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BankofMarquis (1832 KP) rated Lilies of the Field (1963) in Movies
Jan 31, 2022
Strong Performances by Poitier and Skala
The film that Sidney Poitier won his Best Actor In A Leading Role Oscar for (becoming the first Black Man to do so) is the type of film that is rarely made these days - a simple film of love, faith, friendship and inspiration.
Written by James Poe from the Novel by William E. Barrett, LILIES OF THE FIELD tells the tale of a drifter who is the answer to a Nun’s prayer. Praying to the God that she believes in, she asks for help in getting a Church built in the desert in Arizona.
Simply Directed by Ralph Nelson (fresh off his success with REQUIEM FOR A HEAVYWEIGHT), Lilies of the Field is a positive life (and faith) affirming film from start to finish that will touch your heart…and your soul.
Poitier stars as handyman Homer Smith who’s car breaks down where a group of Nuns are trying to start a parish (and get a church built). Following the machinations of Mother Maria (Lilia Skala - in an Oscar nominated turn of her own), Homer never leaves and ends up being inspired - and inspiring others - to get this church built.
But it is the journey - not the destination - of this film that matters. Homer is thwarted time and time again by Mother Maria in his attempts to leave and his protestations that this is the “final job, then I’m leaving” is met with steeled determination by Mother Maria who has an unflappable belief that Homer is the answer to her prayers.
This film hangs on the relationship between Homer and Mother Maria and these 2 fine actors deliver the goods. Poitier is a deserved winner of the Best Actor Oscar (though he would fret for years that his win was a “token” win - which it is not). His Homer Smith is charming and forceful with a “lost” look in his eyes when he first arrives in the desert. This, in turns, changes to fierce determination to get that church built.
The real hero of this film is the under-rated performance of Skala (who did a series of TV Guest star appearances in the 50’s, 60’s and 70’s but never really had a movie role - before or since - that would rival this one). It would have been tempting to make Mother Maria a one-note ice queen in her dogged determination - and belief - that Homer was sent by God, but in the hands of Skala there is a warmth in her eyes that serves as a counterbalance to her resolve.
It is the relationship of these 2 characters - and the ramifications of this relationship to the parish community - that is the soul of this film, and this soul runs deep. The relationship between Homer and Mother Maria is not, exactly, a friendship, but more of a strong work bond. 2 persons united in a common goal - for the common good.
Not the fastest moving of all films you will view, but the heart and soul that is at the center of this film - along with 2 very strong central performances - will warm your heart.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Written by James Poe from the Novel by William E. Barrett, LILIES OF THE FIELD tells the tale of a drifter who is the answer to a Nun’s prayer. Praying to the God that she believes in, she asks for help in getting a Church built in the desert in Arizona.
Simply Directed by Ralph Nelson (fresh off his success with REQUIEM FOR A HEAVYWEIGHT), Lilies of the Field is a positive life (and faith) affirming film from start to finish that will touch your heart…and your soul.
Poitier stars as handyman Homer Smith who’s car breaks down where a group of Nuns are trying to start a parish (and get a church built). Following the machinations of Mother Maria (Lilia Skala - in an Oscar nominated turn of her own), Homer never leaves and ends up being inspired - and inspiring others - to get this church built.
But it is the journey - not the destination - of this film that matters. Homer is thwarted time and time again by Mother Maria in his attempts to leave and his protestations that this is the “final job, then I’m leaving” is met with steeled determination by Mother Maria who has an unflappable belief that Homer is the answer to her prayers.
This film hangs on the relationship between Homer and Mother Maria and these 2 fine actors deliver the goods. Poitier is a deserved winner of the Best Actor Oscar (though he would fret for years that his win was a “token” win - which it is not). His Homer Smith is charming and forceful with a “lost” look in his eyes when he first arrives in the desert. This, in turns, changes to fierce determination to get that church built.
The real hero of this film is the under-rated performance of Skala (who did a series of TV Guest star appearances in the 50’s, 60’s and 70’s but never really had a movie role - before or since - that would rival this one). It would have been tempting to make Mother Maria a one-note ice queen in her dogged determination - and belief - that Homer was sent by God, but in the hands of Skala there is a warmth in her eyes that serves as a counterbalance to her resolve.
It is the relationship of these 2 characters - and the ramifications of this relationship to the parish community - that is the soul of this film, and this soul runs deep. The relationship between Homer and Mother Maria is not, exactly, a friendship, but more of a strong work bond. 2 persons united in a common goal - for the common good.
Not the fastest moving of all films you will view, but the heart and soul that is at the center of this film - along with 2 very strong central performances - will warm your heart.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) rated The 8th Doll (Alex Guidry, #1) in Books
Jun 7, 2018
(This review is also on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I have to admit that I've never read a book about the Mayan Prophecy. However, when I saw the synopsis of this book, I was definitely intrigued. It's not something I'd normally pick up and read, but I decided to take a chance on it. I'm glad I did because it was such an amazing book!!!
Charlie Landry, a geologist, is found beheaded during a drilling project in Mexico. To help find out why he was murdered and who did it, Alex Guidry is called in to help. A doll is found near Landry's body with the number 8 written in blood on the front. This now throws a spanner in the works. What is Landry trying to tell him? Also, who keeps murdering everyone?
The title of this book, The 8th Doll, definitely suits the story. The story revolves mainly around trying to figure out what this eighth doll means. Fantastic title chosen by the author.
I love the cover of this book! The cover gives you a big hint about what the story is going to be about with the doll with the eight written on it and the Mayan temple of the Seven Dolls in the background. I think it's a fantastic cover!
The setting takes place in Mexico which makes sense as that's where the Mayans lived. The author does a great job of portraying how Mexico is, especially when it comes to the climate!
The pacing of this book was fantastic!! It is definitely a fast paced thriller. I found myself wanting to know what was going to happen next in the story. Many times, I stayed up late just to finish many chapters.
The dialogue was definitely easy to understand. There are a few Spanish words in there, but they are easy enough to figure out what they mean, or they are explained. I was really happy about this.
The characters were very well developed. Alex has a good head on his shoulders and is a great detective. I loved the character of Maria. I don't know why, but I guess it's because she brought a woman's touch to the story, lol. Jenkins was my favourite character though. He was perfect with his comic timing. He reminds me of a cross between Samuel L. Jackson and Will Smith. I also thought the baddie, Ah Pukuh, was written well. I also have to say that I loved the mayor. He's only a minor character, but I loved him nonetheless.
I loved the fact that this book used aspects of Mayan prophecy. I must admit that I don't know much about it, but after reading this book, it's clear that the author's done his homework on it. It's such a well written book!
The only fault I found with the book, and this is only a minor fault, is the insta-love between Maria and Alex. Lust I can believe in, but I'm not a believer of love at first sight. That's only a personal gripe though.
Definitely give The 8th Doll by Chris Rakunas a read even if this normally isn't your sort of book.
I'd recommend this book to everyone aged 16+. It's so good!
I have to admit that I've never read a book about the Mayan Prophecy. However, when I saw the synopsis of this book, I was definitely intrigued. It's not something I'd normally pick up and read, but I decided to take a chance on it. I'm glad I did because it was such an amazing book!!!
Charlie Landry, a geologist, is found beheaded during a drilling project in Mexico. To help find out why he was murdered and who did it, Alex Guidry is called in to help. A doll is found near Landry's body with the number 8 written in blood on the front. This now throws a spanner in the works. What is Landry trying to tell him? Also, who keeps murdering everyone?
The title of this book, The 8th Doll, definitely suits the story. The story revolves mainly around trying to figure out what this eighth doll means. Fantastic title chosen by the author.
I love the cover of this book! The cover gives you a big hint about what the story is going to be about with the doll with the eight written on it and the Mayan temple of the Seven Dolls in the background. I think it's a fantastic cover!
The setting takes place in Mexico which makes sense as that's where the Mayans lived. The author does a great job of portraying how Mexico is, especially when it comes to the climate!
The pacing of this book was fantastic!! It is definitely a fast paced thriller. I found myself wanting to know what was going to happen next in the story. Many times, I stayed up late just to finish many chapters.
The dialogue was definitely easy to understand. There are a few Spanish words in there, but they are easy enough to figure out what they mean, or they are explained. I was really happy about this.
The characters were very well developed. Alex has a good head on his shoulders and is a great detective. I loved the character of Maria. I don't know why, but I guess it's because she brought a woman's touch to the story, lol. Jenkins was my favourite character though. He was perfect with his comic timing. He reminds me of a cross between Samuel L. Jackson and Will Smith. I also thought the baddie, Ah Pukuh, was written well. I also have to say that I loved the mayor. He's only a minor character, but I loved him nonetheless.
I loved the fact that this book used aspects of Mayan prophecy. I must admit that I don't know much about it, but after reading this book, it's clear that the author's done his homework on it. It's such a well written book!
The only fault I found with the book, and this is only a minor fault, is the insta-love between Maria and Alex. Lust I can believe in, but I'm not a believer of love at first sight. That's only a personal gripe though.
Definitely give The 8th Doll by Chris Rakunas a read even if this normally isn't your sort of book.
I'd recommend this book to everyone aged 16+. It's so good!
Bob Mann (459 KP) rated Christine (2016) in Movies
Sep 29, 2021
If it bleeds, it leads.
Life is precious. Bad times always get good again eventually. Winter turns to spring and you feel the warmth of the sun on your face again. So what drives someone – anyone – to the point of despair sufficient for them to ignore all of the potential upturns and to take their own life?
Christine tells the tragic tale of Florida TV news reporter Christine Chubbuck who committed suicide live on air in 1974. Yes, this is a spoiler, but since most people have some sense of what a film is about before they go to see it, it’s not really a big one. And I think in this case, knowing the outcome is pretty essential since otherwise you will likely spend 2 hours getting increasingly irritated by the erratic behaviour of the lead character and may possibly turn it off. With this movie, the telling is in the journey – not the destination.
London-born Rebecca Hall (“The Town”) plays the 30 year old virgin Christine; a damaged article with past mental issues, she has been moved by her mother Peg (J Smith-Cameron) from Boston to Florida to make a fresh start. But the station is struggling and Christine’s insistence on pursuing dull but worthy stories, such as zoning disputes, isn’t helping: she is driving her boss (Tracy Letts) to distraction. Despite her spiky demeanour and unapproachable nature, her colleagues including Jean (Maria Dizzia), the show’s anchor (and potential deflowerer) George (Michael C Hall) and weatherman Steve (Timothy Simons from “Veep”) all do their best to support her. It is part of the true tragedy of the piece that her downward spiral continues despite their best efforts.
Hall is outstanding in the role. She portrays the crazily compulsive behaviour of Chubbuck extremely well: perfectionism gone wild as she attempts to edit out 3 seconds off a clip while the film is already in the machine. At times the other-worldliness and creepiness of her character become extremely unsettling; an excruciating scene with a married couple in a bar being a case in point. Overall it’s an extremely thoughtful portrayal that is as quiet and unassuming as Ruth Negga’s in “Loving” (but without the smiles or the charm). I would like to think that after the Oscars team picked the ‘obvious contenders’ of Portman, Stone and Huppert, and with a place ‘reserved’ for Streep, they were left with Negga and Hall and had a “dammit, we can only pick 1 out of 2 here” moment.
Letts as the crotchety station chief also delivers a fine performance, and it’s a shame that the script never gave us the chance to see his post-shooting reactions, since the ‘if only’ ramifications for him in particular must have been huge.
In retrospect, Chubbuck’s actions were bizarre: taking her life in such a public way (and insisting the show be recorded for her “reels”) strikes of narcissism and a bitter revenge. While the film is no doubt based on the true recollections of the real-life participants, the screenplay by Craig Shilowich, in an impressive writing debut, for me never quite closed that loop: why this way rather that a car and a hosepipe?
Directed by Antonio Campos, this is never an easy watch. It’s a bit like watching a car crash in ultra-slow motion, and pretty much mandates that you watch an episode of “Father Ted” afterwards to cheer yourself up! But it’s a fascinating study in mental decline, and it’s a useful reminder that it behoves all of us to pay more attention to others around us and reach out with real help if needed before the worst can happen.
Christine tells the tragic tale of Florida TV news reporter Christine Chubbuck who committed suicide live on air in 1974. Yes, this is a spoiler, but since most people have some sense of what a film is about before they go to see it, it’s not really a big one. And I think in this case, knowing the outcome is pretty essential since otherwise you will likely spend 2 hours getting increasingly irritated by the erratic behaviour of the lead character and may possibly turn it off. With this movie, the telling is in the journey – not the destination.
London-born Rebecca Hall (“The Town”) plays the 30 year old virgin Christine; a damaged article with past mental issues, she has been moved by her mother Peg (J Smith-Cameron) from Boston to Florida to make a fresh start. But the station is struggling and Christine’s insistence on pursuing dull but worthy stories, such as zoning disputes, isn’t helping: she is driving her boss (Tracy Letts) to distraction. Despite her spiky demeanour and unapproachable nature, her colleagues including Jean (Maria Dizzia), the show’s anchor (and potential deflowerer) George (Michael C Hall) and weatherman Steve (Timothy Simons from “Veep”) all do their best to support her. It is part of the true tragedy of the piece that her downward spiral continues despite their best efforts.
Hall is outstanding in the role. She portrays the crazily compulsive behaviour of Chubbuck extremely well: perfectionism gone wild as she attempts to edit out 3 seconds off a clip while the film is already in the machine. At times the other-worldliness and creepiness of her character become extremely unsettling; an excruciating scene with a married couple in a bar being a case in point. Overall it’s an extremely thoughtful portrayal that is as quiet and unassuming as Ruth Negga’s in “Loving” (but without the smiles or the charm). I would like to think that after the Oscars team picked the ‘obvious contenders’ of Portman, Stone and Huppert, and with a place ‘reserved’ for Streep, they were left with Negga and Hall and had a “dammit, we can only pick 1 out of 2 here” moment.
Letts as the crotchety station chief also delivers a fine performance, and it’s a shame that the script never gave us the chance to see his post-shooting reactions, since the ‘if only’ ramifications for him in particular must have been huge.
In retrospect, Chubbuck’s actions were bizarre: taking her life in such a public way (and insisting the show be recorded for her “reels”) strikes of narcissism and a bitter revenge. While the film is no doubt based on the true recollections of the real-life participants, the screenplay by Craig Shilowich, in an impressive writing debut, for me never quite closed that loop: why this way rather that a car and a hosepipe?
Directed by Antonio Campos, this is never an easy watch. It’s a bit like watching a car crash in ultra-slow motion, and pretty much mandates that you watch an episode of “Father Ted” afterwards to cheer yourself up! But it’s a fascinating study in mental decline, and it’s a useful reminder that it behoves all of us to pay more attention to others around us and reach out with real help if needed before the worst can happen.