced to look like dolls to appease Jessamine, the leader of the dolls and toys. Getting in was easy, but getting out will be the hard part.
The world building was done beautifully. I felt like I was right there beside each character as the plot unfolded as well as the emotions each character would feel. While the book started out slow, it wasn't long before the action quickly picked up, and I couldn't wait to find out what happened next. There were a couple of times where the pacing became a bit too quick during the action unfolding where I felt a bit lost with what was going on, but the pacing quickly corrected itself. There are a few plot twists that I never saw coming, and there are a few that are semi-predictable. However, I enjoyed everything as well as trying to figure out what was going on. I feel that Dollhouse could be read as a standalone, but as it's a series, it's best to read all the books in the Dark Carousel series if you need one hundred percent closure and more back story.
I loved each and every character featured in Dollhouse. Each character had enough backstory to be fleshed out very well. I believe every character also acted their appropriate age. Cassie was such a strong lead character, and I admired her tenacity to do whatever it took to find a way out. Her loyalty to her friends was noble, and her resolve to not give up was an inspiration. Evan was another character that had the same traits as Cassie. He wanted to protect the girls and didn't care what would happen to himself. I wouldn't say he was reckless though. Missouri and Philly were my favorite characters even though they weren't the main ones. Missouri wanted to protect everyone, and I loved how much of a mother figure she was to little Philly. Jessamine was an awesome antagonist. I loved reading about her so much, and I also loved trying to figure out her backstory. (The bulk of Jessamine's backstory is featured in the second book of the series, Paper Dolls.) There were times when I actually felt sorry for Jessamine, but she was quite selfish. I would have loved to learn more about how Donovan (the man who lived in the mansion the living dollhouse was in) fits into the whole narrative, but perhaps that will be explained throughout the rest of the series. Another thing I really loved about Dollhouse was that the stuffed animals and the wooden clown came to life and were beyond life sized. I felt that was a pretty awesome (and spooky) touch.
Trigger warnings for Dollhouse include fear, kidnapping, some violence, ghosts, druggings, death, and murder.
Overall, Dollhouse was a fantastic fast-paced read that I didn't want to put down. Once the pacing picks up, it's easy to devour in just one setting with its fantastic cast of characters and great narrative. I would definitely recommend Dollhouse by Anya Allyn to those aged 14 and older who love to get lost in a spooky well written story.
I loved the plot of Dollhouse! Cassie, Evan, Aisha, and Lacey are all friends from school. One day they venture out in the forest. Aisha leaves the group and ventures further into the forest. The three others look for Aisha, but it's like she's vanished. With the cops not being able to find Aisha and Evan being accused of her disappearance, Lacy, Evan, and Cassie go back to the forest to look for her. They find a huge mansion and decide to go in it to search for Aisha. However, what they find is a secret passage that leads into a real life dollhouse where the girls are all forced to look like dolls to appease Jessamine, the leader of the dolls and toys. Getting in was easy, but getting out will be the hard part.
The world building was done beautifully. I felt like I was right there beside each character as the plot unfolded as well as the emotions each character would feel. While the book started out slow, it wasn't long before the action quickly picked up, and I couldn't wait to find out what happened next. There were a couple of times where the pacing became a bit too quick during the action unfolding where I felt a bit lost with what was going on, but the pacing quickly corrected itself. There are a few plot twists that I never saw coming, and there are a few that are semi-predictable. However, I enjoyed everything as well as trying to figure out what was going on. I feel that Dollhouse could be read as a standalone, but as it's a series, it's best to read all the books in the Dark Carousel series if you need one hundred percent closure and more back story.
I loved each and every character featured in Dollhouse. Each character had enough backstory to be fleshed out very well. I believe every character also acted their appropriate age. Cassie was such a strong lead character, and I admired her tenacity to do whatever it took to find a way out. Her loyalty to her friends was noble, and her resolve to not give up was an inspiration. Evan was another character that had the same traits as Cassie. He wanted to protect the girls and didn't care what would happen to himself. I wouldn't say he was reckless though. Missouri and Philly were my favorite characters even though they weren't the main ones. Missouri wanted to protect everyone, and I loved how much of a mother figure she was to little Philly. Jessamine was an awesome antagonist. I loved reading about her so much, and I also loved trying to figure out her backstory. (The bulk of Jessamine's backstory is featured in the second book of the series, Paper Dolls.) There were times when I actually felt sorry for Jessamine, but she was quite selfish. I would have loved to learn more about how Donovan (the man who lived in the mansion the living dollhouse was in) fits into the whole narrative, but perhaps that will be explained throughout the rest of the series. Another thing I really loved about Dollhouse was that the stuffed animals and the wooden clown came to life and were beyond life sized. I felt that was a pretty awesome (and spooky) touch.
Trigger warnings for Dollhouse include fear, kidnapping, some violence, ghosts, druggings, death, and murder.
Overall, Dollhouse was a fantastic fast-paced read that I didn't want to put down. Once the pacing picks up, it's easy to devour in just one setting with its fantastic cast of characters and great narrative. I would definitely recommend Dollhouse by Anya Allyn to those aged 14 and older who love to get lost in a spooky well written story.
Hazel (1853 KP) rated The Butterfly Summer in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.
The Butterfly Summer</i> is the latest novel by the Sunday Times bestselling author Harrier Evans. It is a story full of mystery and secrets that, although primarily set in 2011, whizzes back and forth in time. In London 2011 the narrator, Nina Parr, a young divorced woman of 25, is living with her mother and stepfather in the house she grew up in. In 1986 her father went on an expedition to Venezuela in search of the Glasswinged butterfly where he supposedly met his fate, thus never returned. However, after a brief but strange encounter with a confused old lady, Nina questions the truth about her father’s death.
Other mysteries begin to crop up from this moment forth. Nina hears of a woman named Teddy who she apparently looks like, and learns that the mansion from her favourite childhood book is a real place. But how are these things connected to Nina’s father?
As Nina begins to unravel her previously unaware of family secrets, the reader also learns more about Teddy – her past, her experiences and her connection with a house called Keepsake.
To begin with <i>The Butterfly Summer </i>was exciting and refreshing, the cryptic storyline pulling you in and not letting go. However from the midway point it began to considerably slow down and become rather dull, stale. Nina is such an interesting character that, by contrast, the snippets (rather extensive ones) about Teddy’s past were difficult to plow through.
One thing to commend the author on – although others may disagree – is the limit she put on romantic affairs. For me there was just the right amount of reference to these relationships to provoke the feeling of heartbrokenness yet not to detract from the main storyline.
For those who enjoy women’s fiction of a similar nature (e.g. Jill Mansell, perhaps) <i>The Butterfly Summer </i>is definitely a book to look out for. For me however, even though the first half I really enjoyed (four stars out of five), I had begun to work out the remaining mysteries myself and found the latter half less exciting.
The Butterfly Summer</i> is the latest novel by the Sunday Times bestselling author Harrier Evans. It is a story full of mystery and secrets that, although primarily set in 2011, whizzes back and forth in time. In London 2011 the narrator, Nina Parr, a young divorced woman of 25, is living with her mother and stepfather in the house she grew up in. In 1986 her father went on an expedition to Venezuela in search of the Glasswinged butterfly where he supposedly met his fate, thus never returned. However, after a brief but strange encounter with a confused old lady, Nina questions the truth about her father’s death.
Other mysteries begin to crop up from this moment forth. Nina hears of a woman named Teddy who she apparently looks like, and learns that the mansion from her favourite childhood book is a real place. But how are these things connected to Nina’s father?
As Nina begins to unravel her previously unaware of family secrets, the reader also learns more about Teddy – her past, her experiences and her connection with a house called Keepsake.
To begin with <i>The Butterfly Summer </i>was exciting and refreshing, the cryptic storyline pulling you in and not letting go. However from the midway point it began to considerably slow down and become rather dull, stale. Nina is such an interesting character that, by contrast, the snippets (rather extensive ones) about Teddy’s past were difficult to plow through.
One thing to commend the author on – although others may disagree – is the limit she put on romantic affairs. For me there was just the right amount of reference to these relationships to provoke the feeling of heartbrokenness yet not to detract from the main storyline.
For those who enjoy women’s fiction of a similar nature (e.g. Jill Mansell, perhaps) <i>The Butterfly Summer </i>is definitely a book to look out for. For me however, even though the first half I really enjoyed (four stars out of five), I had begun to work out the remaining mysteries myself and found the latter half less exciting.
JT (287 KP) rated Ready or Not (2019) in Movies
Mar 3, 2020
Original story (1 more)
Solid tension
White wedding goes full bloodshed
Grace (Samara Weaving) is about to marry the man of her dreams, Alex Le Domas (Mark O’Brien). But her new in-laws, as it turns out, are going to be a real nightmare.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
8-bit Adventure Anthology: Volume I
Video Game Watch
8-bit Adventure Anthology is a compilation featuring faithful remakes of three of the best 8-bit...
action adventure
Excellent slow-burn mystery
In the third book in the Hester Thursby series, Hester and her friend, Detective Angela White are attending a gala for Prescott University when they are told that someone has broken into the university owners' fancy mansion overlooking Jamaica Pond. Angela agrees to drop by out of courtesy, but once there, they are not sure that Jennifer Matson is telling the truth about what happened that evening. Then Prescott's general manager, Maxine, asks Hester to investigate some missing alumni, calling on Hester's renowned research skills. As Hester starts digging into the for-profit university, she unearths a tragedy that has long shadowed Jennifer and the family, financial issues, and more. But when one of the missing students she was looking into turns up dead, things turn dark, quickly.
I love Hill's Hester Thursby series. They are such intelligent and well-thought out mysteries. This wasn't my favorite of the group, but it was still incredibly well done and enjoyable. The topic of for-profit universities seemed timely and was quite interesting. Maxine made some awful choices, but I didn't envy her job running Prescott University, either.
Overall, the Matsons were a pretty terrible family shrouded in secrets and lies. Hill does an excellent job depicting this wealthy family and all the deception they've built up around them. Money certainly can't buy happiness. This is a slow build mystery, with a slightly different feel, and you have to give yourself time to acclimate to the characters and rhythm of the story. If you do, you'll be rewarded with an intriguing tale. It may not be non-stop action, but Hill writes an excellent tale of a twisted family. It's one that will keep you guessing until the end.
I also recommend reading the first two books, as there's some progress in Morgan and Hester's relationship here (and honestly, not enough Kate), but the book does stand-alone. You'll be missing two great reads, though, if you skip the first two.
I received a copy of this book from Kensington Books and Netgalley in return for an unbiased review.
In the third book in the Hester Thursby series, Hester and her friend, Detective Angela White are attending a gala for Prescott University when they are told that someone has broken into the university owners' fancy mansion overlooking Jamaica Pond. Angela agrees to drop by out of courtesy, but once there, they are not sure that Jennifer Matson is telling the truth about what happened that evening. Then Prescott's general manager, Maxine, asks Hester to investigate some missing alumni, calling on Hester's renowned research skills. As Hester starts digging into the for-profit university, she unearths a tragedy that has long shadowed Jennifer and the family, financial issues, and more. But when one of the missing students she was looking into turns up dead, things turn dark, quickly.
I love Hill's Hester Thursby series. They are such intelligent and well-thought out mysteries. This wasn't my favorite of the group, but it was still incredibly well done and enjoyable. The topic of for-profit universities seemed timely and was quite interesting. Maxine made some awful choices, but I didn't envy her job running Prescott University, either.
Overall, the Matsons were a pretty terrible family shrouded in secrets and lies. Hill does an excellent job depicting this wealthy family and all the deception they've built up around them. Money certainly can't buy happiness. This is a slow build mystery, with a slightly different feel, and you have to give yourself time to acclimate to the characters and rhythm of the story. If you do, you'll be rewarded with an intriguing tale. It may not be non-stop action, but Hill writes an excellent tale of a twisted family. It's one that will keep you guessing until the end.
I also recommend reading the first two books, as there's some progress in Morgan and Hester's relationship here (and honestly, not enough Kate), but the book does stand-alone. You'll be missing two great reads, though, if you skip the first two.
I received a copy of this book from Kensington Books and Netgalley in return for an unbiased review.
Meddling Kids: A Novel
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LeftSideCut (3776 KP) rated Resident Evil: Welcome to Raccoon City (2021) in Movies
Dec 4, 2021
Well then, colour me surprised because I didn't absolutely hate this.
I'm a big fan of the Resident Evil games. So much so that the entirety of the original movie franchise actively annoyed me with every passing entry. This reboot makes a decent effort to stay faithful to the source material, and that alone commands some semblance of respect. The general atmosphere is very Resident Evil, many of the set pieces seem familiar, but there's just something missing. The cast boasts some great talent - Donal Logue, Hannah John-Kamen, and Neal McDonough are amongst the ranks - but all of them seem to be doing the best they can with a poor script, a script which is pretty much all the characters saying their names to eachother, and spouting exposition like there's no tomorrow. There's also the issue of the narrative content. Honestly, I'm just longing for a straight up adaption of the first game, a minimilast tense-as-hell thriller set in the original mansion. Welcome to Raccoon City sort of delivers in that respect, but also opts to cram in the plot of the second game, and even smatterings of the third. For a film that seems to be setting up a new series, that's a whole lot of content to burn through in one film. It results in a narrative that comes across as choppy. There's a little too much going on for it to flow properly. I also hated how Leon Kennedy was portrayed as a big dumb fuck. Show the man some respect! On top of this, the CGI is pretty damn atrocious throughout. The practical effects here and there look genuinely great, but there's a lot of undercooked effects work that managed to pull me out proceedings, especially in the final set piece.
Despite its shortcomings however, WTRC is a pretty entertaining video game adaption. It can be underwhelming at times, but it's aesthetic is pretty spot on, and it's so far removed from the initial film series that I can't help but kind of dig it, and I'll happily take it over any of those movies. Genuinely hoping a sequel happens.
I'm a big fan of the Resident Evil games. So much so that the entirety of the original movie franchise actively annoyed me with every passing entry. This reboot makes a decent effort to stay faithful to the source material, and that alone commands some semblance of respect. The general atmosphere is very Resident Evil, many of the set pieces seem familiar, but there's just something missing. The cast boasts some great talent - Donal Logue, Hannah John-Kamen, and Neal McDonough are amongst the ranks - but all of them seem to be doing the best they can with a poor script, a script which is pretty much all the characters saying their names to eachother, and spouting exposition like there's no tomorrow. There's also the issue of the narrative content. Honestly, I'm just longing for a straight up adaption of the first game, a minimilast tense-as-hell thriller set in the original mansion. Welcome to Raccoon City sort of delivers in that respect, but also opts to cram in the plot of the second game, and even smatterings of the third. For a film that seems to be setting up a new series, that's a whole lot of content to burn through in one film. It results in a narrative that comes across as choppy. There's a little too much going on for it to flow properly. I also hated how Leon Kennedy was portrayed as a big dumb fuck. Show the man some respect! On top of this, the CGI is pretty damn atrocious throughout. The practical effects here and there look genuinely great, but there's a lot of undercooked effects work that managed to pull me out proceedings, especially in the final set piece.
Despite its shortcomings however, WTRC is a pretty entertaining video game adaption. It can be underwhelming at times, but it's aesthetic is pretty spot on, and it's so far removed from the initial film series that I can't help but kind of dig it, and I'll happily take it over any of those movies. Genuinely hoping a sequel happens.