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Nicole Hadley (380 KP) rated Engineered!: Engineering Design at Work in Books
Jun 18, 2018
Engineered! by Shannon Hunt is a great children’s non-fiction book. The book is clear, informative, nicely illustrated, detailed, and logically structured. From the Mars Rover to 3D printing to helping a herd of caribou and more, Engineered! dives into nine stories of modern engineering. Kids will learn about the engineering design process from defining the problem to sharing your solution with the world.
Each story highlights the key components of the design process, taking kids on the journey through different types of engineering (aerospace, biomedical, chemical, mechanical, electrical, civil, geomatics, computer, and environmental) from seeing a problem to creating effective solutions to implementing their ideas. Coupled with great illustrations, Engineered! is sure to be a favorite of any budding engineer!
There is a lot of information crammed onto each page (some pages easier to read than others, due to text size, background colour, and minimal spacing between lines of text). However, this is also works to an advantage, as there's a lot to take in on each page, with full pages of busy geometric-style illustrations. Each time you look at the images you'll be sure to find something different!
There is a helpful glossary at the end, which is useful to look back on if necessary, as there certainly is a lot of information to take in.
I received this ARC from Kids Can Press via NetGalley in exchange for an honest review.
Each story highlights the key components of the design process, taking kids on the journey through different types of engineering (aerospace, biomedical, chemical, mechanical, electrical, civil, geomatics, computer, and environmental) from seeing a problem to creating effective solutions to implementing their ideas. Coupled with great illustrations, Engineered! is sure to be a favorite of any budding engineer!
There is a lot of information crammed onto each page (some pages easier to read than others, due to text size, background colour, and minimal spacing between lines of text). However, this is also works to an advantage, as there's a lot to take in on each page, with full pages of busy geometric-style illustrations. Each time you look at the images you'll be sure to find something different!
There is a helpful glossary at the end, which is useful to look back on if necessary, as there certainly is a lot of information to take in.
I received this ARC from Kids Can Press via NetGalley in exchange for an honest review.
Mark @ Carstairs Considers (2080 KP) rated A Side of Murder in Books
Feb 26, 2021
Murder Mars a Return to Cape Cod
Samantha Barnes, Sam to her friends, grew up in Cape Cod, Massachusetts, but left to go to culinary school and become a famous chef. Thanks to an inheritance and a new job writing about food in the area for a local paper, she is back. Her first assignment is to review a new restaurant in town, but the good food is quickly forgotten when she finds a dead body floating in the water next to the restaurant. The police think it was an accident. After all, the victim was a known drunk, so she could have easily fallen in and drown. Sam thinks something more sinister is happening. Can she prove it?
There is a good mystery here, and I enjoyed seeing how Sam figured everything out. Unfortunately, there is just as much set up, introducing us to the people in Sam’s life and filling us in on her past. The result was a pace that was uneven. I did still enjoy it since I liked Sam and the supporting characters. We saw hints of the depths to the characters that I’m sure we’ll see more of in future books in the series. I was bothered by a cliché that several of the characters fell into, however, especially since it doesn’t fit one of the characters at all. The book ends with recipes for a suggested four-course casual dinner with friends. Overall, I enjoyed this virtual vacation debut.
There is a good mystery here, and I enjoyed seeing how Sam figured everything out. Unfortunately, there is just as much set up, introducing us to the people in Sam’s life and filling us in on her past. The result was a pace that was uneven. I did still enjoy it since I liked Sam and the supporting characters. We saw hints of the depths to the characters that I’m sure we’ll see more of in future books in the series. I was bothered by a cliché that several of the characters fell into, however, especially since it doesn’t fit one of the characters at all. The book ends with recipes for a suggested four-course casual dinner with friends. Overall, I enjoyed this virtual vacation debut.
Matthew Krueger (10051 KP) rated Frankenweenie (2012) in Movies
Oct 31, 2020
Black & White (3 more)
Dark
Tim Burton
Stop Motion
A Boys Best Friend
Frankenweenie- is a halloween classic. Ive wanted to watch this film for couple of years now and it was not disappointed.
The plot: Young Victor Frankenstein (Charlie Tahan) is a science nerd and outsider at school, but he does have one good friend: his dog, Sparky. But then, tragedy strikes, and Sparky shuffles off this mortal coil. Victor is heartbroken, but his science teacher (Martin Landau) gives him an idea of how to jolt old Sparky back to life. The experiment is successful, and all goes well, until Victor's fellow students steal his secret and use it to resurrect other dead animals -- with monstrous consequences.
It is a feature-length remake of Burton's 1984 short film of the same name and is also both a parody of and homage to the 1931 film Frankenstein, based on Mary Shelley's book of the same name.
This is the final horror film released under the Disney banner until Ready Or Not on August 21, 2019 from Fox Searchlight Pictures, which was bought by Disney in 2019.
The voice cast includes four actors who worked with Burton on previous films: Winona Ryder (Beetlejuice and Edward Scissorhands); Martin Short (Mars Attacks!); Catherine O'Hara (Beetlejuice and The Nightmare Before Christmas); and Martin Landau (Ed Wood and Sleepy Hollow), along with some new voice actors, such as Charlie Tahan and Atticus Shaffer.
Its a dark humor twisted film.
The plot: Young Victor Frankenstein (Charlie Tahan) is a science nerd and outsider at school, but he does have one good friend: his dog, Sparky. But then, tragedy strikes, and Sparky shuffles off this mortal coil. Victor is heartbroken, but his science teacher (Martin Landau) gives him an idea of how to jolt old Sparky back to life. The experiment is successful, and all goes well, until Victor's fellow students steal his secret and use it to resurrect other dead animals -- with monstrous consequences.
It is a feature-length remake of Burton's 1984 short film of the same name and is also both a parody of and homage to the 1931 film Frankenstein, based on Mary Shelley's book of the same name.
This is the final horror film released under the Disney banner until Ready Or Not on August 21, 2019 from Fox Searchlight Pictures, which was bought by Disney in 2019.
The voice cast includes four actors who worked with Burton on previous films: Winona Ryder (Beetlejuice and Edward Scissorhands); Martin Short (Mars Attacks!); Catherine O'Hara (Beetlejuice and The Nightmare Before Christmas); and Martin Landau (Ed Wood and Sleepy Hollow), along with some new voice actors, such as Charlie Tahan and Atticus Shaffer.
Its a dark humor twisted film.
Will Young recommended David Live by David Bowie in Music (curated)
Movie Metropolis (309 KP) rated The Martian (2015) in Movies
Jun 11, 2019
Ridley Scott's best film since Alien
It’s safe to say that Ridley Scott knows his way around a camera. From Alien to Gladiator, the director has brought to the silver screen some of the greatest films of all time, heck even Prometheus wasn’t that bad in a muddled kind of way.
Now, after the underwhelming Exodus: Gods & Kings, Scott returns to the director’s chair doing what he does best, sci-fi. But is The Martian as good as his earlier works?
Thankfully, the answer is yes and The Martian proves how good the director can be when he’s given the right material to work with. Andy Weir’s 2011 novel of the same name lends a good starting point and Scott ends up with his best film since 1979’s masterpiece, Alien – that’s no joke.
Matt Damon stars as Mark Wateny, an astronaut and botanist left stranded on Mars after a mission goes horribly wrong. After being left behind by his colleagues, played by talent including Jessica Chastain (The Hurt Locker) and Kate Mara (Fantastic Four), Mark must find a way to survive on the red planet until a rescue operation can reach him – years later.
Sean Bean, Kristen Wiig, Donald Glover and Jeff Daniels also star as NASA directors, scientists and astrophysicists. Despite their limited screen time, each brings something to the table with a spirited performance.
Scott directs The Martian with a huge amount of confidence, clearly helped by his time on Alien and Prometheus, and his cinematography is absolute perfection. Never has Mars looked this good on film. The desolate, arid landscape is breath-taking and the numerous aerial shots that feature Damon’s character only add to the emptiness.
The special effects too are wonderful. CGI is mixed with amazing practical props that integrate so well together that it’s impossible to tell the difference. The numerous spacecraft, living quarters and vehicles all feel so real and continue to add more credibility to The Martian’s cause.
Damon is also second-to-none and over the course of the film develops new personality traits, all due to the intense stress of being stranded 50 million miles away from Earth. The film lives and dies on his efforts and thankfully, the ever-reliable actor gives one of his best performances in years.
Unfortunately, Jessica Chastain doesn’t have too much to do until the finale and feels a little side-lined – she has won an Oscar after all, though Damon’s magnetic presence is enough to forgive some of the shortcomings in other characters.
The script is, on the whole, very good indeed. Despite only featuring one character for the majority of its 140 minute run-time, The Martian is funny, witty and helped by a fantastic disco soundtrack that has hits from the likes of ABBA dotted about.
Overall, The Martian is sci-fi film-making at its peak. Ridley Scott has crafted a beautiful looking and deeply involving film that features the very best in special effects and scientific accuracy. With Matt Damon’s dry humour and emotional depth, it’s a winner all round.
https://moviemetropolis.net/2015/10/04/ridley-scotts-best-film-since-alien-the-martian-review/
Now, after the underwhelming Exodus: Gods & Kings, Scott returns to the director’s chair doing what he does best, sci-fi. But is The Martian as good as his earlier works?
Thankfully, the answer is yes and The Martian proves how good the director can be when he’s given the right material to work with. Andy Weir’s 2011 novel of the same name lends a good starting point and Scott ends up with his best film since 1979’s masterpiece, Alien – that’s no joke.
Matt Damon stars as Mark Wateny, an astronaut and botanist left stranded on Mars after a mission goes horribly wrong. After being left behind by his colleagues, played by talent including Jessica Chastain (The Hurt Locker) and Kate Mara (Fantastic Four), Mark must find a way to survive on the red planet until a rescue operation can reach him – years later.
Sean Bean, Kristen Wiig, Donald Glover and Jeff Daniels also star as NASA directors, scientists and astrophysicists. Despite their limited screen time, each brings something to the table with a spirited performance.
Scott directs The Martian with a huge amount of confidence, clearly helped by his time on Alien and Prometheus, and his cinematography is absolute perfection. Never has Mars looked this good on film. The desolate, arid landscape is breath-taking and the numerous aerial shots that feature Damon’s character only add to the emptiness.
The special effects too are wonderful. CGI is mixed with amazing practical props that integrate so well together that it’s impossible to tell the difference. The numerous spacecraft, living quarters and vehicles all feel so real and continue to add more credibility to The Martian’s cause.
Damon is also second-to-none and over the course of the film develops new personality traits, all due to the intense stress of being stranded 50 million miles away from Earth. The film lives and dies on his efforts and thankfully, the ever-reliable actor gives one of his best performances in years.
Unfortunately, Jessica Chastain doesn’t have too much to do until the finale and feels a little side-lined – she has won an Oscar after all, though Damon’s magnetic presence is enough to forgive some of the shortcomings in other characters.
The script is, on the whole, very good indeed. Despite only featuring one character for the majority of its 140 minute run-time, The Martian is funny, witty and helped by a fantastic disco soundtrack that has hits from the likes of ABBA dotted about.
Overall, The Martian is sci-fi film-making at its peak. Ridley Scott has crafted a beautiful looking and deeply involving film that features the very best in special effects and scientific accuracy. With Matt Damon’s dry humour and emotional depth, it’s a winner all round.
https://moviemetropolis.net/2015/10/04/ridley-scotts-best-film-since-alien-the-martian-review/
Gareth von Kallenbach (971 KP) rated Mars Needs Moms (2011) in Movies
Aug 7, 2019
Milo is your typical 9-year-old boy who doesn’t like doing chores, eating his vegetables or getting disciplined by his mother. But because his mother makes him do his chores and eat his vegetables and scolds him when he doesn’t, she’s made herself the prime target for Martians who need her great mothering skills. Apparently, Martians are “hatched” and raised by “nanny-bots” that are programmed with an Earthling mother’s caregiving and disciplinary abilities. Of course, not any Earthling mother will do. Bypassed are those who spoil their child or fail to care for their child’s safety and wellbeing. So when Milo is spied dutifully, albeit grudgingly, doing as he’s told by his mother, she becomes Mars’ candidate for abduction, because, as the movie title states, Mars needs moms.
On the night Milo’s mom is abducted, Milo (enacted by Seth Green, voiced by Seth Dusky) wakes up in time to witness her being loaded onto a spaceship and he quickly becomes a stowaway. On the red planet, he’s rescued by Gribbler, a chubby, fast-talking, tech-savvy human (voiced by Dan Fogler) who helps him devise a plan to save Milo’s mom, a recognizable Joan Cusack, in voice and, somewhat creepily, in CGI’d face. The two are up against an army of female Martians lead by The Supervisor (voiced by Mindy Sterling) a mean, old Martian. Think Frau Farbissina as a mean E.T. Luckily, Milo and Gribbler find an ally in a rebel Martian named Ki (voiced by Elisabeth Harnois). Milo has less than 6 hours to get to his mom before she’s programmed into the nanny-bots and destroyed by the process. Soon, it’s a race against time for Milo, Gribbler and Ki as they run around endless corridors, hurtle through chutes, tumble down trash mountains, splash into other-worldly caves and fall off cliffs.
Based on a children’s novel by cartoonist Berkeley Breathed, the film is produced by Robert Zemeckis and directed by Simon Wells in performance-capture 3D, a technique pioneered by Zemeckis in Polar Express and used again in A Christmas Carol. In performance-capture filming, actors are covered in sensors that capture their actions and expressions to animate their digital characters. During the end credits, a sampling of outtakes show the actors in their sensor suits physically acting out various scenes. I have to admit, the most entertaining part of the movie for me was watching Seth Green and Dan Fogler literally throw themselves into their characters.
Even with a run time of 88 minutes, kids around Milo’s age and younger may remain enthralled to the end simply from the countdown suspense. Older kids, maybe not. Yes, the high-point of the tale is Milo’s realization of how truly important his mom is to him. But even with all the running and tumbling around, the story takes a long, meandering walk to get to that point. While the technological achievements of 3D animation get more and more impressive, if the story doesn’t captivate or inspire, it’s practically a wasted effort, especially when watching in 2D would not take much away from the effects.
On the night Milo’s mom is abducted, Milo (enacted by Seth Green, voiced by Seth Dusky) wakes up in time to witness her being loaded onto a spaceship and he quickly becomes a stowaway. On the red planet, he’s rescued by Gribbler, a chubby, fast-talking, tech-savvy human (voiced by Dan Fogler) who helps him devise a plan to save Milo’s mom, a recognizable Joan Cusack, in voice and, somewhat creepily, in CGI’d face. The two are up against an army of female Martians lead by The Supervisor (voiced by Mindy Sterling) a mean, old Martian. Think Frau Farbissina as a mean E.T. Luckily, Milo and Gribbler find an ally in a rebel Martian named Ki (voiced by Elisabeth Harnois). Milo has less than 6 hours to get to his mom before she’s programmed into the nanny-bots and destroyed by the process. Soon, it’s a race against time for Milo, Gribbler and Ki as they run around endless corridors, hurtle through chutes, tumble down trash mountains, splash into other-worldly caves and fall off cliffs.
Based on a children’s novel by cartoonist Berkeley Breathed, the film is produced by Robert Zemeckis and directed by Simon Wells in performance-capture 3D, a technique pioneered by Zemeckis in Polar Express and used again in A Christmas Carol. In performance-capture filming, actors are covered in sensors that capture their actions and expressions to animate their digital characters. During the end credits, a sampling of outtakes show the actors in their sensor suits physically acting out various scenes. I have to admit, the most entertaining part of the movie for me was watching Seth Green and Dan Fogler literally throw themselves into their characters.
Even with a run time of 88 minutes, kids around Milo’s age and younger may remain enthralled to the end simply from the countdown suspense. Older kids, maybe not. Yes, the high-point of the tale is Milo’s realization of how truly important his mom is to him. But even with all the running and tumbling around, the story takes a long, meandering walk to get to that point. While the technological achievements of 3D animation get more and more impressive, if the story doesn’t captivate or inspire, it’s practically a wasted effort, especially when watching in 2D would not take much away from the effects.
Ross (3282 KP) rated Life (2017) in Movies
Dec 27, 2017 (Updated Dec 27, 2017)
This film doesn't do anything new, before you start watching it you know you've seen in a number of times. Team in space pick up a sample from Mars hoping to find proof of life on it. There then follows a number of ridiculous character acts and decisions that in no way feel realistic, believable or plausible. Experts in space just would not do any one of those things, let alone a chain of such stupid decisions that lead inevitably to disaster.
This film seemed to want to focus on the science early on and there was a lot of gobbledigook meant to make us realise that the actions of humans would be the cause of any alien unpleasantness. From there on its a case of the alien working its way through the crew one by one.
The alien itself was slightly different to your usual in the beginning, a blob of jelly with tentacles and feelers, but quickly just became a naughty octopus.
The ending, while not exactly a shocker, was a brave decision and one that rescued the film somewhat.
Overall, I have no idea why the decent cast signed up to this film, other than the money spent on zero-gravity replication there seems to have been nothing to attract them to it. I would expect to see this at 2am on the Sy-Fy channel, not one of the big hitting Christmas films on Sky Movies.
This film seemed to want to focus on the science early on and there was a lot of gobbledigook meant to make us realise that the actions of humans would be the cause of any alien unpleasantness. From there on its a case of the alien working its way through the crew one by one.
The alien itself was slightly different to your usual in the beginning, a blob of jelly with tentacles and feelers, but quickly just became a naughty octopus.
The ending, while not exactly a shocker, was a brave decision and one that rescued the film somewhat.
Overall, I have no idea why the decent cast signed up to this film, other than the money spent on zero-gravity replication there seems to have been nothing to attract them to it. I would expect to see this at 2am on the Sy-Fy channel, not one of the big hitting Christmas films on Sky Movies.
Gaz Coombes recommended The Man Who Sold The World by David Bowie in Music (curated)
Lyndsey Gollogly (2893 KP) rated Honor Among Thieves: The Honors Book 1 in Books
Aug 25, 2022
153 of 230
Book
Honor Among Thieves ( The Honors book 1)
By Rachel Caine and Ann Aguirre
⭐️⭐️⭐️⭐️
Petty criminal Zara Cole has a painful past that’s made her stronger than most, which is why she chose life in New Detroit instead moving with her family to Mars. In her eyes, living inside a dome isn’t much better than a prison cell.
Still, when Zara commits a crime that has her running scared, jail might be exactly where she’s headed. Instead Zara is recruited into the Honors, an elite team of humans selected by the Leviathan—a race of sentient alien ships—to explore the outer reaches of the universe as their passengers.
Zara seizes the chance to flee Earth’s dangers, but when she meets Nadim, the alien ship she’s assigned, Zara starts to feel at home for the first time. But nothing could have prepared her for the dark, ominous truths that lurk behind the alluring glitter of starlight.
This was a unique story and I really enjoyed it. I liked the concept especially with our current climate I really hope we get some mystery aliens save us from ourselves. I was hooked from the beginning the only thing that knocked me a little of track was I just seemed to lose myself in the middle not sure if that was me or the book seemed a little rushed in the middle. I absolutely love Rachel Caine and with every book I read or reread I feel sad that We will never get a new book and story from her.
Book
Honor Among Thieves ( The Honors book 1)
By Rachel Caine and Ann Aguirre
⭐️⭐️⭐️⭐️
Petty criminal Zara Cole has a painful past that’s made her stronger than most, which is why she chose life in New Detroit instead moving with her family to Mars. In her eyes, living inside a dome isn’t much better than a prison cell.
Still, when Zara commits a crime that has her running scared, jail might be exactly where she’s headed. Instead Zara is recruited into the Honors, an elite team of humans selected by the Leviathan—a race of sentient alien ships—to explore the outer reaches of the universe as their passengers.
Zara seizes the chance to flee Earth’s dangers, but when she meets Nadim, the alien ship she’s assigned, Zara starts to feel at home for the first time. But nothing could have prepared her for the dark, ominous truths that lurk behind the alluring glitter of starlight.
This was a unique story and I really enjoyed it. I liked the concept especially with our current climate I really hope we get some mystery aliens save us from ourselves. I was hooked from the beginning the only thing that knocked me a little of track was I just seemed to lose myself in the middle not sure if that was me or the book seemed a little rushed in the middle. I absolutely love Rachel Caine and with every book I read or reread I feel sad that We will never get a new book and story from her.
A Bibliophagist (113 KP) rated Suburbia in Tabletop Games
Feb 5, 2020 (Updated Feb 5, 2020)
Replayability (2 more)
Multiple strategies
Easy to play
Seems complex (1 more)
Very similar to Castles of the Madking Ludwig
More simple than it seems
I've been wanted this game for years, however after being terrible at the app versiom, I was worried it'd be too complex. However, I got it as part of BGG's secret santa and finally got around to playing it.
At first I was overwhelmed by just how many components there are, and how complex the rules were, but once I got playing and saw how it was just Castles of the Madking Ludwig and even had similarities to the house favorite Terraforming Mars, it became extremely simple. This is definitely a play to learn game, as we played it got easier and easier. My partner and I adopted different strategies and it's the first time I've seen him be such a poor loser (I did destroy him).
Unlike Castles, the players are building a town buying properties from the board (each property rejected gets cheaper each round) and creating combos that benifet the plauers end goals and the boards end goals. The players try and raise (or lower) their reputation and towns population while generating enough income for growth. It really tickled my management game itch, as I love those silly kairosoft games and played SimTower like it was noones business back in the day. Striving to not just reach my goals but create a realistic town. My partner and I found ourselves roleplaying a little, making jokes as he placed his trailer park by the city dump, or how he sectioned his wealthy side off from the unsavory side with a series of lakes. We really got into it and I look forward to playing it again! Also, I promise, it's not nearly as complex as it looks!
At first I was overwhelmed by just how many components there are, and how complex the rules were, but once I got playing and saw how it was just Castles of the Madking Ludwig and even had similarities to the house favorite Terraforming Mars, it became extremely simple. This is definitely a play to learn game, as we played it got easier and easier. My partner and I adopted different strategies and it's the first time I've seen him be such a poor loser (I did destroy him).
Unlike Castles, the players are building a town buying properties from the board (each property rejected gets cheaper each round) and creating combos that benifet the plauers end goals and the boards end goals. The players try and raise (or lower) their reputation and towns population while generating enough income for growth. It really tickled my management game itch, as I love those silly kairosoft games and played SimTower like it was noones business back in the day. Striving to not just reach my goals but create a realistic town. My partner and I found ourselves roleplaying a little, making jokes as he placed his trailer park by the city dump, or how he sectioned his wealthy side off from the unsavory side with a series of lakes. We really got into it and I look forward to playing it again! Also, I promise, it's not nearly as complex as it looks!
