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Kristy H (1252 KP) rated The Blackbird Season in Books
Feb 13, 2018
It's just another day in Mount Oanoke, Pennsylvania when the birds start to fall. Hundreds of dead starlings, dropping from the sky during a baseball game. It seems like the birds started it all, but really the secrets and lies began much earlier. Nate Winters, high school teacher and baseball coach, is beloved in the town. That is, until a reporter, in town to cover the birds, catches Nate hugging a student at a local motel. Suddenly, the birds are forgotten, and the story becomes much juicier: Nate; his student, Lucia; and their supposed affair. Lucia fuels the fire by affirming the affair and suddenly Nate and his wife, Alecia, are swept up in the story. The only who believes in Nate's innocence, even a sliver, is his friend and co-worker, Bridget. As Lucia's creative writing teacher, she has unique insight into the girl's mind. But when Lucia suddenly goes missing--with Nate as the prime suspect in her disappearance--not even Bridget may be able to save Nate. But is there more to Lucia's disappearance than an affair with her teacher?
<i>Wow, I was really impressed by this novel. It's a complicated novel that is just as much a character-driven study as it is a mystery.</i> It's incredibly well-written, and Moretti expertly embodies the voice of each of her characters, from beleaguered Alecia, who is worn down from mothering her autistic son, Gabe; to the cast of teenager characters; to Bridget, who lost her husband to cancer a year ago. It's <i>so well-done</i> that often with each chapter (which skip from various points of view -- Bridget, Kate, Lucia, Nate, etc.), I found my myself veering between whom I preferred or believed, constantly second-guessing my allegiances or what happened. This is very rare for me: typically I find my "person" in a novel and stick with them, no matter what.
But here, I was confused, wondering. Was Nate really a cad, who cheated on his wife every second he got, or was he the sweet, affable teacher and baseball coach that the whole town admired and adored? And Alecia--was she more than just a weary mom, broken down by years of staying at home with her autistic son, Gabe, unable to give to anyone beyond him? Did she push Nate away, into the arms of others? Or was the truth more complicated that all of this? I have to hand it to Moretti--she was excellent at creating confusion and doubt. In addition to different perspectives, the novel shifts in time (before the birds fell, after the birds fell, before Lucia disappeared, etc.). It's a little tough to keep track of, but it also keeps you on your toes and always wondering, as you piece various parts of the puzzle together.
For me--even more than the mystery of what exactly happened with Lucia--<i>the strength of this novel was the writing and the characters.</i> I felt for them, even when I was frustrated with them. Moretti captures the angst and meanness of high school extremely well, portraying the cliques of a small town quite superbly. (I was reminded of <a href="https://www.goodreads.com/review/show/2115987339?book_show_action=false&from_review_page=1">WHEN WE WERE WORTHY</a>, which I just finished.) I loved the juxtaposition of this being a small town, so the idea is that everyone knows everyone and everything, and yet there are so many secrets, so much unknown. Being a witness to Alecia and Nate's marriage is amazing-- you see firsthand how the events affect them and how they've reached this point. <i>It's an incredibly realistic portrayal of marriage and of motherhood.</i>
As you probably tell, I just really liked this novel. It's very well-written, with quite compelling characters. I worked out some of the plot, but it didn't stop me from reading at all. I think some of the emphasis on character development slows the story at places, but not in any detrimental way. This one will make you think, as well as intrigue you with what happened to Lucia. Quite worth the read. 4+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 09/26/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
<i>Wow, I was really impressed by this novel. It's a complicated novel that is just as much a character-driven study as it is a mystery.</i> It's incredibly well-written, and Moretti expertly embodies the voice of each of her characters, from beleaguered Alecia, who is worn down from mothering her autistic son, Gabe; to the cast of teenager characters; to Bridget, who lost her husband to cancer a year ago. It's <i>so well-done</i> that often with each chapter (which skip from various points of view -- Bridget, Kate, Lucia, Nate, etc.), I found my myself veering between whom I preferred or believed, constantly second-guessing my allegiances or what happened. This is very rare for me: typically I find my "person" in a novel and stick with them, no matter what.
But here, I was confused, wondering. Was Nate really a cad, who cheated on his wife every second he got, or was he the sweet, affable teacher and baseball coach that the whole town admired and adored? And Alecia--was she more than just a weary mom, broken down by years of staying at home with her autistic son, Gabe, unable to give to anyone beyond him? Did she push Nate away, into the arms of others? Or was the truth more complicated that all of this? I have to hand it to Moretti--she was excellent at creating confusion and doubt. In addition to different perspectives, the novel shifts in time (before the birds fell, after the birds fell, before Lucia disappeared, etc.). It's a little tough to keep track of, but it also keeps you on your toes and always wondering, as you piece various parts of the puzzle together.
For me--even more than the mystery of what exactly happened with Lucia--<i>the strength of this novel was the writing and the characters.</i> I felt for them, even when I was frustrated with them. Moretti captures the angst and meanness of high school extremely well, portraying the cliques of a small town quite superbly. (I was reminded of <a href="https://www.goodreads.com/review/show/2115987339?book_show_action=false&from_review_page=1">WHEN WE WERE WORTHY</a>, which I just finished.) I loved the juxtaposition of this being a small town, so the idea is that everyone knows everyone and everything, and yet there are so many secrets, so much unknown. Being a witness to Alecia and Nate's marriage is amazing-- you see firsthand how the events affect them and how they've reached this point. <i>It's an incredibly realistic portrayal of marriage and of motherhood.</i>
As you probably tell, I just really liked this novel. It's very well-written, with quite compelling characters. I worked out some of the plot, but it didn't stop me from reading at all. I think some of the emphasis on character development slows the story at places, but not in any detrimental way. This one will make you think, as well as intrigue you with what happened to Lucia. Quite worth the read. 4+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 09/26/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Darren (1599 KP) rated Aladdin (1992) in Movies
Jun 20, 2019
Story: Aladdin starts as we see the evil Jafar looking for a lamp but hi plans are put on hold when he needs to find a diamond in the rough. We move onto meet street thieve Aladdin who steals to survive and help others who are less fortunate. We also meet Princess Jasmin who needs to be married off by her Sultan father by her next birthday but wants to fall in love before marrying someone.
After Jasmine runs away she meets Aladdin who gets placed into helping Jafar retrieve the Lamp from the Cave of Wonders. Once Aladdin finds the lamp he awakens the Genie who grants him three wishes that could change his life forever.
Aladdin is one of the most popular Disney movies all time and I can see why. We have the unlikely hero that is good at heart but never given the chance to be the success he could be, we have a strong female lead and a villain tired of being in the shadows wanting power. Mixing all of these together we get a full story that does everything you need in a film taking the Disney Princess idea to a new world. This will always be considered a true classic that will forever be loved.
Character Review
Aladdin: Aladdin is the small town street thieve that does what he needs to, to survive. When he meets Jasmine he instantly falls in love but finds him the target of Jafar to steal a magic lamp. The lamp gives him three wishes that he uses to make himself a Prince to marry Jasmine but it isn’t long before his true self is discovered and he can become a hero by himself. Aladdin is a great character that shows just because he does criminal activities he is doing them for the right reason and is selfless at heart.
Genie: Genie comes from the lamp giving Aladdin three wishes having been trapped for years. He has rules but must grant wishes that don’t break these rules to his master. He loves working for Aladdin but ends up being forced into working for Jafar. Genie is one of Robin William best performance as the pure energy behind this film that you want to see every single scene he is in.
Jasmine: Jasmine is the princess that is being forced into marrying a prince but she keeps rejecting any that come her way. She escapes the kingdom and falls in love with Aladdin who is everything she shouldn’t be marrying. Jasmine is a strong princess which is unlike most of Disney’s for the time she wants love and will make sure she finds it.
Jafar: Jafar is the Sultan’s most trusted advisor but he has plans to become the Sultan himself and will look into to any means to make this happen including finding the lamp to wish for the power. Jafar is one of your typical villains you see in a Disney film that will always be one to hate.
Support Characters: Aladdin has good supporting comedy character that will make you laugh through the film.
Director Review: Ron Clements, John Musker – The pair give us one of the most memorable and stand out Disney films of all time.
Adventure: Aladdin takes us on an adventure as Aladdin goes from street thieve to worthy hand in marriage for Jasmine.
Animation: Aladdin had the brilliant animation you have come to know from Disney.
Comedy: Aladdin has great use of comedy with most coming from Robin Williams.
Family: Aladdin is one the whole family could enjoy with jokes for the whole family to understand.
Fantasy: Aladdin puts us in the middle of a fantasy world that is filled with genies that can grant wishes.
Romance: Aladdin has a romantic story that follows a princess who wants to fall in love rather than be forced into marriage.
Settings: Aladdin puts us into a world that shows the type of world that Aladdin is living in.
Suggestion: Aladdin is one that I think everyone should have watched at least once. (Watch)
Best Part: Whole New World.
Worst Part: Not one.
Believability: No
Chances of Tears:
Chances of Sequel: Has one.
Post Credits Scene: No
Oscar Chances: Won 2 Oscars
Budget: $28 Million
Runtime: 1 Hour 30 Minutes
Tagline: A diamond in the rough.
Trivia: This film became the 14th (and the first animated movie) to gross more than $200,000,000.
Overall: One of the BEST Disney films of all time.
https://moviesreview101.com/2016/07/06/aladdin-1992/
After Jasmine runs away she meets Aladdin who gets placed into helping Jafar retrieve the Lamp from the Cave of Wonders. Once Aladdin finds the lamp he awakens the Genie who grants him three wishes that could change his life forever.
Aladdin is one of the most popular Disney movies all time and I can see why. We have the unlikely hero that is good at heart but never given the chance to be the success he could be, we have a strong female lead and a villain tired of being in the shadows wanting power. Mixing all of these together we get a full story that does everything you need in a film taking the Disney Princess idea to a new world. This will always be considered a true classic that will forever be loved.
Character Review
Aladdin: Aladdin is the small town street thieve that does what he needs to, to survive. When he meets Jasmine he instantly falls in love but finds him the target of Jafar to steal a magic lamp. The lamp gives him three wishes that he uses to make himself a Prince to marry Jasmine but it isn’t long before his true self is discovered and he can become a hero by himself. Aladdin is a great character that shows just because he does criminal activities he is doing them for the right reason and is selfless at heart.
Genie: Genie comes from the lamp giving Aladdin three wishes having been trapped for years. He has rules but must grant wishes that don’t break these rules to his master. He loves working for Aladdin but ends up being forced into working for Jafar. Genie is one of Robin William best performance as the pure energy behind this film that you want to see every single scene he is in.
Jasmine: Jasmine is the princess that is being forced into marrying a prince but she keeps rejecting any that come her way. She escapes the kingdom and falls in love with Aladdin who is everything she shouldn’t be marrying. Jasmine is a strong princess which is unlike most of Disney’s for the time she wants love and will make sure she finds it.
Jafar: Jafar is the Sultan’s most trusted advisor but he has plans to become the Sultan himself and will look into to any means to make this happen including finding the lamp to wish for the power. Jafar is one of your typical villains you see in a Disney film that will always be one to hate.
Support Characters: Aladdin has good supporting comedy character that will make you laugh through the film.
Director Review: Ron Clements, John Musker – The pair give us one of the most memorable and stand out Disney films of all time.
Adventure: Aladdin takes us on an adventure as Aladdin goes from street thieve to worthy hand in marriage for Jasmine.
Animation: Aladdin had the brilliant animation you have come to know from Disney.
Comedy: Aladdin has great use of comedy with most coming from Robin Williams.
Family: Aladdin is one the whole family could enjoy with jokes for the whole family to understand.
Fantasy: Aladdin puts us in the middle of a fantasy world that is filled with genies that can grant wishes.
Romance: Aladdin has a romantic story that follows a princess who wants to fall in love rather than be forced into marriage.
Settings: Aladdin puts us into a world that shows the type of world that Aladdin is living in.
Suggestion: Aladdin is one that I think everyone should have watched at least once. (Watch)
Best Part: Whole New World.
Worst Part: Not one.
Believability: No
Chances of Tears:
Chances of Sequel: Has one.
Post Credits Scene: No
Oscar Chances: Won 2 Oscars
Budget: $28 Million
Runtime: 1 Hour 30 Minutes
Tagline: A diamond in the rough.
Trivia: This film became the 14th (and the first animated movie) to gross more than $200,000,000.
Overall: One of the BEST Disney films of all time.
https://moviesreview101.com/2016/07/06/aladdin-1992/
Kirk Bage (1775 KP) rated Marriage Story (2019) in Movies
Mar 3, 2020
To say I found this hard to watch could not be more understated. Any adult that has risked their whole life on a true love that runs its course and then fails must surely feel the same. It happens to most of us once or twice in a lifetime, and resonates forever. Such is the level of truth and sadness on display in Noah Baumbach’s beautifully written and directed tale of two people in turmoil, whose biggest obstacle is not one another, but the dispassion and ineffectiveness of legality, and even friends and family, to resolve big issues of a personal nature.
As with the obvious reference point of the seminal take on divorce, Robert Benton’s 1979 Oscar winner Kramer Vs. Kramer, the point is not at all about taking sides and choosing a winner… because everyone loses in a break-up. The only thing you can hope is that it doesn’t tear the child / children apart, and that at least some memory of the love that once was isn’t entirely forgotten. You also hope that you will survive, once you realise you are not part of a whole any more, and you must now figure out who you are and where to go. Even the grief of death is sometimes not as devastating. And this beyond mature film acknowledges that.
Not that it is all doom and gloom. There is some real humour and joy wrapped up inside the detail of Marriage Story’s script. As you would expect from the guy who gave us the massively under-rated The Squid and the Whale, from 2005. It assumes an emotional intelligence similar to the best films of Woody Allen, with which he clearly shares some sense of creative style and sensibility. But let’s not open that can of worms at this juncture.
The idea that Scarlett Johansson can even be thought of as a double Oscar nominee this year may be galling to some naysayers, but it comes as no surprise to me at all. Despite a career touching on the lighter side of cinema, there are some bold artistic choices in there too, and personally I have always seen that potential. As Nicole, she not only creates a fully rounded character different from anything I have ever seen her do; believable and interesting in every way, but also holds her own against one of the major talents working in film today – Mr Adam Driver. And that is no mean feat! Another balance comparison that can be made to the epic battle of Streep Vs Hoffman, decades before. And as with Streep before her, there are moments where we entirely see her side of things and stop questioning male vs female politics and just see the person battling underneath it all.
However, and not remotely because I am likely to relate to the male point of view, the work Adam Driver is doing here is close to transcendent! I have made no secret of wanting Joaquin Phoenix to win every accolade going for his turn in Joker. And what a shame the two have to be compared, because Driver’s work here is second to none! I find it so completely exciting for the future of cinema that he is out there doing his thing – evidently, it is about as breath-taking as screen acting has ever been!
It is not only his ability to convey vulnerability and humanity in every role he takes on; it his control that really impresses. To such an extent that I begin to wonder if there is anything he could not do better than 99% of anyone working today, if well cast. Make no mistake, at any level, this is one of hell of a talent, making the right choices in the roles he does at almost every crossroads. Consider the latest Star Wars trilogy without him, and ponder what weak popcorn fare it might have been without him?
Marriage Story as a complete piece is worthy of dissection and multiple re-watches. I am happy to say that, only hours after seeing it myself. There simply isn’t a doubt. As a serious commentary on break-ups then it may be, at the moment, tertiary in my mind to both the aforementioned Kramer Vs Kramer and the sickeningly sad Blue Valentine. But, it is perhaps more real than either of those, and will certainly build in my psyche as time passes.
In conclusion: Yes! I have no inclination to fault it. And may have more to say at a different point…
As with the obvious reference point of the seminal take on divorce, Robert Benton’s 1979 Oscar winner Kramer Vs. Kramer, the point is not at all about taking sides and choosing a winner… because everyone loses in a break-up. The only thing you can hope is that it doesn’t tear the child / children apart, and that at least some memory of the love that once was isn’t entirely forgotten. You also hope that you will survive, once you realise you are not part of a whole any more, and you must now figure out who you are and where to go. Even the grief of death is sometimes not as devastating. And this beyond mature film acknowledges that.
Not that it is all doom and gloom. There is some real humour and joy wrapped up inside the detail of Marriage Story’s script. As you would expect from the guy who gave us the massively under-rated The Squid and the Whale, from 2005. It assumes an emotional intelligence similar to the best films of Woody Allen, with which he clearly shares some sense of creative style and sensibility. But let’s not open that can of worms at this juncture.
The idea that Scarlett Johansson can even be thought of as a double Oscar nominee this year may be galling to some naysayers, but it comes as no surprise to me at all. Despite a career touching on the lighter side of cinema, there are some bold artistic choices in there too, and personally I have always seen that potential. As Nicole, she not only creates a fully rounded character different from anything I have ever seen her do; believable and interesting in every way, but also holds her own against one of the major talents working in film today – Mr Adam Driver. And that is no mean feat! Another balance comparison that can be made to the epic battle of Streep Vs Hoffman, decades before. And as with Streep before her, there are moments where we entirely see her side of things and stop questioning male vs female politics and just see the person battling underneath it all.
However, and not remotely because I am likely to relate to the male point of view, the work Adam Driver is doing here is close to transcendent! I have made no secret of wanting Joaquin Phoenix to win every accolade going for his turn in Joker. And what a shame the two have to be compared, because Driver’s work here is second to none! I find it so completely exciting for the future of cinema that he is out there doing his thing – evidently, it is about as breath-taking as screen acting has ever been!
It is not only his ability to convey vulnerability and humanity in every role he takes on; it his control that really impresses. To such an extent that I begin to wonder if there is anything he could not do better than 99% of anyone working today, if well cast. Make no mistake, at any level, this is one of hell of a talent, making the right choices in the roles he does at almost every crossroads. Consider the latest Star Wars trilogy without him, and ponder what weak popcorn fare it might have been without him?
Marriage Story as a complete piece is worthy of dissection and multiple re-watches. I am happy to say that, only hours after seeing it myself. There simply isn’t a doubt. As a serious commentary on break-ups then it may be, at the moment, tertiary in my mind to both the aforementioned Kramer Vs Kramer and the sickeningly sad Blue Valentine. But, it is perhaps more real than either of those, and will certainly build in my psyche as time passes.
In conclusion: Yes! I have no inclination to fault it. And may have more to say at a different point…
Gareth von Kallenbach (980 KP) rated By The Sea (2015) in Movies
Aug 6, 2019
Today, we have yet another film that strays from ‘the norm’. A film that not only stars one of the most beloved celebrity couples on the planet but also harkens back to the Italian dramatic films of the late 1960s/early 70s. It most definitely qualifies as an ‘art house’ film.
Since the world saw Angelina Jolie and Brad Pitt together in ‘Mr. & Mrs. Smith’ it has awaited the day when the couple would appear together again in another film. Although it’s not the sequel to THAT film many had hoped for, it is most definitely and intriguing look at how the couple appear together in a movie in a completely genre with the creative control Angelina had.
‘By the Sea’ stars Angelina Jolie Pitt, Brad Pitt, Mélanie Laurent, Melvil Poupaud, Niels Arestrup, and Richard Bohringer. The film was also written, directed, and co-produced by Angelina with Brad Pitt serving as co-producer.
The film opens in the south of France in the mid-1970s. Roland (Brad Pitt), a writer from New York City and his wife Vannessa (Angelina Jolie Pitt), a former dancer, have traveled to a seaside town to quote,”Get away from it all”. Their marriage is strained and there is a distance between the two that is sometimes obvious to those around them and hidden at other times. The trip is clearly an effort by them to reconnect with one another but they spend much of their time apart once they get settled. Rolland is attempting to write another book but he cannot find anything as inspiration and Vanessa is using drugs and alcohol to numb the pain of a recent trauma. When they’re not spending their time alone they associate with some of the towns more colorful characters including the local barkeeper/cafe owner, the hotel manager, and a newlywed couple who are spending their honeymoon not only in the same town but in the room next door. One night, just when it seems like the strain of their marriage will finally snap a bizarre occurrence in their hotel room leads to a reconnection despite its volatile nature.
First off, I have not seen all the films that Angelina and Brad have appeared in but I must say I the both of them were almost completely unrecognizable in the way they portray the characters. Second, I believe this is Angelina’s second run as director and if this film and her previous film ‘Unbroken’ are any Indiction I believe we’ll see her directing movies in the future more than acting.
This film was a true homage the the Italian dramatic films of the 1970s I mentioned earlier.
The only way I believe they could’ve ‘replicated’ that so precisely would be to have filmed the movie with the cameras and equipment available to film makers during that period. Christian Berger the film’s cinematographer used mostly natural light throughout the filming process which was also one of the most impressive qualities of the movie which is not done nearly enough with modern film in my opinion.
Not everyone is going to like this film. It’s quite unique when put side by side with ‘modern day American movies’. Even if you are a die hard fan of either Angelina and or Brad’s work that alone might not save the film in your eyes. Some critics are calling this film a ‘vanity project’ on the part of Jolie and Pitt. I find that to be ridiculous. No sane person would’ve made that accusation against Humphrey Bogart and Lauren Bacall. Everyone’s been screaming for Angelina and Brad to make another film together. Big deal if they want to have creative control over it too. They’re both accomplished actors and decided to put together a film themselves and and get other accomplished cast and crew members to sign on for the project. Honestly what the hell more do the critics want? If you are a fan of foreign movies or curious about the second acting collaboration between the husband and wife power couple though you should see it. I’d actually recommend checking out one or two films from the genre/era it represents before going to see this one.
The film is rated R and clocks in at 132 minutes. I’d recommend catching it at a small indie or art house theater and make sure you grab some snacks and a drink for this one. It opens in all the major theaters Friday the 18th of November but you can catch in those smaller theaters now.
It’s not my normal ‘cup of coffee’ but I will give the film 4 stars.
Since the world saw Angelina Jolie and Brad Pitt together in ‘Mr. & Mrs. Smith’ it has awaited the day when the couple would appear together again in another film. Although it’s not the sequel to THAT film many had hoped for, it is most definitely and intriguing look at how the couple appear together in a movie in a completely genre with the creative control Angelina had.
‘By the Sea’ stars Angelina Jolie Pitt, Brad Pitt, Mélanie Laurent, Melvil Poupaud, Niels Arestrup, and Richard Bohringer. The film was also written, directed, and co-produced by Angelina with Brad Pitt serving as co-producer.
The film opens in the south of France in the mid-1970s. Roland (Brad Pitt), a writer from New York City and his wife Vannessa (Angelina Jolie Pitt), a former dancer, have traveled to a seaside town to quote,”Get away from it all”. Their marriage is strained and there is a distance between the two that is sometimes obvious to those around them and hidden at other times. The trip is clearly an effort by them to reconnect with one another but they spend much of their time apart once they get settled. Rolland is attempting to write another book but he cannot find anything as inspiration and Vanessa is using drugs and alcohol to numb the pain of a recent trauma. When they’re not spending their time alone they associate with some of the towns more colorful characters including the local barkeeper/cafe owner, the hotel manager, and a newlywed couple who are spending their honeymoon not only in the same town but in the room next door. One night, just when it seems like the strain of their marriage will finally snap a bizarre occurrence in their hotel room leads to a reconnection despite its volatile nature.
First off, I have not seen all the films that Angelina and Brad have appeared in but I must say I the both of them were almost completely unrecognizable in the way they portray the characters. Second, I believe this is Angelina’s second run as director and if this film and her previous film ‘Unbroken’ are any Indiction I believe we’ll see her directing movies in the future more than acting.
This film was a true homage the the Italian dramatic films of the 1970s I mentioned earlier.
The only way I believe they could’ve ‘replicated’ that so precisely would be to have filmed the movie with the cameras and equipment available to film makers during that period. Christian Berger the film’s cinematographer used mostly natural light throughout the filming process which was also one of the most impressive qualities of the movie which is not done nearly enough with modern film in my opinion.
Not everyone is going to like this film. It’s quite unique when put side by side with ‘modern day American movies’. Even if you are a die hard fan of either Angelina and or Brad’s work that alone might not save the film in your eyes. Some critics are calling this film a ‘vanity project’ on the part of Jolie and Pitt. I find that to be ridiculous. No sane person would’ve made that accusation against Humphrey Bogart and Lauren Bacall. Everyone’s been screaming for Angelina and Brad to make another film together. Big deal if they want to have creative control over it too. They’re both accomplished actors and decided to put together a film themselves and and get other accomplished cast and crew members to sign on for the project. Honestly what the hell more do the critics want? If you are a fan of foreign movies or curious about the second acting collaboration between the husband and wife power couple though you should see it. I’d actually recommend checking out one or two films from the genre/era it represents before going to see this one.
The film is rated R and clocks in at 132 minutes. I’d recommend catching it at a small indie or art house theater and make sure you grab some snacks and a drink for this one. It opens in all the major theaters Friday the 18th of November but you can catch in those smaller theaters now.
It’s not my normal ‘cup of coffee’ but I will give the film 4 stars.
Haley Mathiot (9 KP) rated Darcy's Voyage in Books
Apr 27, 2018
In this Pride and Prejudice variation, Elizabeth meets a strange kind man in a carriage when she is eighteen, and they both hold on to the memory of each other for two years. Elizabeth gets a chance to visit her aunt and uncle in America when she is twenty, and Mr. Darcy travels to America on his ship, the Pemberly Promise, to get his sister. But Elizabeth falls ill in the steerage, and Darcy is concerned for her more than he thought he would be, though he can’t explain it. Darcy makes a deal with Elizabeth: Since his room has an extra bed that she could heal in, and he needs a wife on the ship to avoid the young female suitors, he asks Elizabeth to marry him, and promises to annul the marriage when they get back to England.
Elizabeth and Darcy don’t recognize each other for a while, but soon it becomes obvious that they met in the carriage two years ago. It’s also obvious that they enjoy the same things, build each other up, and support each other well… and pretty soon they’re falling in love.
But misunderstandings lead to tragic occurrences, and secrets falling into the wrong hands can prove dangerous. Darcy and Elizabeth don’t know that the other loves them, and serious damage could happen if the wrong information falls into the wrong hands…
Darcy’s Voyage was a fun read. The book used some of the original story line, and most of the characters were accurate and the same in character traits and personalities—except Georgiana, who was far to outgoing—and there were some delightful new characters.
I liked the plot. It was original and creative, but it did have it’s flaws. First, I’d have liked more conflict between Elizabeth and Darcy. Their relationship had a few bumps, but seemed to be just a little to perfect. Second, Darcy’s idea of marrying Elizabeth so she could have his other bed was a little far fetched. A gentleman would have just given up his room, not married her. Still, I did like it and was able to overlook the little things that made my eyebrow quirk up.
The thing that I liked most was the artistic license. This was a great re-telling of the classic characters. It was original and cute and creative. And it was clean! which made my day.
Content/recommendation: no language, no sex, no violence. Ages 14+
Elizabeth and Darcy don’t recognize each other for a while, but soon it becomes obvious that they met in the carriage two years ago. It’s also obvious that they enjoy the same things, build each other up, and support each other well… and pretty soon they’re falling in love.
But misunderstandings lead to tragic occurrences, and secrets falling into the wrong hands can prove dangerous. Darcy and Elizabeth don’t know that the other loves them, and serious damage could happen if the wrong information falls into the wrong hands…
Darcy’s Voyage was a fun read. The book used some of the original story line, and most of the characters were accurate and the same in character traits and personalities—except Georgiana, who was far to outgoing—and there were some delightful new characters.
I liked the plot. It was original and creative, but it did have it’s flaws. First, I’d have liked more conflict between Elizabeth and Darcy. Their relationship had a few bumps, but seemed to be just a little to perfect. Second, Darcy’s idea of marrying Elizabeth so she could have his other bed was a little far fetched. A gentleman would have just given up his room, not married her. Still, I did like it and was able to overlook the little things that made my eyebrow quirk up.
The thing that I liked most was the artistic license. This was a great re-telling of the classic characters. It was original and cute and creative. And it was clean! which made my day.
Content/recommendation: no language, no sex, no violence. Ages 14+
Whatchareadin (174 KP) rated The Husband's Secret in Books
May 10, 2018
The Husband's Secret focuses on three main characters. Cecelia Fitzpatrick, married to John-Paul with three beautiful daughters. Tess O'Leary who owns a business with her husband, Will and cousin, Felicity and has a son, Liam. And Rachel Crowley, who is still mourning the death of her daughter nearly 30 years after the fact. How do these women's lives intersect, well....Cecelia finds a letter from her husband, not to be opened until his death...she opens it anyway. Tess finds out that her husband and cousin(yes her business partners) have fallen in love with each other. So she takes her son and heads to Sydney and enrolls him in the school which, Rachel Crowley is the secretary and Cecelia is the mother all other mothers love and hate.
The news Cecelia finds in the letter, the thoughts Rachel has about her daughters killer, and the actions Tess take after leaving her husband would make for one exciting story.
I'm afraid this story feel short of the exciting mark. When I first picked it up and started reading, I was dying to find out what was in the letter, but I would have to wait for that. Once the secret was out, I wanted to know what was going to happen next, with everyone's story. But the excitement wasn't there. This wasn't a book, that I had to hurry to get back to, which was very disappointing. I couldn't abandon the book, though because I had to know.
Would Rachel find her daughter's killer? Would Cecelia be able to live with her husband's secret? Would Tess and Will be able to work through their marriage? But getting those answers was not page turning and gripping.
I gave the book three stars because the whole premise behind the book was good, I enjoyed the story as a whole, but there was too much in between the good parts. Don't tell me about a secret letter at the beginning of the story and take three days to tell me what was in it....it's not fair. And what was happening in those three days was not exciting enough to make me wait. The moments just before the opening were the most thrilling.
Don't know if I will read more from Ms. Moriarty or not.
The news Cecelia finds in the letter, the thoughts Rachel has about her daughters killer, and the actions Tess take after leaving her husband would make for one exciting story.
I'm afraid this story feel short of the exciting mark. When I first picked it up and started reading, I was dying to find out what was in the letter, but I would have to wait for that. Once the secret was out, I wanted to know what was going to happen next, with everyone's story. But the excitement wasn't there. This wasn't a book, that I had to hurry to get back to, which was very disappointing. I couldn't abandon the book, though because I had to know.
Would Rachel find her daughter's killer? Would Cecelia be able to live with her husband's secret? Would Tess and Will be able to work through their marriage? But getting those answers was not page turning and gripping.
I gave the book three stars because the whole premise behind the book was good, I enjoyed the story as a whole, but there was too much in between the good parts. Don't tell me about a secret letter at the beginning of the story and take three days to tell me what was in it....it's not fair. And what was happening in those three days was not exciting enough to make me wait. The moments just before the opening were the most thrilling.
Don't know if I will read more from Ms. Moriarty or not.
FilmIntuition (33 KP) rated The High Season in Books
May 23, 2018
A Terrific Beach Read
(Note: I received an Advance Readers Copy of this book in exchange for an honest review.)
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
Gamer bunnz (4 KP) rated New Amsterdam in TV
May 22, 2019
Bring the tissues
Contains spoilers, click to show
I watched the whole first series in about two weeks, at first I thought it was going to be another grey anatomy where we see drama, love lost and betrayal, we do see some of these but in a more subtle way, the main focus in on max and how he can turn things around for new Amsterdam and put the patience’s first not money which is how it should be, whilst trying to mix things up max starts to battle a personal health issues and save his marriage after he promised to settle down and give up such a demanding job to help bring up his unborn baby girl. We see max make changes to the hospital that not everyone agrees with but he pushes for it anyways and we watch him slowly begin to lose his fight with throat cancer but still battles on. All the actors/actress bring there own style to the show and you can’t help but full in love with them, unlike other tv series there wasn’t a character I didn’t like, I enjoy watching their own stories unfold along with max’s And when things happened to them I felt all the emotions that went along with it, I laugh, I cried(quite a bit) I got anger at things that happened and felt sad when I was down the final two episodes I was sad it was ending but the final episode didn’t disappoint it left me hoping a second season will be made and all the characters return for it but with the cliff hanger we was left on, I am unsure if all will be returning if they make a second. All in all the series was surprising and different from other medical program there wasn’t to many Far-fetched medical scenes or silly medical terms that don’t get used in real life,don’t get me wrong there was some but it wasn’t t litter with it, I would recommend this to anyone looking for something more than just another modern day ER, who doesn’t have time to watch the multi seasons of grey anatomy, it different in its own right and it Will certainly take you on a emotional rollercoaster.
Cyn Armistead (14 KP) rated Wolf Who Rules (Elfhome, #2) in Books
Mar 1, 2018
What a tease! To come SO close to dealing with polyamory, then skip back!
I guess it's just been too long since I read <i>Tinker</i>, but I don't really remember any hints of polyamory there at all. In this book, though, it's made very clear that elven society has found monogamy to be an unreasonable model for people who normally live thousands of years. Anybody who hasn't read Tinker shouldn't read this review, because there are spoilers for that book - but hey, that's to be expected in the review for a sequel. Just knowing that certain characters live and marry is a spoiler!
Anyway, Tinker may be an elf now, but she was raised as a human, and apparently the half-elven quasi-nursemaid Tooloo who has always been part of her life either doesn't know about the difference in societal expectations, or never saw fit to mention it. That isn't so surprising, as Tooloo is depicted as several tacos short of a combo plate. But why, when some of the elves (especially Stormsong) are shown to be familiar with human culture, haven't any of them anticipated this as a source of trouble in Tinker and Wolf's marriage? Why doesn't anybody ever just sit down and say, "Look, honey, the rulers only choose guards with whom they get along well, and with opposite-sex guards, that can mean getting along with sexually. Your new husband has had sex with all of his female bodyguards in the past, and it's expected that you'll eventually take your own male Sekasha as lovers, too. Deal." (I'm not even starting on how very heteronormative everything is. You're telling me there's all that lucious pretty and thousands of years in which to experiment, and nobody ever crosses those streams, so to speak? Yeah, right.) There's a perfect opening for such a speech in the book, a point when the need for it is made very, very obvious--but I suppose having it all out in the open would remove a source of conflict.
Why are so many authors so bloody timid about laying things out like that, about showing healthy communication between people? Yes, we can imagine the most amazing advances in technology, and societies very different from our current ones, but by Goddess we must continue to show people screwing up their relationships in exactly the same way as in Shakespeare's day or nobody could relate to them!
I guess it's just been too long since I read <i>Tinker</i>, but I don't really remember any hints of polyamory there at all. In this book, though, it's made very clear that elven society has found monogamy to be an unreasonable model for people who normally live thousands of years. Anybody who hasn't read Tinker shouldn't read this review, because there are spoilers for that book - but hey, that's to be expected in the review for a sequel. Just knowing that certain characters live and marry is a spoiler!
Anyway, Tinker may be an elf now, but she was raised as a human, and apparently the half-elven quasi-nursemaid Tooloo who has always been part of her life either doesn't know about the difference in societal expectations, or never saw fit to mention it. That isn't so surprising, as Tooloo is depicted as several tacos short of a combo plate. But why, when some of the elves (especially Stormsong) are shown to be familiar with human culture, haven't any of them anticipated this as a source of trouble in Tinker and Wolf's marriage? Why doesn't anybody ever just sit down and say, "Look, honey, the rulers only choose guards with whom they get along well, and with opposite-sex guards, that can mean getting along with sexually. Your new husband has had sex with all of his female bodyguards in the past, and it's expected that you'll eventually take your own male Sekasha as lovers, too. Deal." (I'm not even starting on how very heteronormative everything is. You're telling me there's all that lucious pretty and thousands of years in which to experiment, and nobody ever crosses those streams, so to speak? Yeah, right.) There's a perfect opening for such a speech in the book, a point when the need for it is made very, very obvious--but I suppose having it all out in the open would remove a source of conflict.
Why are so many authors so bloody timid about laying things out like that, about showing healthy communication between people? Yes, we can imagine the most amazing advances in technology, and societies very different from our current ones, but by Goddess we must continue to show people screwing up their relationships in exactly the same way as in Shakespeare's day or nobody could relate to them!
Kristy H (1252 KP) rated First Comes Love in Books
Feb 13, 2018
Josie and Meredith are sisters with an often antagonistic relationship. Older, impulsive Josie is single and seems to approach life head-on. Meredith, a married lawyer with a four-year-old daughter is more cautious and often annoyed by what she sees as her sister's antics. Josie, a first grade teacher, wants to find a man and settle down, but she wants to become a mom more than anything. Meanwhile, Meredith feels restless and trapped in her marriage, plagued by doubts and insecurities. Meredith and Josie lost their older brother in a tragic accident: an incident that influences and affects their entire family, even after fifteen years. With the anniversary of Daniel's accident looming, Josie and Meredith have to face their painful past, for once and for all.
This was a difficult book, but one I really enjoyed. I will warn you up front: neither Josie nor Meredith is a particularly likeable character. However, they were, at least to me, relatable, which is key. Their flaws are human and ones we can spot in ourselves and those around us. This book particularly hit home to me as a very real portrayal of how families deal with with loss and grief. Giffin did an excellent job of showing how Meredith, Josie, and Daniel's parents and close friends were still so affected by his passing after fifteen years. This will hit home to others in similar situations, grappling with the guilt and grief that comes with losing someone you love.
The book isn't always easy to read because of this, but I do think it's worth it. There are some comedic moments in there as well. Still, sometimes it's good to read about real life and to see it portrayed so realistically and clearly. The characters are flawed, but vivid and real and you become invested in their lives. Their tangled web is a twisted one, but it's one you want to see them emerge from. By the end, I found myself smiling and feeling at peace; I had really become caught up in these characters' lives, which I feel is the sign of a good book. It's not the tense sort of novel I'd like to read all the time, but this one resonated with me.
I received a copy of this novel from Netgalley (thank you!); it is available everywhere as of 06/28/2016.
This was a difficult book, but one I really enjoyed. I will warn you up front: neither Josie nor Meredith is a particularly likeable character. However, they were, at least to me, relatable, which is key. Their flaws are human and ones we can spot in ourselves and those around us. This book particularly hit home to me as a very real portrayal of how families deal with with loss and grief. Giffin did an excellent job of showing how Meredith, Josie, and Daniel's parents and close friends were still so affected by his passing after fifteen years. This will hit home to others in similar situations, grappling with the guilt and grief that comes with losing someone you love.
The book isn't always easy to read because of this, but I do think it's worth it. There are some comedic moments in there as well. Still, sometimes it's good to read about real life and to see it portrayed so realistically and clearly. The characters are flawed, but vivid and real and you become invested in their lives. Their tangled web is a twisted one, but it's one you want to see them emerge from. By the end, I found myself smiling and feeling at peace; I had really become caught up in these characters' lives, which I feel is the sign of a good book. It's not the tense sort of novel I'd like to read all the time, but this one resonated with me.
I received a copy of this novel from Netgalley (thank you!); it is available everywhere as of 06/28/2016.