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Curtis Sittenfeld's engaging novel looks at Hillary Rodham's life through this prism: what if she hadn't married Bill Clinton? In 1971, as Hillary Rodham graduates from Wellesley, she delivers a commencement speech that gains national prominence. She heads to Yale Law school--an intelligent woman, filled with the desire to help those in need. It is there she meets Bill Clinton, a fellow law student. The connection between the two is instant--for the first time, Hillary feels she has found someone who appreciates her both emotionally and physically. In real life, Hillary and Bill head to Arkansas. He proposes three times, and she finally accepts, becoming Hillary Rodham Clinton.
"The first time I saw him, I thought he looked like a lion."
But here, in this imaginative and powerful novel, Hillary does not accept Bill's third proposal. Devastated, she leaves Arkansas and embarks on a different life. The pair's paths cross again (and again) in the years ahead, causing Hillary to sometimes doubt her decision.
I found this to be such an interesting read and oddly hopeful somehow, as if Sittenfeld read my brain and created the world I dreamed of--what a great book to read during these dismal times. It takes a little time to get into the flow of the writing: the first-person narrative certainly places you in the action, but I needed to adjust to switching back and forth between time periods (Hillary's past and present). And, funnily enough, you have to remember that this is and isn't Hillary--the first quarter of the book or so loosely follows Hillary's real life, so sometimes you have to recall who is truly speaking. I am not actually reading a Hillary memoir.
I loved how this book rewrites history--and with zero apologies. Bill Clinton does not always come off looking good here, though the love and chemistry between the two is clearly palpable. You find a variety of other characters from real life, so to speak, who sometimes play their actual roles, or re-imagined versions, and it's so fun. And, why yes, even Donald Trump has a place here. What a wonderful place it is, too. If you love politics, or political satire, there's a lot to love here.
"'If Bill Clinton was my boyfriend, I'd keep an eye on him too.'"
The Hillary of Sittenfeld's world is so real, so true, and so vulnerable and lovable. (And whoa, are there sex scenes, guys.) Even better, Sittenfeld doesn't make her perfect by any stretch; she's flawed and fallible, too. It doesn't take long to see history's actual Hillary taking this path, and sometimes, oh sometimes, I longed for her to do so. Sittenfeld excels at telling a tale from another person's perspective, somehow putting herself in their shoes. I got so caught up in this Hillary's world that I read the last half of the book in one take, desperate to know what happened to her. She felt real to me, and I needed to know how her life turned out. Please, Hillary, let it all work out this time.
This book is different, yes. It might not be for everyone, politically. But I found it fascinating to think about such a thing--how the choices we make in life affect so much. Not just saying yes to a marriage proposal, but all the other actions we take on any given day. This is a smartly written book, cementing Sittenfeld as a brilliant writer and storyteller. 4 stars.
"The first time I saw him, I thought he looked like a lion."
But here, in this imaginative and powerful novel, Hillary does not accept Bill's third proposal. Devastated, she leaves Arkansas and embarks on a different life. The pair's paths cross again (and again) in the years ahead, causing Hillary to sometimes doubt her decision.
I found this to be such an interesting read and oddly hopeful somehow, as if Sittenfeld read my brain and created the world I dreamed of--what a great book to read during these dismal times. It takes a little time to get into the flow of the writing: the first-person narrative certainly places you in the action, but I needed to adjust to switching back and forth between time periods (Hillary's past and present). And, funnily enough, you have to remember that this is and isn't Hillary--the first quarter of the book or so loosely follows Hillary's real life, so sometimes you have to recall who is truly speaking. I am not actually reading a Hillary memoir.
I loved how this book rewrites history--and with zero apologies. Bill Clinton does not always come off looking good here, though the love and chemistry between the two is clearly palpable. You find a variety of other characters from real life, so to speak, who sometimes play their actual roles, or re-imagined versions, and it's so fun. And, why yes, even Donald Trump has a place here. What a wonderful place it is, too. If you love politics, or political satire, there's a lot to love here.
"'If Bill Clinton was my boyfriend, I'd keep an eye on him too.'"
The Hillary of Sittenfeld's world is so real, so true, and so vulnerable and lovable. (And whoa, are there sex scenes, guys.) Even better, Sittenfeld doesn't make her perfect by any stretch; she's flawed and fallible, too. It doesn't take long to see history's actual Hillary taking this path, and sometimes, oh sometimes, I longed for her to do so. Sittenfeld excels at telling a tale from another person's perspective, somehow putting herself in their shoes. I got so caught up in this Hillary's world that I read the last half of the book in one take, desperate to know what happened to her. She felt real to me, and I needed to know how her life turned out. Please, Hillary, let it all work out this time.
This book is different, yes. It might not be for everyone, politically. But I found it fascinating to think about such a thing--how the choices we make in life affect so much. Not just saying yes to a marriage proposal, but all the other actions we take on any given day. This is a smartly written book, cementing Sittenfeld as a brilliant writer and storyteller. 4 stars.
Ivana A. | Diary of Difference (1171 KP) rated The Move in Books
Oct 2, 2020
I am very excited to be part of the Blog Tour for The Move by Felicity Everett. Especially on New Year’s Day, finishing the year with a blog tour. Thank you to the team at HQ, for sending me an advance readers copy in exchange for an honest review.
Karen moves into a new home with her husband Nick. It is a new house and a fresh start. But it is still the same husband.
I do love myself a bit of family thriller and drama novels. The Move seemed like the perfect choice to get myself cosy, right before saying goodbye to the old year and entering the “new year – new me” attitude. And in the end, it does have this vibe, as our main female protagonist finds her true self and starts making the right choices in her life.
However, this book was not as exciting as I expected it to be.
There is a woman that is going through a hard time and a mental health recovery, judging by her memories and thoughts. Her husband had an affair and she didn’t handle that well at all. But now, it seems that she is well. Her husband got them a new home, with new neighbors, in the idyllic little village, where she can do the things she loves the most.
But her neighbors are not the best kind of type – they all seem weird. And her husband is not really listening to her when she speaks. Her child Ethan is here and there, the relationship shattered by the actions of his father.
And we spend the whole book standing by Karen’s side, watching all the dull things she is doing in the house, talking to her neighbors and being depressed and constantly worrying about everything.
I felt bad for Karen, because she is still going through a mental breakdown, even though really trying to figure out her life. She is really trying, but her husband, friends and neighbors are slowly pushing her down again. The Move has a very big voice on mental health. How important it is that we have our support network next to us, and I am glad that Karen finds Cath in all that mess of a life. Also, how important it is to trust your own guts. When all your friends keep telling you your marriage is perfect and you are so lucky, only because it looks so from the outside, you shouldn’t always believe them. Don’t ever ignore the little things. And don’t ever stay with a man that doesn’t believe in you.
As far as the book goes though, it was quite monotonous and uninteresting. No major plot twists, no big cliff-hanger. I was reading the whole time, waiting for the big moment to come, and it never did.
And in the end, even though we clearly know what choice Karen makes for her life, we don’t have a conclusive ending. We have one of those endings that sort of finishes and lets the reader figure out what happens next. I am not a fan of those, and it might be why I am slightly disappointed in how it all wrapped up.
I would still recommend it if you love family dramas and thrillers. However, if you are expecting for a book that will keep you on the edge, I am afraid you need to still keep looking.
Karen moves into a new home with her husband Nick. It is a new house and a fresh start. But it is still the same husband.
I do love myself a bit of family thriller and drama novels. The Move seemed like the perfect choice to get myself cosy, right before saying goodbye to the old year and entering the “new year – new me” attitude. And in the end, it does have this vibe, as our main female protagonist finds her true self and starts making the right choices in her life.
However, this book was not as exciting as I expected it to be.
There is a woman that is going through a hard time and a mental health recovery, judging by her memories and thoughts. Her husband had an affair and she didn’t handle that well at all. But now, it seems that she is well. Her husband got them a new home, with new neighbors, in the idyllic little village, where she can do the things she loves the most.
But her neighbors are not the best kind of type – they all seem weird. And her husband is not really listening to her when she speaks. Her child Ethan is here and there, the relationship shattered by the actions of his father.
And we spend the whole book standing by Karen’s side, watching all the dull things she is doing in the house, talking to her neighbors and being depressed and constantly worrying about everything.
I felt bad for Karen, because she is still going through a mental breakdown, even though really trying to figure out her life. She is really trying, but her husband, friends and neighbors are slowly pushing her down again. The Move has a very big voice on mental health. How important it is that we have our support network next to us, and I am glad that Karen finds Cath in all that mess of a life. Also, how important it is to trust your own guts. When all your friends keep telling you your marriage is perfect and you are so lucky, only because it looks so from the outside, you shouldn’t always believe them. Don’t ever ignore the little things. And don’t ever stay with a man that doesn’t believe in you.
As far as the book goes though, it was quite monotonous and uninteresting. No major plot twists, no big cliff-hanger. I was reading the whole time, waiting for the big moment to come, and it never did.
And in the end, even though we clearly know what choice Karen makes for her life, we don’t have a conclusive ending. We have one of those endings that sort of finishes and lets the reader figure out what happens next. I am not a fan of those, and it might be why I am slightly disappointed in how it all wrapped up.
I would still recommend it if you love family dramas and thrillers. However, if you are expecting for a book that will keep you on the edge, I am afraid you need to still keep looking.
Mending the Rift Box Set
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King's Conquest The only way for Prince Rin to save his kingdom is to marry a king and bear a...
M_M Fantasy Romance
Kristy H (1252 KP) rated Between Me and You in Books
Dec 23, 2017
confusing (1 more)
repetitive
Repetitive but oddly compelling romance
When Ben Livingston and Tatum Connelly meet, they are both dreaming of success in Hollywood--Ben as a scriptwriter and Tatum as an actress. It's Ben who hits it big first, becoming Hollywood's It Guy and a Sundance favorite. But over time, his star slowly fades while Tatum rises to a stardom neither could have ever fully imagined. Along the way, the two wed, have a son, and experience a variety of ups and downs in their marriage. This includes several losses in their personal lives and slowly drifting apart. They once were incredibly close and deeply in love; can their love sustain everything that life throws at them?
This was a really interesting book, starting with the format. The story is told from both Tatum and Ben's perspectives. No big deal, you think, right? Except Tatum's portions start at the beginning of their journey and go in chronological order, while Ben tells his part of the story backward, starting with how they've fallen apart and going back in time. It's an odd device and definitely takes some getting used to. It was hard to keep some of the dates and timelines straight; it was one of the times where I wished I had a hardcopy of the book so I could flip back and forth more easily.
It also seemed to make the story more repetitive--when you have two people telling the same stories, you're bound to get some repetition. But what was really strange was that it sometimes felt like each chapter was a mini story that needed to reintroduce everything all over again. I don't know why the author felt this was necessary, because it's an oddly compelling book on its own even when neither main character is really that likeable. But we heard over and over about Tatum and Ben's daddy issues, career issues, that he never wrote anything for her. And oh yeah, did we mention that Tatum's an actress and doesn't eat, etc.?
At the core, this isn't really a happy book, despite it being romantic at times. Both Tatum and Ben have a lot of petty issues, but also really serious issues relating to their parents. This is fine, except we hear about it (a lot) due to the repetitive way the story is told. There's a lot of mourning and grieving and there's a dark side that deals with addiction, too. The focus on that fact that Ben has never written a script for Tatum--while this does have a point in the end--this gets to be a little much, too. The problem with all the focus on these things is that I felt like I never really learn a lot about Tatum and Ben in this format. I was always yearning for more. Is the story of two people growing apart interesting? Am I invested in them? (I was.)
It's sad, because despite everything I have said, I found this book weirdly compelling. Maybe it's because Tatum is a famous actress and there's a Hollywood setting, even if it's not really fleshed out. I wanted to know more about Tatum and Ben. I wanted them to work out. I wanted to read the book, even with the odd format and rehashing of things. It's a little hard to describe. It's like watching a romantic comedy where you desperately want the two leads to get together, despite all the odds.
So, I'm still glad I read this one. It was engaging and different. I do wish I knew more about Ben and Tatum and their motivations and what led them together (and apart).
This was a really interesting book, starting with the format. The story is told from both Tatum and Ben's perspectives. No big deal, you think, right? Except Tatum's portions start at the beginning of their journey and go in chronological order, while Ben tells his part of the story backward, starting with how they've fallen apart and going back in time. It's an odd device and definitely takes some getting used to. It was hard to keep some of the dates and timelines straight; it was one of the times where I wished I had a hardcopy of the book so I could flip back and forth more easily.
It also seemed to make the story more repetitive--when you have two people telling the same stories, you're bound to get some repetition. But what was really strange was that it sometimes felt like each chapter was a mini story that needed to reintroduce everything all over again. I don't know why the author felt this was necessary, because it's an oddly compelling book on its own even when neither main character is really that likeable. But we heard over and over about Tatum and Ben's daddy issues, career issues, that he never wrote anything for her. And oh yeah, did we mention that Tatum's an actress and doesn't eat, etc.?
At the core, this isn't really a happy book, despite it being romantic at times. Both Tatum and Ben have a lot of petty issues, but also really serious issues relating to their parents. This is fine, except we hear about it (a lot) due to the repetitive way the story is told. There's a lot of mourning and grieving and there's a dark side that deals with addiction, too. The focus on that fact that Ben has never written a script for Tatum--while this does have a point in the end--this gets to be a little much, too. The problem with all the focus on these things is that I felt like I never really learn a lot about Tatum and Ben in this format. I was always yearning for more. Is the story of two people growing apart interesting? Am I invested in them? (I was.)
It's sad, because despite everything I have said, I found this book weirdly compelling. Maybe it's because Tatum is a famous actress and there's a Hollywood setting, even if it's not really fleshed out. I wanted to know more about Tatum and Ben. I wanted them to work out. I wanted to read the book, even with the odd format and rehashing of things. It's a little hard to describe. It's like watching a romantic comedy where you desperately want the two leads to get together, despite all the odds.
So, I'm still glad I read this one. It was engaging and different. I do wish I knew more about Ben and Tatum and their motivations and what led them together (and apart).
Factually Accurate
I received this book for free through Goodreads First Reads.
A spectacle of celebrity, talent and burning ambition, Queen Bees combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the Victoria and Albert Museum, National Trust and Design Museum, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in Queen Bees are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title Queen Bees suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. Queen Bees can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading Queen Bees – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, Queen Bees is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.
A spectacle of celebrity, talent and burning ambition, Queen Bees combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the Victoria and Albert Museum, National Trust and Design Museum, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in Queen Bees are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title Queen Bees suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. Queen Bees can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading Queen Bees – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, Queen Bees is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.
Haley Mathiot (9 KP) rated Just One of the Guys in Books
Apr 27, 2018
Okay, I'm going to tell you why Just One of the Guys is not only one of my new favorite Higgins books, but one of my new favorite romances period.
1. The heroine is different. She's not super feminine in her character, but she's definitely feminine in her desires and her passion and her attitude. Growing up with four older brothers, Chastity Virginia (yeah, that's her name. I know, right?) yells when she's mad, throws punches with intent, and won trophies in college for rowing. She's a quarter inch away from being six feet tall, and she's got man-shoulders. She runs 10-mile races up hills for kicks. But she's thirty, she wants her passion to be returned, and her body is telling her that she should have already made at least three babies by now. I mean, how many romance novels do you read with female protagonists like that? most of the time they're young, innocent, unable to take care of themselves, and feminine. Chastity is not the typical female protagonist ... and that's one of the reasons I like her so much.
2. Like any good novel, there are a few sub-plots running through this novel; one is the failing marriage of one of Chastity's brothers, named Mark. He and his wife are going through hell (and possibly divorce and child custody problems) but they still love each other. There is this chapter (chapter 22--it's seared into my head) that made me cry because it was so amazing. See, Chastity babysat for Mark's soon-to-be-ex-wife, and she didn't tell him. When he found out, he blew up at her. Then later when he apologized they started talking, and he opened up to her about how badly he wants to make things right. she gave him a little advice and they had a sob-fest and in the end it worked out so perfectly. But the thing that got me was that so many stories I've read with failing relationships are about trying to get over the person, instead of reconciling. It was beautiful and inspiring and I read the chapter 3 times because I loved it so much.
3. Another one of those sub-plots was the relationship between Chastity’s parents. They’re officially divorced, but they still hang out all the time for dinner, they still love each other, and her dad just assumes her mom will wait around for him to retire. But that isn’t the case. Her mom starts dating again and throws everyone for a loop. Then when she gets into a serious relationship, shit really hits the fan. I was surprised by the outcome. I won’t say what it was for the sake of keeping this review spoiler-free. But I will say that it was different. It wasn’t the same-old same-old over again. Suffice to say, this book was the opposite of Happyland-syndrome.
4. The romance between Chastity and Trevor was so epic. I’m not going to say anything else about it because I don’t want to risk spoiling it. It has to be read in order. You can’t know anything out of order. But trust me, it was epic and wonderful and powerful and perfect and beautiful.
Like all of Higgins's books, the writing is fun, easy to read, relaxed, and a little snarky. This one was a little awkward because some of it was written in a different tense than what she does now, but it's one of her earlier books, and I can't hold that against her.
Anyway, you should go get this book. Amazon, B&N, Paperbackswap, your local book store, etc. Trust me, it’s worth it.
Content/recommendation: Some language, mention of sex (but nothing explicit) Ages 17+
1. The heroine is different. She's not super feminine in her character, but she's definitely feminine in her desires and her passion and her attitude. Growing up with four older brothers, Chastity Virginia (yeah, that's her name. I know, right?) yells when she's mad, throws punches with intent, and won trophies in college for rowing. She's a quarter inch away from being six feet tall, and she's got man-shoulders. She runs 10-mile races up hills for kicks. But she's thirty, she wants her passion to be returned, and her body is telling her that she should have already made at least three babies by now. I mean, how many romance novels do you read with female protagonists like that? most of the time they're young, innocent, unable to take care of themselves, and feminine. Chastity is not the typical female protagonist ... and that's one of the reasons I like her so much.
2. Like any good novel, there are a few sub-plots running through this novel; one is the failing marriage of one of Chastity's brothers, named Mark. He and his wife are going through hell (and possibly divorce and child custody problems) but they still love each other. There is this chapter (chapter 22--it's seared into my head) that made me cry because it was so amazing. See, Chastity babysat for Mark's soon-to-be-ex-wife, and she didn't tell him. When he found out, he blew up at her. Then later when he apologized they started talking, and he opened up to her about how badly he wants to make things right. she gave him a little advice and they had a sob-fest and in the end it worked out so perfectly. But the thing that got me was that so many stories I've read with failing relationships are about trying to get over the person, instead of reconciling. It was beautiful and inspiring and I read the chapter 3 times because I loved it so much.
3. Another one of those sub-plots was the relationship between Chastity’s parents. They’re officially divorced, but they still hang out all the time for dinner, they still love each other, and her dad just assumes her mom will wait around for him to retire. But that isn’t the case. Her mom starts dating again and throws everyone for a loop. Then when she gets into a serious relationship, shit really hits the fan. I was surprised by the outcome. I won’t say what it was for the sake of keeping this review spoiler-free. But I will say that it was different. It wasn’t the same-old same-old over again. Suffice to say, this book was the opposite of Happyland-syndrome.
4. The romance between Chastity and Trevor was so epic. I’m not going to say anything else about it because I don’t want to risk spoiling it. It has to be read in order. You can’t know anything out of order. But trust me, it was epic and wonderful and powerful and perfect and beautiful.
Like all of Higgins's books, the writing is fun, easy to read, relaxed, and a little snarky. This one was a little awkward because some of it was written in a different tense than what she does now, but it's one of her earlier books, and I can't hold that against her.
Anyway, you should go get this book. Amazon, B&N, Paperbackswap, your local book store, etc. Trust me, it’s worth it.
Content/recommendation: Some language, mention of sex (but nothing explicit) Ages 17+
Acanthea Grimscythe (300 KP) rated Covenant in Books
May 16, 2018
I was disappointed, to say the least. The synopsis of the story is interesting enough: fairly young married couple move to small town and buy a house with a history. That history is dark and twisted, centering upon a previous owner that moonlighted as a serial killer. When the husband dies in a freak accident, all suspicion falls upon the surviving wife... and then all Hell breaks loose.
Many of the books I've read lately have had a fairly substantial cast of characters. Covenant does not; in fact, I can count the amount of characters in this book on my fingers. Normally one might expect that to be a good thing, as it opens up the opportunity for extremely developed characters. Because this is a short work of fiction, that depth does not exist. The characters are flat and their pasts are, with the exception of the Padgett brothers, a bit too perfect. The Coopers have been together since they were twenty and twenty-one, and their marriage has been perfect bliss. They are joined by a run-of-the-mill detective, an aging medium, and Lindie Cooper's boss, Debra Moynihan. Considering that the Padgett brothers play an extremely small role, - one of them is only mentioned, - I can't help but feel a bit put off by the fact that they appear to be more complete than the main characters are.
As for the story's plot, I truly feel that Leverone could have done a lot more with it than he did. Covenant was a quick read, which worked to its disadvantage. Rather than rise to the climax like most books, Covenant jumped - and it did it in a manner that didn't quite make sense: freak accident, to mild haunting, to sudden inferno - literally. There were also too many inconsistencies, most notably in the latter portion of the book where most of the action takes place. Lindie manages to knock herself out in a manner that simply is not possible, for example. I won't delve further into the specifics there, because then I'd be crossing into spoiler territory.
In regards to the style of Leverone's writing, it definitely isn't to my taste. Much of it felt too clunky and there were far too many sentence fragments. That's not to say sentence fragments are a bad thing, because they aren't. There's a method to the way they are applied though, and leaving off pronouns entirely is not the way to do it. Some of the writing felt a bit too forced at times, and others it read a bit too much like an over cliched, badly written comedy.
<spoiler>My final complaint has to do with something that occurs at the end of the book, and I feel that it isn't a spoiler for me to bring it up so I'm going to. After everything is said and done, Lindie compares herself to Hester Prynne. While she is referring to how others see her, I find myself extremely vexed that this comparison was made - largely because Lindie is nothing like Hester Prynne. For anyone that hasn't read The Scarlet Letter, which is still on the curriculum for most high schools, Hester Prynne was an adulteress that became pregnant with another man's child while her husband was away. As a result, she was forced to where a red "A" upon her breast and was shunned by her community. Hester Prynne's suffering at small town gossip should not be trivialized by a character's poorly conceived notion of how others view her.</spoiler>
I found Covenant to be a quick and easy read, but it definitely didn't hit the spot for me, so to speak. I'd like to thank NetGalley and the publisher, DarkFuse, for providing me with an advanced copy in exchange for an honest, unbiased review.
Many of the books I've read lately have had a fairly substantial cast of characters. Covenant does not; in fact, I can count the amount of characters in this book on my fingers. Normally one might expect that to be a good thing, as it opens up the opportunity for extremely developed characters. Because this is a short work of fiction, that depth does not exist. The characters are flat and their pasts are, with the exception of the Padgett brothers, a bit too perfect. The Coopers have been together since they were twenty and twenty-one, and their marriage has been perfect bliss. They are joined by a run-of-the-mill detective, an aging medium, and Lindie Cooper's boss, Debra Moynihan. Considering that the Padgett brothers play an extremely small role, - one of them is only mentioned, - I can't help but feel a bit put off by the fact that they appear to be more complete than the main characters are.
As for the story's plot, I truly feel that Leverone could have done a lot more with it than he did. Covenant was a quick read, which worked to its disadvantage. Rather than rise to the climax like most books, Covenant jumped - and it did it in a manner that didn't quite make sense: freak accident, to mild haunting, to sudden inferno - literally. There were also too many inconsistencies, most notably in the latter portion of the book where most of the action takes place. Lindie manages to knock herself out in a manner that simply is not possible, for example. I won't delve further into the specifics there, because then I'd be crossing into spoiler territory.
In regards to the style of Leverone's writing, it definitely isn't to my taste. Much of it felt too clunky and there were far too many sentence fragments. That's not to say sentence fragments are a bad thing, because they aren't. There's a method to the way they are applied though, and leaving off pronouns entirely is not the way to do it. Some of the writing felt a bit too forced at times, and others it read a bit too much like an over cliched, badly written comedy.
<spoiler>My final complaint has to do with something that occurs at the end of the book, and I feel that it isn't a spoiler for me to bring it up so I'm going to. After everything is said and done, Lindie compares herself to Hester Prynne. While she is referring to how others see her, I find myself extremely vexed that this comparison was made - largely because Lindie is nothing like Hester Prynne. For anyone that hasn't read The Scarlet Letter, which is still on the curriculum for most high schools, Hester Prynne was an adulteress that became pregnant with another man's child while her husband was away. As a result, she was forced to where a red "A" upon her breast and was shunned by her community. Hester Prynne's suffering at small town gossip should not be trivialized by a character's poorly conceived notion of how others view her.</spoiler>
I found Covenant to be a quick and easy read, but it definitely didn't hit the spot for me, so to speak. I'd like to thank NetGalley and the publisher, DarkFuse, for providing me with an advanced copy in exchange for an honest, unbiased review.
Great, inspiring memoir
I'm not going to do my usual paragraph of description for Becoming, Michelle Obama's memoir, because, well, we all know who Michelle Obama is. This memoir is Mrs. Obama's reflection on her life to date, from her childhood in the South Side of Chicago, her time at Princeton, her work as a lawyer and executive, meeting Barack Obama and being introduced to politics through him, and their historic road to the White House.
"Your story is what you have, what you will always have. It is something to own."
I almost do not want to review this book, because I feel like I cannot do justice to the woman that is Michelle Obama. This is a really beautiful book, and it's also really informative. I learned so much about Mrs. Obama and her life, which I very much enjoyed.
First of all, she's a great storyteller. This is a big book, and it's a bit of an undertaking, but it's an easy read, and a really interesting one. I found myself completely immersed--I really loved learning about her childhood and her family. And, of course, it's fun to hear about how she met Barack (his marriage proposal is pretty amazing). Learning about both of their origins is fascinating, honestly. I mean, I knew that the Obamas weren't from the old-school political establishment, but it wasn't until I was reading about her life--and hearing more about the former President's--that it really hit home to me. It's amazing how much they have accomplished for our country.
Ms. Obama does a wonderful job of weaving her themes throughout her story--the power of education, of having an advocate, the importance of diversity and women's rights, and how vital children are in her life. She is honest about the realities of working motherhood: both for her life and for those of working Americans. It's also great to get little asides about her daughters (e.g., families at their schools sending in cupcakes for the Secret Service agents on birthdays); funny stories about meeting the Queen; and her mom sounds like a real trip.
"Kids made me feel like myself again. To them, I wasn't a spectacle. I was just a nice, kinda-tall lady."
She also talks about serious matters: race, education, and her reluctance about getting her family into politics. We see how importance her daughters are to her and how hard it was, knowing what they were sacrificing when her husband ran for President. We hear about her struggles being the first African American First Lady--the stings she felt from the racial insults aimed at both her and her husband, the fear she felt for her family's safety, and the attempts she made to find her place in Washington. I found myself copying quotes right and left, because she is so intelligent and profound and because, truly, as we all learned over eight years, she's such a relatable person.
"Kids wake up each day believing in the goodness of things, in the magic of what be. They're uncynical, believers at their core. We owe it to them to stay strong and keep working to create a more fair and humane world. For them, we need to remain both tough and hopeful, to acknowledge that there's more growing to be done."
Overall, this was a great memoir. It was informative, educational, and also inspiring and funny. It made me miss the Obama family all over again and appreciate so much their time in the Oval Office. It also gave me even more insight into Mrs. Obama, her life, and her feelings. I highly recommend it.
"Your story is what you have, what you will always have. It is something to own."
I almost do not want to review this book, because I feel like I cannot do justice to the woman that is Michelle Obama. This is a really beautiful book, and it's also really informative. I learned so much about Mrs. Obama and her life, which I very much enjoyed.
First of all, she's a great storyteller. This is a big book, and it's a bit of an undertaking, but it's an easy read, and a really interesting one. I found myself completely immersed--I really loved learning about her childhood and her family. And, of course, it's fun to hear about how she met Barack (his marriage proposal is pretty amazing). Learning about both of their origins is fascinating, honestly. I mean, I knew that the Obamas weren't from the old-school political establishment, but it wasn't until I was reading about her life--and hearing more about the former President's--that it really hit home to me. It's amazing how much they have accomplished for our country.
Ms. Obama does a wonderful job of weaving her themes throughout her story--the power of education, of having an advocate, the importance of diversity and women's rights, and how vital children are in her life. She is honest about the realities of working motherhood: both for her life and for those of working Americans. It's also great to get little asides about her daughters (e.g., families at their schools sending in cupcakes for the Secret Service agents on birthdays); funny stories about meeting the Queen; and her mom sounds like a real trip.
"Kids made me feel like myself again. To them, I wasn't a spectacle. I was just a nice, kinda-tall lady."
She also talks about serious matters: race, education, and her reluctance about getting her family into politics. We see how importance her daughters are to her and how hard it was, knowing what they were sacrificing when her husband ran for President. We hear about her struggles being the first African American First Lady--the stings she felt from the racial insults aimed at both her and her husband, the fear she felt for her family's safety, and the attempts she made to find her place in Washington. I found myself copying quotes right and left, because she is so intelligent and profound and because, truly, as we all learned over eight years, she's such a relatable person.
"Kids wake up each day believing in the goodness of things, in the magic of what be. They're uncynical, believers at their core. We owe it to them to stay strong and keep working to create a more fair and humane world. For them, we need to remain both tough and hopeful, to acknowledge that there's more growing to be done."
Overall, this was a great memoir. It was informative, educational, and also inspiring and funny. It made me miss the Obama family all over again and appreciate so much their time in the Oval Office. It also gave me even more insight into Mrs. Obama, her life, and her feelings. I highly recommend it.
Movie Metropolis (309 KP) rated Gerald's Game (2017) in Movies
Jun 10, 2019
Not a very fun game
The horror film market is huge. Hundreds, if not thousands, of horror films are made every year, with only few standing out of the blood-drenched crowd. Netflix, with a penchant for outstanding horrors and thrillers, decided to hop on the horror flick train, bringing about an adaptation of Stephen King’s terrifying novel ‘Gerald’s Game’.
The film follows Jessie (Carla Gugino) and her husband, Gerald (Bruce Greenwood), as they head to a remote lake house in order to spice up their marriage. One thing leads to another, and then Gerald has a heart attack and dies, leaving Jessie handcuffed to the bed with the keys out of reach. She must then fight to survive, whilst having a few disturbing flashbacks and encounters along the way.
This movie is really disturbing. Like, really, really disturbing. It’s not particularly scary, there’s the odd jump-scare or three, but its the imagery and the situation that really get your heart going.
Carla Gugino as the shackled wife is a stand-out in this film. She basically carries it, only with a few interruptions from inside her head, and this makes for very entertaining viewing. She’s amusing, in a way that you didn’t think anyone could be whilst fighting dehydration, a hungry dog at the end of her bed and death himself. In all honesty, it’s not a very fun game.
Her husband, however, is brilliant at being horrible. Greenwood really amps up the bad husband vibes in the 20 minutes he is alive, which then are exacerbated in Jessie’s head after he has died. He’s manipulative, seedy and slimy: something that Jessie realises at the end of the film.
It could be argued that this film isn’t really a horror film in the typical sense. It’s more a horror film about what has happened to Jessie, the main character, and how she comes to terms with her past and survives. She calls on past experiences to escape her confines on the bed, and her horrible history.
That’s not to say that it doesn’t have stereotypical horror movie attributes. The Moonlight Man is their contribution to the supernatural – or more the ‘is he actually there or am I insane?’ kind of gimmick that sometimes comes with this genre. The Moonlight Man is a shadowy figure, lurking in the shadows with his box of trinkets and bones. He’s absolutely terrifying.
He’s also real. In the film and book, he’s a necrophiliac who’s waiting for Jessie to die so he can add her wedding ring and one of her bones to his box. The Moonlight Man is the kind of horror movie villain that you have nightmares about. Which is why he is one of the highlights of Gerald’s Game.
The film isn’t exactly the most complex plot in the world. It plays a bit too much on the stereotypes in some cases and the ending, in true horror film fashion, is too happy, is too well put together after such a traumatic experience. It all ends a bit too neatly after such a messy first three-quarters.
Even though this isn’t the best horror film ever, it certainly is not the worst. It has it’s flaws, but the acting and the scriptwriting make up for the few it has. In an era of horror trying too hard, this film is simple and refreshing, bringing a new feeling to the horror industry as a whole.
So, the moral of the story is: don’t handcuff yourself to the bed because your husband will die on top of you and then a stray dog will eat him and a necrophiliac will come into your house at night. Quite an easy thing to remember, right?
https://moviemetropolis.net/2017/12/06/geralds-game-review-not-a-very-fun-game/
The film follows Jessie (Carla Gugino) and her husband, Gerald (Bruce Greenwood), as they head to a remote lake house in order to spice up their marriage. One thing leads to another, and then Gerald has a heart attack and dies, leaving Jessie handcuffed to the bed with the keys out of reach. She must then fight to survive, whilst having a few disturbing flashbacks and encounters along the way.
This movie is really disturbing. Like, really, really disturbing. It’s not particularly scary, there’s the odd jump-scare or three, but its the imagery and the situation that really get your heart going.
Carla Gugino as the shackled wife is a stand-out in this film. She basically carries it, only with a few interruptions from inside her head, and this makes for very entertaining viewing. She’s amusing, in a way that you didn’t think anyone could be whilst fighting dehydration, a hungry dog at the end of her bed and death himself. In all honesty, it’s not a very fun game.
Her husband, however, is brilliant at being horrible. Greenwood really amps up the bad husband vibes in the 20 minutes he is alive, which then are exacerbated in Jessie’s head after he has died. He’s manipulative, seedy and slimy: something that Jessie realises at the end of the film.
It could be argued that this film isn’t really a horror film in the typical sense. It’s more a horror film about what has happened to Jessie, the main character, and how she comes to terms with her past and survives. She calls on past experiences to escape her confines on the bed, and her horrible history.
That’s not to say that it doesn’t have stereotypical horror movie attributes. The Moonlight Man is their contribution to the supernatural – or more the ‘is he actually there or am I insane?’ kind of gimmick that sometimes comes with this genre. The Moonlight Man is a shadowy figure, lurking in the shadows with his box of trinkets and bones. He’s absolutely terrifying.
He’s also real. In the film and book, he’s a necrophiliac who’s waiting for Jessie to die so he can add her wedding ring and one of her bones to his box. The Moonlight Man is the kind of horror movie villain that you have nightmares about. Which is why he is one of the highlights of Gerald’s Game.
The film isn’t exactly the most complex plot in the world. It plays a bit too much on the stereotypes in some cases and the ending, in true horror film fashion, is too happy, is too well put together after such a traumatic experience. It all ends a bit too neatly after such a messy first three-quarters.
Even though this isn’t the best horror film ever, it certainly is not the worst. It has it’s flaws, but the acting and the scriptwriting make up for the few it has. In an era of horror trying too hard, this film is simple and refreshing, bringing a new feeling to the horror industry as a whole.
So, the moral of the story is: don’t handcuff yourself to the bed because your husband will die on top of you and then a stray dog will eat him and a necrophiliac will come into your house at night. Quite an easy thing to remember, right?
https://moviemetropolis.net/2017/12/06/geralds-game-review-not-a-very-fun-game/