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Gareth von Kallenbach (971 KP) rated the PC version of DOOM in Video Games
Jun 19, 2019
I remember playing DOOM on my 486 computer back in 1995. I remember the first time I connected with a friend on a dial up and we played all night even though I had a day trip to Canada early the next day. I learned that there is no such thing as I will only play online for a little bit when the game grabs ahold of you.
Jumping forward to 2016, the iconic game is back and bigger, bolder, and more brutal than ever. The game effectively reboots the franchise and does not stray from the premise of the player being a solitary Marine on Mars who must battle an unending mass of demons from Hell.
There is more context to the story provided by a computer A.I. named Vega and a few key players who pop up to drive the story along.
The game is stunning to look at as the details of the Mars base are amazing. It is not just a series of Sci Fi themed corridors and rooms, but a real and fully functional base with labs, repair bays, tram systems, and so much more. I had slight nods to “Aliens” and “Total Recall” as I explored but the designs were breathtaking to behold at times.
The endless waves of enemies did not allow for much sightseeing, as they were abundant and diverse. All of the classic characters have been given an update and thankfully so have your weapons. The game allows you to upgrade your weapons and armor with various abilities based on skill points you earn or recover in game. This allows players to add new combat options such as turning your Chain gun into a multi barreled death dealer in alt fire mode.
You will need it as the game is filled with moments where you are confined to an area and must battle endless waves of enemies before you are allowed to progress. I understand that this is part of the DOOM series, but it did become a bit repetitive as it seemed every time I entered any area of size, the waves would come again and again.
The game is challenging and players will be happy to know they can adjust the difficulty settings in game, and yes, for those nostalgic for a blast from the past, there is a God mode for those who can use some help.
The game also has a fair amount of platform jumping which is not one of my areas of enjoyment, but it does it in a reasonable way that is in keeping with the tone and setting of the game.
Players will want to make sure their use their ammunition wisely as there is nothing worse than running dry in a Boss Battle with no way to load up, short of laying a solid attack on an enemy and hoping they drop some along with some health.
I also was thrilled to see the power ups such as haste, rage, and quad damage back, as well as the ability to graphically and brutally dispatch an enemy, no matter the size once you have weakened it. The chainsaw is also a nice inclusion and being able to cleave and shred demons never gets old.
The Boss battles are imaginative and challenging and with roughly 16 hours of playtime on the campaign, there is much to like.
The multiplay in the game is a bit retro as you have your Team Deathmatch, Warpath, Domination, etc. I enjoyed the mix of old and new but wished that the ability to co-op through the campaign was an option as it was an enjoyable part of DOOM and DOOM 2 back in the day.
The addition of SnapMap, an easy to use and powerful map creator is a very nice touch as I look forward to spending more time creating some maps and seeing what the community at large comes up with.
There were a few minor crashed along the way but the game has a very fair and practical save system based on checkpoints, so I never had to redo any significant portions of a map following a death or infrequent crash.
DOOM was not only a nice game to look at, but it kept my attention and interest throughout and I found myself immersed in the action and storyline.
While it would be easy to mention things the game did not include, what is included is a very deep and visually appealing game with plenty of challenges and action that keeps the franchise fresh and relevant. I for one cannot wait to see what comes next.
http://sknr.net/2016/05/18/doom-2/
Jumping forward to 2016, the iconic game is back and bigger, bolder, and more brutal than ever. The game effectively reboots the franchise and does not stray from the premise of the player being a solitary Marine on Mars who must battle an unending mass of demons from Hell.
There is more context to the story provided by a computer A.I. named Vega and a few key players who pop up to drive the story along.
The game is stunning to look at as the details of the Mars base are amazing. It is not just a series of Sci Fi themed corridors and rooms, but a real and fully functional base with labs, repair bays, tram systems, and so much more. I had slight nods to “Aliens” and “Total Recall” as I explored but the designs were breathtaking to behold at times.
The endless waves of enemies did not allow for much sightseeing, as they were abundant and diverse. All of the classic characters have been given an update and thankfully so have your weapons. The game allows you to upgrade your weapons and armor with various abilities based on skill points you earn or recover in game. This allows players to add new combat options such as turning your Chain gun into a multi barreled death dealer in alt fire mode.
You will need it as the game is filled with moments where you are confined to an area and must battle endless waves of enemies before you are allowed to progress. I understand that this is part of the DOOM series, but it did become a bit repetitive as it seemed every time I entered any area of size, the waves would come again and again.
The game is challenging and players will be happy to know they can adjust the difficulty settings in game, and yes, for those nostalgic for a blast from the past, there is a God mode for those who can use some help.
The game also has a fair amount of platform jumping which is not one of my areas of enjoyment, but it does it in a reasonable way that is in keeping with the tone and setting of the game.
Players will want to make sure their use their ammunition wisely as there is nothing worse than running dry in a Boss Battle with no way to load up, short of laying a solid attack on an enemy and hoping they drop some along with some health.
I also was thrilled to see the power ups such as haste, rage, and quad damage back, as well as the ability to graphically and brutally dispatch an enemy, no matter the size once you have weakened it. The chainsaw is also a nice inclusion and being able to cleave and shred demons never gets old.
The Boss battles are imaginative and challenging and with roughly 16 hours of playtime on the campaign, there is much to like.
The multiplay in the game is a bit retro as you have your Team Deathmatch, Warpath, Domination, etc. I enjoyed the mix of old and new but wished that the ability to co-op through the campaign was an option as it was an enjoyable part of DOOM and DOOM 2 back in the day.
The addition of SnapMap, an easy to use and powerful map creator is a very nice touch as I look forward to spending more time creating some maps and seeing what the community at large comes up with.
There were a few minor crashed along the way but the game has a very fair and practical save system based on checkpoints, so I never had to redo any significant portions of a map following a death or infrequent crash.
DOOM was not only a nice game to look at, but it kept my attention and interest throughout and I found myself immersed in the action and storyline.
While it would be easy to mention things the game did not include, what is included is a very deep and visually appealing game with plenty of challenges and action that keeps the franchise fresh and relevant. I for one cannot wait to see what comes next.
http://sknr.net/2016/05/18/doom-2/
Gareth von Kallenbach (971 KP) rated Ad Astra (2019) in Movies
Sep 16, 2019
My first experience in IMAX was at the IMAX theater at the Grand Canyon. This was before IMAX theaters could easily be found within easy driving distance in most large cities. The movie, which interestingly still is showing today from those early years took viewers on the magical journey through the Grand Canyon. Throwing in a bit of history, with incredible visages, viewers could experience the canyon without ever hiking within its depths. It may seem odd to compare a big budget title like Ad Astra written and directed by James Gray (The Immigrant / The Lost City of Z) to a short thirty-minute experience film about the Grand Canyon, but both are equally awe inspiring and beautiful if experienced in the same way.
Ad Astra features Brad Pitt as Astronaut Roy McBride, a film that takes place in the not so distant future where the moon has become a commercialized tourist destination. A place where outside the safe tourist zones corporations fight for control of resources, and convoys are regularly ransacked by pirates looking to make a quick buck off the wares they are able to obtain. Mars has become a staging location for deep exploration ships hoping to discover if intelligent life exists outside our solar system.
Strange power surges begin to emanate deep within the galaxy, threatening to destroy everything in their path (Earth not excluded) and the top scientist are brought together to identify the threat and propose a theory to stop it. Roy McBride after suffering a near fatal fall from aboard a space station is brought into a top-secret meeting to discuss these surges. It is in this meeting that Roy is informed that the surges appear to be manifesting near Neptune and even more interestingly they are identified as anti-matter surges that are being generated from a ship that Roy’s father Clifford (Tommy Lee Jones) was in charge of nearly 29 years ago. The mission was a search for extra terrestrial life that Clifford was overseeing and presumed dead after Earth had lost contact with his ship. Roy must put his personal feelings aside regarding his father and must travel to the outer reaches of our solar system to put a stop to the surges, in any way possible.
Ad Astra is an incredible achievement in cinematography. The visions of the moon, mars and the numerous rockets taken to get there are spectacular. Much like the Grand Canyon film I spoke of earlier, in IMAX Ad Astra gives you a front row seat exploring the solar system as we know it. It takes a realistic approach while not bogging the viewers in all the technical details that would be necessary to achieve this flight. You would be doing yourself a disservice to see this film on any but the largest of movie screens. While it might be an acceptable experience in a normal theater, much of the grandiose vistas and beautiful sets would be wasted. This is not a movie to wait for on Netflix if you have any interest in seeing it at all.
From a story perspective, there isn’t a whole lot to tell. Brad Pitt brings his amazing acting abilities to a film that features more inner dialogue to himself, then to others on the screen. It is reminiscent to the original Dune movie from the 80s combined with 2001: A space odyssey. For a movie that literally is about a voyage to deep space, there are some scenes sprinkled throughout that provide some action and even a bit of suspense. Supporting characters such as Tommy Lee Jones and Donald Sutherland provide outstanding performances, even if their screen time is extremely limited. Liv Tyler once again reprises a role similar to the one from Armageddon as the reluctant wife of a man who is tasked with saving the world.
Ad Astra is a cinematic experience, the story alone is passable if not particularly quick moving and at time rarely engaging. However, when you combine this with the technological wizardry used to bring the Solar System to life it makes for an adventure that certainly lives up to the hype and will delight your visual senses. If you’ve ever dreamed of what it would be like to live on the moon or adventure into the stars, then Ad Astra might just be the closest we ever get in our lifetime. It’s beautiful, deadly and overall an achievement to behold, just make sure you see it on the biggest screen you can.
4 out of 5 stars
Ad Astra features Brad Pitt as Astronaut Roy McBride, a film that takes place in the not so distant future where the moon has become a commercialized tourist destination. A place where outside the safe tourist zones corporations fight for control of resources, and convoys are regularly ransacked by pirates looking to make a quick buck off the wares they are able to obtain. Mars has become a staging location for deep exploration ships hoping to discover if intelligent life exists outside our solar system.
Strange power surges begin to emanate deep within the galaxy, threatening to destroy everything in their path (Earth not excluded) and the top scientist are brought together to identify the threat and propose a theory to stop it. Roy McBride after suffering a near fatal fall from aboard a space station is brought into a top-secret meeting to discuss these surges. It is in this meeting that Roy is informed that the surges appear to be manifesting near Neptune and even more interestingly they are identified as anti-matter surges that are being generated from a ship that Roy’s father Clifford (Tommy Lee Jones) was in charge of nearly 29 years ago. The mission was a search for extra terrestrial life that Clifford was overseeing and presumed dead after Earth had lost contact with his ship. Roy must put his personal feelings aside regarding his father and must travel to the outer reaches of our solar system to put a stop to the surges, in any way possible.
Ad Astra is an incredible achievement in cinematography. The visions of the moon, mars and the numerous rockets taken to get there are spectacular. Much like the Grand Canyon film I spoke of earlier, in IMAX Ad Astra gives you a front row seat exploring the solar system as we know it. It takes a realistic approach while not bogging the viewers in all the technical details that would be necessary to achieve this flight. You would be doing yourself a disservice to see this film on any but the largest of movie screens. While it might be an acceptable experience in a normal theater, much of the grandiose vistas and beautiful sets would be wasted. This is not a movie to wait for on Netflix if you have any interest in seeing it at all.
From a story perspective, there isn’t a whole lot to tell. Brad Pitt brings his amazing acting abilities to a film that features more inner dialogue to himself, then to others on the screen. It is reminiscent to the original Dune movie from the 80s combined with 2001: A space odyssey. For a movie that literally is about a voyage to deep space, there are some scenes sprinkled throughout that provide some action and even a bit of suspense. Supporting characters such as Tommy Lee Jones and Donald Sutherland provide outstanding performances, even if their screen time is extremely limited. Liv Tyler once again reprises a role similar to the one from Armageddon as the reluctant wife of a man who is tasked with saving the world.
Ad Astra is a cinematic experience, the story alone is passable if not particularly quick moving and at time rarely engaging. However, when you combine this with the technological wizardry used to bring the Solar System to life it makes for an adventure that certainly lives up to the hype and will delight your visual senses. If you’ve ever dreamed of what it would be like to live on the moon or adventure into the stars, then Ad Astra might just be the closest we ever get in our lifetime. It’s beautiful, deadly and overall an achievement to behold, just make sure you see it on the biggest screen you can.
4 out of 5 stars
The Marinated Meeple (1848 KP) rated Coloma in Tabletop Games
Nov 11, 2019
Tight economy (3 more)
You build your engine for resources
everything is a good choice, there are no terrible choices.
good amount of planning is needed without being too deep.
Very well made Western Euro style game
I have played two games of it and so far I really like it. This is a euro game based in the gold rush american west about managing your resources and building an town (engine), and you select the actions you want to take and get a bonus if you don't do the same as other players. it's simultaneous, so you have to guess what other players are doing. I got my Kickstarter copy about a week or two ago, and finally got to break it out this weekend. we played it Saturday and then Sunday morning my wife requested we play it a 2nd time... always a very good indicator of a great game. We generally like more medium to heavy weight games, so the fact that she requested a game that is this light was another vote in its favor. It's not light like Catan, or Kingdomino, or splendor, but it's Lighter than say a Tzolkin, Newton, Castles of Burgundy, or Terraforming Mars. I would say this game is above gateway, but not too deep past that. We plan to introduce this to our newer game friends and see what happens, the turns are quite quick early as you don't do much and then get longer as you get to do more, and I'm anxious to see how that plays with larger play counts. One of the major pluses in the game is how you control how you want to play the game and what you want to do. You could go after horses, and then ride the territory and focus on the post office and stables, and then also go after gold and dudes and then chase the rivers and bridges.... or maybe you just buildup your town to the max and get more of everything on every turn... there seems to be lots of plausible routes to winning and it's just about how efficient you are with your strategy. Looking forward to having this in my collection for a long time.
Jesters_folly (230 KP) rated Fast & Furious 9 (2021) in Movies
Jul 10, 2021
Contains spoilers, click to show
Spoilers
In the 9th instalment of the the 'Fast and Furious' franchise we have; backstory, fun with magnets, brothers who have never been mentioned before, the return of dead characters, plenty of set up for spin offs, doggy English accents and cars in space.
Fast and Furious 9 is a big film, with a lot going on, it acts as Dom's back story, continuation of the franchise and (possibly) a set up for some spinoffs. The latter is not a surprise as Vin Diesel has already said that, including F9 there are only 3 more films left, but that there will be more spin offs, like Hobbs and Shaw (There is a rumoured 'Cipher ' spin off in the works as well as Hobbs and Shaw 2).
A large part of Fast 9 is Dom's back story. We get to see the incident where Dom kills a man, as mentioned in Fast 1 and the impact this has on his biological family. We also get flash backs/more story to 'Tokyo Drift' which they tie into the main franchise a bit more.
Fast 9 seems to bring the cars back to the franchise, although the 7 & 8 did have cars they seemed to be loosing there way in favour of the action but 9 has both cars and action.
There are a lot of call backs to the other films with almost every past family member returning in a original scene, we even almost get to see the return of Brian, however this does make Hobbs' absents more obvious.
There were a couple of points that niggled at me a bit, the being that, in the flashbacks, young Dom and young Jakob were played by different actors (because it would be hard for Vin Diesel and John Cena to play their younger selves) but the actors (especially young Dom) didn't feel right. This isn't a criticism of the actors but there was just something that didn't quite Jell between the present and past characters.
Over all Fast and furious 9 is a good addition to an increasingly over blown film franchise although you do have to suspend reality a few times and you can see why the main franchise is coming to an end soon otherwise the 'Family' would probably end up colonising Mars or slipping into another reality.
In the 9th instalment of the the 'Fast and Furious' franchise we have; backstory, fun with magnets, brothers who have never been mentioned before, the return of dead characters, plenty of set up for spin offs, doggy English accents and cars in space.
Fast and Furious 9 is a big film, with a lot going on, it acts as Dom's back story, continuation of the franchise and (possibly) a set up for some spinoffs. The latter is not a surprise as Vin Diesel has already said that, including F9 there are only 3 more films left, but that there will be more spin offs, like Hobbs and Shaw (There is a rumoured 'Cipher ' spin off in the works as well as Hobbs and Shaw 2).
A large part of Fast 9 is Dom's back story. We get to see the incident where Dom kills a man, as mentioned in Fast 1 and the impact this has on his biological family. We also get flash backs/more story to 'Tokyo Drift' which they tie into the main franchise a bit more.
Fast 9 seems to bring the cars back to the franchise, although the 7 & 8 did have cars they seemed to be loosing there way in favour of the action but 9 has both cars and action.
There are a lot of call backs to the other films with almost every past family member returning in a original scene, we even almost get to see the return of Brian, however this does make Hobbs' absents more obvious.
There were a couple of points that niggled at me a bit, the being that, in the flashbacks, young Dom and young Jakob were played by different actors (because it would be hard for Vin Diesel and John Cena to play their younger selves) but the actors (especially young Dom) didn't feel right. This isn't a criticism of the actors but there was just something that didn't quite Jell between the present and past characters.
Over all Fast and furious 9 is a good addition to an increasingly over blown film franchise although you do have to suspend reality a few times and you can see why the main franchise is coming to an end soon otherwise the 'Family' would probably end up colonising Mars or slipping into another reality.
Bob Mann (459 KP) rated Ad Astra (2019) in Movies
Sep 28, 2021
Impressive visuals, but rather disappointing as an overall package.
Like father, like son?
I really love sci-fi films with high ambitions. “Psychological” sci-fi like “Solaris” for example. And “Arrival” topped my movie list for 2016. In similar vein, “Ad Astra” is also a movie concerning attempted contact with alien life. So I had high hopes for it. But would this Sci-fi epic ultimately challenge my brain again, or end up in the “Crystal Skull” sin bin with a dodgy alien meeting?
The Plot
Set a few years into the future, Roy McBride (Brad Pitt) is the son of a legend. H. Clifford McBride (Tommy Lee Jones) was a space exploration pioneer. His picture hangs in the NASA hall of fame next to Buzz Aldrin’s. McBride senior went missing presumed dead near Neptune during a mission. The mission was to get outside the Sun’s heliosphere to scan for potential alien transmissions from nearby solar systems.
But something went badly wrong, and now the earth (and potentially all human life migrating into the solar system) is at risk from massive electromagnetic bursts arising from Neptune. Is Clifford alive and involved in the emerging crisis? The authorities send Roy on a secret mission to Mars to try to communicate with his father.
Majestic cinematography
Let’s start with a real positive. The cinematography here is first rate. Hoyte Van-Hoytema – well known for “Interstellar“, “Spectre” and “Dunkirk” – knocks this out of the park. In the same manner as “Blade Runner 2049“, many of the frames of this film could be blown up and placed on art gallery walls around the world.
Add to that some cracking film editing from John Axelrad and Lee Haugen, and some beautiful sound design and I predict the movie should feature strongly in the technical awards at the Oscars.
But “science fiction” has the word “science” in it….
I’d like to park my physics brain sometimes when I go to the movies, but I just can’t. So I really need sci-fi films to live up to the science part of their name. There are a number of areas, particularly at the back end of the film, when credibility goes out the window.
I can’t really say more here without giving spoilers, so I will leave them to a “Spoiler section” below the trailer…. don’t read this if you haven’t seen the film!
What IS this movie trying to be?
In my view the film is pretty schizophrenic in nature. This is what confused me about the trailer, jumping from a cerebral sci-fi vibe to moon buggy shoot-outs.
On one hand, its the standard (but always interesting) tale of a child abandoned by a hero-father and his attempts to reconcile what that’s done to his life and relationships. How can he ever square that circle without contacting his dad? As the film’s tag-line goes “The answers we seek are just outside our reach”.
On the other there are episodes of action that would fit happily into an action scene from Star Trek.
The two elements never really gel, leading to the feeling of the film having been written as a set of disconnected pages and the writers then saying “Hey, Jimmy, once you’ve finished making us the tea, could you just write a few lines to join those pages up into a shooting script?”. Then later, “What do you mean Jimmy you used BOTH piles of paper?!”.
The greatest sin of all
Unfortunately, the film commits a cardinal sin in my book. Those of you who follow my blog regularly might know what I’m going to say….
Voiceovers! I BLOODY HATE THEM!! It’s at the very extreme of what the great Mark Kermode calls “show don’t tell”.
Here, we don’t just have a little Brad Pitt set-up intro and he then shuts up. He just drones on and on and on with his inner thoughts. At least Matt Damon in “The Martian” got away with it by cleverly filming his video blog. And it’s not as if there isn’t a prime opportunity to use that device here! He is constantly having to talk to a computer to do his regular psychological tests! But that option is not picked up.
BIG BLACK MARK!
But the film has its moments
Bubbling under all of this are some stand-out moments where, for me, the film soared. One of them (ultimately setting me up for as much of a disappointing fall as some of the characters!) is the stunning opening shots aboard the “Sky Antenna” structure. Impressive and exciting, with falling bits of metal playing Russian Roulette with Roy’s iife.
Another strength for me is Brad Pitt. I’ve seen wildly differing views on this, but for me its a quiet but strong acting performance. There are many scenes when he has no lines, his inner (and our outer) voice gives it a miss, and he acts the socks off his peers. What with “Once Upon A Time… In Hollywood” its been a really good year for Pitt. I suspect “Hollywood” might be the one though that gets him his fourth acting Oscar nomination.
For a 2019 film, it’s actually a very male-heavy film, made more so by Pitt’s love-interest (Liv Tyler) being given virtually nothing to do other that look a bit sulky from a distance. I’m not even sure she gets a single line in the whole film! (“Miss Tyler – please sign for your script”. “But, there’s nothing in the envelope?”. “Quite Miss Tyler, Quite”).
The only decent female role goes to Ruth Negga as the Mars colony leader. Even then, she only has limited screen time and although having the title “Mars CEO” really doesn’t seem to have much power.
Elsewhere, its great to see both Tommy Lee Jones and Donald Sutherland back on the big screen again.
Final Thoughts
As any veteran RAF person will know, “Ad Astra” is Latin for “To the stars”. In space terms this is less “to the stars” and more “just beyond your front door”.
James Gray‘s film undoubtedly has high ambitions but, through its spasmodic script, never really gets there. It has the beauty of “Gravity” but none of the refinement; there’s an essence of “Space Odyssey” in places, but it never goes for the mystical angle; it has the potential to reflect the near-insanity through loneliness of “Silent Running” but never commits fully to that storyline. But if its novelty you’re looking for, it ticks the “floating monkeys in space” box!
I think it’s worth seeing on the big screen just for its visual beauty and Pitt’s performance. And as a major block-buster sci-fi film I enjoyed it to a degree. But for me it had just so many irritations that it failed to live up to my high expectations. A great shame and a frustrating disappointment.
But at least it’s great news for Richard Branson and Virgin Atlantic shareholders. They can be assured that the future is bright for their “long distance” flights in the future!
I really love sci-fi films with high ambitions. “Psychological” sci-fi like “Solaris” for example. And “Arrival” topped my movie list for 2016. In similar vein, “Ad Astra” is also a movie concerning attempted contact with alien life. So I had high hopes for it. But would this Sci-fi epic ultimately challenge my brain again, or end up in the “Crystal Skull” sin bin with a dodgy alien meeting?
The Plot
Set a few years into the future, Roy McBride (Brad Pitt) is the son of a legend. H. Clifford McBride (Tommy Lee Jones) was a space exploration pioneer. His picture hangs in the NASA hall of fame next to Buzz Aldrin’s. McBride senior went missing presumed dead near Neptune during a mission. The mission was to get outside the Sun’s heliosphere to scan for potential alien transmissions from nearby solar systems.
But something went badly wrong, and now the earth (and potentially all human life migrating into the solar system) is at risk from massive electromagnetic bursts arising from Neptune. Is Clifford alive and involved in the emerging crisis? The authorities send Roy on a secret mission to Mars to try to communicate with his father.
Majestic cinematography
Let’s start with a real positive. The cinematography here is first rate. Hoyte Van-Hoytema – well known for “Interstellar“, “Spectre” and “Dunkirk” – knocks this out of the park. In the same manner as “Blade Runner 2049“, many of the frames of this film could be blown up and placed on art gallery walls around the world.
Add to that some cracking film editing from John Axelrad and Lee Haugen, and some beautiful sound design and I predict the movie should feature strongly in the technical awards at the Oscars.
But “science fiction” has the word “science” in it….
I’d like to park my physics brain sometimes when I go to the movies, but I just can’t. So I really need sci-fi films to live up to the science part of their name. There are a number of areas, particularly at the back end of the film, when credibility goes out the window.
I can’t really say more here without giving spoilers, so I will leave them to a “Spoiler section” below the trailer…. don’t read this if you haven’t seen the film!
What IS this movie trying to be?
In my view the film is pretty schizophrenic in nature. This is what confused me about the trailer, jumping from a cerebral sci-fi vibe to moon buggy shoot-outs.
On one hand, its the standard (but always interesting) tale of a child abandoned by a hero-father and his attempts to reconcile what that’s done to his life and relationships. How can he ever square that circle without contacting his dad? As the film’s tag-line goes “The answers we seek are just outside our reach”.
On the other there are episodes of action that would fit happily into an action scene from Star Trek.
The two elements never really gel, leading to the feeling of the film having been written as a set of disconnected pages and the writers then saying “Hey, Jimmy, once you’ve finished making us the tea, could you just write a few lines to join those pages up into a shooting script?”. Then later, “What do you mean Jimmy you used BOTH piles of paper?!”.
The greatest sin of all
Unfortunately, the film commits a cardinal sin in my book. Those of you who follow my blog regularly might know what I’m going to say….
Voiceovers! I BLOODY HATE THEM!! It’s at the very extreme of what the great Mark Kermode calls “show don’t tell”.
Here, we don’t just have a little Brad Pitt set-up intro and he then shuts up. He just drones on and on and on with his inner thoughts. At least Matt Damon in “The Martian” got away with it by cleverly filming his video blog. And it’s not as if there isn’t a prime opportunity to use that device here! He is constantly having to talk to a computer to do his regular psychological tests! But that option is not picked up.
BIG BLACK MARK!
But the film has its moments
Bubbling under all of this are some stand-out moments where, for me, the film soared. One of them (ultimately setting me up for as much of a disappointing fall as some of the characters!) is the stunning opening shots aboard the “Sky Antenna” structure. Impressive and exciting, with falling bits of metal playing Russian Roulette with Roy’s iife.
Another strength for me is Brad Pitt. I’ve seen wildly differing views on this, but for me its a quiet but strong acting performance. There are many scenes when he has no lines, his inner (and our outer) voice gives it a miss, and he acts the socks off his peers. What with “Once Upon A Time… In Hollywood” its been a really good year for Pitt. I suspect “Hollywood” might be the one though that gets him his fourth acting Oscar nomination.
For a 2019 film, it’s actually a very male-heavy film, made more so by Pitt’s love-interest (Liv Tyler) being given virtually nothing to do other that look a bit sulky from a distance. I’m not even sure she gets a single line in the whole film! (“Miss Tyler – please sign for your script”. “But, there’s nothing in the envelope?”. “Quite Miss Tyler, Quite”).
The only decent female role goes to Ruth Negga as the Mars colony leader. Even then, she only has limited screen time and although having the title “Mars CEO” really doesn’t seem to have much power.
Elsewhere, its great to see both Tommy Lee Jones and Donald Sutherland back on the big screen again.
Final Thoughts
As any veteran RAF person will know, “Ad Astra” is Latin for “To the stars”. In space terms this is less “to the stars” and more “just beyond your front door”.
James Gray‘s film undoubtedly has high ambitions but, through its spasmodic script, never really gets there. It has the beauty of “Gravity” but none of the refinement; there’s an essence of “Space Odyssey” in places, but it never goes for the mystical angle; it has the potential to reflect the near-insanity through loneliness of “Silent Running” but never commits fully to that storyline. But if its novelty you’re looking for, it ticks the “floating monkeys in space” box!
I think it’s worth seeing on the big screen just for its visual beauty and Pitt’s performance. And as a major block-buster sci-fi film I enjoyed it to a degree. But for me it had just so many irritations that it failed to live up to my high expectations. A great shame and a frustrating disappointment.
But at least it’s great news for Richard Branson and Virgin Atlantic shareholders. They can be assured that the future is bright for their “long distance” flights in the future!
Gareth von Kallenbach (971 KP) rated John Carter (2012) in Movies
Aug 7, 2019
Edgar Rice Burroughs is famous for literary creations that have inspired countless generations and given birth to numerous film and television projects. You would be hard-pressed to find anybody not familiar with Tarzan, one of Burrough’s great series. John Carter of Mars is another one, and at long last has finally made it to the big screen.
The film is based on the first book of eleven, a series that began in 1911 and ran through 1964 when the last book was published posthumously. John Carter stars Tylor Kitsch as the title character, a bitter Civil War veteran who, despite an accomplished service record, no longer wants anything to do with the military. Instead he is fixated upon finding a cave of gold.
Despite the fact that he served for the Confederacy, John Carter draws the attention of the U.S. Cavalry whose leader is anxious to recruit an officer of Carter’s skills and experience to aid them in their skirmishes with the Apache tribes. No longer willing to fight or get involved, Carter declines the offer but soon finds himself caught in the middle of an unplanned battle between both sides. As he attempts to find shelter for himself and a wounded officer, Carter accidentally stumbles upon the cave of gold he was seeking.
Carter’s surprise soon turns to shock when he’s attacked by a mysterious individual who presses a glowing amulet in his hand and utters a phrase that transports John Carter instantly to the planet Mars. Of course, Carter at first has no idea where he is but soon realizes that he has incredible leaping abilities due to the lower gravity of the planet.
Shortly after his arrival he gains the attention of Tars Tarkas (Willem Dafoe), the chief of a race of tall, skinny, four armed alien warriors. At first intrigued by Carter, Tarkas and his people become divided over what to do with the new arrival. This becomes further complicated when airships arrive and begin a massive gunbattle. Carter immediately leaps into action with his newfound ability which quickly gains the attention of Dejah Thoris (Lynn Collins), princess of the city of Helium.
It is learned that Princess Dejah is being forced to marry an evil warlord who possesses an awesome destructive ability and is using it to subjugate all those he encounters. Desperate to save their city, the princess is offered up to appease the warlord. Naturally this does not sit well with the free-spirited and feisty princess and before long she and John Carter find themselves united in their quest to save Helium. Despite his reluctance to get involved and fight, Carter realizes the princess may be his only way to get home.
A stranger in a strange land, with danger all around him, John Carter takes his audience on an epic adventure. Despite having little star power, the movie works exceptionally well with amazing special effects. The CGI used to create the various alien characters infuses them with personality and vitality rarely seen in artificially created characters. The film is visually spectacular from the legions of aliens locked in combat, to the stark splendor of the planet and its inhabitants.
Even though the film was presented in converted 3-D which, as many of you will know has long been a very touchy subject with me, the final product was actually better than most conversions. While it was nowhere near the quality of films shot in 3-D, it nonetheless offered an immersive quality to epic battle scenes and did not rely on the gimmicky trick of trying to make things pop out of the screen in order to sell the film.
Kitsch does a great job handling the action of the film and manages to interact with his CGI costars in a believable enough manner to establish as much chemistry with them as he did with the flesh and blood Collins. Although some moments of the film drag, it does have enough action to sustain the nearly two-hour runtime with a touch of humor and romance thrown in for good measure.
I first became aware of the film a year ago at the D23 Expo when Disney showed a few clips and had Kitsch, Collins and Dafoeon hand to promote the pending release. While intriguing, I did not see anything that really made the film stand out as a must-see. I am very happy to say that upon seeing the completed film, the scenes that were shown to us not only had even greater effects in the finished product but were also much more entertaining and dynamic once shown within the full context of the story line.
Director Andrew Stanton, who has made a name for himself with his animated films at Pixar, skillfully blends live-action and CGI to create a very energetic and enjoyable action-adventure film that was a very pleasant surprise.
While the acting, character development, and plot are nothing spectacular in and of themselves, they combined well and set the stage effectively for what should be a series of John Carter films in the future.
The film is based on the first book of eleven, a series that began in 1911 and ran through 1964 when the last book was published posthumously. John Carter stars Tylor Kitsch as the title character, a bitter Civil War veteran who, despite an accomplished service record, no longer wants anything to do with the military. Instead he is fixated upon finding a cave of gold.
Despite the fact that he served for the Confederacy, John Carter draws the attention of the U.S. Cavalry whose leader is anxious to recruit an officer of Carter’s skills and experience to aid them in their skirmishes with the Apache tribes. No longer willing to fight or get involved, Carter declines the offer but soon finds himself caught in the middle of an unplanned battle between both sides. As he attempts to find shelter for himself and a wounded officer, Carter accidentally stumbles upon the cave of gold he was seeking.
Carter’s surprise soon turns to shock when he’s attacked by a mysterious individual who presses a glowing amulet in his hand and utters a phrase that transports John Carter instantly to the planet Mars. Of course, Carter at first has no idea where he is but soon realizes that he has incredible leaping abilities due to the lower gravity of the planet.
Shortly after his arrival he gains the attention of Tars Tarkas (Willem Dafoe), the chief of a race of tall, skinny, four armed alien warriors. At first intrigued by Carter, Tarkas and his people become divided over what to do with the new arrival. This becomes further complicated when airships arrive and begin a massive gunbattle. Carter immediately leaps into action with his newfound ability which quickly gains the attention of Dejah Thoris (Lynn Collins), princess of the city of Helium.
It is learned that Princess Dejah is being forced to marry an evil warlord who possesses an awesome destructive ability and is using it to subjugate all those he encounters. Desperate to save their city, the princess is offered up to appease the warlord. Naturally this does not sit well with the free-spirited and feisty princess and before long she and John Carter find themselves united in their quest to save Helium. Despite his reluctance to get involved and fight, Carter realizes the princess may be his only way to get home.
A stranger in a strange land, with danger all around him, John Carter takes his audience on an epic adventure. Despite having little star power, the movie works exceptionally well with amazing special effects. The CGI used to create the various alien characters infuses them with personality and vitality rarely seen in artificially created characters. The film is visually spectacular from the legions of aliens locked in combat, to the stark splendor of the planet and its inhabitants.
Even though the film was presented in converted 3-D which, as many of you will know has long been a very touchy subject with me, the final product was actually better than most conversions. While it was nowhere near the quality of films shot in 3-D, it nonetheless offered an immersive quality to epic battle scenes and did not rely on the gimmicky trick of trying to make things pop out of the screen in order to sell the film.
Kitsch does a great job handling the action of the film and manages to interact with his CGI costars in a believable enough manner to establish as much chemistry with them as he did with the flesh and blood Collins. Although some moments of the film drag, it does have enough action to sustain the nearly two-hour runtime with a touch of humor and romance thrown in for good measure.
I first became aware of the film a year ago at the D23 Expo when Disney showed a few clips and had Kitsch, Collins and Dafoeon hand to promote the pending release. While intriguing, I did not see anything that really made the film stand out as a must-see. I am very happy to say that upon seeing the completed film, the scenes that were shown to us not only had even greater effects in the finished product but were also much more entertaining and dynamic once shown within the full context of the story line.
Director Andrew Stanton, who has made a name for himself with his animated films at Pixar, skillfully blends live-action and CGI to create a very energetic and enjoyable action-adventure film that was a very pleasant surprise.
While the acting, character development, and plot are nothing spectacular in and of themselves, they combined well and set the stage effectively for what should be a series of John Carter films in the future.
Daniel Boyd (1066 KP) rated The Dirt (2019) in Movies
Apr 4, 2019 (Updated Apr 4, 2019)
Brainless Fun
The Dirt is a Motley Crue biopic that debuted on Netflix last month. It is Jeff Tremaine's, (the director of the Jackass movies,) first narrative feature film. This should maybe give you some idea of what to expect within the movie. If Bohemian Rhapsody, Wayne's World and Jackass had a baby, this would most likely be the result.
Your enjoyment of this movie will probably depend on what you are wanting out of it going in. I am a casual Motely Crue fan, I only know a few of their songs and have a very surface level knowledge of their history. I was watching this movie for a bit of dumb fun after I had seen the trailer and it delivered exactly what I expected it to. If however, you are a die hard Motley Crue fan looking for an in-depth biopic with a sense of grit and realism, you will most likely be sorely disappointed.
The plot to this thing plays out like a Wikipedia article, in the sense that it hits all of the major beats of the band's history, but glosses over so much more and leaves any sense of nuance at the door. It is also incredibly cartoonish and cheesy, at no point in the film do you ever feel that you are watching the actual members of Motley Crue and it is always painfully clear that you are watching a group of actors in bad wigs playing faux, characterture versions of real people.
Don't get me wrong, I don't think that the cast have anything to do with how shallow or glossy this thing is. I think that Daniel Webber did a decent job as Vince Neil and Douglas Booth is okay as Nikki Sixx. For some reason, Machine Gun Kelly plays Tommy Lee as a goofy, lovable rogue, as apposed to the aggressive violent abuser he is in real life. Iwan Rheon is by far the stand out as Mick Mars, the older, more jaded member of the group who totally dismisses the immature 'sex drugs and rock and roll,' bullshit mentality of his band-mates and comes away with some of the driest, funniest lines in the movie.
Overall, I gave this a 7 based on the brainless fun I had watching it, but it by no means feels accurate or realistic, nor does it feel like it's trying to be. Hardcore Motely Crue fans will probably feel like they were let down by this biopic, but I got exactly what I wanted out of it and enjoyed it for what it was.
Your enjoyment of this movie will probably depend on what you are wanting out of it going in. I am a casual Motely Crue fan, I only know a few of their songs and have a very surface level knowledge of their history. I was watching this movie for a bit of dumb fun after I had seen the trailer and it delivered exactly what I expected it to. If however, you are a die hard Motley Crue fan looking for an in-depth biopic with a sense of grit and realism, you will most likely be sorely disappointed.
The plot to this thing plays out like a Wikipedia article, in the sense that it hits all of the major beats of the band's history, but glosses over so much more and leaves any sense of nuance at the door. It is also incredibly cartoonish and cheesy, at no point in the film do you ever feel that you are watching the actual members of Motley Crue and it is always painfully clear that you are watching a group of actors in bad wigs playing faux, characterture versions of real people.
Don't get me wrong, I don't think that the cast have anything to do with how shallow or glossy this thing is. I think that Daniel Webber did a decent job as Vince Neil and Douglas Booth is okay as Nikki Sixx. For some reason, Machine Gun Kelly plays Tommy Lee as a goofy, lovable rogue, as apposed to the aggressive violent abuser he is in real life. Iwan Rheon is by far the stand out as Mick Mars, the older, more jaded member of the group who totally dismisses the immature 'sex drugs and rock and roll,' bullshit mentality of his band-mates and comes away with some of the driest, funniest lines in the movie.
Overall, I gave this a 7 based on the brainless fun I had watching it, but it by no means feels accurate or realistic, nor does it feel like it's trying to be. Hardcore Motely Crue fans will probably feel like they were let down by this biopic, but I got exactly what I wanted out of it and enjoyed it for what it was.
Kirk Bage (1775 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
If I was still 10 or 11 years old, this might be my favourite film of all time (for a few months). The 10 year old trapped inside me kinda thinks it is! At first I was sceptical that it could be any good at all, seeing it getting nominated in a lot of best animation categories during award season, and then winning them all! From the poster, or even the trailer, alone, I just didn’t get it!
Then folk whose opinion I trust, that normally go for really intense dramas and artsy stuff, started telling me how good it was. I added it to my watchlist and walked away, nodding, as if to say “sure, I’ll get around to it”. More fool me for waiting so long, cos let me tell you, as modern animations go, it is really really good! But why? Well, there are several things that set it apart…
Firstly, it patronises no one. This is a fun, all swinging, all action, adventure, with real threat, real emotion and real excitement. Secondly, the love and attention that have gone into the myth of Spiderman and what he/she/it represents is so astonishingly comprehensive in a 2 hour film, that anyone living on Mars and never knowing a single thing about it, would understand instantly. You also don’t have to be a superhero geek to like it (but it helps a bit).
And thirdly, the animation. Wow, the animation! Incorporating so many styles and techniques, often in the same image / scene, it is a mind boggling experience, and a visual festival of comic book art. It shouldn’t work, but, my word, it not only works, it totally rocks! I have never felt before that I was experiencing a living, moving, comic book. Every detail makes you respect and appreciate this art form, and its evolution through the years.
Not only that, however, but it has an inclusivity that is awesome and so simple. This isn’t a film about boys, for boys. Gwen Stacy, aka Spider-Woman, is a great, strong character in her own right; as is Spider-Ham; as are all of them. Literally, there is something for everyone to relate to. And the cunning conceit that brings them all together just… works!
I’m not sure I’ll watch it very often, because, you know, I’m not 10 any more. But if I am ever in the mood to feel young and excited about heroes, then this will be my first port of call.
Then folk whose opinion I trust, that normally go for really intense dramas and artsy stuff, started telling me how good it was. I added it to my watchlist and walked away, nodding, as if to say “sure, I’ll get around to it”. More fool me for waiting so long, cos let me tell you, as modern animations go, it is really really good! But why? Well, there are several things that set it apart…
Firstly, it patronises no one. This is a fun, all swinging, all action, adventure, with real threat, real emotion and real excitement. Secondly, the love and attention that have gone into the myth of Spiderman and what he/she/it represents is so astonishingly comprehensive in a 2 hour film, that anyone living on Mars and never knowing a single thing about it, would understand instantly. You also don’t have to be a superhero geek to like it (but it helps a bit).
And thirdly, the animation. Wow, the animation! Incorporating so many styles and techniques, often in the same image / scene, it is a mind boggling experience, and a visual festival of comic book art. It shouldn’t work, but, my word, it not only works, it totally rocks! I have never felt before that I was experiencing a living, moving, comic book. Every detail makes you respect and appreciate this art form, and its evolution through the years.
Not only that, however, but it has an inclusivity that is awesome and so simple. This isn’t a film about boys, for boys. Gwen Stacy, aka Spider-Woman, is a great, strong character in her own right; as is Spider-Ham; as are all of them. Literally, there is something for everyone to relate to. And the cunning conceit that brings them all together just… works!
I’m not sure I’ll watch it very often, because, you know, I’m not 10 any more. But if I am ever in the mood to feel young and excited about heroes, then this will be my first port of call.
Jesters_folly (230 KP) rated The Fast and the Furious (2001) in Movies
May 18, 2021
Contains spoilers, click to show
So this is the first time I've seen 'The Fast and the Furious' and the only other film in the franchise I've seen is 'Hobbs and Shaw', Which I knew was a (slightly) different beast but, with the new film out soon I thought I may as well start from the beginning.
First thoughts, 'The Fast and the Furious' is 'Point Brake' with cars instead of of surf boards. It's been a while since I've seen Point break but I'm sure the plots are very similar. Actually that's not quite true, my first thoughts were that it was a high school film with the races instead of the school. The first time we meet Dominic's Team they're acting like the typical 'Jock' or bully group who pick on the 'New kid' or weirdo, in this case Brian. Then we have the first race we see Brian at, when he looks around the track we see the different 'clicks', each one represented by a (slightly) different genre of music, all we needed was for one of the characters (probably Letty or Mia) to walk on and introduce the group's "Over here we have the goth's, there are the cheerleaders." etc.
Then the film settles down to 'Point Break mode, the big revel (near the start of the film) that (Spoilers) Brian is a cop and we're introduced to the people he works with and, to be honest they would almost fit into an 80's U.K. police show (or 'Life on mars/Ashes to Ashes' for those of you are too young for the 80's).
We have lots of cars and almost no crime. Really most of the crime is just talked about or a red herring. Then the big race, but we don't see that because we now have the actual heist and the set up Brian's big decision (although it's pretty obvious which side he'll choose). Big action scene, betrayed (kind off), some one dies for character development (but, surprisingly, not a woman), another race, for reasons, character bonding. Cut to credits.
So a bit formulaic, but that ok, a bit of Macho one upping, but that's ok, lots of cars, of course and surprisingly no sex. All of which is good, it suits the film. Even the early revel that Brian is a cop is ok, you don't need to put much though into 'The Fast and the Furious' meaning that you can just sit back 1 hour 45 and enjoy a no brainer whilst turning off your brain.
First thoughts, 'The Fast and the Furious' is 'Point Brake' with cars instead of of surf boards. It's been a while since I've seen Point break but I'm sure the plots are very similar. Actually that's not quite true, my first thoughts were that it was a high school film with the races instead of the school. The first time we meet Dominic's Team they're acting like the typical 'Jock' or bully group who pick on the 'New kid' or weirdo, in this case Brian. Then we have the first race we see Brian at, when he looks around the track we see the different 'clicks', each one represented by a (slightly) different genre of music, all we needed was for one of the characters (probably Letty or Mia) to walk on and introduce the group's "Over here we have the goth's, there are the cheerleaders." etc.
Then the film settles down to 'Point Break mode, the big revel (near the start of the film) that (Spoilers) Brian is a cop and we're introduced to the people he works with and, to be honest they would almost fit into an 80's U.K. police show (or 'Life on mars/Ashes to Ashes' for those of you are too young for the 80's).
We have lots of cars and almost no crime. Really most of the crime is just talked about or a red herring. Then the big race, but we don't see that because we now have the actual heist and the set up Brian's big decision (although it's pretty obvious which side he'll choose). Big action scene, betrayed (kind off), some one dies for character development (but, surprisingly, not a woman), another race, for reasons, character bonding. Cut to credits.
So a bit formulaic, but that ok, a bit of Macho one upping, but that's ok, lots of cars, of course and surprisingly no sex. All of which is good, it suits the film. Even the early revel that Brian is a cop is ok, you don't need to put much though into 'The Fast and the Furious' meaning that you can just sit back 1 hour 45 and enjoy a no brainer whilst turning off your brain.
BankofMarquis (1832 KP) rated Ad Astra (2019) in Movies
Sep 27, 2019
A missed opportunity
Like crossing the vast expanse of oceans in a sailing ship, rocketing across the vast expanse of our Galaxy would, naturally, lead one to self-contemplation. In the film AD ASTRA Brad Pitt spends a lot of time contemplating.
Unfortunately, that is pretty much all PItt - and this film - does.
AD ASTRA follows the adventure of Astronaut Roy McBride (Pitt) who's father Clifford McBride (Tommy Lee Jones) is a fabled Astronaut who disappeared while on a deep space mission to Neptune. When a Galaxy-wide energy pulse emanating from Neptune threatens life on Earth, suspicion is that Clifford is still alive in orbit around Neptune and the hope is that Roy can contact him and stop this life threatening force.
Sounds like an interesting premise, doesn't it? And it could have been. And the world that was built for this movie - a world set in the "near future", one where we did not stop going to the moon and space and there are now space stations - and colonies and pirates(!) - on the Moon and Mars, is an interesting concept and I really wanted to explore that world.
Unfortunately, Director and Writer James Gray (THE LOST CITY OF Z) was not interested in exploring this (so why build it?!?) - he was more interested in contemplating the meaning of life's purpose and fate and legacies and do the sins of the father really come back to seek payment by the son? And I do mean contemplate, for that is what Pitt's character does through most of this film - sit and think (which we hear through voice over), while contemplative music plays wistfully.
It's a good recipe to cure insomnia.
While Pitt does a nice enough job in the lead - an actor can only do so much with looking, thoughtfully, out the window. Ruth Negga and Donald Sutherland both try to inject some life in this film, but their parts are, in essence, extended cameos and the likes of "that guy" actors like Donnie Kashawarz, John Finn and John Ortiz pop up for a scene or two along the way as we travel across our Galaxy with Pitt but don't really register Only Tommy Lee Jones manages to liven things up...but his presence is too little too late.
Like a parent, I am not upset at this film, just disappointed at the choices that were made. I thought Pitt and Gray knew better.
Letter Grade: B- (it is well made and pretty to look at)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Unfortunately, that is pretty much all PItt - and this film - does.
AD ASTRA follows the adventure of Astronaut Roy McBride (Pitt) who's father Clifford McBride (Tommy Lee Jones) is a fabled Astronaut who disappeared while on a deep space mission to Neptune. When a Galaxy-wide energy pulse emanating from Neptune threatens life on Earth, suspicion is that Clifford is still alive in orbit around Neptune and the hope is that Roy can contact him and stop this life threatening force.
Sounds like an interesting premise, doesn't it? And it could have been. And the world that was built for this movie - a world set in the "near future", one where we did not stop going to the moon and space and there are now space stations - and colonies and pirates(!) - on the Moon and Mars, is an interesting concept and I really wanted to explore that world.
Unfortunately, Director and Writer James Gray (THE LOST CITY OF Z) was not interested in exploring this (so why build it?!?) - he was more interested in contemplating the meaning of life's purpose and fate and legacies and do the sins of the father really come back to seek payment by the son? And I do mean contemplate, for that is what Pitt's character does through most of this film - sit and think (which we hear through voice over), while contemplative music plays wistfully.
It's a good recipe to cure insomnia.
While Pitt does a nice enough job in the lead - an actor can only do so much with looking, thoughtfully, out the window. Ruth Negga and Donald Sutherland both try to inject some life in this film, but their parts are, in essence, extended cameos and the likes of "that guy" actors like Donnie Kashawarz, John Finn and John Ortiz pop up for a scene or two along the way as we travel across our Galaxy with Pitt but don't really register Only Tommy Lee Jones manages to liven things up...but his presence is too little too late.
Like a parent, I am not upset at this film, just disappointed at the choices that were made. I thought Pitt and Gray knew better.
Letter Grade: B- (it is well made and pretty to look at)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)