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A STEP BY STEP FORMULA FOR HACKING BRAZILIAN JIU-JITSU In BJJ Core Concepts you’ll learn how to...
Mothergamer (1546 KP) rated Birth of the Dragon (2016) in Movies
Apr 3, 2019
At first I was curious about the movie that was meant to be about Bruce Lee titled Birth of the Dragon. I love Bruce Lee. I grew up watching his movies, I watched episodes of The Green Hornet, and I voraciously read everything I could about him. One of my titos (that's Tagalog for uncle) told me about how he met Bruce Lee before and how kind he was. I am Filipino and white so I grew up with both these cultures and I'm grateful for it. My family has all kinds of people from all over and all walks of life and I love them dearly. When I would visit my Filipino family I loved that we would often gather round together on the couch with popcorn and snacks and watch Bruce Lee movies. This was special and it's one of my favorite memories from my childhood. I would watch Kung Fu Saturday when I was a kid and I would be excited when they would feature a Bruce Lee movie. My grandparents weren't really into it, but they would watch with me and my brother Rob sometimes.
I will always love Bruce Lee and his movies. He was an incredible person and so talented. Watching his movies was a huge part of my childhood and when I see that there's a Bruce Lee movie on, I always watch it.
I didn't know anything about Birth of the Dragon. There was a trailer that looked interesting. Then I kept hearing negative things about the film such as it's racist towards Asians and they made Bruce Lee the secondary character yet claimed it was a biopic about him. Then I read this: http://www.asamnews.com/2016/09/29/birth-of-the-dragon-biopic-enrages-bruce-lee-fans-buries-asians-in-favor-of-a-white-guy/
Birth of the Dragon is disappointing to me for this. It IS insulting to Asians and if we're really being brutally honest, it IS insulting not only to Bruce Lee, but to his family and friends who loved him. I don't understand making the white guy the main character when this was shopped as a Bruce Lee biopic. On top of this, it seems they made Bruce Lee appear to be this very one sided character who was just arrogant and stupid and it's simply not true. While Lee himself owned up to being foolish when he was younger, he was never stupid. Bruce Lee thought about each and every thing he did and in his movies there was always a political theme and the ideas expressed were intricate and well thought out. They provoked ideas and discussions as well as entertained. Read any of his books on martial arts and you see a deep philosophy and calm practicality to his teachings that show someone who was an incredibly thoughtful person.
The Filipino kid in me is extremely disappointed by this and a little angry too because Bruce Lee is one of my heroes and I'm disgusted by what appears to be blatantly anti-Asian propaganda in a film that was being sold as a biopic about him. This is irresponsible and Asian people have every right to be angry about this because once again Hollywood is shoving us into the background and telling us we're not as important because we're not white. I loved Bruce Lee because he was amazing and I loved that there was an Asian person who was the main character in his movies; someone like me and my brothers and my sister. That meant something to me and it still does. The people who made this movie should apologize for the horrible lie they told about this being a biopic about Bruce Lee and at least be honest about what it really is a film stating that white people are better than us. We'll never get that apology of course because these are the kinds of people who run Hollywood and have for years. I do know that I for one will not see this film and I will watch Bruce Lee's movies and celebrate the amazing person he was.
I will always love Bruce Lee and his movies. He was an incredible person and so talented. Watching his movies was a huge part of my childhood and when I see that there's a Bruce Lee movie on, I always watch it.
I didn't know anything about Birth of the Dragon. There was a trailer that looked interesting. Then I kept hearing negative things about the film such as it's racist towards Asians and they made Bruce Lee the secondary character yet claimed it was a biopic about him. Then I read this: http://www.asamnews.com/2016/09/29/birth-of-the-dragon-biopic-enrages-bruce-lee-fans-buries-asians-in-favor-of-a-white-guy/
Birth of the Dragon is disappointing to me for this. It IS insulting to Asians and if we're really being brutally honest, it IS insulting not only to Bruce Lee, but to his family and friends who loved him. I don't understand making the white guy the main character when this was shopped as a Bruce Lee biopic. On top of this, it seems they made Bruce Lee appear to be this very one sided character who was just arrogant and stupid and it's simply not true. While Lee himself owned up to being foolish when he was younger, he was never stupid. Bruce Lee thought about each and every thing he did and in his movies there was always a political theme and the ideas expressed were intricate and well thought out. They provoked ideas and discussions as well as entertained. Read any of his books on martial arts and you see a deep philosophy and calm practicality to his teachings that show someone who was an incredibly thoughtful person.
The Filipino kid in me is extremely disappointed by this and a little angry too because Bruce Lee is one of my heroes and I'm disgusted by what appears to be blatantly anti-Asian propaganda in a film that was being sold as a biopic about him. This is irresponsible and Asian people have every right to be angry about this because once again Hollywood is shoving us into the background and telling us we're not as important because we're not white. I loved Bruce Lee because he was amazing and I loved that there was an Asian person who was the main character in his movies; someone like me and my brothers and my sister. That meant something to me and it still does. The people who made this movie should apologize for the horrible lie they told about this being a biopic about Bruce Lee and at least be honest about what it really is a film stating that white people are better than us. We'll never get that apology of course because these are the kinds of people who run Hollywood and have for years. I do know that I for one will not see this film and I will watch Bruce Lee's movies and celebrate the amazing person he was.
Gareth von Kallenbach (980 KP) rated The Raid 2 (2014) in Movies
Jun 19, 2019
In 2011, and independent action film from Indonesia arrived with little to no fanfare and soon became an international sensation. From writer-director Gareth Evans, and featuring a cast of unknown performers, “The Raid” set new standards for cop dramas. From the dark and dangerous criminal underworld in which the film takes place to the brutal and jaw-dropping highly choreographed fight scenes the film was hard to ignore.
Thanks in large part to DVD, the film gained a larger audience thanks to word-of-mouth and now the second in a planned trilogy has been released which ups the action to new levels of hyper connectivity and ultraviolent action.
The Raid 2: Berendal” takes place shortly after the events the first film where officer Rama (Iko Uwais), learns that his exploits in surviving the first film have only increased the danger facing him and his family as the corruption he exposed has made him a target with much more dangerous criminals higher up the food chain. Although he barely survived the events of the first film, Rama agrees to go undercover in a brutal prison in order to keep his family safe and get close to a key individual whose father is one of the biggest crime lords in the region.
His amazing combat skills are tested early and often in prison yet Rama is able to achieve this objective and becomes trusted associate in the crime syndicate following his release thanks to the contacts he made during his incarceration.
Unfortunately for Rama a power struggle is enfolding between son and father as the ambitious son is eager to take a larger slice of his father’s empire even if it means declaring war on the rival families. The film spends a good part of its first hour introducing the characters and setting the tables for the final hour as it intersperses a few fast and brutal fight sequences between.
The final 45 min. the film are essentially one extended fight scene after another that is utterly captivating to watch and despite it’s at times graphic brutality, impossible to look away from. Like the previous film, the speed, precision, originality, and choreography of the fight sequences are truly unique and have set new standards for martial arts films to follow.
While the film is presented in the native Indonesian language with English subtitles, it is very easy to get drawn into the dark and deadly world in which the characters find themselves. Uwais proves that he’s more than just a skilled screen fighter as he infuses Rama with the complexity of the man driven by duty yet utterly devoted to keeping his wife and newborn son safe even when the cost puts him in constant danger and forces him to be away from them for long periods of time.
Evans keeps the action flowing and time and time again aside from the clever way that he introduces what would only be disposal characters by giving them unique and at times charming quirks and characteristics, produces action sequences that leave you wondering how they were able to film them and what kind of person would think up such sequences. My wife commented to me that her blood pressure my surely have been rising from the relentless pacing and nonstop action and tension of the film and the constant barrage of action scenes that while brutal never become repetitive or gratuitous.
The film will not be for everyone as the action is quite brutal and times graphic however the free-form choreography that made the original so memorable has been taken to new levels in the sequel which keeps the action fresh as much as the story and characters keep you riveted during the non-action segments of the film .
All I could say the film is not one for the masses I can easily say this is one of the more enjoyable and better films of the year to date and is one that should not be missed especially if you’re a fan of police dramas or action films.
http://sknr.net/2014/04/11/the-raid-2-berendal/
Thanks in large part to DVD, the film gained a larger audience thanks to word-of-mouth and now the second in a planned trilogy has been released which ups the action to new levels of hyper connectivity and ultraviolent action.
The Raid 2: Berendal” takes place shortly after the events the first film where officer Rama (Iko Uwais), learns that his exploits in surviving the first film have only increased the danger facing him and his family as the corruption he exposed has made him a target with much more dangerous criminals higher up the food chain. Although he barely survived the events of the first film, Rama agrees to go undercover in a brutal prison in order to keep his family safe and get close to a key individual whose father is one of the biggest crime lords in the region.
His amazing combat skills are tested early and often in prison yet Rama is able to achieve this objective and becomes trusted associate in the crime syndicate following his release thanks to the contacts he made during his incarceration.
Unfortunately for Rama a power struggle is enfolding between son and father as the ambitious son is eager to take a larger slice of his father’s empire even if it means declaring war on the rival families. The film spends a good part of its first hour introducing the characters and setting the tables for the final hour as it intersperses a few fast and brutal fight sequences between.
The final 45 min. the film are essentially one extended fight scene after another that is utterly captivating to watch and despite it’s at times graphic brutality, impossible to look away from. Like the previous film, the speed, precision, originality, and choreography of the fight sequences are truly unique and have set new standards for martial arts films to follow.
While the film is presented in the native Indonesian language with English subtitles, it is very easy to get drawn into the dark and deadly world in which the characters find themselves. Uwais proves that he’s more than just a skilled screen fighter as he infuses Rama with the complexity of the man driven by duty yet utterly devoted to keeping his wife and newborn son safe even when the cost puts him in constant danger and forces him to be away from them for long periods of time.
Evans keeps the action flowing and time and time again aside from the clever way that he introduces what would only be disposal characters by giving them unique and at times charming quirks and characteristics, produces action sequences that leave you wondering how they were able to film them and what kind of person would think up such sequences. My wife commented to me that her blood pressure my surely have been rising from the relentless pacing and nonstop action and tension of the film and the constant barrage of action scenes that while brutal never become repetitive or gratuitous.
The film will not be for everyone as the action is quite brutal and times graphic however the free-form choreography that made the original so memorable has been taken to new levels in the sequel which keeps the action fresh as much as the story and characters keep you riveted during the non-action segments of the film .
All I could say the film is not one for the masses I can easily say this is one of the more enjoyable and better films of the year to date and is one that should not be missed especially if you’re a fan of police dramas or action films.
http://sknr.net/2014/04/11/the-raid-2-berendal/
Bob Mann (459 KP) rated Enola Holmes (2020) in Movies
Oct 4, 2020
Millie Bobby Brown - a confident raw talent (1 more)
Henry Cavill as a new take on Sherlock
The unsinkable Millie Bobby Brown
Sherlock Holmes never had a sister. But if he did, what adventures would Enola Holmes get up to? That’s the premise behind this Netflix feature. starring rising star Millie Bobby Brown.
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
Darren (1599 KP) rated Street Fighter (1994) in Movies
Aug 24, 2019
Verdict: Basic Action Nonsense
Story: Street Fighter starts as the evil tyrant Bison (Julia) has been controlling the country of Shadaloo, Col William Guile (Van Damme) is leading the assault to bring him down after his latest demand is 20 Billion Dollars, to save the hostages he has taken. Chun-Li (Wen) has been reporting the story only for herself to have a personal investment in taking him down too.
Colonel Guile recruits Ken (Chapa) and Ryu (Mann) to go undercover to locate the secret base, before it is too late giving Guile a chance to go face to face with Bison in an ultimate fight between the two men.
Thoughts on Street Fighter
Characters – Colonel Guile is part of the Allied Nations a soldier that is trying a bring an end to the evil tyrant Bison, he is an expert in martial arts and will put himself in the line of fire in an attempt to stop this man. Bison is the dictator tyrant holding the country hostage, he is willing to offer anybody a chance to fight for their freedom, but his skills are beyond anything any normal person can handle, he is almost waiting for Guile to arrive for a worthy opponent. Chun-Li is a journalist with her own reasons for hunting down Bison, she is able to handle herself in a fight and willing to take just as many chances as Guile in finding the truth. Ken is involved in his own dealings with one of Bison’s supplies, he is used to get close to Bison to help locate the base of operations, while being one of the best fighters in the world.
Performances – Jean-Claude Van Damme is nowhere near his best in this role, he might handle the fighting, but everything else just looks out of place. Raul Julia is easily the best thing in this film, he is so wildly over the top you just want to see where he takes this character next. Ming-Na Wen does bring her character to life which is entertaining, though she seems to vanish for parts of the second half. We do get plenty of different characters from the history of the games, the performances are mixed as they look to bring these generic figures to life.
Story – The story follows the Allied Nations trying to bring down a tyrant trying to take over a country with his ludicrous demands, we see the favourite fighters from the game come into battle on both sides as they look to bring the end to the war for the country. This was one of the first attempts to bring a video game to life, we do get the characters, though as I am not a fan of the game, I can’t tell you how accurate the characters are. This isn’t a difficult story to follow, though it does feel like it wants to put all the favourite characters in scenes even if they aren’t always written strongly. This is however a good alcohol story because you can make a drinking game out of it.
Action/Comedy – The action in the film is countless numbers of fights, each fighter does have their own style, only for the scenes not being shot in the strongest style. This film does have comedy, though I am not sure if it is meant to be a comedy or not.
Settings – The film uses the typical locations with the secret base for the villain being a major part of the settings, it is filled with the gadgets you would expect to see from a video game style location.
Special Effects – The effects are low budget without being anything that will be remembered for being strong.
Scene of the Movie – The final showdown.
That Moment That Annoyed Me – Too many characters not getting enough time to shine.
Final Thoughts –This is the typical video game movie that just didn’t work, we have too many iconic characters that don’t get their time to shine which would only disappoint the fans of the game.
Overall: Disappointing video game movie.
Story: Street Fighter starts as the evil tyrant Bison (Julia) has been controlling the country of Shadaloo, Col William Guile (Van Damme) is leading the assault to bring him down after his latest demand is 20 Billion Dollars, to save the hostages he has taken. Chun-Li (Wen) has been reporting the story only for herself to have a personal investment in taking him down too.
Colonel Guile recruits Ken (Chapa) and Ryu (Mann) to go undercover to locate the secret base, before it is too late giving Guile a chance to go face to face with Bison in an ultimate fight between the two men.
Thoughts on Street Fighter
Characters – Colonel Guile is part of the Allied Nations a soldier that is trying a bring an end to the evil tyrant Bison, he is an expert in martial arts and will put himself in the line of fire in an attempt to stop this man. Bison is the dictator tyrant holding the country hostage, he is willing to offer anybody a chance to fight for their freedom, but his skills are beyond anything any normal person can handle, he is almost waiting for Guile to arrive for a worthy opponent. Chun-Li is a journalist with her own reasons for hunting down Bison, she is able to handle herself in a fight and willing to take just as many chances as Guile in finding the truth. Ken is involved in his own dealings with one of Bison’s supplies, he is used to get close to Bison to help locate the base of operations, while being one of the best fighters in the world.
Performances – Jean-Claude Van Damme is nowhere near his best in this role, he might handle the fighting, but everything else just looks out of place. Raul Julia is easily the best thing in this film, he is so wildly over the top you just want to see where he takes this character next. Ming-Na Wen does bring her character to life which is entertaining, though she seems to vanish for parts of the second half. We do get plenty of different characters from the history of the games, the performances are mixed as they look to bring these generic figures to life.
Story – The story follows the Allied Nations trying to bring down a tyrant trying to take over a country with his ludicrous demands, we see the favourite fighters from the game come into battle on both sides as they look to bring the end to the war for the country. This was one of the first attempts to bring a video game to life, we do get the characters, though as I am not a fan of the game, I can’t tell you how accurate the characters are. This isn’t a difficult story to follow, though it does feel like it wants to put all the favourite characters in scenes even if they aren’t always written strongly. This is however a good alcohol story because you can make a drinking game out of it.
Action/Comedy – The action in the film is countless numbers of fights, each fighter does have their own style, only for the scenes not being shot in the strongest style. This film does have comedy, though I am not sure if it is meant to be a comedy or not.
Settings – The film uses the typical locations with the secret base for the villain being a major part of the settings, it is filled with the gadgets you would expect to see from a video game style location.
Special Effects – The effects are low budget without being anything that will be remembered for being strong.
Scene of the Movie – The final showdown.
That Moment That Annoyed Me – Too many characters not getting enough time to shine.
Final Thoughts –This is the typical video game movie that just didn’t work, we have too many iconic characters that don’t get their time to shine which would only disappoint the fans of the game.
Overall: Disappointing video game movie.
Ninja Girl Adventures (Ninja Girl Adventures #1)
Melissa Wilson and Phil Elmore
10.0
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BankofMarquis (1832 KP) rated Everything Everywhere All At Once (2022) in Movies
Apr 15, 2022
A fun ride - with heart
The first recommendation when watching EVERYTHING EVERYWHERE ALL AT ONCE is to not try to figure out what is going on in this movie during the first 1/2 hour to 45 minutes. This will drive you mad. Just sit back and enjoy the mind-bending experience you are having.
After that point, either it will click in your brain…or it won’t. If it does - great! If not…continue to sit back and enjoy the mind-bending experience you are having.
For…EVERYTHING EVERYWHERE ALL AT ONCE is a trippy head-trip of a film that is certainly unique - but it also has something going for it that all good films do - characters that you will care about in a story that will touch your heart.
Written and Directed by Dan Kwan and Daniel Scheinert (SWISS ARMY MAN), EVERYTHING…tells the tale of unhappily married couple Evelyn Wang (Michelle Yeoh) and Waymond Wang (Ke Huy Quan), her father Gong Gong (the great James Hong) and their daughter, Joy (Stephanie Hsu). When interdimensional travel interrupts their mundane life, things get much, much more than mundane.
Yes, folks, you read that right INTERDIMENSIONAL TRAVEL - and this is not a Marvel movie! Evelyn and family start jumping to parallel dimensions, experiencing everything, everywhere…all at once (hence, the name of the film).
This is a smart, unique and visually interesting film and credit for this must go to Wang and Scheinert. They have come up with something unusual. However, they don’t just do “unusual for unusual sake” they wrap this film up - and connect the dots - in a satisfying way in the end. Oh…and they also build in some incredibly impressive fight scenes along the way. To not hype them too much, but these are the best fight scenes that have been on film in quite some time - certainly the most interesting and unique since the JOHN WICK films.
The duo, smartly, enlisted the aid of the underappreciated - but very talented - Michelle Yeoh (CRAZY RICH ASIANS) as the protagonist of this piece. It is a wise choice for she must go from mousey housewife to kick-butt SuperHero (and everywhere in between) throughout the course of this film and her Martial Arts background comes in very, very handy. It is a bravura performance by Yeoh and it would be TERRIFIC if her name is called come awards season next year (yes, it is that good of a performance).
She is ably assisted by Hong (a veteran character actor with more than 450 credits to his name), Hsu (known for her role as Mei in THE MARVELOUS MRS. MAISEL) and, especially Quan (the kid “Short Round” who assists the hero in INDIANA JONES AND THE TEMPLE OF DOOM) - it was good to see Quan back on the big screen.
The filmmakers also sprinkle some very strong character actors/actresses in the mix here. Both Jenny Slate (Mona-Lisa Saperstein in PARKS & REC) and Harry Shum, Jr. (GLEE, CRAZY RICH ASIANS) are fun in small roles as is the aforementioned James Hong as Gong Gong (the Grandfather).
But…the person who ALMOST steals this film from Ms. Yeoh is the incomparable Jamie Lee Curtis as the somewhat overweight and out of shape IRS Agent who plays a pivotal role in Evelyn’s life across the Dimensions. It is a fun role for Curtis who is not afraid to look physically bad. Again, I would LOVE IT if she got some love come awards time next year (she won’t, but maybe in some other parallel Universe she would).
Not for everyone - the multi-dimensional travel is going to give some folks a headache as they try to figure things out - but if you surrender yourself to the wildness that is going on, and embrace the spirit and the heart of this film, you will be rewarded with a very rich film going experience.
Letter Grade: A-
8 Stars out of 10 (might move up to 9 on a rewatch) and you can take that to the Bank(ofMarquis)
After that point, either it will click in your brain…or it won’t. If it does - great! If not…continue to sit back and enjoy the mind-bending experience you are having.
For…EVERYTHING EVERYWHERE ALL AT ONCE is a trippy head-trip of a film that is certainly unique - but it also has something going for it that all good films do - characters that you will care about in a story that will touch your heart.
Written and Directed by Dan Kwan and Daniel Scheinert (SWISS ARMY MAN), EVERYTHING…tells the tale of unhappily married couple Evelyn Wang (Michelle Yeoh) and Waymond Wang (Ke Huy Quan), her father Gong Gong (the great James Hong) and their daughter, Joy (Stephanie Hsu). When interdimensional travel interrupts their mundane life, things get much, much more than mundane.
Yes, folks, you read that right INTERDIMENSIONAL TRAVEL - and this is not a Marvel movie! Evelyn and family start jumping to parallel dimensions, experiencing everything, everywhere…all at once (hence, the name of the film).
This is a smart, unique and visually interesting film and credit for this must go to Wang and Scheinert. They have come up with something unusual. However, they don’t just do “unusual for unusual sake” they wrap this film up - and connect the dots - in a satisfying way in the end. Oh…and they also build in some incredibly impressive fight scenes along the way. To not hype them too much, but these are the best fight scenes that have been on film in quite some time - certainly the most interesting and unique since the JOHN WICK films.
The duo, smartly, enlisted the aid of the underappreciated - but very talented - Michelle Yeoh (CRAZY RICH ASIANS) as the protagonist of this piece. It is a wise choice for she must go from mousey housewife to kick-butt SuperHero (and everywhere in between) throughout the course of this film and her Martial Arts background comes in very, very handy. It is a bravura performance by Yeoh and it would be TERRIFIC if her name is called come awards season next year (yes, it is that good of a performance).
She is ably assisted by Hong (a veteran character actor with more than 450 credits to his name), Hsu (known for her role as Mei in THE MARVELOUS MRS. MAISEL) and, especially Quan (the kid “Short Round” who assists the hero in INDIANA JONES AND THE TEMPLE OF DOOM) - it was good to see Quan back on the big screen.
The filmmakers also sprinkle some very strong character actors/actresses in the mix here. Both Jenny Slate (Mona-Lisa Saperstein in PARKS & REC) and Harry Shum, Jr. (GLEE, CRAZY RICH ASIANS) are fun in small roles as is the aforementioned James Hong as Gong Gong (the Grandfather).
But…the person who ALMOST steals this film from Ms. Yeoh is the incomparable Jamie Lee Curtis as the somewhat overweight and out of shape IRS Agent who plays a pivotal role in Evelyn’s life across the Dimensions. It is a fun role for Curtis who is not afraid to look physically bad. Again, I would LOVE IT if she got some love come awards time next year (she won’t, but maybe in some other parallel Universe she would).
Not for everyone - the multi-dimensional travel is going to give some folks a headache as they try to figure things out - but if you surrender yourself to the wildness that is going on, and embrace the spirit and the heart of this film, you will be rewarded with a very rich film going experience.
Letter Grade: A-
8 Stars out of 10 (might move up to 9 on a rewatch) and you can take that to the Bank(ofMarquis)
Phillip McSween (751 KP) rated The One (2001) in Movies
Apr 7, 2018
Just Bad
What if the universe was not just one universe but a multitude of parallel universes? In each universe, you exist living a different life in the universe next door. Oh, and everytime one of you dies the other yous get stronger in every way, shape, and form. What if someone with no relation to astronomy or science figured out this secret and decided to travel to every single parallel universe killing his other replicas until he basically became a god? I'm kind of getting mad just typing it out, actually. But yeah, that's The One alright. Hot mess doesn't even begin to describe it.
Acting: 1
There were honestly times where I didn't know if I was watching an action film or an afterschool special. The lowest score I've ever given Acting before this was an 8 if that gives you any indication on my thoughts of the performances, or lack thereof, that came from The One. The lines were so badly telegraphed you could see them coming from a mile away. Overreactions in abundance. It was painful to watch so I know it had to be painful to film. Actors/actresses, you have one job...Terrible film or not, at least make me believe you.
Beginning: 6
From an action standpoint, not the worst start I've seen. However, I couldn't shake the fact that there was going to be a need for a lot of explaining in the future. I also couldn't shake the fact that that explanation was probably going to be extremely disappointing. While I enjoyed the fact that it came out of the gates swinging, there was a cohesiveness that was missing. Sadly, that carried through for the rest of the film.
Characters: 5
Both the acting and the scripted characters were wildly inconsistent. I was never really intrigued by any of the characters nor carried any desire to want to know anything more about them. Watching the characters move aimlessly through the story was like watching cardboard hold up a wall. Where did the 5 come from? That's simple: Jet Li is a badass. Give me multiple Jet Li's with superhuman abilities and you definitely have my attention.
At one point in the film, Jet Li faces the other Jet Li and goes, "After this, there will only be one." Who the hell wrote that in? Are you kidding me? We know there will only be one, that's the entire point of the movie. Killing me...
Cinematography/Visuals: 5
Conflict: 6
Decent action sequences here. Big "HOWEVER" coming up...wait for it....However, the main problem I couldn't shake was the same problem I had with the film Lucy: If you have god-like abilities, it's never really a fair fight. If it's never really a fair fight, things get boring really fast.
I felt like the girl whose boyfriend bit off more than he could chew in a fight and is now getting manhandled while she's screaming, "Stop hitting him!" It just gets old after awhile. Imagine if Superman's greatest opponent in a film was the National Guard? Definitely skipping that film.
Genre: 6
Not the best martial arts action film I've seen. Also not the worst, far from it in fact. Credit is deserved for at least trying to do something different. The execution may have fallen short, but there are still a handful of moments that I can say I enjoyed.
Memorability: 5
Pace: 10
Plot: 4
If it doesn't look good on paper, it's definitely not going to translate well to the big screen. Not remotely believable. So many holes I don't even know where to start. Again, how does this one man learn that there are other "hims" out there he can kill and get stronger? Not buying it. I'm giving it a 4 because the foundation was there. The follow-through, unfortunately, was not.
Even if the story had been fine, it would have been done in with the endless corny moments that appear out of nowhere. There's this one gas station scene...you know what, not even going to get into it. Let's just say it's bad. Real bad.
Resolution: 2
Overall: 50
Yikes. You know what's really sad? This film actually has flashes of brilliance. I can see the areas where it could have been tweaked to create a solid film. Sadly, that will never happen. Steer clear of this grenade.
Acting: 1
There were honestly times where I didn't know if I was watching an action film or an afterschool special. The lowest score I've ever given Acting before this was an 8 if that gives you any indication on my thoughts of the performances, or lack thereof, that came from The One. The lines were so badly telegraphed you could see them coming from a mile away. Overreactions in abundance. It was painful to watch so I know it had to be painful to film. Actors/actresses, you have one job...Terrible film or not, at least make me believe you.
Beginning: 6
From an action standpoint, not the worst start I've seen. However, I couldn't shake the fact that there was going to be a need for a lot of explaining in the future. I also couldn't shake the fact that that explanation was probably going to be extremely disappointing. While I enjoyed the fact that it came out of the gates swinging, there was a cohesiveness that was missing. Sadly, that carried through for the rest of the film.
Characters: 5
Both the acting and the scripted characters were wildly inconsistent. I was never really intrigued by any of the characters nor carried any desire to want to know anything more about them. Watching the characters move aimlessly through the story was like watching cardboard hold up a wall. Where did the 5 come from? That's simple: Jet Li is a badass. Give me multiple Jet Li's with superhuman abilities and you definitely have my attention.
At one point in the film, Jet Li faces the other Jet Li and goes, "After this, there will only be one." Who the hell wrote that in? Are you kidding me? We know there will only be one, that's the entire point of the movie. Killing me...
Cinematography/Visuals: 5
Conflict: 6
Decent action sequences here. Big "HOWEVER" coming up...wait for it....However, the main problem I couldn't shake was the same problem I had with the film Lucy: If you have god-like abilities, it's never really a fair fight. If it's never really a fair fight, things get boring really fast.
I felt like the girl whose boyfriend bit off more than he could chew in a fight and is now getting manhandled while she's screaming, "Stop hitting him!" It just gets old after awhile. Imagine if Superman's greatest opponent in a film was the National Guard? Definitely skipping that film.
Genre: 6
Not the best martial arts action film I've seen. Also not the worst, far from it in fact. Credit is deserved for at least trying to do something different. The execution may have fallen short, but there are still a handful of moments that I can say I enjoyed.
Memorability: 5
Pace: 10
Plot: 4
If it doesn't look good on paper, it's definitely not going to translate well to the big screen. Not remotely believable. So many holes I don't even know where to start. Again, how does this one man learn that there are other "hims" out there he can kill and get stronger? Not buying it. I'm giving it a 4 because the foundation was there. The follow-through, unfortunately, was not.
Even if the story had been fine, it would have been done in with the endless corny moments that appear out of nowhere. There's this one gas station scene...you know what, not even going to get into it. Let's just say it's bad. Real bad.
Resolution: 2
Overall: 50
Yikes. You know what's really sad? This film actually has flashes of brilliance. I can see the areas where it could have been tweaked to create a solid film. Sadly, that will never happen. Steer clear of this grenade.
Phillip McSween (751 KP) rated The Last Dragon (1985) in Movies
Jun 7, 2019
So Bad You Just Might Like it
In his quest to find “The Master” and expand his training, black martial arts expert Bruce Leroy (Taimak) has to square off against Sho’nuff the Shogun of Harlem. With me, yet?
Acting: 10
The performances aren’t what killed this movie. Julius Carry pulls off one of my all-time favorite roles as Sho-Nuff, playing a villain that’s not hard to hate. His nemesis, hero Bruce Leroy is played with a sweet innocence by Taimak who harbors a fierce fighting style similar to his idol who is none other than…well, you guessed it, Bruce Lee. Sometimes a bit overdone, I thought overall the acting fit the movie’s overblown proportions as a whole.
Beginning: 3
Characters: 5
Again, the problem isn’t the acting. It’s the characters portrayed by the actors. They are as cardboard as they come, seemingly like caricatures of actual roles. This can be summed up by one role in particular: Eddie Arkadian (Chris Murney). Part business-owner, part gangster, you look at his mean scowl and listen to his horrible lines thinking, “Why are they ruining this man’s career with this role? This is awful!” I can imagine there were a lot of career-ruining roles in this movie. I haven’t even mentioned Eddie’s girlfriend, Angela whose voice alone gives me the urge to punt a baby. I can imagine director Michael Schultz walking up to Faith Prince saying, “Great take! Now, could you do me a favor? Could you sound more like Miss Piggy in distress? Please and thank you!”
Cinematography/Visuals: 4
The style that Schultz tries to establish comes off as cheesy and overdone. He takes the phrase “A little dab’ll do ya” and decides to do the complete opposite. There is nothing special to see and too much to see at the same time. As confusing as that might sound, if you watch the movie, you’ll get it. While there are glimpses of cool effects, even those are drowned by poor cinematic direction. There is one scene towards the end where Bruce Leroy’s hands starts to glow. He slowly moves them in a wavy pattern which creates a cool effect….until he starts doing it super fast and literally multiplies himself in some crazy funhouse type of way. Whomp whomp.
Conflict: 6
Because the movie struggles to find it’s way juggling back and forth between soundtrack-driven, drama, comedy, and action movie, the conflict suffers as a result. The fighting scenes aren’t terrible when they happen but there is too much of everything else to really leave you satisfied with those scenes. I would have been happier with no attempted character or story development and just two pure hours of Bruce Leroy kicking peoples’ teeth out. When I watched the last showdown between Leroy and Sho’nuff, I thought they were really on to something. Unfortunately they got lost along the way.
Genre: 7
Memorability: 5
Love it or hate it (or both), you’ll be hard-pressed leaving the movie not quoting at least a handful of lines. It’s a movie that sticks to you whether you want it to or not. It does leave something of an impact, although not very lasting.
Pace: 3
Between Leroy searching for The Master and Eddie trying to get his girl a record deal, the movie really drags on in spots. I don’t say this often, but a little more linearity in this case would have been just fine. The Last Dragon suffers from a severe case of Much Ado About Nothing. Just when you think something is about to pop off, the scene ends with a whimper.
Plot: 2
As a kid, I thought the storyline was funny. Now I think it’s just plain sad. I don’t know how much thought went into that script, but reading through it should give any aspiring screenwriter hope that they too can make it big. Stories within ridiculous stories, a meh love story, and terrible motivations all around take a machete to the movie before it even had a chance.
Resolution: 7
Overall: 52
For my 100th review, I wanted to review a movie that had some kind of value to me. I grew up with The Last Dragon and, I have to say, it is a pretty damn fun movie. Fun, unfortunately, doesn’t always equate to good. There is a reason it has an 86% audience score on Rotten Tomatoes right now, though. No matter how you feel about it, there will come a point when you’re watching, even if it’s for five minutes, where you find yourself having an actual good time. Unfortunately it’s the other 103 minutes you have to worry about.
Acting: 10
The performances aren’t what killed this movie. Julius Carry pulls off one of my all-time favorite roles as Sho-Nuff, playing a villain that’s not hard to hate. His nemesis, hero Bruce Leroy is played with a sweet innocence by Taimak who harbors a fierce fighting style similar to his idol who is none other than…well, you guessed it, Bruce Lee. Sometimes a bit overdone, I thought overall the acting fit the movie’s overblown proportions as a whole.
Beginning: 3
Characters: 5
Again, the problem isn’t the acting. It’s the characters portrayed by the actors. They are as cardboard as they come, seemingly like caricatures of actual roles. This can be summed up by one role in particular: Eddie Arkadian (Chris Murney). Part business-owner, part gangster, you look at his mean scowl and listen to his horrible lines thinking, “Why are they ruining this man’s career with this role? This is awful!” I can imagine there were a lot of career-ruining roles in this movie. I haven’t even mentioned Eddie’s girlfriend, Angela whose voice alone gives me the urge to punt a baby. I can imagine director Michael Schultz walking up to Faith Prince saying, “Great take! Now, could you do me a favor? Could you sound more like Miss Piggy in distress? Please and thank you!”
Cinematography/Visuals: 4
The style that Schultz tries to establish comes off as cheesy and overdone. He takes the phrase “A little dab’ll do ya” and decides to do the complete opposite. There is nothing special to see and too much to see at the same time. As confusing as that might sound, if you watch the movie, you’ll get it. While there are glimpses of cool effects, even those are drowned by poor cinematic direction. There is one scene towards the end where Bruce Leroy’s hands starts to glow. He slowly moves them in a wavy pattern which creates a cool effect….until he starts doing it super fast and literally multiplies himself in some crazy funhouse type of way. Whomp whomp.
Conflict: 6
Because the movie struggles to find it’s way juggling back and forth between soundtrack-driven, drama, comedy, and action movie, the conflict suffers as a result. The fighting scenes aren’t terrible when they happen but there is too much of everything else to really leave you satisfied with those scenes. I would have been happier with no attempted character or story development and just two pure hours of Bruce Leroy kicking peoples’ teeth out. When I watched the last showdown between Leroy and Sho’nuff, I thought they were really on to something. Unfortunately they got lost along the way.
Genre: 7
Memorability: 5
Love it or hate it (or both), you’ll be hard-pressed leaving the movie not quoting at least a handful of lines. It’s a movie that sticks to you whether you want it to or not. It does leave something of an impact, although not very lasting.
Pace: 3
Between Leroy searching for The Master and Eddie trying to get his girl a record deal, the movie really drags on in spots. I don’t say this often, but a little more linearity in this case would have been just fine. The Last Dragon suffers from a severe case of Much Ado About Nothing. Just when you think something is about to pop off, the scene ends with a whimper.
Plot: 2
As a kid, I thought the storyline was funny. Now I think it’s just plain sad. I don’t know how much thought went into that script, but reading through it should give any aspiring screenwriter hope that they too can make it big. Stories within ridiculous stories, a meh love story, and terrible motivations all around take a machete to the movie before it even had a chance.
Resolution: 7
Overall: 52
For my 100th review, I wanted to review a movie that had some kind of value to me. I grew up with The Last Dragon and, I have to say, it is a pretty damn fun movie. Fun, unfortunately, doesn’t always equate to good. There is a reason it has an 86% audience score on Rotten Tomatoes right now, though. No matter how you feel about it, there will come a point when you’re watching, even if it’s for five minutes, where you find yourself having an actual good time. Unfortunately it’s the other 103 minutes you have to worry about.