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Leanne Crabtree (480 KP) rated One Perfect Summer (One Perfect #1) in Books
Sep 6, 2019
This is my first 2 star rating for a Paige Toon book. I'm a big fan but I struggled to get into this one, it was only about the 75% mark that it started to really grab my attention and then it was full steam ahead.
Joe was great--I've noticed that she likes to write books about first loves and meeting them again years later. This must be the 3rd/4th I've read with that sort of storyline--and I liked the beginning where they spent a lot of time together. It was a little dark in places--Joe's brother--but also sweet at times.
I have to say that I think this book dragged a lot in the middle. There was a lot of bits that were irrelevant as far as I'm concerned, and that was probably why it's taken me so long to read.
Then we meet Lukas. He seems pretty normal to start with but the more of him we see the more controlling and demanding he became and I just wanted to scream at Alice. What was she doing?!
The ending was a little vague of names but it had to be Joe that she met. It had to be!
Joe was great--I've noticed that she likes to write books about first loves and meeting them again years later. This must be the 3rd/4th I've read with that sort of storyline--and I liked the beginning where they spent a lot of time together. It was a little dark in places--Joe's brother--but also sweet at times.
I have to say that I think this book dragged a lot in the middle. There was a lot of bits that were irrelevant as far as I'm concerned, and that was probably why it's taken me so long to read.
Then we meet Lukas. He seems pretty normal to start with but the more of him we see the more controlling and demanding he became and I just wanted to scream at Alice. What was she doing?!
The ending was a little vague of names but it had to be Joe that she met. It had to be!
graveyardgremlin (7194 KP) rated Doppelgangster (Esther Diamond, #2) in Books
Feb 15, 2019
Wow, this was a real disappointment. The title was great, and I'll probably never use the term doppelganger ever again, but the story didn't live up to it. As opposed to the first book, [b:Disappearing Nightly|1405551|Disappearing Nightly|Laura Resnick|http://photo.goodreads.com/books/1183345232s/1405551.jpg|1231526], the humor was nearly nonexistent, the energy and zip lost, the new characters didn't add much and weren't very interesting - heck, even Esther and Max were boring, and the plot just wasn't that good. A hundred pages could have easily been shaved off and they wouldn't have been missed, especially with the mostly boring, redundant blathering that went on between the three main characters (Esther, Max and Lucky). So there were a few good points, mainly Lucky and Nelli, but overall the book meandered too much and took its sweet time getting anywhere; by the two-thirds mark I just wanted it to be over already. Everything was explained over and over again with each new suspect, I felt like it was being spelled out in excruciatingly slow details, in case the reader was too much of an idiot to figure anything out for themself. I hope, hope, hope that this is just a sophomore slump and the next book will be better. Also, keeping Lopez out of the magic loop will get old fast, so hopefully the author introduces it to him by the fourth entry.
Leanne Crabtree (480 KP) rated All She Wrote (Holmes & Moriarity, #2) in Books
Sep 6, 2019
4.5 stars.
I enjoyed this one more than the first, though I think that can be put down to the progression in the relationship between Kit and J.X.
At the start my warm and fuzzies over how the last one ended quickly dissolved as this started with them decided to take a break. I was like WTF?! And then Kit was off across the country to go and see his mentor after her fall down some icy stairs meaning she couldn't run her Writer's Workshop. Of course, it wasn't as straight forward as that and we were thrown into yet another murder mystery.
I have to say I was kinda disheartened when J.X. wasn't in the first third (or so) of the story as I really liked him and Kit as a couple but he reappeared and the warm and fuzzies returned. The progression of their relationship in this one was so sweet. J.X. is willing to anything to keep Kit in his life and I find that lovely.
As for the murder mystery, I was once again stumped until the 90% mark when someone wasn't quite upset enough and it clicked (about the same time as Kit figured it out, too).
I love Josh Lanyon books like this and can't wait to read more from him! I also can't wait for the next Holmes and Moriarity book!
I enjoyed this one more than the first, though I think that can be put down to the progression in the relationship between Kit and J.X.
At the start my warm and fuzzies over how the last one ended quickly dissolved as this started with them decided to take a break. I was like WTF?! And then Kit was off across the country to go and see his mentor after her fall down some icy stairs meaning she couldn't run her Writer's Workshop. Of course, it wasn't as straight forward as that and we were thrown into yet another murder mystery.
I have to say I was kinda disheartened when J.X. wasn't in the first third (or so) of the story as I really liked him and Kit as a couple but he reappeared and the warm and fuzzies returned. The progression of their relationship in this one was so sweet. J.X. is willing to anything to keep Kit in his life and I find that lovely.
As for the murder mystery, I was once again stumped until the 90% mark when someone wasn't quite upset enough and it clicked (about the same time as Kit figured it out, too).
I love Josh Lanyon books like this and can't wait to read more from him! I also can't wait for the next Holmes and Moriarity book!
Movie Metropolis (309 KP) rated The BFG (2016) in Movies
Jun 10, 2019
Spielberg, where are you?
Roald Dahl’s inspiring novels have had a chequered history when it comes to turning them into films. Danny DeVito’s Matilda is widely regarded as one of the best adaptations, with Tim Burton’s Charlie & the Chocolate Factory rendered a monstrosity by fans of the author and movie critics alike.
So when Steven Spielberg was announced as director of The BFG, my personal favourite of all Dahl’s novels, I was equal parts pleased and wary. Could my favourite filmmaker really do this amazing book justice?
Partially is the short answer. Spielberg proves a safe pair of hands as usual, but it lacks his trademark flair, losing the darker, more brooding elements of the source material in the process.
Ten-year-old Sophie (Ruby Barnhill) experiences the adventure of a lifetime when she meets the Big Friendly Giant (Mark Rylance). Naturally scared at first, she soon realizes that the 24-foot behemoth is actually gentle and charming. As their friendship grows, Sophie’s presence attracts the unwanted attention of Bloodbottler, Fleshlumpeater and other giants. After traveling to London, Sophie and the BFG must convince the Queen to help them get rid of all the bad giants once and for all.
Casting wise, The BFG is practically spot on with Mark Rylance being exceptional in the titular role. It was always going to be hard to fill the shoes of David Jason, who tackled the character in the 1989 TV film, but he is perfect; getting the mannerisms and voice down to a tee. The motion capture used to render Rylance’s face onto the giant is breath-taking and some of the best I’ve seen. Elsewhere, Ruby Barnhill certainly has the look of Sophie, but lacks the acting finesse of some child actors.
The cinematography is both beautiful and at times hard to stomach. The opening sequence in which Sophie is taken from her bed to Giant Country is stunning, climaxing in a first-person view of the far-away land. Unfortunately, Spielberg’s avoidance of shaky cam lends an almost video-game feel to the scene that proves nauseating after a few minutes.
The BFG also suffers when both its main characters share a close-up. In particular, when Sophie is being carried by the giant, the motions look continuously jerky and spoil an otherwise impeccably rendered film – you can see where the $140million was spent.
Unfortunately, John Williams’ score lacks any sort of punch and feels sorely out of place in certain parts of the film. This is even more unusual considering the pairing of Spielberg and Williams has given us greats like Jurassic Park, E.T. and Indiana Jones.
Nevertheless, this is a sweet film that children and adults should enjoy. The themes of friendship and loneliness can resonate with all generations and a packed-out cinema proves just what a draw Roald Dahl still is to this day.
Overall, The BFG is everything most families will want from a summer holiday blockbuster. It’s sugary sweet, with great special effects, engaging acting and a wonderful story that follows its source material reasonably well. However, for Spielberg fans, it’s puzzling because the director’s presence feels a little lost. There’s a lot to like, but not a lot to love.
https://moviemetropolis.net/2016/07/28/spielberg-where-are-you-the-bfg-review/
So when Steven Spielberg was announced as director of The BFG, my personal favourite of all Dahl’s novels, I was equal parts pleased and wary. Could my favourite filmmaker really do this amazing book justice?
Partially is the short answer. Spielberg proves a safe pair of hands as usual, but it lacks his trademark flair, losing the darker, more brooding elements of the source material in the process.
Ten-year-old Sophie (Ruby Barnhill) experiences the adventure of a lifetime when she meets the Big Friendly Giant (Mark Rylance). Naturally scared at first, she soon realizes that the 24-foot behemoth is actually gentle and charming. As their friendship grows, Sophie’s presence attracts the unwanted attention of Bloodbottler, Fleshlumpeater and other giants. After traveling to London, Sophie and the BFG must convince the Queen to help them get rid of all the bad giants once and for all.
Casting wise, The BFG is practically spot on with Mark Rylance being exceptional in the titular role. It was always going to be hard to fill the shoes of David Jason, who tackled the character in the 1989 TV film, but he is perfect; getting the mannerisms and voice down to a tee. The motion capture used to render Rylance’s face onto the giant is breath-taking and some of the best I’ve seen. Elsewhere, Ruby Barnhill certainly has the look of Sophie, but lacks the acting finesse of some child actors.
The cinematography is both beautiful and at times hard to stomach. The opening sequence in which Sophie is taken from her bed to Giant Country is stunning, climaxing in a first-person view of the far-away land. Unfortunately, Spielberg’s avoidance of shaky cam lends an almost video-game feel to the scene that proves nauseating after a few minutes.
The BFG also suffers when both its main characters share a close-up. In particular, when Sophie is being carried by the giant, the motions look continuously jerky and spoil an otherwise impeccably rendered film – you can see where the $140million was spent.
Unfortunately, John Williams’ score lacks any sort of punch and feels sorely out of place in certain parts of the film. This is even more unusual considering the pairing of Spielberg and Williams has given us greats like Jurassic Park, E.T. and Indiana Jones.
Nevertheless, this is a sweet film that children and adults should enjoy. The themes of friendship and loneliness can resonate with all generations and a packed-out cinema proves just what a draw Roald Dahl still is to this day.
Overall, The BFG is everything most families will want from a summer holiday blockbuster. It’s sugary sweet, with great special effects, engaging acting and a wonderful story that follows its source material reasonably well. However, for Spielberg fans, it’s puzzling because the director’s presence feels a little lost. There’s a lot to like, but not a lot to love.
https://moviemetropolis.net/2016/07/28/spielberg-where-are-you-the-bfg-review/
Leanne Crabtree (480 KP) rated Show Me the Way (Fight for Me, #1) in Books
Jan 9, 2020
This has been borrowed from the Kindle Unlimited Library.
This one starts with Rynna leaving her small town after yet another run in with her bullies, breaking her Grammy's heart as she flees. Fast forward quite a few years and Rynna is coming back to run the diner her Grammy used to own after her passing away. She's wary of people recognising her and dreads running into her bullies but makes new friends within her first days and meets her neighbours, single dad, Rex, and his young daughter Frankie Leigh. Rex has closed himself off from pretty much everyone and, intrigued by the contradictory man, Rynna can't help wanting to get to know him.
This was sweet. Both damaged in one way or another, wanting to overcome it when they meet that special someone and in this case it's each other. My only issue is I want angst in my stories lately. I want them to scream and fight and make up with each other. That didn't quite happen but somewhere around the 65% mark, someone made an appearance that sent everything up in the air and I was dragged into the story fully for the first time. It got a little intriguing with me wondering how it would all play out.
One thing I did really like about this book was Frankie Leigh. I have a huge weakness for adorable babies/children in my romances and Frankie Leigh may just have won the award for cuteness. She's so full of cute energy with her enthusiasm and crazy fashion sense. Adorable!
I wouldn't mind going back to Gingham Lakes to read Rex's friends stories.
This one starts with Rynna leaving her small town after yet another run in with her bullies, breaking her Grammy's heart as she flees. Fast forward quite a few years and Rynna is coming back to run the diner her Grammy used to own after her passing away. She's wary of people recognising her and dreads running into her bullies but makes new friends within her first days and meets her neighbours, single dad, Rex, and his young daughter Frankie Leigh. Rex has closed himself off from pretty much everyone and, intrigued by the contradictory man, Rynna can't help wanting to get to know him.
This was sweet. Both damaged in one way or another, wanting to overcome it when they meet that special someone and in this case it's each other. My only issue is I want angst in my stories lately. I want them to scream and fight and make up with each other. That didn't quite happen but somewhere around the 65% mark, someone made an appearance that sent everything up in the air and I was dragged into the story fully for the first time. It got a little intriguing with me wondering how it would all play out.
One thing I did really like about this book was Frankie Leigh. I have a huge weakness for adorable babies/children in my romances and Frankie Leigh may just have won the award for cuteness. She's so full of cute energy with her enthusiasm and crazy fashion sense. Adorable!
I wouldn't mind going back to Gingham Lakes to read Rex's friends stories.
Leanne Crabtree (480 KP) rated The Alchemist and an Amaretto (Guild Codex: Spellbound, #5) in Books
Jan 8, 2021
This starts with a paintball fight as the Crow and Hammer guild go against each other in an equal parts fun and training game. Afterwards our four main characters head back to the bar where the guild is based and discuss their plans for Christmas and it's decided they should all head to Aaron's parents house/guild/school for the holidays. Only things aren't quite as safe and secure as they seem at the school.
I do love these four people: Tori, Aaron, Kai and Ezra. They've grown into a tight-knit group over the previous books and I am really invested in their adventures - and their romances. Tori had previously dated Aaron but it didn't really last long and now she's realising her feelings for Ezra are a lot more than just friendship and she will do just about anything to save him from his inner demon. I'm very intrigued to see where that will end up going because he's always been the shy, sweet but deadly one.
As for the story of this one with the mutated shapeshifters. I kinda figured out who the bad guy was from pretty early on though I was a little surprised by just quite how deranged he ended up being.
It did surprise me by finishing at the 85% mark. I don't know what I was expecting since the story had wrapped up by that point. I think I was disappointed that I didn't have more to read of this group of friends. Since i got this from the KU library, I'm going to grab some more of the series soon.
I do love these four people: Tori, Aaron, Kai and Ezra. They've grown into a tight-knit group over the previous books and I am really invested in their adventures - and their romances. Tori had previously dated Aaron but it didn't really last long and now she's realising her feelings for Ezra are a lot more than just friendship and she will do just about anything to save him from his inner demon. I'm very intrigued to see where that will end up going because he's always been the shy, sweet but deadly one.
As for the story of this one with the mutated shapeshifters. I kinda figured out who the bad guy was from pretty early on though I was a little surprised by just quite how deranged he ended up being.
It did surprise me by finishing at the 85% mark. I don't know what I was expecting since the story had wrapped up by that point. I think I was disappointed that I didn't have more to read of this group of friends. Since i got this from the KU library, I'm going to grab some more of the series soon.
Sarah (7798 KP) rated Christopher Robin (2018) in Movies
Aug 22, 2018 (Updated Aug 22, 2018)
A wonderful piece of heartwarming nostalgia
I'd seen some of the not very positive reviews about this film so I hadn't been expecting much, but I cannot tell you how pleasantly surprised and happy I was watching this.
I was a Winnie the Pooh fan as a child but probably haven't seen much of it since, and this was a wonderful nostalgic trip back to my childhood. Right from the opening scene and any time Pooh and his friends were on screen, I couldn't wipe the silly warm grin off my face. The CGI on the characters is very well done and they look fantastic, and the voices too are just spot on (even those not voiced by Jim Cummings). The main problem with this film is that when Pooh and his friends aren't on screen it obvious and whilst it's never dull, you notice their huge absence.
I loved the inclusion of the drawings over parts of the title sequence, and I think the whole way they've briefed over Christopher Robin's life is done well. For once this is a film that shows us what we need to know, and nothing more. It's nice to watch something that isn't aiming for an over 2 hour runtime.
Mark Gatiss is suitably hammy as Robin's boss and Ewan McGregor is as good as he ever is. Hayley Atwell though is vastly underused. And yes this is a Disney film, so there is a small amount of sickly sweet schmaltz thrown in. But for once this is kept almost entirely to the end and isn't overbearing in the slightest, which is a refreshing change for Disney.
This is the most wonderful film I've seen at the cinema for quite some time. I can't remember the last time I smiled so much.
I was a Winnie the Pooh fan as a child but probably haven't seen much of it since, and this was a wonderful nostalgic trip back to my childhood. Right from the opening scene and any time Pooh and his friends were on screen, I couldn't wipe the silly warm grin off my face. The CGI on the characters is very well done and they look fantastic, and the voices too are just spot on (even those not voiced by Jim Cummings). The main problem with this film is that when Pooh and his friends aren't on screen it obvious and whilst it's never dull, you notice their huge absence.
I loved the inclusion of the drawings over parts of the title sequence, and I think the whole way they've briefed over Christopher Robin's life is done well. For once this is a film that shows us what we need to know, and nothing more. It's nice to watch something that isn't aiming for an over 2 hour runtime.
Mark Gatiss is suitably hammy as Robin's boss and Ewan McGregor is as good as he ever is. Hayley Atwell though is vastly underused. And yes this is a Disney film, so there is a small amount of sickly sweet schmaltz thrown in. But for once this is kept almost entirely to the end and isn't overbearing in the slightest, which is a refreshing change for Disney.
This is the most wonderful film I've seen at the cinema for quite some time. I can't remember the last time I smiled so much.
Alice (12 KP) rated Red Sister in Books
Jul 3, 2018
<i>Many thanks to Mark for providing me a copy of this book in exchange for an honest review </i>
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1I9">here</a href>
<blockquote>It is important, when killing a nun, to bring an army of sufficient size.</blockquote>
I know they say to never judge a book by its cover but first impressions are everything. The above quote is the first line written in <i>Red Sister</i> - Mark Lawrence's newest masterpiece. I don't use the term lightly.
For those of you who haven't read his work before - know this: it will change how you read fantasy for the better. There's a really apt line in this book for this sentiment:
<blockquote>...a book is as dangerous as any journey you might take. The person who closes the back cover may not be the same one that opened the front one. </blockquote>
For those of you who have, you know his main characters are the ultimate in anti-heroes. All male, all rough, all the epitome of badassery. <i>Red Sister</i> is the first with a strong - and I mean strong -all female cast.
From the first instance you know this book is going to be top of the scale of epicness, <i>Red Sister</i> will draw you in within moments of opening the pages.
It follows the story of Nona Grey- an eight year old girl saved from the noose by an unlikely saviour - a nun - Abbess Glass, leader of the Sweet Mercy Convent. Nona becomes a novice nun and begins her journey to becoming a Red Sister- a nun skilled in combat. At first the book can feel a little like you've stepped backwards in time to where children are bought and sold on the road, where the Church has almost absolute power and where little girls do not become killer nuns; however as the story progresses and Nona's back story is revealed to us piece by piece I found my original thoughts to be utter bullshit because frankly the plot is outstanding.
I'll hold my hand up and say I've never read a book about nuns before but Red Sister has ruined me for any other.
As signature with Mark's work, Red Sister has the perfect balance between seriousness and humour with some brilliant descriptions of the most simplest of things:
<blockquote>...and a quill. This latter gave the impression that the bird from which it was taken had died of some wasting disease, falling from its perch into a dirty puddle before being run over by several carts and finally thoroughly chewed by a hungry cat.</blockquote>
The dialogue was witty and the right tone for what is ultimately a group of girls in boarding school who both love and hate each other and what they do on a daily basis. The friendships made at Sweet Mercy are friendships built to last through the toughest of scenarios, literally through thick and thin. Nona's past catches up with her frequently and she is tested to her highest limits and on occasion shoved over that limit.
<blockquote>"Trust is the most insidious of poisons." </blockquote>
There are some harsh lessons to be learned in <i>Red Sister</i> and not just the physical ones - of which there are many. The plot is thick with action, betrayal, uncanny abilities and supernatural old world bloodlines that show through in current generations that haven't been seen since the first tribes settled in Abeth; with prophecies galore and the odd psycho, bare knuckle fighting in the pits and justice is wrought.
The revelations are spectacular and revealed in unexpected ways that have totally done them justice. The writing style of Mark Lawrence is once more on point with the right amount of length for each chapter; the supernatural demon element was written in a great way. Overall, it was a masterpiece of the genre and deserves all the stars.
<i>Red Sister</i> has been one of the highlights of my year so far and it is outstanding. I've tried not to give anything away which is hard cause I want to give all the spoilers! I'll leave you with a parting quote that sums up the book nicely.
<blockquote>"Words are steps along a path: The important thing is to get where you're going."</blockquote>
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1I9">here</a href>
<blockquote>It is important, when killing a nun, to bring an army of sufficient size.</blockquote>
I know they say to never judge a book by its cover but first impressions are everything. The above quote is the first line written in <i>Red Sister</i> - Mark Lawrence's newest masterpiece. I don't use the term lightly.
For those of you who haven't read his work before - know this: it will change how you read fantasy for the better. There's a really apt line in this book for this sentiment:
<blockquote>...a book is as dangerous as any journey you might take. The person who closes the back cover may not be the same one that opened the front one. </blockquote>
For those of you who have, you know his main characters are the ultimate in anti-heroes. All male, all rough, all the epitome of badassery. <i>Red Sister</i> is the first with a strong - and I mean strong -all female cast.
From the first instance you know this book is going to be top of the scale of epicness, <i>Red Sister</i> will draw you in within moments of opening the pages.
It follows the story of Nona Grey- an eight year old girl saved from the noose by an unlikely saviour - a nun - Abbess Glass, leader of the Sweet Mercy Convent. Nona becomes a novice nun and begins her journey to becoming a Red Sister- a nun skilled in combat. At first the book can feel a little like you've stepped backwards in time to where children are bought and sold on the road, where the Church has almost absolute power and where little girls do not become killer nuns; however as the story progresses and Nona's back story is revealed to us piece by piece I found my original thoughts to be utter bullshit because frankly the plot is outstanding.
I'll hold my hand up and say I've never read a book about nuns before but Red Sister has ruined me for any other.
As signature with Mark's work, Red Sister has the perfect balance between seriousness and humour with some brilliant descriptions of the most simplest of things:
<blockquote>...and a quill. This latter gave the impression that the bird from which it was taken had died of some wasting disease, falling from its perch into a dirty puddle before being run over by several carts and finally thoroughly chewed by a hungry cat.</blockquote>
The dialogue was witty and the right tone for what is ultimately a group of girls in boarding school who both love and hate each other and what they do on a daily basis. The friendships made at Sweet Mercy are friendships built to last through the toughest of scenarios, literally through thick and thin. Nona's past catches up with her frequently and she is tested to her highest limits and on occasion shoved over that limit.
<blockquote>"Trust is the most insidious of poisons." </blockquote>
There are some harsh lessons to be learned in <i>Red Sister</i> and not just the physical ones - of which there are many. The plot is thick with action, betrayal, uncanny abilities and supernatural old world bloodlines that show through in current generations that haven't been seen since the first tribes settled in Abeth; with prophecies galore and the odd psycho, bare knuckle fighting in the pits and justice is wrought.
The revelations are spectacular and revealed in unexpected ways that have totally done them justice. The writing style of Mark Lawrence is once more on point with the right amount of length for each chapter; the supernatural demon element was written in a great way. Overall, it was a masterpiece of the genre and deserves all the stars.
<i>Red Sister</i> has been one of the highlights of my year so far and it is outstanding. I've tried not to give anything away which is hard cause I want to give all the spoilers! I'll leave you with a parting quote that sums up the book nicely.
<blockquote>"Words are steps along a path: The important thing is to get where you're going."</blockquote>
Jamie (131 KP) rated When Dimple Met Rishi in Books
Aug 15, 2017
Sweet romance (1 more)
Great commentary about cultural identity
Underdeveloped plot (2 more)
Unconvincing setting
Frustrating main character
A sweet summer romance with potential that just didn't work for me
Sigh. It’s hard for me to decide how to start this review because I found myself confused and disappointed when I finished. I think I suffered a little bit from overhype about this book since it was recommended so highly and talked about like mad over the summer. I wanted to love this book because everything just sounded so perfect: a strong willed STEM girl heroine, a clash between cultures, a sweet summer romance with lots of laughs, and one of the cutest book covers I’ve seen in a long time–I was all over it!
I absolutely adored the first half of this book. I could sympathize with both of the main characters, especially Dimple, whose mother reminded me of my own. I too was that nerdy awkward girl that felt uncomfortable wearing makeup and dresses and found happiness in front of a computer screen grinding out code to make websites and browser games. Like my mom, Dimple’s mother pushes her to be more feminine and doesn’t fully understand modern western culture. Dimple struggles with feeling like an outsider in both of her worlds, an experience shared by many American children with immigrant parents. It made me happy that this duality is explored in the novel as I think it’s important for children and teens that, like me, had difficulties with their cultural identity.
On the other hand there’s Rishi, who embraces his cultural heritage and doesn’t care whether or not he “fits in” with either group. He is still a modern young man adapted to western culture that also values tradition and believes with all of his heart in the fairy tale romance of his parents. He is exceptionally sweet and witty and is pretty much the ideal cute nerd boyfriend. The romance between Dimple and Rishi is swoon-worthy and made my heart melt.. Which was great for exactly half of the book.
With the Insomnia Con setting what I expected was a summer “coding camp” similar to ones like the Make School Summer Academy and others held on college campuses around the country every year. Many of these camps usually offer workshops to practice making programs, opportunities to make professional connections and to meet industry leaders, and very often have competitions where they can create and submit their own apps for a cool cash prize. I guess my expectations were misplaced because What I got, sadly, was high school drama with hook ups and a talent show that turned more into a dance competition? Dance? In a coding camp??
This was the start of when the book stopped working for me.
A large part of Dimple’s story revolves around her desire to develop her own app to catapult her into a successful tech career. The book talks at length about how much this matters to her, how she’s dying to make connections to help her on her way, and how she’s so different from other girls by being interested in coding. The book tells the reader all of these things but fails to actually show the reader these things. It’s easy to forget that the main characters are even at a coding camp because so little time is spent on it. The plot just gets plain weird and doesn’t seem to have any sort of focus, even the romance felt rushed.
Also I’m sorry, the dance competition was exceedingly boring to read. That and, well, the love story has already happened by then so the build up for that is finished as well. So what else was there? I thought heavily about skimming or just putting the book down at that point but I honestly wanted to know if Dimple would win the competition (the app one, not the dance one) and achieve her dream of becoming a high powered STEM girl. I was still optimistic that the book would get back to the code camp, but it never does. In fact, three weeks out of the six week camp is skipped completely as the story fast forwards to the result of the app completion. The more I read the more disappointed I was as the plot became more and more juvenile.
By the 3/4 mark it seemed like there was no story left to tell and was starting to seriously drag. So of course there had to be some drama to keep it going. I hated this part. Dimple’s actions in the later portion of the book quite frankly left me feeling confused because they didn’t make any sense whatsoever. It was frustrating and I quite frankly got a little mad at how Dimple treated Rishi in the latter half of the novel. Such a shame considering how amazing the story set up was and how strong the early chapters were.
The characters drift from dinners, parties, and dance practices with next to no time actually coding and it made for a surprisingly boring and mediocre read for me personally. Even despite my criticisms, When Dimple Met Rishi is still a sweet summer romance that shined in the first half of the book. Just because it didn’t work out so well for me doesn’t mean that it won’t work out for others, in fact I seem to be in quite the minority for this book. This book definitely had a lot of potential and I honestly wish that the tech girl part of the story could have been developed better and for the setting to be a little more convincing.
I absolutely adored the first half of this book. I could sympathize with both of the main characters, especially Dimple, whose mother reminded me of my own. I too was that nerdy awkward girl that felt uncomfortable wearing makeup and dresses and found happiness in front of a computer screen grinding out code to make websites and browser games. Like my mom, Dimple’s mother pushes her to be more feminine and doesn’t fully understand modern western culture. Dimple struggles with feeling like an outsider in both of her worlds, an experience shared by many American children with immigrant parents. It made me happy that this duality is explored in the novel as I think it’s important for children and teens that, like me, had difficulties with their cultural identity.
On the other hand there’s Rishi, who embraces his cultural heritage and doesn’t care whether or not he “fits in” with either group. He is still a modern young man adapted to western culture that also values tradition and believes with all of his heart in the fairy tale romance of his parents. He is exceptionally sweet and witty and is pretty much the ideal cute nerd boyfriend. The romance between Dimple and Rishi is swoon-worthy and made my heart melt.. Which was great for exactly half of the book.
With the Insomnia Con setting what I expected was a summer “coding camp” similar to ones like the Make School Summer Academy and others held on college campuses around the country every year. Many of these camps usually offer workshops to practice making programs, opportunities to make professional connections and to meet industry leaders, and very often have competitions where they can create and submit their own apps for a cool cash prize. I guess my expectations were misplaced because What I got, sadly, was high school drama with hook ups and a talent show that turned more into a dance competition? Dance? In a coding camp??
This was the start of when the book stopped working for me.
A large part of Dimple’s story revolves around her desire to develop her own app to catapult her into a successful tech career. The book talks at length about how much this matters to her, how she’s dying to make connections to help her on her way, and how she’s so different from other girls by being interested in coding. The book tells the reader all of these things but fails to actually show the reader these things. It’s easy to forget that the main characters are even at a coding camp because so little time is spent on it. The plot just gets plain weird and doesn’t seem to have any sort of focus, even the romance felt rushed.
Also I’m sorry, the dance competition was exceedingly boring to read. That and, well, the love story has already happened by then so the build up for that is finished as well. So what else was there? I thought heavily about skimming or just putting the book down at that point but I honestly wanted to know if Dimple would win the competition (the app one, not the dance one) and achieve her dream of becoming a high powered STEM girl. I was still optimistic that the book would get back to the code camp, but it never does. In fact, three weeks out of the six week camp is skipped completely as the story fast forwards to the result of the app completion. The more I read the more disappointed I was as the plot became more and more juvenile.
By the 3/4 mark it seemed like there was no story left to tell and was starting to seriously drag. So of course there had to be some drama to keep it going. I hated this part. Dimple’s actions in the later portion of the book quite frankly left me feeling confused because they didn’t make any sense whatsoever. It was frustrating and I quite frankly got a little mad at how Dimple treated Rishi in the latter half of the novel. Such a shame considering how amazing the story set up was and how strong the early chapters were.
The characters drift from dinners, parties, and dance practices with next to no time actually coding and it made for a surprisingly boring and mediocre read for me personally. Even despite my criticisms, When Dimple Met Rishi is still a sweet summer romance that shined in the first half of the book. Just because it didn’t work out so well for me doesn’t mean that it won’t work out for others, in fact I seem to be in quite the minority for this book. This book definitely had a lot of potential and I honestly wish that the tech girl part of the story could have been developed better and for the setting to be a little more convincing.
Gareth von Kallenbach (965 KP) rated Robin Hood (2010) in Movies
Aug 8, 2019
If you think you know the tale of Robin Hood in its entirety, think again. A prequel to the traditional story, “Robin Hood” provides the long awaited history of the most classic of well-intentioned thieves and his band of men…who are merry.
Starring Russell Crowe as the lead of Robin Longstride, we see a character that is slightly different than Crowe’s most historic role (in “Gladiator”). But stealing the show is Cate Blanchett as the powerful and strong, yet subtle, Maid Marion Loxley. Other sure-to-be favorites include the beekeeping Friar Tuck played by “The Full Monty’s” Mark Addy and Kevin Durand as the hammer wielding (not so) Little John.
I have to admit, I was reluctant to see this film. Did I really want to watch Russell Crowe lead a small group against wildly impossible odds, again? After having seen “Robin Hood”, the answer is “Yes!” Sure, there is another team of rag-tag characters to battle on behalf of good, but this time they are likeable takes on the merry men of my childhood, with a more historic and adult perspective. The result is simply amusing.
And “Robin Hood” exceeds expectations in the simple details with accurate costumes, well-understood historic locations, and a number of short but sweet fight sequences. The film was so detailed I already plan to be Internet searching away through my next viewing to see how the historic places exposed throughout the film look today. Film students will surely rejoice.
Had I not known the original story to the finest detail, “Robin Hood” might have been a believable tale. The film’s major conflicts all stem from realistic challenges such as food shortages and burdensome taxation. Is it possible that “Robin Hood” will strike a chord of relevance to current economic concerns? Maybe not, but it will be a fun time at the movies.
Starring Russell Crowe as the lead of Robin Longstride, we see a character that is slightly different than Crowe’s most historic role (in “Gladiator”). But stealing the show is Cate Blanchett as the powerful and strong, yet subtle, Maid Marion Loxley. Other sure-to-be favorites include the beekeeping Friar Tuck played by “The Full Monty’s” Mark Addy and Kevin Durand as the hammer wielding (not so) Little John.
I have to admit, I was reluctant to see this film. Did I really want to watch Russell Crowe lead a small group against wildly impossible odds, again? After having seen “Robin Hood”, the answer is “Yes!” Sure, there is another team of rag-tag characters to battle on behalf of good, but this time they are likeable takes on the merry men of my childhood, with a more historic and adult perspective. The result is simply amusing.
And “Robin Hood” exceeds expectations in the simple details with accurate costumes, well-understood historic locations, and a number of short but sweet fight sequences. The film was so detailed I already plan to be Internet searching away through my next viewing to see how the historic places exposed throughout the film look today. Film students will surely rejoice.
Had I not known the original story to the finest detail, “Robin Hood” might have been a believable tale. The film’s major conflicts all stem from realistic challenges such as food shortages and burdensome taxation. Is it possible that “Robin Hood” will strike a chord of relevance to current economic concerns? Maybe not, but it will be a fun time at the movies.