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Night Reader Reviews (683 KP) rated Full Dark No Stars in Books
Apr 14, 2020
Casual Review
Full Dark, No Stars is a collection of four short stories by Stephen King. These stories include 1922, Big Driver, Fair Extension, and A Good Marriage. As Stephen King admits in the Afterword at the back of the book these four stories are disturbing and hard to read at times but they are well worth it. In these four books Stephen King explores the possibility of each person having at least one more person inside them, the person that comes out when we experience something too traumatic for our typical self to handle. What happens when this person we keep hidden deep inside of us gets let out? Can we put this person back and go on to live a normal life or does it change us forever?
1922
This story reminded me largely of Poe's Tell-Tale Heart and I am sure many other bookworms will see the resemblance between these two stories. Wilfred Leland James is a farmer living on 80 acres of land with his wife and his son. When his wife is given 100 acres of adjacent land when her father dies, Wilfred is thrilled until he learns that she plans on selling all of it off to a big company and that there is nothing he can do to stop her. She is determined to sell the land and move to the city, taking their son with her either Wilfred wants to go or not. Their respective stubbornness starts a chain of events that can only end in pain and misery for all involved.
Big Driver
Tess is a mystery writer of the sort that writes simple little mysteries often read by older ladies and their book clubs and who occasionally makes guest appearances to talk about her books. When she takes a shortcut home suggested to her after one such event she finds herself in a world that she doesn't even dare to write about. A stranger stopping to help her ends up having other plans for her and leaves her for dead after raping her multiple times. Tess manages to survive and makes her way home but the damage has been done in more than one way and she sets out to get revenge on all she believes to be involved in what happened. Is it possible though that she doesn't know the full story?
Fair Extension
Dave Streeter has cancer and doesn't have much time left to live, under a year for sure. He is extremely jealous of an old friend of his from school who seems to have it all while Dave and his family are not struggling but they also are not doing as well as what his old friend is. Then one day while heading home and contemplating his life. he sees a man along the extension by the airport with a little stand set up. This man offers Dave an extension on his life but Dave has to offer someone that he hates up to this man in exchange, not to kill him but someone must pay the price.
A Good Marriage
One day while Darcy's husband is away on business and she is looking for batteries she stubbles on a box that her husband has hidden under a table in the garage. When she tries to push the box under the table the rest of the way she pushes the box up against something that she ends up wishing she never investigated. When she looks at what the box hit she ends up discovering that her husband has been harboring a horrible secret from even before they were married but this puts her in a very bad spot. She fears no one would believe that she did not know about what he was doing until now and she also fears the stigma that the discovery will leave on their children. At the same time though she must do something about what she found out.
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1922
This story reminded me largely of Poe's Tell-Tale Heart and I am sure many other bookworms will see the resemblance between these two stories. Wilfred Leland James is a farmer living on 80 acres of land with his wife and his son. When his wife is given 100 acres of adjacent land when her father dies, Wilfred is thrilled until he learns that she plans on selling all of it off to a big company and that there is nothing he can do to stop her. She is determined to sell the land and move to the city, taking their son with her either Wilfred wants to go or not. Their respective stubbornness starts a chain of events that can only end in pain and misery for all involved.
Big Driver
Tess is a mystery writer of the sort that writes simple little mysteries often read by older ladies and their book clubs and who occasionally makes guest appearances to talk about her books. When she takes a shortcut home suggested to her after one such event she finds herself in a world that she doesn't even dare to write about. A stranger stopping to help her ends up having other plans for her and leaves her for dead after raping her multiple times. Tess manages to survive and makes her way home but the damage has been done in more than one way and she sets out to get revenge on all she believes to be involved in what happened. Is it possible though that she doesn't know the full story?
Fair Extension
Dave Streeter has cancer and doesn't have much time left to live, under a year for sure. He is extremely jealous of an old friend of his from school who seems to have it all while Dave and his family are not struggling but they also are not doing as well as what his old friend is. Then one day while heading home and contemplating his life. he sees a man along the extension by the airport with a little stand set up. This man offers Dave an extension on his life but Dave has to offer someone that he hates up to this man in exchange, not to kill him but someone must pay the price.
A Good Marriage
One day while Darcy's husband is away on business and she is looking for batteries she stubbles on a box that her husband has hidden under a table in the garage. When she tries to push the box under the table the rest of the way she pushes the box up against something that she ends up wishing she never investigated. When she looks at what the box hit she ends up discovering that her husband has been harboring a horrible secret from even before they were married but this puts her in a very bad spot. She fears no one would believe that she did not know about what he was doing until now and she also fears the stigma that the discovery will leave on their children. At the same time though she must do something about what she found out.
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Bob Mann (459 KP) rated On Chesil Beach (2018) in Movies
Sep 29, 2021
Flawed but moving tale of a bygone sexual era.
As you might notice from my lack of recent posts, the day job is getting in a way a bit at the moment. But one film I wanted to catch was this adaptation of Ian McEwan’s novel. What’s both an advantage and a disadvantage of catching a film late is that you can’t help avoid absorbing some of the reviews of others: Kevin Maher of the Times gave this a rather sniffy two stars; Amy from “Oh That Film Blog” was much more measured (an excellent review: man, that girl can write!). Last night, I actually ended up enjoying the film much more than I was expecting to.
Set against Dorset’s spectacular shingle bank of Chesil Beach (which is a bitch to walk along!) the story, set primarily in 1962, joins two newly-weds Florence (Saoirse Ronan, “Brooklyn“, “Lady Bird“) and Edward (Billy Howle, “Dunkirk“) about to embark on the sexual adventure of their consummation at a seaside hotel. The timing of the film is critical: 1962 really marked the watershed between the staid conservatism and goody-two-shoes-ness of the 50’s and the sexual liberation of the swinging sixties. Sex before marriage was frowned upon. The problem for Florence and Edward is that sex after marriage is looking pretty unlikely too! For the inexperienced couple have more hang-ups about sex than there are pebbles on the beach.
The lead-up to their union is squirm-inducing to watch: a silent silver-service meal in their room; incompetent fumbling with zippers; shoes that refuse to come off. To prolong the agony for the viewer, we work through flashbacks of their first meeting at Oxford University and their dysfunctional family lives: for Florence a bullying father and mother (Samuel West and Emily Watson) and for Edward a loving but stressed father (TV regular, Adrian Scarborough) due to a mentally impaired mother (Anne-Marie Duff, “Suffragette“, “Before I Go To Sleep“).
As Ian McEwan is known to do (as per the end of “Atonement” for example), there are a couple of clever “Oh My God” twists in the tale: one merely hinted at in flashback; another involving a record-buying child that is also unresolved but begs a massive question.
The first half of the film is undoubtedly better than the last: while the screenplay is going for the “if only” twist of films like “Sliding Doors” and “La La Land“, the film over-stretches with some dodgy make-up where alternative actors would have been a far better choice. The ending still had the power to move me though.
Saoirse Ronan is magnificent: I don’t think I’ve seen the young Irish-American in a film I didn’t enjoy. Here she is back with a McEwan adaptation again and bleeds discomfort with every line of her face. Her desperate longing to talk to someone – such as the kindly probing vicar – is constantly counteracted by her shame and embarassment. Howle also holds his own well (no pun intended) but when up against the acting tour de force of Ronan he is always going to appear in second place.
A brave performance comes from Anne-Marie Duff who shines as the mentally wayward mother. The flashback where we see how she came to be that way is wholly predicatable but still manages to shock. And Duff is part of a strong ensemble cast who all do their bit.
Another star of the show for me is the photography by Sean Bobbitt (“12 Years a Slave“) which portrays the windswept Dorset beach beautifully but manages to get the frame close and claustrophobic when it needs to be. Wide panoramas with characters barely on the left and right of the frame will play havoc with DVD ratios on TV, but work superbly on the big screen.
Directed by stage-director Dominic Cooke, in his movie-directing debut, this is a brave story to try to move from page to screen and while it is not without faults it is a ball-achingly sad tale that moved me. Recommended if you enjoyed the similarly sad tale of “Atonement”.
Set against Dorset’s spectacular shingle bank of Chesil Beach (which is a bitch to walk along!) the story, set primarily in 1962, joins two newly-weds Florence (Saoirse Ronan, “Brooklyn“, “Lady Bird“) and Edward (Billy Howle, “Dunkirk“) about to embark on the sexual adventure of their consummation at a seaside hotel. The timing of the film is critical: 1962 really marked the watershed between the staid conservatism and goody-two-shoes-ness of the 50’s and the sexual liberation of the swinging sixties. Sex before marriage was frowned upon. The problem for Florence and Edward is that sex after marriage is looking pretty unlikely too! For the inexperienced couple have more hang-ups about sex than there are pebbles on the beach.
The lead-up to their union is squirm-inducing to watch: a silent silver-service meal in their room; incompetent fumbling with zippers; shoes that refuse to come off. To prolong the agony for the viewer, we work through flashbacks of their first meeting at Oxford University and their dysfunctional family lives: for Florence a bullying father and mother (Samuel West and Emily Watson) and for Edward a loving but stressed father (TV regular, Adrian Scarborough) due to a mentally impaired mother (Anne-Marie Duff, “Suffragette“, “Before I Go To Sleep“).
As Ian McEwan is known to do (as per the end of “Atonement” for example), there are a couple of clever “Oh My God” twists in the tale: one merely hinted at in flashback; another involving a record-buying child that is also unresolved but begs a massive question.
The first half of the film is undoubtedly better than the last: while the screenplay is going for the “if only” twist of films like “Sliding Doors” and “La La Land“, the film over-stretches with some dodgy make-up where alternative actors would have been a far better choice. The ending still had the power to move me though.
Saoirse Ronan is magnificent: I don’t think I’ve seen the young Irish-American in a film I didn’t enjoy. Here she is back with a McEwan adaptation again and bleeds discomfort with every line of her face. Her desperate longing to talk to someone – such as the kindly probing vicar – is constantly counteracted by her shame and embarassment. Howle also holds his own well (no pun intended) but when up against the acting tour de force of Ronan he is always going to appear in second place.
A brave performance comes from Anne-Marie Duff who shines as the mentally wayward mother. The flashback where we see how she came to be that way is wholly predicatable but still manages to shock. And Duff is part of a strong ensemble cast who all do their bit.
Another star of the show for me is the photography by Sean Bobbitt (“12 Years a Slave“) which portrays the windswept Dorset beach beautifully but manages to get the frame close and claustrophobic when it needs to be. Wide panoramas with characters barely on the left and right of the frame will play havoc with DVD ratios on TV, but work superbly on the big screen.
Directed by stage-director Dominic Cooke, in his movie-directing debut, this is a brave story to try to move from page to screen and while it is not without faults it is a ball-achingly sad tale that moved me. Recommended if you enjoyed the similarly sad tale of “Atonement”.
Bob Mann (459 KP) rated Finding your feet (2018) in Movies
Sep 29, 2021
Foot tapping and Tear Jerking.
There are some films whose trailers really don’t properly represent their contents. The trailer for the new ‘grey-pound’ film “Finding Your Feet” promised a light hearted and witty foray into an elderly dance-club. And, yes, you get some laughs. But it’s very much a bitter sweet comedy, and the bitterness is ladled on by the bucketload leading to more tears than smiles through the majority of the running time.
Sandra (Imelda Staunton, “Pride“) – now Lady Sandra, after her husband’s latest knighthood – is in a predictable, sex-free but reasonably happy marriage to legal beagle Mike (John Sessions, “Denial“, “Florence Foster Jenkins“) when her world is shaken to its core on discovering that Mike has been having a five-year affair with her best friend Pamela (Josie Lawrence). Moving in with her Bohemian sister Bif (Celia Imrie, “Bridget Jones Baby“), she struggles to integrate into her decidedly lower class lifestyle and find common ground with Bif’s dance club friends Charlie (Timothy Spall, “Denial“, “Mr Turner”), Ted (David Hayman) and Jackie (Joanna Lumley, “The Wolf of Wall Street“).
Can Sandra turn her downward spiral around and find love and happiness again? Well, the posters scream “The Feel Good Film of the Year” so you don’t need to be a rocket scientist to know the answer to that! But it’s a bumpy journey for sure.
Getting all the acting honours is Timothy Spall, who is far too good to be buried away in this small British rom com. To watch him do “ordinary bloke doing ordinary things” is an absolute delight. He adds class and distinction to every scene he’s in, especially for those concerned with his truly tragic and upsetting back-story. Running a close second is Celia Imrie who has a wicked smile off to perfection and adds a lot of emotional depth to her performance: and she needs the range, since she too is on a pretty emotional journey through the second half of the film.
John Sessions and Josie Lawrence – old compatriots of course from the original version of TV’s “Whose Line Is It Anyway” – also deliver marvellous cameo performances, as does Phoebe Nicholls (“The Elephant Man”, “Downton Abbey”) as the tennis playing friend Janet.
Less convincing for me was Imelda Staunton, particularly in the first half of the film: for me she never quite pulls off the icy cold emotional wreck of Sandra, but is much better once the thaw has set in.
The film is written by Meg Leonard (in a debut script) and Nick Moorcroft (who did the “St Trinians” scripts). And there are some funny lines in there, although it has to be said that there are not enough of them. The majority of the best ones in fact are in the trailer, never bettered by Joanna Lumley’s zinger…. “My last marriage ended for religious reasons…. he thought he was God and I didn’t”! There’s not much more room for comic lines, since the rest of the script is stuffed with the dramatic outcomes from various flavours of old-age malady. Fortunately I was one of the younger members of the generally grey-haired audience, but for those further up the scale it must have been like staring into the void!
The film will win no awards for choreography, since the dance scenes are gloriously inept and out of sync. But this all rather adds to the charm of the piece.
Directed by Richard Loncraine, director of the equally forgettable Brit-flick “Wimbledon” and the rather more memorable “Brimstone and Treacle”, this is as Douglas Adams would have said “Mostly Harmless”: a film that most over-50’s will find a pleasant way to spend two hours. But go in expecting a drama with comic moments, rather than the hilarious comedy predicted by the trailer, and you will be better prepared.
(I should comment that the rating below is my view: my illustrious wife declared it a triumphant chick-flick and gave it FFFFf).
Sandra (Imelda Staunton, “Pride“) – now Lady Sandra, after her husband’s latest knighthood – is in a predictable, sex-free but reasonably happy marriage to legal beagle Mike (John Sessions, “Denial“, “Florence Foster Jenkins“) when her world is shaken to its core on discovering that Mike has been having a five-year affair with her best friend Pamela (Josie Lawrence). Moving in with her Bohemian sister Bif (Celia Imrie, “Bridget Jones Baby“), she struggles to integrate into her decidedly lower class lifestyle and find common ground with Bif’s dance club friends Charlie (Timothy Spall, “Denial“, “Mr Turner”), Ted (David Hayman) and Jackie (Joanna Lumley, “The Wolf of Wall Street“).
Can Sandra turn her downward spiral around and find love and happiness again? Well, the posters scream “The Feel Good Film of the Year” so you don’t need to be a rocket scientist to know the answer to that! But it’s a bumpy journey for sure.
Getting all the acting honours is Timothy Spall, who is far too good to be buried away in this small British rom com. To watch him do “ordinary bloke doing ordinary things” is an absolute delight. He adds class and distinction to every scene he’s in, especially for those concerned with his truly tragic and upsetting back-story. Running a close second is Celia Imrie who has a wicked smile off to perfection and adds a lot of emotional depth to her performance: and she needs the range, since she too is on a pretty emotional journey through the second half of the film.
John Sessions and Josie Lawrence – old compatriots of course from the original version of TV’s “Whose Line Is It Anyway” – also deliver marvellous cameo performances, as does Phoebe Nicholls (“The Elephant Man”, “Downton Abbey”) as the tennis playing friend Janet.
Less convincing for me was Imelda Staunton, particularly in the first half of the film: for me she never quite pulls off the icy cold emotional wreck of Sandra, but is much better once the thaw has set in.
The film is written by Meg Leonard (in a debut script) and Nick Moorcroft (who did the “St Trinians” scripts). And there are some funny lines in there, although it has to be said that there are not enough of them. The majority of the best ones in fact are in the trailer, never bettered by Joanna Lumley’s zinger…. “My last marriage ended for religious reasons…. he thought he was God and I didn’t”! There’s not much more room for comic lines, since the rest of the script is stuffed with the dramatic outcomes from various flavours of old-age malady. Fortunately I was one of the younger members of the generally grey-haired audience, but for those further up the scale it must have been like staring into the void!
The film will win no awards for choreography, since the dance scenes are gloriously inept and out of sync. But this all rather adds to the charm of the piece.
Directed by Richard Loncraine, director of the equally forgettable Brit-flick “Wimbledon” and the rather more memorable “Brimstone and Treacle”, this is as Douglas Adams would have said “Mostly Harmless”: a film that most over-50’s will find a pleasant way to spend two hours. But go in expecting a drama with comic moments, rather than the hilarious comedy predicted by the trailer, and you will be better prepared.
(I should comment that the rating below is my view: my illustrious wife declared it a triumphant chick-flick and gave it FFFFf).
Breathtaking Historical Fiction; Must Read!
You can also find this review on my blog: bookingwayreads.wordpress.com
TRIGGER WARNINGS: rape, domestic violence, death, affairs, miscarriage
"You can only go so long pretending, acting as if you're someone you're not. Eventually you must return to who you are, who you were born to be. You can stray from it, try on other roles, other personalities, other beliefs, other lives, but eventually it will catch up with you and you have to return to the only person you can be."
Main Characters:
Beatrice Bordeaux - the main character, married to Harry Bordeaux. A bit of a feminist but it doesn't start showing until the middle to end of the novel. She's got a strong, compassionate, sweet personality. Her development was major and not at all what I was expecting.
Thomas - the lighthouse keeper. He's a simple man, compassionate and patient. Also unbelievably kind to all, no matter ethnicity, class, or gender.
Harry Bordeaux - cocky, self-conceded. Honestly, the most horrible person ever.
Dolly - hat maker who befriends Bea. She's sweet, independent, and an all around feminist.
Elizabeth - laundress for the Montauk Manor, befriends Bea. She's down-to-earth and a loving mother and wife.
"I felt rage and a hot determination side by side and that was something. That alone gave me hope. Something was better than numbness. Something was better than not caring, not dreaming, not daring."
Review:
**Possible spoilers ahead**
The story starts off in the year of 1938. The wealthy from New York City always head to the East Coast to an up and coming town called Montauk for the summer. Here, the wives stay in the luxurious Montauk Manor during the weekdays with their children and nannies, planning social events and relaxing, while the men head back to the city to work - only coming back to visit on the weekends.
Beatrice Bordeaux is one of the wives who ends up staying in Montauk for the summer. But she soon learns that her husband, Harry, would actually be leaving with the rest of the men during the week. Beatrice is taken aback, as the main reason why the couple took this vacation was to rekindle their cracking marriage. She was also hoping that the vacation would allow her and Harry to have alone time as she craved being a mother but has been eluded by pregnancy for the past five years.
Beatrice is forced to socialize with the other wives, even though she just wants to relax and read, so that Harry can gain a foothold for his investment interests. He thinks that if Beatrice can become buddy buddy with some of the more known in society women, that he can sizzle his way up to their husbands to get some funds to invest into Montauk. But, Beatrice quickly grows bored of the woman's talk of events that are more self-serving than they are generous. This is where Elizabeth, the Manor's laundress enters.
Elizabeth's down-to-earth nature gives Beatrice nostalgia of her life prior to meeting Harry. The two women befriend each other, even though it would be looked down upon if the other wives of the Manor found out. This doesn't stop Beatrice though.
As the novel progresses, Beatrice becomes disillusioned with her marriage and even finds out that Harry was not being the faithful husband he promised in his vows. The reader can see Harry's regression of interest towards Beatrice throughout the novel, and how he only seems to care about her when she is beside him at social gatherings. This causes Beatrice to start doing the things that she wants. Enter the handsome yet sensitive lighthouse keeper, Thomas.
Thomas is the complete opposite of Harry and as Beatrice's marriage drifts more and more apart, she takes her life into her own hands where she follows what her heart wants. But with the risk she's taking, major consequences that could take lives and ruin social standings follow. This is when Beatrice must decide whether to follow her heart or do what is right according to society.
Montauk is an interesting and beautifully written look back into history when women were expected to do what society told her to do. Questions were not asked, and one must be "happy" that she's being cared for by her husband, because "good wives" waited for orders from their husbands and always did what they wished. The author, Nicola Harrison, does an excellent job with captivating the history and superficial feel of society back in the late 30's. Even the descriptions of the lighthouse, manor, and fishing village created vivid images that circulated within my mind as I read.
Usually, when it comes to Historical Fiction novels, I've found that they can be very predictable. Montauk was not your average Historical Fiction novel, that's for sure. There were twists and turns that I was not expecting and the ending twist threw me for a major loop. The one problem that I do have with the overall story, was the last chapter and epilogue. It lacked the depth and detail that was interwoven throughout the rest of the story. But overall, I was fascinated and enthralled in the story of Montauk.
Character/ Story background and development -
It's there, one hundred percent there. The main character's and the side characters all have the development and background interwoven into the story, waiting to be dug out as you read. All of the development and background that took place within Montauk, actually made this novel great!
Plot -
At first, the plot and story was slow. It could have just been my skewed perspective of not liking Historical Fiction novels, but it eventually picked up; allowing the like/dislike scales to flip. I was really worried that I would DNF Montauk, but once the story started to get more in depth with the characters and background, I was taken on an emotional roller coaster of feels. And I will happily take that ride over and over again.
Spelling/ Grammatical errors -
I did not notice any spelling or grammatical errors that took away from the overall story. There were a slight few littered throughout, but they were so minor and hardly noticeable that it did no harm to count it against the author or publisher.
Enjoyment -
I can for sure say, that I 100% enjoyed every second I spent on Montauk. I don't typically like Historical Fiction novels, but Nicola Harrison does an amazing job not only making sure the information is correct, but the writing is well-thought out.
Overall -
This novel is a sucker punch to the emotions; it's honestly one of those novels that will be cherished forever because the story, the development, the plot, the background, the heartache and pain, it was all there. And it made this a breathtaking novel to read.
Do I recommend? -
159% yes! I highly recommend Montauk by Nicola Harrison.
"With the ocean surrounding me, I feel free and at peace with the world."
TRIGGER WARNINGS: rape, domestic violence, death, affairs, miscarriage
"You can only go so long pretending, acting as if you're someone you're not. Eventually you must return to who you are, who you were born to be. You can stray from it, try on other roles, other personalities, other beliefs, other lives, but eventually it will catch up with you and you have to return to the only person you can be."
Main Characters:
Beatrice Bordeaux - the main character, married to Harry Bordeaux. A bit of a feminist but it doesn't start showing until the middle to end of the novel. She's got a strong, compassionate, sweet personality. Her development was major and not at all what I was expecting.
Thomas - the lighthouse keeper. He's a simple man, compassionate and patient. Also unbelievably kind to all, no matter ethnicity, class, or gender.
Harry Bordeaux - cocky, self-conceded. Honestly, the most horrible person ever.
Dolly - hat maker who befriends Bea. She's sweet, independent, and an all around feminist.
Elizabeth - laundress for the Montauk Manor, befriends Bea. She's down-to-earth and a loving mother and wife.
"I felt rage and a hot determination side by side and that was something. That alone gave me hope. Something was better than numbness. Something was better than not caring, not dreaming, not daring."
Review:
**Possible spoilers ahead**
The story starts off in the year of 1938. The wealthy from New York City always head to the East Coast to an up and coming town called Montauk for the summer. Here, the wives stay in the luxurious Montauk Manor during the weekdays with their children and nannies, planning social events and relaxing, while the men head back to the city to work - only coming back to visit on the weekends.
Beatrice Bordeaux is one of the wives who ends up staying in Montauk for the summer. But she soon learns that her husband, Harry, would actually be leaving with the rest of the men during the week. Beatrice is taken aback, as the main reason why the couple took this vacation was to rekindle their cracking marriage. She was also hoping that the vacation would allow her and Harry to have alone time as she craved being a mother but has been eluded by pregnancy for the past five years.
Beatrice is forced to socialize with the other wives, even though she just wants to relax and read, so that Harry can gain a foothold for his investment interests. He thinks that if Beatrice can become buddy buddy with some of the more known in society women, that he can sizzle his way up to their husbands to get some funds to invest into Montauk. But, Beatrice quickly grows bored of the woman's talk of events that are more self-serving than they are generous. This is where Elizabeth, the Manor's laundress enters.
Elizabeth's down-to-earth nature gives Beatrice nostalgia of her life prior to meeting Harry. The two women befriend each other, even though it would be looked down upon if the other wives of the Manor found out. This doesn't stop Beatrice though.
As the novel progresses, Beatrice becomes disillusioned with her marriage and even finds out that Harry was not being the faithful husband he promised in his vows. The reader can see Harry's regression of interest towards Beatrice throughout the novel, and how he only seems to care about her when she is beside him at social gatherings. This causes Beatrice to start doing the things that she wants. Enter the handsome yet sensitive lighthouse keeper, Thomas.
Thomas is the complete opposite of Harry and as Beatrice's marriage drifts more and more apart, she takes her life into her own hands where she follows what her heart wants. But with the risk she's taking, major consequences that could take lives and ruin social standings follow. This is when Beatrice must decide whether to follow her heart or do what is right according to society.
Montauk is an interesting and beautifully written look back into history when women were expected to do what society told her to do. Questions were not asked, and one must be "happy" that she's being cared for by her husband, because "good wives" waited for orders from their husbands and always did what they wished. The author, Nicola Harrison, does an excellent job with captivating the history and superficial feel of society back in the late 30's. Even the descriptions of the lighthouse, manor, and fishing village created vivid images that circulated within my mind as I read.
Usually, when it comes to Historical Fiction novels, I've found that they can be very predictable. Montauk was not your average Historical Fiction novel, that's for sure. There were twists and turns that I was not expecting and the ending twist threw me for a major loop. The one problem that I do have with the overall story, was the last chapter and epilogue. It lacked the depth and detail that was interwoven throughout the rest of the story. But overall, I was fascinated and enthralled in the story of Montauk.
Character/ Story background and development -
It's there, one hundred percent there. The main character's and the side characters all have the development and background interwoven into the story, waiting to be dug out as you read. All of the development and background that took place within Montauk, actually made this novel great!
Plot -
At first, the plot and story was slow. It could have just been my skewed perspective of not liking Historical Fiction novels, but it eventually picked up; allowing the like/dislike scales to flip. I was really worried that I would DNF Montauk, but once the story started to get more in depth with the characters and background, I was taken on an emotional roller coaster of feels. And I will happily take that ride over and over again.
Spelling/ Grammatical errors -
I did not notice any spelling or grammatical errors that took away from the overall story. There were a slight few littered throughout, but they were so minor and hardly noticeable that it did no harm to count it against the author or publisher.
Enjoyment -
I can for sure say, that I 100% enjoyed every second I spent on Montauk. I don't typically like Historical Fiction novels, but Nicola Harrison does an amazing job not only making sure the information is correct, but the writing is well-thought out.
Overall -
This novel is a sucker punch to the emotions; it's honestly one of those novels that will be cherished forever because the story, the development, the plot, the background, the heartache and pain, it was all there. And it made this a breathtaking novel to read.
Do I recommend? -
159% yes! I highly recommend Montauk by Nicola Harrison.
"With the ocean surrounding me, I feel free and at peace with the world."
Jamie (131 KP) rated An Eccentric Engagement in Books
May 24, 2017
Sweet romance (1 more)
Good commentary about social justice
Does more telling than showing (1 more)
Felt more like a lecture than a love story
A sweet regency romance
So this was a bit of a non-traditional romance as it takes place after the courtship. Sorrow and Bertram are engaged to be married and the two return to Sorrow’s country home for the wedding. The two are very clearly in the early stages of excitement over a new relationship, stealing kissing and admiring each other — the “puppy love” stage. Neither of the two truly love each other but are already prepared for marriage. The actual romance was more told than shown and it unfortunately just didn’t work for me. The romantic aspect seemed to take a back seat to the other two major plot lines: Sorrow’s altruistic family and Bert’s difficult relationship with his overbearing father.
Both of these plot lines are actually really good, but I felt that they both needed more time to be developed and would have been better in a full length novel. All of the conflict was resolved in a few pages with barely any resistance and the discussion felt more like a lecture that was repeated multiple times. Not that the message was bad, I appreciated the way they approach discussing the mentally ill and the elderly, and I actually liked the Marchand’s way of life, but I think it could have been delivered better.
It also didn’t help that Sorrow kind of annoyed me. When she talks to other people to try and explain her views it again turns into a mildly pretentious lecture. Her insistence on absolute harmony and willingness to throw everything out of the window if she didn’t get her way was also extremely grating. Creating needless drama for the sake of drama is not a good way of filling up pages.
Overall its not bad, it’s a cute and clean love story that will appeal to folks with a strong sense of social justice. It was a fluffy and pleasant way to pass the time, but I didn’t feel much of anything while reading it.
Both of these plot lines are actually really good, but I felt that they both needed more time to be developed and would have been better in a full length novel. All of the conflict was resolved in a few pages with barely any resistance and the discussion felt more like a lecture that was repeated multiple times. Not that the message was bad, I appreciated the way they approach discussing the mentally ill and the elderly, and I actually liked the Marchand’s way of life, but I think it could have been delivered better.
It also didn’t help that Sorrow kind of annoyed me. When she talks to other people to try and explain her views it again turns into a mildly pretentious lecture. Her insistence on absolute harmony and willingness to throw everything out of the window if she didn’t get her way was also extremely grating. Creating needless drama for the sake of drama is not a good way of filling up pages.
Overall its not bad, it’s a cute and clean love story that will appeal to folks with a strong sense of social justice. It was a fluffy and pleasant way to pass the time, but I didn’t feel much of anything while reading it.
Hazel (1853 KP) rated A Place Called Winter in Books
May 28, 2017
Loosely based on truth
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Loosely based upon a true story, one of Patrick Gale’s ancestors in fact, A Place Called Winter follows the life of Harry Cane during the early 1900s. The book begins with Harry being transferred from a mental asylum to a therapeutic community called Bethel Ranch. The story then backtracks to Harry’s life as a young, nervous, motherless boy and the time he met his future wife, Winnie.
Throughout the book the reader is trying to guess the reason Harry eventually finds himself at Bethel Ranch. Gale describes Harry’s marriage, his discovery of homosexuality and his move to Canada to his final stop at a homestead in a place called Winter. Does Harry develop a mental illness or is it something to do with his scandalous desires? Or, does something else happen later in the book?
After moving to Canada, Harry does not exactly have it easy and the reader feels for him as he perseveres with his new life style. We watch him grow from a timid young man into someone with his own farm and independence. It makes it all the more upsetting to read when certain things take a turn for the worse.
In this historical novel, Patrick Gale emphasizes on the way homosexuality was regarded in society. Entire families cut people out of their lives at the slightest hint of a scandal. Gale also touches on the techniques used within mental asylums during this period as well as racial discrimination.
Occasionally, the story was difficult to read as it alternated between being really interesting and then slightly dull. Overall, regardless of how much was based on actual events, it was a good storyline, and once you have started reading you feel the need to continue to find out what happens to Harry. I have only read one other book by Patrick Gale – Notes From an Exhibition – that I struggled with a little. A Place Called Winter, however, was a lot better than I was expecting.
Loosely based upon a true story, one of Patrick Gale’s ancestors in fact, A Place Called Winter follows the life of Harry Cane during the early 1900s. The book begins with Harry being transferred from a mental asylum to a therapeutic community called Bethel Ranch. The story then backtracks to Harry’s life as a young, nervous, motherless boy and the time he met his future wife, Winnie.
Throughout the book the reader is trying to guess the reason Harry eventually finds himself at Bethel Ranch. Gale describes Harry’s marriage, his discovery of homosexuality and his move to Canada to his final stop at a homestead in a place called Winter. Does Harry develop a mental illness or is it something to do with his scandalous desires? Or, does something else happen later in the book?
After moving to Canada, Harry does not exactly have it easy and the reader feels for him as he perseveres with his new life style. We watch him grow from a timid young man into someone with his own farm and independence. It makes it all the more upsetting to read when certain things take a turn for the worse.
In this historical novel, Patrick Gale emphasizes on the way homosexuality was regarded in society. Entire families cut people out of their lives at the slightest hint of a scandal. Gale also touches on the techniques used within mental asylums during this period as well as racial discrimination.
Occasionally, the story was difficult to read as it alternated between being really interesting and then slightly dull. Overall, regardless of how much was based on actual events, it was a good storyline, and once you have started reading you feel the need to continue to find out what happens to Harry. I have only read one other book by Patrick Gale – Notes From an Exhibition – that I struggled with a little. A Place Called Winter, however, was a lot better than I was expecting.
Hazel (1853 KP) rated The Smoke Thieves in Books
May 8, 2018
Review This ARC was provided by the publisher via NetGalley in exchange for an honest review
From the author of the popular fantasy trilogy, Half Bad comes a brand new historical-fantasy series: The Smoke Thieves. Featuring a princess, a traitor, a soldier, a hunter and a thief, Sally Green’s fictional world is a dangerous place for these five teenagers. From demons to tyrannical fathers, they must do their best to overcome every obstacle placed in their way to survive a world that is destined for conflict.
The five main characters are a mixed bag of personalities and status. Princess Catherine is preparing for her arranged marriage, which aims to politically unite two nations, or so she believes. Her brutally ambitious father, on the other hand, has other ideas. Ambrose, Catherine’s guard and a traitor to her father, escapes death by chasing after Catherine with news of her father’s real plans.
Meanwhile, March, a soldier whose entire family and heritage were wiped out in a war, aims to get revenge by finding his king’s illegitimate son and only heir, however, he does not anticipate the prince being the naïve thief, Edyon. March and Edyon travel through the country in the company of an elderly man until they are ambushed by a demon hunter and his thirteen-year-old assistant, Tash. All Tash wants to do is hunt demons, collect their drug-like smoke and sell it so she can buy a pair of boots, but fate has other plans, and it is all because of demon smoke.
Coming from all walks of life, the unlikely characters join forces at the conclusion of the book, preparing to face the biggest battle of their young lives. The first book of the series is an exciting introduction to the action promised in the following novels. Slow to start but growing increasingly interesting, The Smoke Thieves is an engaging story with fantastic main characters.
As a work of historical fantasy, The Smoke Thieves is a welcome change from the contemporary fantasy Sally Green has previously written. This book suggests the author has great ideas to come in the near future.
From the author of the popular fantasy trilogy, Half Bad comes a brand new historical-fantasy series: The Smoke Thieves. Featuring a princess, a traitor, a soldier, a hunter and a thief, Sally Green’s fictional world is a dangerous place for these five teenagers. From demons to tyrannical fathers, they must do their best to overcome every obstacle placed in their way to survive a world that is destined for conflict.
The five main characters are a mixed bag of personalities and status. Princess Catherine is preparing for her arranged marriage, which aims to politically unite two nations, or so she believes. Her brutally ambitious father, on the other hand, has other ideas. Ambrose, Catherine’s guard and a traitor to her father, escapes death by chasing after Catherine with news of her father’s real plans.
Meanwhile, March, a soldier whose entire family and heritage were wiped out in a war, aims to get revenge by finding his king’s illegitimate son and only heir, however, he does not anticipate the prince being the naïve thief, Edyon. March and Edyon travel through the country in the company of an elderly man until they are ambushed by a demon hunter and his thirteen-year-old assistant, Tash. All Tash wants to do is hunt demons, collect their drug-like smoke and sell it so she can buy a pair of boots, but fate has other plans, and it is all because of demon smoke.
Coming from all walks of life, the unlikely characters join forces at the conclusion of the book, preparing to face the biggest battle of their young lives. The first book of the series is an exciting introduction to the action promised in the following novels. Slow to start but growing increasingly interesting, The Smoke Thieves is an engaging story with fantastic main characters.
As a work of historical fantasy, The Smoke Thieves is a welcome change from the contemporary fantasy Sally Green has previously written. This book suggests the author has great ideas to come in the near future.
Bookapotamus (289 KP) rated The High Season in Books
May 25, 2018
Summer Drama never felt so good! I really enjoyed The High Season - it was just what I needed to get me into a summer mood, and it made me love to loathe the rich and famous Hamptons crowds even more! (kidding... sorta.) This book kept me wicked entertained and I breezed through it in two days. The writing is so good, hilarious at times, and the story is masterfully crafted and really clever!
Ruthie is sort of losing it all. Her marriage is over, her 15 year old daughter is struggling and distant, her job is on the rocks, friendships are tested ... and it's shaping up to be one crazy summer. The Hamptons-ish house Ruthie lives in with her daughter Jem, is rented out during the summer to the rich, in order for her to pay for it the rest of the year (aka The Summer Bummer). Adeline Clay, a wealthy artist widow rents her house and in turn, unknowingly shakes up the entire summer, for just about the whole town of Orient.
The dynamic of these characters and how their lives intertwine is artfully crafted through exclusive parties, a small local museum group, a summer farm stand job, secret rendezvous, texts/emails, and typical small town gossip. There is art forgery, a $250,000 watch, past lives and secrecy and the unnerving balance of power and social statuses. It's all so cleverly written and flows together seamlessly. I was thoroughly impressed how Judy Blundell twisted it all together so skillfully.
As an artist I love the snippets of the artist scene and it's inner workings and social circles. I loved the references to various famous artists and painting descriptions. I hated the museum board members and the way some people tossed money around and waved it in the locals and year-rounders faces. The characters were well developed and you feel for each and every one of them, especially Ruthie, who loses so much, and starts to lose herself while making some seriously questionable decisions.
My decision to read this was NOT questionable though! I really enjoyed it and would give 4.5 stars!
Ruthie is sort of losing it all. Her marriage is over, her 15 year old daughter is struggling and distant, her job is on the rocks, friendships are tested ... and it's shaping up to be one crazy summer. The Hamptons-ish house Ruthie lives in with her daughter Jem, is rented out during the summer to the rich, in order for her to pay for it the rest of the year (aka The Summer Bummer). Adeline Clay, a wealthy artist widow rents her house and in turn, unknowingly shakes up the entire summer, for just about the whole town of Orient.
The dynamic of these characters and how their lives intertwine is artfully crafted through exclusive parties, a small local museum group, a summer farm stand job, secret rendezvous, texts/emails, and typical small town gossip. There is art forgery, a $250,000 watch, past lives and secrecy and the unnerving balance of power and social statuses. It's all so cleverly written and flows together seamlessly. I was thoroughly impressed how Judy Blundell twisted it all together so skillfully.
As an artist I love the snippets of the artist scene and it's inner workings and social circles. I loved the references to various famous artists and painting descriptions. I hated the museum board members and the way some people tossed money around and waved it in the locals and year-rounders faces. The characters were well developed and you feel for each and every one of them, especially Ruthie, who loses so much, and starts to lose herself while making some seriously questionable decisions.
My decision to read this was NOT questionable though! I really enjoyed it and would give 4.5 stars!
Sheridan (209 KP) rated All I See Is You (2017) in Movies
Feb 3, 2019
Decent acting (1 more)
Beautiful visuals
Confusing storyline (3 more)
Doesn't deliver
A lot is implied
Weird sexual parts that make no sense
A Poor Attempt at a Romantic Thriller
Contains spoilers, click to show
I'd never heard of this until it popped up on my Stan account. The summary sounded like it was going to be a gritty romantic thriller - boy was I wrong! While the acting was decent and the 'blind' effects were gorgeous, the storyline left something to be desired. Their marriage was clearly a disaster, the husband is needy and posessive and her complete personality change when she was able to see with one eye was jarring to say the least. The doctor was able to restore her sight in her right eye, but not once did they touch on how difficult it is to just see with one eye. Your balance is off, your perception is off - it's a complete disaster until you become used to it, yet they gave her the ease and impression that she could see with both eyes again. A lot is heavily implied (him messing with her eyedrops to cause blindness again, him staging a break in to get rid of her dog Ginger, her cheating on him with Daniel, her lying about being able to see etc.), there is never a confrontation between the pair about any of it. At the end you get the impression he's dead and she has the baby, but none of it is actually confirmed. It's just an utter mess. Nothing comes together and the story falls flat. There's also a lot of very unsettling sexual overtones from the get go which are never explained or understood. It feels like these were added as part of the story that was never revealed - maybe left on the editing floor - so they don't make much sense. The movie could have easily happened without them so why have them there when they didn't serve an actual purpose? Overall, it was a confusing, slightly disturbing mess that just - didn't work. It had a lot of potential but just didn't deliver. I wouldn't bother with it if you're looking for something good to watch, it just isn't there with this one.
Rachel King (13 KP) rated In Praise of Stay-at-Home Moms in Books
Feb 11, 2019
As a stay-at-home mom myself, partly by choice and partly by default, I didn't realize how much I needed the lift this book provided until I finished it. While SAHMs are gaining in support, thanks to the wonders of the internet, the effects of the feminist movement are hard to undo, and I still find myself feeling bad for not "running the hamster wheel."
This book is really about praising and uplifting SAHMs in every way, from giving advice on how to transition from working outside the home to becoming a SAHM, how to deal with naysayers, the impact of being a SAHM on the marriage, the children, and the woman herself, and the struggles that a SAHM goes through. Nearly every page features quotes from SAHMs who have contacted Dr. Laura with their opinions, experiences, questions, and wisdom, and these women all have unique living situations to fit any mother's lifestyle, even the ones who have been through a divorce because the husband does not support the idea of the woman becoming a SAHM. Dr. Laura dispels many notions and myths that run rampant about the type of woman that decides to be a SAHM, and what would make her choose such a lifestyle. Many of the women she quotes have college degrees or left great careers to become a SAHM. Others go on to degrees and careers once the children have grown and "fled the nest." Some of the best parts of the book were the stories that SAHMs related about the wonderful perks and unforgettable moments of being a SAHM, such as being able to cook healthy meals from scratch for their family and not missing all of those important milestones with their children.
This book helped me to change my perspective on my role in my family's life, as the heart of the home, to focus on the good things of what I have committed to, and to appreciate my husband and children, not as sandbags on my own personal improvement, but as buoys to lift me up and save me from my own destructive self-involvement.
This book is really about praising and uplifting SAHMs in every way, from giving advice on how to transition from working outside the home to becoming a SAHM, how to deal with naysayers, the impact of being a SAHM on the marriage, the children, and the woman herself, and the struggles that a SAHM goes through. Nearly every page features quotes from SAHMs who have contacted Dr. Laura with their opinions, experiences, questions, and wisdom, and these women all have unique living situations to fit any mother's lifestyle, even the ones who have been through a divorce because the husband does not support the idea of the woman becoming a SAHM. Dr. Laura dispels many notions and myths that run rampant about the type of woman that decides to be a SAHM, and what would make her choose such a lifestyle. Many of the women she quotes have college degrees or left great careers to become a SAHM. Others go on to degrees and careers once the children have grown and "fled the nest." Some of the best parts of the book were the stories that SAHMs related about the wonderful perks and unforgettable moments of being a SAHM, such as being able to cook healthy meals from scratch for their family and not missing all of those important milestones with their children.
This book helped me to change my perspective on my role in my family's life, as the heart of the home, to focus on the good things of what I have committed to, and to appreciate my husband and children, not as sandbags on my own personal improvement, but as buoys to lift me up and save me from my own destructive self-involvement.