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All the Ways We Said Goodbye
Karen White, Beatriz Williams and Lauren Willig
8.0
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The heiress . . . The Resistance fighter . . . The widow . . . Three women whose fates are joined...
The Ghost is Clear (A Series of Midlife Curses #1)
Arial Burnz and AJ Nuest
9.0
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A Midlife Crisis…or Curse…or BOTH? Life after forty is fun, they said. You can be whoever you...
Paranormal Women's Fiction
Coercion: The Complete Collection (The Montana Dragons 1)
7.0
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A Montana Wolves crossover romance... Book One: When Willa Stone is cast aside by the...
Dragons Shifter Paranormal Werewolves Romance
A Winter's Promise
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Lose yourself in the fantastic world of the arks and in the company of unforgettable characters in...
Kristy H (1252 KP) rated Under the Southern Sky in Books
Aug 12, 2021
A heartfelt romance set in North Carolina
Amelia Saxton, a journalist, has just published a personal story in "Modern Love" discussing her own modern marriage with her husband Thad, talking about how happy they are in their life filled with travel and their decision not to have children. That same day she discovers Thad is cheating on her--with another man. Devastated, Amelia's life is completely upended and she wonders if she can ever trust again. While researching another story, she finds out that some embryos belonging to her childhood friend Parker and his late wife, Greer, have been deemed "abandoned." Parker had a love for the ages with Greer, but Amelia--the literal girl next door--was his first love. He had forgotten about the embryos, but once he hears Amelia's news, he wants to become a single father via surrogate. As Amelia and Parker each return home to Cape Carolina to deal with their own grief, they find comfort in their friendship.
"People always think being loved will change them. But that's not true. It's really, truly loving--with the kind of love you couldn't take away even if you wanted to--that turns you inside out."
This book had an interesting plot idea--the whole embryo idea has the possibility to become icky, but overall Woodson Harvey pulls it off. I have been through IVF and dealt with frozen embryo decisions myself, so the book certainly hit home. The story is told via Parker and Amelia's present-day perspectives and interspersed with excerpts from Greer's journals. The North Carolina setting is atmospheric and takes on a life of its own.
At times, this tale is kind of silly and all over the place, but it's a very easy read. The characters are also easy-to-like, and I grew to care a lot about both Parker and Amelia. It's a fun and romantic tale, with just about everyone tied together in various ways. There are meddling moms, family secrets, and drama with Parker's brother. All of this makes the book quite a page-turner, which is at turns sweet and heartbreaking. 3.75 stars.
"People always think being loved will change them. But that's not true. It's really, truly loving--with the kind of love you couldn't take away even if you wanted to--that turns you inside out."
This book had an interesting plot idea--the whole embryo idea has the possibility to become icky, but overall Woodson Harvey pulls it off. I have been through IVF and dealt with frozen embryo decisions myself, so the book certainly hit home. The story is told via Parker and Amelia's present-day perspectives and interspersed with excerpts from Greer's journals. The North Carolina setting is atmospheric and takes on a life of its own.
At times, this tale is kind of silly and all over the place, but it's a very easy read. The characters are also easy-to-like, and I grew to care a lot about both Parker and Amelia. It's a fun and romantic tale, with just about everyone tied together in various ways. There are meddling moms, family secrets, and drama with Parker's brother. All of this makes the book quite a page-turner, which is at turns sweet and heartbreaking. 3.75 stars.
Just One Look
6.0
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A young woman’s escalating obsession with a seemingly perfect man leads her down a dangerous path...
Bob Mann (459 KP) rated Love And Friendship (2016) in Movies
Sep 29, 2021
Beckinsale excels in a comic tale of Girl Power in the 1790’s.
Set in 1790, Kate Beckinsale plays Lady Susan Vernon, an 18th century cuckoo-like ‘MILF’ (actually, more ‘LILF’, but using the ‘Lady’ term loosely) who with her glamourous demeanor is lusted after by both younger beaus as well as married aristocracy: an example being Lord Manwaring (Lochlann O’Mearáin).
Playing many different ends against the middle, Lady Susan – with the collusion of her American friend Alicia (Chloë Sevigny) – attempts to both find a suitably rich suitor for her daughter Frederica (Morfydd Clark) as well as finding a rich husband for herself to allow her to stay in the manor (sic) to which she has become accustomed. A tale of deception, pregnancy and a marriage of convenience follows: does Lady Susan have to choose between her sexual desires and the rich, stupid and dull Sir James Martin (Tom Bennett, “David Brent: Life on the Road”). Or can she have her cake and eat it?
Based on a Jane Austen short story, “Lady Susan”, this is a delight from beginning to end. However, it does require the attention of the viewer: characters get introduced to you in rapid fire succession, and keeping track of who’s who and how they interrelate is quite a challenge.
But this is a tour de force for Kate “Underworld” Beckinsale who delivers a depth of acting ability that I’ve not seen from her in the past. Her comic timing is just sublime, and while comedies are often overlooked in Awards season, this is a role for which she richly deserves both BAFTA and Oscar recognition.
Stephen Fry joins what is a superb ensemble cast. But outstanding among them is Tom Bennett who is simply hilarious as the nice but dim Sir James. The comic routine about his misunderstanding of “Churchill” (Church – Hill) – a running gag – is sublime and a challenger (with “Was that it t’were so simple”) for the comedy routine of the year.
Directed by Whit Stilman (“The Last Days of Disco”) from his own screenplay, this is one for the more sophisticated viewer: requiring of your full attention, but a treat for the eyes, ears and brain.
Playing many different ends against the middle, Lady Susan – with the collusion of her American friend Alicia (Chloë Sevigny) – attempts to both find a suitably rich suitor for her daughter Frederica (Morfydd Clark) as well as finding a rich husband for herself to allow her to stay in the manor (sic) to which she has become accustomed. A tale of deception, pregnancy and a marriage of convenience follows: does Lady Susan have to choose between her sexual desires and the rich, stupid and dull Sir James Martin (Tom Bennett, “David Brent: Life on the Road”). Or can she have her cake and eat it?
Based on a Jane Austen short story, “Lady Susan”, this is a delight from beginning to end. However, it does require the attention of the viewer: characters get introduced to you in rapid fire succession, and keeping track of who’s who and how they interrelate is quite a challenge.
But this is a tour de force for Kate “Underworld” Beckinsale who delivers a depth of acting ability that I’ve not seen from her in the past. Her comic timing is just sublime, and while comedies are often overlooked in Awards season, this is a role for which she richly deserves both BAFTA and Oscar recognition.
Stephen Fry joins what is a superb ensemble cast. But outstanding among them is Tom Bennett who is simply hilarious as the nice but dim Sir James. The comic routine about his misunderstanding of “Churchill” (Church – Hill) – a running gag – is sublime and a challenger (with “Was that it t’were so simple”) for the comedy routine of the year.
Directed by Whit Stilman (“The Last Days of Disco”) from his own screenplay, this is one for the more sophisticated viewer: requiring of your full attention, but a treat for the eyes, ears and brain.
Debbiereadsbook (1197 KP) rated A Lady to Treasure in Books
Oct 17, 2023
very much fade to black and I liked that!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is, I think, the first I've read of this author, and I really enjoyed it.
I'm not afraid to say I like my books on the steamier and smexier side, you know I'm not but what I liked the most about this was the fact that there is NO smexy stuff!
Oh, don't get me wrong, there is love and passion and emotions all over the place but it's very much a fade to black book, and I liked that it was.
Louisa is in a tricky spot, having been sent by her father to secure a husband in England with enough money to save his business. Sarah is just trying to keep a head above herself; her sister; her father and stepmother and the waste of space that is her stepbrother.
Several marriage offers later, and a terrible attack on Louisa and the ladies realise that they need each other. But Sarah has been alone for so long and accepting the help and love that Louisa offers is hard and she pushes her away, often. Tragedy strikes and Sarah knows to where he must go for help.
I think the thing I struggled the most with, was how long this book is. There is a huge amount of back story, that seemed to drag on. Back stories are great, but I found myself skipping huge chunks. I didn't feel I missed anything by doing so, so maybe they didn't need to be there.
I loved the supporting cast. Eleanor especially, was a joy, even if she was shunned by most of "polite society" in those days.
I didn't feel anything from either woman about what might happen if they let themselves love on each other, you know? Neither were bothered by their feelings and what might happen. Found that a bit odd, given the time they lived in. The romance element sort of popped up too, there didn't seem to be any build up!
But all in all, a nice read, with some drama and some passion; some love and some danger.
4 stars
*same worded review will appear elsewhere
This is, I think, the first I've read of this author, and I really enjoyed it.
I'm not afraid to say I like my books on the steamier and smexier side, you know I'm not but what I liked the most about this was the fact that there is NO smexy stuff!
Oh, don't get me wrong, there is love and passion and emotions all over the place but it's very much a fade to black book, and I liked that it was.
Louisa is in a tricky spot, having been sent by her father to secure a husband in England with enough money to save his business. Sarah is just trying to keep a head above herself; her sister; her father and stepmother and the waste of space that is her stepbrother.
Several marriage offers later, and a terrible attack on Louisa and the ladies realise that they need each other. But Sarah has been alone for so long and accepting the help and love that Louisa offers is hard and she pushes her away, often. Tragedy strikes and Sarah knows to where he must go for help.
I think the thing I struggled the most with, was how long this book is. There is a huge amount of back story, that seemed to drag on. Back stories are great, but I found myself skipping huge chunks. I didn't feel I missed anything by doing so, so maybe they didn't need to be there.
I loved the supporting cast. Eleanor especially, was a joy, even if she was shunned by most of "polite society" in those days.
I didn't feel anything from either woman about what might happen if they let themselves love on each other, you know? Neither were bothered by their feelings and what might happen. Found that a bit odd, given the time they lived in. The romance element sort of popped up too, there didn't seem to be any build up!
But all in all, a nice read, with some drama and some passion; some love and some danger.
4 stars
*same worded review will appear elsewhere
The Reject and the Rebound (Leighton #3)
8.0
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Sometimes salvation comes from the person you’d least expect. Owen: The day I came home and...
Contemporary MM Romance
ClareR (5721 KP) rated The Startup Wife in Books
Mar 20, 2022
I really enjoyed this satirical story of love and marriage in the setting of an app startup. It’s a book of two halves, really: a love story, and how you set an app is set up and start a business.
Computer scientist Asha, meets up with her high school crush, Cyrus, they fall in love and get married. Along with Cyrus’ friend Jules, Asha develops an app based on Cyrus’ beliefs. And the app really takes off - which is where the second part of the book kicks in.
Cyrus goes from reluctant participant in the venture, to being a guru who enthrals thousands of subscribers each day with his motivational webcasts. He IS the face of WAI, and Asha’s role is almost forgotten. Even when it becomes something of a phenomenon, Asha’s development and programming expertise is pushed aside to make way for her clearly more charismatic husband. The problem is, and this is what really started to put me off his character, Cyrus buys into his own charisma. He thinks he and the app are capable of doing far more than they realistically can do, and disaster awaits. If only they’d listened to Asha.
Asha is the loyal wife, but faced with being constantly undermined at work, and not being supported by Cyrus, things are bound to come to a head. And they certainly do! Everything that can go wrong, does!
I really liked the way that the author looked at how social media and apps should have a responsibility towards their users. People get carried away online, thinking that anything is possible, and social media can reinforce this.
I also think that the way that Asha was pushed out and her role trivialised was representative of many women in the workplace. In particular, the way that their investor ignored Asha in meetings, directing technical questions (her job) to the male partners.
Parts of this book really made me laugh, other parts showed the online world as trivial and shallow. It portrayed the dangers of trusting a programme with no human perception of situations. It’s a great book which not only entertained me, but really got me thinking.
Computer scientist Asha, meets up with her high school crush, Cyrus, they fall in love and get married. Along with Cyrus’ friend Jules, Asha develops an app based on Cyrus’ beliefs. And the app really takes off - which is where the second part of the book kicks in.
Cyrus goes from reluctant participant in the venture, to being a guru who enthrals thousands of subscribers each day with his motivational webcasts. He IS the face of WAI, and Asha’s role is almost forgotten. Even when it becomes something of a phenomenon, Asha’s development and programming expertise is pushed aside to make way for her clearly more charismatic husband. The problem is, and this is what really started to put me off his character, Cyrus buys into his own charisma. He thinks he and the app are capable of doing far more than they realistically can do, and disaster awaits. If only they’d listened to Asha.
Asha is the loyal wife, but faced with being constantly undermined at work, and not being supported by Cyrus, things are bound to come to a head. And they certainly do! Everything that can go wrong, does!
I really liked the way that the author looked at how social media and apps should have a responsibility towards their users. People get carried away online, thinking that anything is possible, and social media can reinforce this.
I also think that the way that Asha was pushed out and her role trivialised was representative of many women in the workplace. In particular, the way that their investor ignored Asha in meetings, directing technical questions (her job) to the male partners.
Parts of this book really made me laugh, other parts showed the online world as trivial and shallow. It portrayed the dangers of trusting a programme with no human perception of situations. It’s a great book which not only entertained me, but really got me thinking.