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Pat Healy recommended Fanny and Alexander (1982) in Movies (curated)
LeftSideCut (3778 KP) rated Suspiria (1977) in Movies
Dec 29, 2020
Dario Argento's body of work throughout the 70s and 80s is pretty damn solid, and Suspiria is arguably his strongest entry. It's a damn masterpiece.
The lighting, colours, and camerawork are all phenomenal. Throw them together, and you get one of the most visually striking horrors ever made.
It has excellent pacing - the opening ten minutes are incredibly intense, and culminate in a truly iconic horror cinema kill. The vast majority of what follows is a slower build up of plot, but in true Giallo fashion, keeps a sturdy mystery going for the whole time. The climax of the film ramps everything up again, as things take a supernatural turn, providing the audience with a solid reveal, disturbing imagery, and a decent helping of blood, all the while being backed by an absurd soundtrack courtesy of Italian prog band Goblin. The music goes from being enchanting, to downright jarring at the click of a finger, and just adds to Suspria's otherworldliness in spades.
Some memorable performances from the likes of Jessica Harper, Stefania Casini, Alida Valli and Joan Bennett also help in elevating this movie to horror greatness.
Suspiria is one of those films that you must see before you die. Horror at its weird, sense-assaulting best!
The lighting, colours, and camerawork are all phenomenal. Throw them together, and you get one of the most visually striking horrors ever made.
It has excellent pacing - the opening ten minutes are incredibly intense, and culminate in a truly iconic horror cinema kill. The vast majority of what follows is a slower build up of plot, but in true Giallo fashion, keeps a sturdy mystery going for the whole time. The climax of the film ramps everything up again, as things take a supernatural turn, providing the audience with a solid reveal, disturbing imagery, and a decent helping of blood, all the while being backed by an absurd soundtrack courtesy of Italian prog band Goblin. The music goes from being enchanting, to downright jarring at the click of a finger, and just adds to Suspria's otherworldliness in spades.
Some memorable performances from the likes of Jessica Harper, Stefania Casini, Alida Valli and Joan Bennett also help in elevating this movie to horror greatness.
Suspiria is one of those films that you must see before you die. Horror at its weird, sense-assaulting best!
Edgar Wright recommended The Discreet Charm of the Bourgeoisie (1972) in Movies (curated)
Josh Sadfie recommended Close-Up (1990) in Movies (curated)
John Taylor recommended Brazil (1985) in Movies (curated)
Olivier Assayas recommended Fanny and Alexander (1982) in Movies (curated)
Olivier Assayas recommended Topsy-Turvy (1999) in Movies (curated)
LoganCrews (2861 KP) rated The Godfather (1972) in Movies
Sep 21, 2020 (Updated Sep 21, 2020)
"𝘠𝘰𝘶 𝘬𝘯𝘰𝘸 𝘩𝘰𝘸 𝘯𝘢ï𝘷𝘦 𝘺𝘰𝘶 𝘴𝘰𝘶𝘯𝘥... 𝘴𝘦𝘯𝘢𝘵𝘰𝘳𝘴 𝘢𝘯𝘥 𝘱𝘳𝘦𝘴𝘪𝘥𝘦𝘯𝘵𝘴 𝘥𝘰𝘯'𝘵 𝘩𝘢𝘷𝘦 𝘮𝘦𝘯 𝘬𝘪𝘭𝘭𝘦𝘥."
"𝘖𝘩 -- 𝘸𝘩𝘰'𝘴 𝘣𝘦𝘪𝘯𝘨 𝘯𝘢ï𝘷𝘦, 𝘒𝘢𝘺?"
Well I guess it's confirmed that this movie predicted Jefferey Epstein.
Have absolutely nothing constructive left to add that hasn't already been rightfully said by everybody else at this point, it's 𝘛𝘩𝘦 𝘎𝘰𝘥𝘧𝘢𝘵𝘩𝘦𝘳 - yes it's still a masterpiece. Brando gives the second greatest performance cinema has ever seen in this emotionally rich, lived-in, unstoppable portrait of a vaguely incomprehensible mob boss who is both insatiably bound to and undone by tradition - acting of this caliber is topped only by, you guessed it... James Franco in 𝘚𝘱𝘳𝘪𝘯𝘨 𝘉𝘳𝘦𝘢𝘬𝘦𝘳𝘴! This isn't really all that secretly deep or anything either - it's just really good at what it does. Does the seemingly unachievable task of making a bunch of mob guys sitting around discussing business so fucking riveting. Pacino sits firmly in one of the quintessential starmaking performances, not a single less than exemplary performance can even be found here. The front half of the last hour is rather sloppy, jumping around uncomfortably between times - but remains nonetheless mesmerizing and spotlessly written. And how about that location cinematography? A sprawling, hypnotic dirge - you could write a novel about how amazing this is, and I'm sure people already have.
"𝘖𝘩 -- 𝘸𝘩𝘰'𝘴 𝘣𝘦𝘪𝘯𝘨 𝘯𝘢ï𝘷𝘦, 𝘒𝘢𝘺?"
Well I guess it's confirmed that this movie predicted Jefferey Epstein.
Have absolutely nothing constructive left to add that hasn't already been rightfully said by everybody else at this point, it's 𝘛𝘩𝘦 𝘎𝘰𝘥𝘧𝘢𝘵𝘩𝘦𝘳 - yes it's still a masterpiece. Brando gives the second greatest performance cinema has ever seen in this emotionally rich, lived-in, unstoppable portrait of a vaguely incomprehensible mob boss who is both insatiably bound to and undone by tradition - acting of this caliber is topped only by, you guessed it... James Franco in 𝘚𝘱𝘳𝘪𝘯𝘨 𝘉𝘳𝘦𝘢𝘬𝘦𝘳𝘴! This isn't really all that secretly deep or anything either - it's just really good at what it does. Does the seemingly unachievable task of making a bunch of mob guys sitting around discussing business so fucking riveting. Pacino sits firmly in one of the quintessential starmaking performances, not a single less than exemplary performance can even be found here. The front half of the last hour is rather sloppy, jumping around uncomfortably between times - but remains nonetheless mesmerizing and spotlessly written. And how about that location cinematography? A sprawling, hypnotic dirge - you could write a novel about how amazing this is, and I'm sure people already have.
LoganCrews (2861 KP) rated The Jacket (2005) in Movies
Sep 19, 2020
"𝘛𝘩𝘦𝘺 𝘴𝘢𝘺 𝘐 𝘩𝘢𝘷𝘦 𝘢 𝘯𝘦𝘳𝘷𝘰𝘶𝘴 𝘤𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯... 𝘞𝘩𝘰 𝘸𝘰𝘶𝘭𝘥𝘯'𝘵 𝘣𝘦 𝘯𝘦𝘳𝘷𝘰𝘶𝘴 𝘪𝘧 𝘵𝘩𝘦𝘺 𝘳𝘦𝘢𝘭𝘭𝘺, 𝘳𝘦𝘢𝘭𝘭𝘺 𝘭𝘰𝘰𝘬𝘦𝘥 𝘢𝘵 𝘵𝘩𝘦𝘪𝘳 𝘭𝘪𝘷𝘦𝘴? 𝘐 𝘮𝘦𝘢𝘯, 𝘸𝘩𝘰𝘴𝘦 𝘭𝘪𝘧𝘦 𝘪𝘴 𝘵𝘩𝘢𝘵 𝘨𝘰𝘰𝘥?"
Categorical drivel, nonsense almost solely for the sake of nonsense. Emo time-traveling 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘉𝘦𝘢𝘶𝘵𝘺 + 𝘛𝘸𝘦𝘭𝘷𝘦 𝘔𝘰𝘯𝘬𝘦𝘺𝘴 that feels like a Marcy Playground music video which basically acts as a one hour forty-three minute essay on why dying kind of blows. Sort of awesome, though if there's any supposed underseen masterpiece here as I was led to believe, I haven't found it. Don't get me wrong, there are brilliant concepts here - the whole idea of the titular womblike jacket system is tantalizing, and in numerous instances this portrays a very clever way in which the people in your past manifest into your future and can either help you or haunt you depending on the choices you've once made towards them. But none of it is developed enough, this feels like one of those movies that was really promising until it got whittled away to scraps by the studios - but that wasn't the case? Idk I still liked it - I'm glad this wasn't condescending and purposefully cold like it probably would have been were it made today - but I just wanted it to be longer, man.
Categorical drivel, nonsense almost solely for the sake of nonsense. Emo time-traveling 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘉𝘦𝘢𝘶𝘵𝘺 + 𝘛𝘸𝘦𝘭𝘷𝘦 𝘔𝘰𝘯𝘬𝘦𝘺𝘴 that feels like a Marcy Playground music video which basically acts as a one hour forty-three minute essay on why dying kind of blows. Sort of awesome, though if there's any supposed underseen masterpiece here as I was led to believe, I haven't found it. Don't get me wrong, there are brilliant concepts here - the whole idea of the titular womblike jacket system is tantalizing, and in numerous instances this portrays a very clever way in which the people in your past manifest into your future and can either help you or haunt you depending on the choices you've once made towards them. But none of it is developed enough, this feels like one of those movies that was really promising until it got whittled away to scraps by the studios - but that wasn't the case? Idk I still liked it - I'm glad this wasn't condescending and purposefully cold like it probably would have been were it made today - but I just wanted it to be longer, man.
LoganCrews (2861 KP) rated Dead Man (1995) in Movies
Sep 20, 2020
On the one hand you have this audacious, visionary, deeply memorable film experience unlike any other that - in some ways - does earn its masterpiece distinction. But on the other, you have a movie where every scene ranges from about 10 seconds too long to 3+ minutes too long. I completely understand the need for much of this lingering, uncomfortable dread caused by the silence and negative space here - and a lot of the time it really does work. But injecting that same trick into *every* single scene sort of subtracts its original potency. I still cop to loving Jarmusch's sardonic delirium even with this, but in my opinion he achieved more success with his leaner nihilism like 𝘉𝘳𝘰𝘬𝘦𝘯 𝘍𝘭𝘰𝘸𝘦𝘳𝘴 and (shitty ending aside) 𝘛𝘩𝘦 𝘋𝘦𝘢𝘥 𝘋𝘰𝘯'𝘵 𝘋𝘪𝘦. But in its own right this is still an excellent western with some of the most evocative music ever made for the genre courtesy of that righteous Neil Young score. The imagery, too, is just about to die for - the huge, unsafe rustic machinery of the opening factory and increasingly ubiquitous scenes of nature from then on are expressive, convincing, *and* gorgeous. Those final moments are unforgettably haunting. Plus it's still got that trademark Jim rousing dry humor aplenty. The "New World" is a lie.