Search
Search results
Tombland (The Shardlake series Book 7)
Book
Summer, 1549. Two years after the death of Henry VIII, England is sliding into chaos . . . The...
Fall of Light
Book
Before the Malazan Empire, there was a time that set the stage for all those tales yet to be told ....
Terror by Night: The True Story of the Brutal Texas Murder That Destroyed a Family, Restored One Man's Faith, and Shocked a Nation
8.5
Rate It
Book
At 3:00 a.m. on March 1, 2008, Terry Caffey awoke to find his daughter’s boyfriend standing in his...
Merissa (12788 KP) rated Immortal (The Awakening Series #2) in Books
Apr 11, 2023
So what happens when you start reading a book and find out that not only does it involve insta-love but also love triangles - both of which you hate?! You carry on reading, that's what! Because by the time you realised, you were already hooked into the story and there wasn't a snowball's chance in hell of putting it down until it was finished. That's what happens when you read a book by Dean Murray.
Immortal is the second book in The Awakening Series and continues exactly where Reborn finished. You find out that Kyle and Selene were actually together WAY before Jace and Selene were. So how does Kyle fit into the scenario? I was fully prepared to dislike Kyle, after all, Jace and Selene were the ones that needed to be together, right? The trouble is I couldn't actually dislike him. You will have to read the book yourself to understand why but trust me, he's not a straightforward "villain".
There are quiet times when Selene (and you) find pieces out of the puzzle and there are also times of action, fighting and battles. Then there are the emotional times that you become invested in.
This story continues to be intriguing and complex with plot twists and turns that keep you on your toes. It was completely un-put-down-able and I loved every moment. Even though this book deals with tropes that I usually find irritating, the way Immortal has been written makes it a pleasure to read. Highly recommended to all fans of Young Adult, Contemporary Paranormal.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
March 5, 2015
Immortal is the second book in The Awakening Series and continues exactly where Reborn finished. You find out that Kyle and Selene were actually together WAY before Jace and Selene were. So how does Kyle fit into the scenario? I was fully prepared to dislike Kyle, after all, Jace and Selene were the ones that needed to be together, right? The trouble is I couldn't actually dislike him. You will have to read the book yourself to understand why but trust me, he's not a straightforward "villain".
There are quiet times when Selene (and you) find pieces out of the puzzle and there are also times of action, fighting and battles. Then there are the emotional times that you become invested in.
This story continues to be intriguing and complex with plot twists and turns that keep you on your toes. It was completely un-put-down-able and I loved every moment. Even though this book deals with tropes that I usually find irritating, the way Immortal has been written makes it a pleasure to read. Highly recommended to all fans of Young Adult, Contemporary Paranormal.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
March 5, 2015
BankofMarquis (1832 KP) rated Little Women (2019) in Movies
Feb 5, 2020
A Worthy Adaptation
There have been many adaptations of Louisa May Alcott's 19th Century Classic novel LITTLE WOMEN following the adventures, loves and losses of the 4 March sisters - Jo, Meg, Amy and Beth.. My favorite is the Orono High School's production of the musical version of LITTLE WOMEN (starring my daughter as Jo), but coming in a close second is the 1933 version with Katherine Hepburn starring as Jo (the quintessential Jo, in my book). So was there really a need for ANOTHER version of this?
Well...yes...and...no.
As adapted and directed by Greta Gerwig, this version of LITTLE WOMEN stars Saoirse Ronan as Jo, Emma Watson as Meg, Florence Pugh as Amy and Eliza Scanlen as Beth and has a strong "2019" female empowerment vibe to it (this is intended to be a compliment). I've seen this called a "Little Women for the #metoo era" and I think this is misguided branding - for it does disservice to the #metoo movement - and to this film.
Ronan - as expected - was Oscar nominated for her strong, independent turn as the strong and independent Jo. This is a perfect marriage of performer and material (almost as good as the Hepburn turn) and Ronan lands this character strongly (and correctly) at every turn. Timothee Chalamet matches her beat for beat as her erstwhile love, Laurie. This is the 2nd time that these two have played opposite each other (LADYBIRD was the other time) and there is a strong chemistry between these two - I look forward to many, many more pairings of Ronan and Chalamet in the future.
Famously (or maybe, it's infamously) Greta Gerwig did NOT receive and Oscar nomination for her Direction - and I think that is a shame (there are at least 2 nominated Directors that I would take off the list in favor of her). Because she adapted the screen play (a piece of work that she WAS Oscar nominated for - and will win in an effort to make up for the Directing snub), her Direction is sure-handed and strong throughout. She has a very good feel for the material and knows what she wants to do throughout, to interesting results.
This is because Gerwig chooses to focus much of this version on the relationship between Jo and Amy - a relationship that gets short shrift in most of the other adaptations. By casting Florence Pugh (also Oscar nominated) in the Amy role, Gerwig has a strong antagonist to Ronan's protagonist - with shades of both being grey. Neither character (or performance) is black and white they are both interacting with each other as realistic sisters would, both taking turns being "in the right"....and "the wrong".
Because of the focus on the Jo and Amy characters, the other 2 sisters - Meg and (especially) Beth - get short changed and even though both Watson and Scanlen are "game", they have precious little to do. The same goes with Meryl Streep (Aunt March), Laura Dern (Marmie), Tracy Letts (who seems to be in EVERYTHING right now) and Bob Odenkirk (of all people). They are all strong - and earnest - in their limited time on screen, but NONE of them have that much to do. Only Chris Cooper shines brightly in his small, supporting role.
I have to admit that because I've seen this story many, many times, I found my mind wandering a bit - especially at the beginning. But by the time Ronan/Chalamet/Pugh started working off of each other, the film - and my interest - rose.
So...is another version of LITTLE WOMEN necessary? I'd say no. But...if this version of LITTLE WOMEN is the one that the Little Women of today see - and can identify with - then I say "bring it on."
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
Well...yes...and...no.
As adapted and directed by Greta Gerwig, this version of LITTLE WOMEN stars Saoirse Ronan as Jo, Emma Watson as Meg, Florence Pugh as Amy and Eliza Scanlen as Beth and has a strong "2019" female empowerment vibe to it (this is intended to be a compliment). I've seen this called a "Little Women for the #metoo era" and I think this is misguided branding - for it does disservice to the #metoo movement - and to this film.
Ronan - as expected - was Oscar nominated for her strong, independent turn as the strong and independent Jo. This is a perfect marriage of performer and material (almost as good as the Hepburn turn) and Ronan lands this character strongly (and correctly) at every turn. Timothee Chalamet matches her beat for beat as her erstwhile love, Laurie. This is the 2nd time that these two have played opposite each other (LADYBIRD was the other time) and there is a strong chemistry between these two - I look forward to many, many more pairings of Ronan and Chalamet in the future.
Famously (or maybe, it's infamously) Greta Gerwig did NOT receive and Oscar nomination for her Direction - and I think that is a shame (there are at least 2 nominated Directors that I would take off the list in favor of her). Because she adapted the screen play (a piece of work that she WAS Oscar nominated for - and will win in an effort to make up for the Directing snub), her Direction is sure-handed and strong throughout. She has a very good feel for the material and knows what she wants to do throughout, to interesting results.
This is because Gerwig chooses to focus much of this version on the relationship between Jo and Amy - a relationship that gets short shrift in most of the other adaptations. By casting Florence Pugh (also Oscar nominated) in the Amy role, Gerwig has a strong antagonist to Ronan's protagonist - with shades of both being grey. Neither character (or performance) is black and white they are both interacting with each other as realistic sisters would, both taking turns being "in the right"....and "the wrong".
Because of the focus on the Jo and Amy characters, the other 2 sisters - Meg and (especially) Beth - get short changed and even though both Watson and Scanlen are "game", they have precious little to do. The same goes with Meryl Streep (Aunt March), Laura Dern (Marmie), Tracy Letts (who seems to be in EVERYTHING right now) and Bob Odenkirk (of all people). They are all strong - and earnest - in their limited time on screen, but NONE of them have that much to do. Only Chris Cooper shines brightly in his small, supporting role.
I have to admit that because I've seen this story many, many times, I found my mind wandering a bit - especially at the beginning. But by the time Ronan/Chalamet/Pugh started working off of each other, the film - and my interest - rose.
So...is another version of LITTLE WOMEN necessary? I'd say no. But...if this version of LITTLE WOMEN is the one that the Little Women of today see - and can identify with - then I say "bring it on."
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
Guitar Jam Tracks - Scale Trainer & Practice Buddy
Music and Education
App
Learn guitar scales FAST with the #1 practice buddy and scale trainer on the App Store, Guitar Jam...
Classical Music Masters Vol. 1
Music and Entertainment
App
* Ranked #1 Classical Music App Worldwide! * Optimized for the latest iOS and devices! * App Store...
Rannvijay Singha Official App
Music and Entertainment
App
Follow Rannvijay Singha through his Official App smarturl.it/RannvijaySingha. Download the free...
Cyn Armistead (14 KP) rated Killbox (Sirantha Jax, #4) in Books
Mar 1, 2018
Killbox won't make any sense without reading the previous three books, and I honestly feel that I should have gone back and re-read them before starting it. I was impatient for more fresh Aguirre after finishing [b:Shady Lady|6767883|Shady Lady (Corine Solomon, #3)|Ann Aguirre|http://photo.goodreads.com/books/1302689192s/6767883.jpg|6913777], though, and [b:Killbox|7843135|Killbox (Sirantha Jax, #4)|Ann Aguirre|http://photo.goodreads.com/books/1282093259s/7843135.jpg|6913748] is what I had on the Nook.
I really love Sirantha Jax's strength and complexity. She has grown and changed a great deal over the four books of the series, and reflects on the changes in herself during this book. Her relationship with March has deepened, as well. The depiction of a mature relationship being tested, rather than one that is fresh and new, is a nice switch from most of the books I've read recently.
The friendship between Velith and Jax is also a treasure. It is rare to see a pure friendship between a male and a female in fiction, without any sexual tension entering the picture. We're reminded that while he is an alien, Velith has had a human lover in the past, so it isn't as if that is impossible between the two — it just doesn't occur.
The book isn't solely about relationships, of course — I just appreciate how well Aguirre depicts relationships in and around the excellent plot. That's the part that you need background to understand.
The Morgut keep coming, a bigger threat than ever: they're colonizing instead of raiding. Jax secured a treaty with the Ithiss-Tor (Velith's people), but there's no help from them coming yet. Humanity's survival is on the line. Aguirre depicts battle believably, giving a sense of the horror without dwelling too much on gore.
Lovers are torn apart, established characters die, new ones come on stage. It's impossible to know at any given moment whether anyone, including Jax, will survive from scene to scene. That certainly kept me reading, and I think it will engage you, as well.
I really love Sirantha Jax's strength and complexity. She has grown and changed a great deal over the four books of the series, and reflects on the changes in herself during this book. Her relationship with March has deepened, as well. The depiction of a mature relationship being tested, rather than one that is fresh and new, is a nice switch from most of the books I've read recently.
The friendship between Velith and Jax is also a treasure. It is rare to see a pure friendship between a male and a female in fiction, without any sexual tension entering the picture. We're reminded that while he is an alien, Velith has had a human lover in the past, so it isn't as if that is impossible between the two — it just doesn't occur.
The book isn't solely about relationships, of course — I just appreciate how well Aguirre depicts relationships in and around the excellent plot. That's the part that you need background to understand.
The Morgut keep coming, a bigger threat than ever: they're colonizing instead of raiding. Jax secured a treaty with the Ithiss-Tor (Velith's people), but there's no help from them coming yet. Humanity's survival is on the line. Aguirre depicts battle believably, giving a sense of the horror without dwelling too much on gore.
Lovers are torn apart, established characters die, new ones come on stage. It's impossible to know at any given moment whether anyone, including Jax, will survive from scene to scene. That certainly kept me reading, and I think it will engage you, as well.
Ross (3284 KP) rated Death March (Euphoria Online Book 1) in Books
Nov 19, 2018
Thrilling, compelling LitRPG
I am a massive fan of Phil Tucker's Chronicles of the Black Gate series and was intrigued at this venture, largely funded by kickstarter.
While the term "LitRPG" isn't necessarily something that would attract me (I've read and mostly enjoyed Ready Player One but the idea of people escaping the real world to enter an online one doesn't seem to justify a whole sub-genre to my mind).
The book sees Chris struggling to make ends meet teaching disinterested kids while he fights his brother's death sentence. A former compulsive gamer, given the chance to enter the world of Euphoria, normally too expensive for him to consider, he throws himself into the game with gusto. By playing on the hardest level (Death March), he is risking his own life as he cannot re-spawn in the game and death will mean actual death for him. The prize on offer for this risk, if he can survive 6 months game-time (the equivalent of a weekend in the real world), is a cash sum plus the chance to request anything at all of the AI running the government - including a pardon for his brother.
Chris finds himself in a ruined medieval setting in the game, struggling to earn points to level up and make his character stronger. This levelling up and earning/spending XP is a main part of the book. While not a RPG fan myself, I loved this aspect as it meant he learned new skills and abilities throughout the book with good reason (so no sudden new strengths here!) and he had to choose what kind of character he wanted to become.
The action sequences are sublimely written and narrated and the whole book is so immersive. Sadly, it is also really short so was over in no time, but with 2 more books already available I will get cracking on those.
Heartily recommend to anyone who is a fan of fantasy, gaming/RPG or anyone looking for some real escapism.
While the term "LitRPG" isn't necessarily something that would attract me (I've read and mostly enjoyed Ready Player One but the idea of people escaping the real world to enter an online one doesn't seem to justify a whole sub-genre to my mind).
The book sees Chris struggling to make ends meet teaching disinterested kids while he fights his brother's death sentence. A former compulsive gamer, given the chance to enter the world of Euphoria, normally too expensive for him to consider, he throws himself into the game with gusto. By playing on the hardest level (Death March), he is risking his own life as he cannot re-spawn in the game and death will mean actual death for him. The prize on offer for this risk, if he can survive 6 months game-time (the equivalent of a weekend in the real world), is a cash sum plus the chance to request anything at all of the AI running the government - including a pardon for his brother.
Chris finds himself in a ruined medieval setting in the game, struggling to earn points to level up and make his character stronger. This levelling up and earning/spending XP is a main part of the book. While not a RPG fan myself, I loved this aspect as it meant he learned new skills and abilities throughout the book with good reason (so no sudden new strengths here!) and he had to choose what kind of character he wanted to become.
The action sequences are sublimely written and narrated and the whole book is so immersive. Sadly, it is also really short so was over in no time, but with 2 more books already available I will get cracking on those.
Heartily recommend to anyone who is a fan of fantasy, gaming/RPG or anyone looking for some real escapism.