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Daniel Lopatin recommended Mishima: A Life in Four Chapters (1985) in Movies (curated)
Andy K (10821 KP) rated Raging Bull (1980) in Movies
Feb 15, 2018
Nothing against Goodfellas, Taxi Driver, Mean Streets and other Scorsese masterpieces; however, this has to be his greatest work of all time.
Robert De Niro completely transforms himself into Jake La Motta both physically, mentally and emotionally. Joe Pesci and Cathy Moriarty are also magnificent in support of the story of a courageous boxer and his fall from grace.
Film students still study the directing, cinematography and the stunning visuals of the film in glorious black and white.
The screenplay by Paul Schrader and Mardik Martin is completely believable and make you empathize with this rough, gritty character in his world when he is up on top and on his way down.
A masterpiece!
Robert De Niro completely transforms himself into Jake La Motta both physically, mentally and emotionally. Joe Pesci and Cathy Moriarty are also magnificent in support of the story of a courageous boxer and his fall from grace.
Film students still study the directing, cinematography and the stunning visuals of the film in glorious black and white.
The screenplay by Paul Schrader and Mardik Martin is completely believable and make you empathize with this rough, gritty character in his world when he is up on top and on his way down.
A masterpiece!
Matthew Krueger (10051 KP) rated Bringing Out the Dead (1999) in Movies
Nov 8, 2019 (Updated Nov 9, 2019)
Bringing Out The Cage
Bring Out The Dead- is a very underrated movie with a great cast and directed by one of the all time greatest directors- Martin Scorsese.
The Plot: After a disheartening and haunting career wears him down, New York City paramedic Frank Pierce (Nicolas Cage) begins to collapse under the strain of saving lives and witnessing deaths. Through the course of a few nights, three co-workers (John Goodman, Ving Rhames, Tom Sizemore) accompany Pierce as he grasps for sanity and pushes to be fired. Before Pierce falls off the edge, he still has a hope when he forms a friendship with a victim's daughter (Patricia Arquette).
Its delusional, its paranoid, its suspenseful, its thrilling and overall its a good movie.
Highly recordmend watching this movie.
The Plot: After a disheartening and haunting career wears him down, New York City paramedic Frank Pierce (Nicolas Cage) begins to collapse under the strain of saving lives and witnessing deaths. Through the course of a few nights, three co-workers (John Goodman, Ving Rhames, Tom Sizemore) accompany Pierce as he grasps for sanity and pushes to be fired. Before Pierce falls off the edge, he still has a hope when he forms a friendship with a victim's daughter (Patricia Arquette).
Its delusional, its paranoid, its suspenseful, its thrilling and overall its a good movie.
Highly recordmend watching this movie.
Kevin Smith recommended The Last Temptation of Christ (1988) in Movies (curated)
Steve Buscemi recommended The Honeymoon Killers (1970) in Movies (curated)
Matthew Krueger (10051 KP) rated The Tomb of Ligeia (1965) in Movies
Dec 13, 2020
Cat!!!!!
The Tomb of Ligeia- is anethor Roger Corman, Vincent Price and Edgar Allan Poe Collab.
The plot: Verden Fell (Vincent Price) is shattered after the death of his lovely wife. But, after an unexpected encounter with Lady Rowena Trevanion (Elizabeth Shepherd), Fell soon finds himself married again. Nevertheless, his late wife's spirit seems to hang over the dilapidated abbey that Fell shares with his new bride. Lady Rowena senses that something is amiss and, when she investigates, makes a horrifying discovery -- learning that Fell's dead wife is closer than she ever imagined possible.
Corman later gave Martin Scorsese permission to use a clip from the film in Mean Streets.
Roger Corman later said he thought the film was "one of the best Poe pictures and Vincent's performance in the film was very good. It was simply a matter of age."
Its a really good movie.
The plot: Verden Fell (Vincent Price) is shattered after the death of his lovely wife. But, after an unexpected encounter with Lady Rowena Trevanion (Elizabeth Shepherd), Fell soon finds himself married again. Nevertheless, his late wife's spirit seems to hang over the dilapidated abbey that Fell shares with his new bride. Lady Rowena senses that something is amiss and, when she investigates, makes a horrifying discovery -- learning that Fell's dead wife is closer than she ever imagined possible.
Corman later gave Martin Scorsese permission to use a clip from the film in Mean Streets.
Roger Corman later said he thought the film was "one of the best Poe pictures and Vincent's performance in the film was very good. It was simply a matter of age."
Its a really good movie.
BankofMarquis (1832 KP) rated Killers of the Flower moon (2023) in Movies
Oct 27, 2023
Best Thing Scorses (and DeNiro) have done in many, many years
The BankofMarquis would highly recommend you see the latest epic (and we do mean EPIC) film from famed Director Martin Scorsese in a movie theater. Not because of the beautiful Cinematography by Rodrigo Prieto, not because of the Epic-ness of the tale told and not because movie theaters could use your business (all of which are reasons to see it in the movie theaters). You need to see KILLERS OF THE FLOWER MOON in a movie theater so that you cannot be distracted by things around you (most, notably your PHONE). One needs to immerse themselves in the experience of this 3 1/2 movie to totally understand and appreciate it.
And that is because KILLERS OF THE FLOWER MOON is as much atmosphere, mood and setting as it is story. Early on, one of the characters warns another one that the Osage people (the central group in this story) “don’t say much, listen more and let long pauses hang between words” and Scorsese does much of the same. Letting the story hang - and be told in - the silence between the words. And it works…if you are paying attention.
Starring Scorsese regulars Leonardo DiCaprio and Robert DeNiro and featuring a wonderful, soon-to-be-Oscar-Nominated performance by newcomer Lily Gladstone, KILLERS OF THE FLOWER MOON is based on the novel of the same name by David Gann and tells the tale of the Osage Nation who discover oil on their land in the 1920’s and the white men who come to try to connive and steal it away from them.
Taken on the surface, this story could be a pretty straight-forward white-man steals from the Indians story (substitute Buffalo for Oil and we have a story told so many times before - most notably in the Oscar winning movie DANCING WITH WOLVES), but in the hands of master craftsman Scorsese, this movie is much, much more than that.
Easily his best work in at least 10 years, Scorsese lets this story breathe and focuses in on the mood and atmosphere of the period - and the disparate people that inhabit…and battle for…this land and oil. It is the work of a maestro nearing the end of his tenure, skillfully conducting the Orchestra, one last, loving, magnificent time.
Like Scorsese, this is Oscar winner Robert DeNiro’s best performance in years and will not be surprised if he garners his first Oscar nomination in many, many years. Gone are the histrionics and over-the-top gestures and facial ticks that mar his comedic work (and in some cases his non-comedic work). DeNiro returns to the compact, internal “method” acting that was the hallmark of his early (best) work. You can see that this player still has “game” and he gives the role of William “King” Hale some dimension. This is good for this character could have, in lesser hands, turned into a “mustache-twirling” villain tying the heroine to the railroad tracks but in DeNiro’s capable hands (with Scorsese skillfully leading him) it is so much more.
Speaking of the Heroine, newcomer Lily Gladstone is just a strong and compact in her portrayal of Mollie Burkhart - the Osage woman in the center of the story. She gives Lily some sharp edges along with the rounded corners she is given in the script and the story and more than holds her own with the likes of DeNiro and DiCaprio in the many, many scenes she has with them. Most of the time, she needs to express quite a bit with a look or silence (while looking away) and she is able to convey that very, very well.
Fairing less well in this film is Leonardo DiCaprio as Ernest Burkhart, the sad-sack that is the pawn of “King” Hale and the love interest of Lily…or is he? DiCaprio is very good as Burkhart (when has he ever given a bad performance) but this character is thinly written and you can almost see the puppet strings on him. This, probably, is on purpose by Scorsese…but against two solid characters like DeNiro’s “King” Hale and Gladstone’s Molly, there just needed to be a bit more to DiCaprio’s character to make him more interesting.
Since this is a Scorsese film, it is fleshed out by some wonderful character actors led by the always watchable Jesse Plemons as the FBI agent sent to unpack what is going on. Joining him in what are (essentially) extended cameos are John Lithgow, newly minted Oscar winner Brendan Fraser, the always good Tantoo Cardinal, Scott Shepherd (as Leo’s brother) and a myriad of “that guy” and “interesting looking roughnecks” to flesh the feel of the film out - both on the white man as well as the Osage sides of the story.
The aforementioned Cinematography by Rodrigo Prieto along with the Costuming (Jacqueline West), Production Design (Jack Fisk) and Score (Robbie Peterson) all add to the mood of the piece and makes it very successful, indeed.
Just be forewarned, it is as every bit of 3 1/2 hours as it’s runtime dictates. There will be long, slow, silent parts that will make you tempted to pick up your phone - but resist that and enjoy the epic mood piece that is KILLERS OF THE FLOWER MOON. You won’t regret it.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis).
And that is because KILLERS OF THE FLOWER MOON is as much atmosphere, mood and setting as it is story. Early on, one of the characters warns another one that the Osage people (the central group in this story) “don’t say much, listen more and let long pauses hang between words” and Scorsese does much of the same. Letting the story hang - and be told in - the silence between the words. And it works…if you are paying attention.
Starring Scorsese regulars Leonardo DiCaprio and Robert DeNiro and featuring a wonderful, soon-to-be-Oscar-Nominated performance by newcomer Lily Gladstone, KILLERS OF THE FLOWER MOON is based on the novel of the same name by David Gann and tells the tale of the Osage Nation who discover oil on their land in the 1920’s and the white men who come to try to connive and steal it away from them.
Taken on the surface, this story could be a pretty straight-forward white-man steals from the Indians story (substitute Buffalo for Oil and we have a story told so many times before - most notably in the Oscar winning movie DANCING WITH WOLVES), but in the hands of master craftsman Scorsese, this movie is much, much more than that.
Easily his best work in at least 10 years, Scorsese lets this story breathe and focuses in on the mood and atmosphere of the period - and the disparate people that inhabit…and battle for…this land and oil. It is the work of a maestro nearing the end of his tenure, skillfully conducting the Orchestra, one last, loving, magnificent time.
Like Scorsese, this is Oscar winner Robert DeNiro’s best performance in years and will not be surprised if he garners his first Oscar nomination in many, many years. Gone are the histrionics and over-the-top gestures and facial ticks that mar his comedic work (and in some cases his non-comedic work). DeNiro returns to the compact, internal “method” acting that was the hallmark of his early (best) work. You can see that this player still has “game” and he gives the role of William “King” Hale some dimension. This is good for this character could have, in lesser hands, turned into a “mustache-twirling” villain tying the heroine to the railroad tracks but in DeNiro’s capable hands (with Scorsese skillfully leading him) it is so much more.
Speaking of the Heroine, newcomer Lily Gladstone is just a strong and compact in her portrayal of Mollie Burkhart - the Osage woman in the center of the story. She gives Lily some sharp edges along with the rounded corners she is given in the script and the story and more than holds her own with the likes of DeNiro and DiCaprio in the many, many scenes she has with them. Most of the time, she needs to express quite a bit with a look or silence (while looking away) and she is able to convey that very, very well.
Fairing less well in this film is Leonardo DiCaprio as Ernest Burkhart, the sad-sack that is the pawn of “King” Hale and the love interest of Lily…or is he? DiCaprio is very good as Burkhart (when has he ever given a bad performance) but this character is thinly written and you can almost see the puppet strings on him. This, probably, is on purpose by Scorsese…but against two solid characters like DeNiro’s “King” Hale and Gladstone’s Molly, there just needed to be a bit more to DiCaprio’s character to make him more interesting.
Since this is a Scorsese film, it is fleshed out by some wonderful character actors led by the always watchable Jesse Plemons as the FBI agent sent to unpack what is going on. Joining him in what are (essentially) extended cameos are John Lithgow, newly minted Oscar winner Brendan Fraser, the always good Tantoo Cardinal, Scott Shepherd (as Leo’s brother) and a myriad of “that guy” and “interesting looking roughnecks” to flesh the feel of the film out - both on the white man as well as the Osage sides of the story.
The aforementioned Cinematography by Rodrigo Prieto along with the Costuming (Jacqueline West), Production Design (Jack Fisk) and Score (Robbie Peterson) all add to the mood of the piece and makes it very successful, indeed.
Just be forewarned, it is as every bit of 3 1/2 hours as it’s runtime dictates. There will be long, slow, silent parts that will make you tempted to pick up your phone - but resist that and enjoy the epic mood piece that is KILLERS OF THE FLOWER MOON. You won’t regret it.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis).
Bubba Gee (147 KP) rated The Wolf of Wall Street (2013) in Movies
Jun 29, 2019
Best ballsy film ever
This is just madness yet based on a true story.
Jordan Belfort (played by Leonardo DiCaprio) goes from being an honest to God working man to the scammer of all scammers working a pump and dump stock trading system using his impressive hard selling skills.
Donnie Azoff (played by Jonah Hill) is his best friend and ally in this scam, you get the sense that Donnie is really just there for comic relief with a couple of scenes standing out.
This film is an enjoyable raucous mix of sex drugs and rock and roll within a financial office setting.
There are several other notable members of cast in this including Jordans long suffering wife Naomi (played by Margot Robbie) and smaller parts from Jon Bernthal, Matthew McConaughey, Rob Reiner and Ethan Suplee.
Well worth a watch and excellently done by Martin Scorsese as always.
Jordan Belfort (played by Leonardo DiCaprio) goes from being an honest to God working man to the scammer of all scammers working a pump and dump stock trading system using his impressive hard selling skills.
Donnie Azoff (played by Jonah Hill) is his best friend and ally in this scam, you get the sense that Donnie is really just there for comic relief with a couple of scenes standing out.
This film is an enjoyable raucous mix of sex drugs and rock and roll within a financial office setting.
There are several other notable members of cast in this including Jordans long suffering wife Naomi (played by Margot Robbie) and smaller parts from Jon Bernthal, Matthew McConaughey, Rob Reiner and Ethan Suplee.
Well worth a watch and excellently done by Martin Scorsese as always.
Gareth von Kallenbach (965 KP) rated Shutter Island (2010) in Movies
Aug 8, 2019
The mysterious disappearance of a patient has left the security of Aschecliffe Mental Facility baffled. In an effort to figure out exactly what occurred, they have brought in US Marshalls Teddy Daniels (Leonardo DiCaprio) and Chuck Aule (Mark Ruffalo). But when a number of questionable situations are uncovered, such as the restricted castle where they keep the most violent patients and the mysterious muchrumored about lighthouse, Teddy ends up investigating more than he bargained for.
This Martin Scorsese adaption of “Shutter Island” takes viewers on a visual retelling of the popular 2003 novel authored by Dennis Lehane. It is a film that takes you straight into the detective scene of the 1950’s with a mystery that is both complex and has a compelling plot.
“Shutter Island” is a very visual film, from the immersion we get into Teddy’s memories to the hugely powerful storms that at times scatter the film. Equally well defined are the details, from the plush décor of the doctor’s quarters to the intensely retro soundtrack. Costumes are also a key feature of this film, establishing the date with ease in a way that does not detract from the comprehensive story.
It is hard not to support Teddy in his quest to figure out the mysteries of Shutter Island. He is a likeable good guy to the core. And in a film filled with baddies such as the two good cop/bad cop doctors played by Ben Kingsley and Mac von Sydow, a good protagonist is a requirement. Further filling out the film is Dolores, Teddy’s wife played by Michelle Williams.
If you like mysteries, thrillers, or a good look back in time, “Shutter Island” will leave you guessing and wondering right up until the very end, in a way that only the talented Scorsese can.
This Martin Scorsese adaption of “Shutter Island” takes viewers on a visual retelling of the popular 2003 novel authored by Dennis Lehane. It is a film that takes you straight into the detective scene of the 1950’s with a mystery that is both complex and has a compelling plot.
“Shutter Island” is a very visual film, from the immersion we get into Teddy’s memories to the hugely powerful storms that at times scatter the film. Equally well defined are the details, from the plush décor of the doctor’s quarters to the intensely retro soundtrack. Costumes are also a key feature of this film, establishing the date with ease in a way that does not detract from the comprehensive story.
It is hard not to support Teddy in his quest to figure out the mysteries of Shutter Island. He is a likeable good guy to the core. And in a film filled with baddies such as the two good cop/bad cop doctors played by Ben Kingsley and Mac von Sydow, a good protagonist is a requirement. Further filling out the film is Dolores, Teddy’s wife played by Michelle Williams.
If you like mysteries, thrillers, or a good look back in time, “Shutter Island” will leave you guessing and wondering right up until the very end, in a way that only the talented Scorsese can.
Matthew Krueger (10051 KP) rated The Haunting (1963) in Movies
Oct 4, 2019
The Haunted House
The Haunting- is one of the best horror movies of all time. Its scary, spooky, haunting, terrorfying, horrorfying and more.
The Plot: Dr. John Markway, an anthropologist with an interest in psychic phenomena, takes two specially selected women to Hill House, a reportedly haunted mansion. Eleanor (Julie Harris), a lonely, eccentric woman with a supernatural event in her past, and the bold Theodora (Claire Bloom), who has ESP, join John and the mansion's heir, cynical Luke (Russ Tamblyn). They are immediately overwhelmed by strange sounds and events, and Eleanor comes to believe the house is alive and speaking directly to her.
From the great novel- The Haunting of Hill House by Shirley Jackson.
In 2010, The Guardian newspaper ranked it as the 13th-best horror film of all time. Director Martin Scorsese has placed The Haunting first on his list of the 11 scariest horror films of all time.
The film was remade in 1999 by director Jan de Bont, starring Liam Neeson, Lili Taylor, Catherine Zeta-Jones and Owen Wilson, but that version was heavily panned by critics and audiences. Dont watch that film, but instead watch this masterpiece.
I would highly reccordmend this movie.
The Plot: Dr. John Markway, an anthropologist with an interest in psychic phenomena, takes two specially selected women to Hill House, a reportedly haunted mansion. Eleanor (Julie Harris), a lonely, eccentric woman with a supernatural event in her past, and the bold Theodora (Claire Bloom), who has ESP, join John and the mansion's heir, cynical Luke (Russ Tamblyn). They are immediately overwhelmed by strange sounds and events, and Eleanor comes to believe the house is alive and speaking directly to her.
From the great novel- The Haunting of Hill House by Shirley Jackson.
In 2010, The Guardian newspaper ranked it as the 13th-best horror film of all time. Director Martin Scorsese has placed The Haunting first on his list of the 11 scariest horror films of all time.
The film was remade in 1999 by director Jan de Bont, starring Liam Neeson, Lili Taylor, Catherine Zeta-Jones and Owen Wilson, but that version was heavily panned by critics and audiences. Dont watch that film, but instead watch this masterpiece.
I would highly reccordmend this movie.