Search
Search results
Gareth von Kallenbach (968 KP) rated Tammy (2014) in Movies
Jun 19, 2019
Life for Tammy (Melissa McCarthy) is a struggle in frustration. She is an outspoken individual who is not shy about speaking her mind and acting out which is often as trouble seems to follow her everywhere.
Following one particularly bad morning, Tammy decides to move away from Illinois once and for all and when her mother offers her no real encouragement, Tammy takes to the road with her grandmother (Susan Sarandon).
Despite her health issues and love for the bottle, Tammy is happy to have the company as she admires the free spirit of her grandmother who wants to have an adventure and live life to the fullest at all times.
Of course trouble seems to find Tammy and before long she has to deal with a slew of problems as well as the increasingly self destructive behavior of her grandmother.
Complications arise when a farmer named Bobby (Mark Duplass), and his father Earl (Gary Cole), enter into the picture to provide distractions to the ladies and to make them start to see the consequences of their action.
Throw in short but solid supporting work from Kathy Bates and Dan Aykroyd, and this film should have been a laugh filled riot. Instead it stays in the bittersweet range far more than it does comedy, as many of the best jokes in the film were shown in the trailer.
I credit McCarthy, who along with Ben Falcone wrote the film, for trying to move beyond the manic comedies that she has done prior. The film is marketed as more of the same but it is not. The film drags in places as you keep waiting for the laughs to come and when they do it is very sporadic. Instead the focus in on emotions, life, and being accountable as well as other heady topics it is just a shame that McCarthy keeps having to play the lovable loser parts as to be honest they are starting to get old. I joked to my wife that a prison in the film looked much like the one in “Identity Thief”.
The film attempts to combine a buddy road trip with some deeper human issues but this is not “Thelma and Louise”, and it does seem that despite the best efforts of all involved, we have seen this trip many times before and it is one that did not need to be taken again.
http://sknr.net/2014/07/02/tammy/
Following one particularly bad morning, Tammy decides to move away from Illinois once and for all and when her mother offers her no real encouragement, Tammy takes to the road with her grandmother (Susan Sarandon).
Despite her health issues and love for the bottle, Tammy is happy to have the company as she admires the free spirit of her grandmother who wants to have an adventure and live life to the fullest at all times.
Of course trouble seems to find Tammy and before long she has to deal with a slew of problems as well as the increasingly self destructive behavior of her grandmother.
Complications arise when a farmer named Bobby (Mark Duplass), and his father Earl (Gary Cole), enter into the picture to provide distractions to the ladies and to make them start to see the consequences of their action.
Throw in short but solid supporting work from Kathy Bates and Dan Aykroyd, and this film should have been a laugh filled riot. Instead it stays in the bittersweet range far more than it does comedy, as many of the best jokes in the film were shown in the trailer.
I credit McCarthy, who along with Ben Falcone wrote the film, for trying to move beyond the manic comedies that she has done prior. The film is marketed as more of the same but it is not. The film drags in places as you keep waiting for the laughs to come and when they do it is very sporadic. Instead the focus in on emotions, life, and being accountable as well as other heady topics it is just a shame that McCarthy keeps having to play the lovable loser parts as to be honest they are starting to get old. I joked to my wife that a prison in the film looked much like the one in “Identity Thief”.
The film attempts to combine a buddy road trip with some deeper human issues but this is not “Thelma and Louise”, and it does seem that despite the best efforts of all involved, we have seen this trip many times before and it is one that did not need to be taken again.
http://sknr.net/2014/07/02/tammy/
BankofMarquis (1832 KP) rated Bombshell (2019) in Movies
Jan 31, 2020
Well acted - and important - film
The new Jay Roach film, BOMBSHELL - the Fox News sex scandal film - focuses on the struggles of 3 female protagonists - Gretchen Carlson (Nicole Kidman), Megyn Kelly (Charlize Theron) and Kayla Pospisil (Margot Robbie) - as they attempt to climb (or stay at the top of) the Corporate Ladder while battling sexism and a toxic work culture at Fox News. It is a powerful story that is a necessary tale in the "#MeToo" era that demands viewers to stand up and take notice.
And with powerhouse actresses leading this film - standing up and taking notice is an easy thing to do.
Based on factual events, BOMBSHELL portrays the sexism that female on air personalities encounter at FoxNews - a place filled with "good ol' boys" who patronize and sexualize the females in the office to the detriment of the females and the benefit and gratification of the males. Surprisingly, they are joined in this by some other females in the office who figure "better them than me". At the top of the office - and the toxic work culture - is Roger Ailes (an almost unrecognizable John Lithgow) who is hailed by Fox as the man who can create the news - and profits.
Kidman, Theron and Robbie are well cast in their roles, showing nuance, concern and strength as these negative conditions rear their ugly heads over and over again. All 3 produce powerhouse performances - certainly up there amongst the best of their careers - and Theron and Robbie are well deserved Oscar nominees for their performances. Kidman was NOT nominated for her performance, but she is just as deserving as the other two.
But, for me, the real surprise - and the best performance - of this film belongs to Lithgow's portrayal of Ailes. His characterization shows a real wolf, taking advantage of his status and position, to prey upon those in his office. It is a sly, evil performance of a sly, evil man. What impressed me the most is that this performance - and this character - could have easily gone "over the top" into "pure villain" territory and Lithgow resists this temptation - to the betterment of this film, but to the detriment of his Oscar chances.
As written by Charles Randolph (THE BIG SHORT) this film has a pacing/theming issue for the first 1/2 hour of this film. Is it a serious film? Is it sarcastic look at toxic masculinity work culture? Is it an indictment on our current society as a whole? Randolph's script uses some of the same tactics as THE BIG SHORT, having performers breaking the 4th wall and commenting and narrating the events while looking directly at the camera. While this tactic worked very well in THE BIG SHORT (if you haven't seen this film, I highly recommend you do), it works less well here and Director Jay Roach (TRUMBO) wisely drops that "gimmick" after the first 1/2 hour.
This film is filled with wonderful character actors making extended (and powerful) cameos. The likes of Kate McKinnon, Allyson Janney, Holland Taylor, Connie Britton, Stephen Root, Malcolm McDowell, Robin Weigert, Mark Duplass, Richard Kind, Mark Moses and Tricia Helfer all contribute greatly to the film while shining in the little screen time they have.
A necessary - and powerful - film filled with tremendous performances that shine a light on a problem that is pervasive today. Which makes this film a must watch - as difficult as it is to watch at times.
Letter Grade: A- (the first 1/2 hour brings it down a point)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
And with powerhouse actresses leading this film - standing up and taking notice is an easy thing to do.
Based on factual events, BOMBSHELL portrays the sexism that female on air personalities encounter at FoxNews - a place filled with "good ol' boys" who patronize and sexualize the females in the office to the detriment of the females and the benefit and gratification of the males. Surprisingly, they are joined in this by some other females in the office who figure "better them than me". At the top of the office - and the toxic work culture - is Roger Ailes (an almost unrecognizable John Lithgow) who is hailed by Fox as the man who can create the news - and profits.
Kidman, Theron and Robbie are well cast in their roles, showing nuance, concern and strength as these negative conditions rear their ugly heads over and over again. All 3 produce powerhouse performances - certainly up there amongst the best of their careers - and Theron and Robbie are well deserved Oscar nominees for their performances. Kidman was NOT nominated for her performance, but she is just as deserving as the other two.
But, for me, the real surprise - and the best performance - of this film belongs to Lithgow's portrayal of Ailes. His characterization shows a real wolf, taking advantage of his status and position, to prey upon those in his office. It is a sly, evil performance of a sly, evil man. What impressed me the most is that this performance - and this character - could have easily gone "over the top" into "pure villain" territory and Lithgow resists this temptation - to the betterment of this film, but to the detriment of his Oscar chances.
As written by Charles Randolph (THE BIG SHORT) this film has a pacing/theming issue for the first 1/2 hour of this film. Is it a serious film? Is it sarcastic look at toxic masculinity work culture? Is it an indictment on our current society as a whole? Randolph's script uses some of the same tactics as THE BIG SHORT, having performers breaking the 4th wall and commenting and narrating the events while looking directly at the camera. While this tactic worked very well in THE BIG SHORT (if you haven't seen this film, I highly recommend you do), it works less well here and Director Jay Roach (TRUMBO) wisely drops that "gimmick" after the first 1/2 hour.
This film is filled with wonderful character actors making extended (and powerful) cameos. The likes of Kate McKinnon, Allyson Janney, Holland Taylor, Connie Britton, Stephen Root, Malcolm McDowell, Robin Weigert, Mark Duplass, Richard Kind, Mark Moses and Tricia Helfer all contribute greatly to the film while shining in the little screen time they have.
A necessary - and powerful - film filled with tremendous performances that shine a light on a problem that is pervasive today. Which makes this film a must watch - as difficult as it is to watch at times.
Letter Grade: A- (the first 1/2 hour brings it down a point)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)