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Real Cake Maker 3D Bakery
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~~> Hungry? Get baking! Become the best cake baker in town and create the yummiest cakes! ~~> This...
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The animated sticker app for children with descriptive audio and fun sound effects! Join over half a...
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Build and operate the railroad of your dreams in an incredible 3D world. Choose either easy or...
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Doofus Drop is an addictive game made by weird people for weird people. If you’re into silly games...
Doofus Drop
Daniel Boyd (1066 KP) rated the PlayStation 4 version of Need for Speed in Video Games
Apr 13, 2018 (Updated Apr 13, 2018)
Time To Move On
One of the reasons that I love the medium of video games so much, is because there are times that you absolutely do not expect to feel anything for a game that you download on a whim and end up pouring an abundance of hours into it until you have almost earned the platinum trophy without even realising it.
By no means am I saying that this is a masterpiece, but I had downloaded it months ago in a PSN sale and totally forgot about it, then while I was playing through Evil Within 2, I wanted something else to break up the time spent in Union, so I stuck it on as sort of a backburner game. At first I hated it, I cringed at every cheesy cutscene and longed for the old days of the Underground games and Most Wanted (OG version,) but slowly, I came to accept the updated version of NFS and before too long, I was spending more time with NFS than I was with Evil Within 2. In fact, I sort of rushed my way through Evil Within 2 against my better judgement, so that I could spend more time in NFS guilt free.
The game isn't very hard once you get the knack for drifting. Choose the Subaru at the start of the game and pour all of your in game cash into upgrades for the car until you max it out with what you have unlocked at that stage, then save up and buy the 1999 Skyline and max that out with upgrades, then buy the Lamborghini Aventador as soon as you can afford it and you won't be faced with many losses, as long as you don't wipe out too often. You will have to go back and buy a lower horsepower car for certain missions in the game, but other than that, just pour all of your money into upgrades and you are golden. (Note: don't waste your money on the F132 Hotrod. It's the most expensive car in the game, but it's balls compared to the Lambo and can't be upgraded.)
Also, this is my first platinum trophy since Infamous: First Light and is by far my most surprising platinum. (I'm not the trophy whore that I used to be.) I played through the story until the end and levelled up to 50 with very minimal grinding, then I checked the trophy list and saw that I was only 2 arbitrary trophies short of the platinum, so I worked towards them and popped the platinum. For those of you that aren't Playstation gamers or trophy hunters, this may mean nothing to you, but let's just say I sincerely didn't believe that I was going to platinum this game back when I first downloaded it, in fact I would have put money on the fact that I wouldn't.
Overall, this is hot trash, but it's fun. Need For Speed is never going to be what it was in the PS2 days, but if you can accept that and stomach the excessive amount of inane fistbumps and cringey dialogue spouted by the game's stereotypical cool kids, there is an enjoyable game in here.
By no means am I saying that this is a masterpiece, but I had downloaded it months ago in a PSN sale and totally forgot about it, then while I was playing through Evil Within 2, I wanted something else to break up the time spent in Union, so I stuck it on as sort of a backburner game. At first I hated it, I cringed at every cheesy cutscene and longed for the old days of the Underground games and Most Wanted (OG version,) but slowly, I came to accept the updated version of NFS and before too long, I was spending more time with NFS than I was with Evil Within 2. In fact, I sort of rushed my way through Evil Within 2 against my better judgement, so that I could spend more time in NFS guilt free.
The game isn't very hard once you get the knack for drifting. Choose the Subaru at the start of the game and pour all of your in game cash into upgrades for the car until you max it out with what you have unlocked at that stage, then save up and buy the 1999 Skyline and max that out with upgrades, then buy the Lamborghini Aventador as soon as you can afford it and you won't be faced with many losses, as long as you don't wipe out too often. You will have to go back and buy a lower horsepower car for certain missions in the game, but other than that, just pour all of your money into upgrades and you are golden. (Note: don't waste your money on the F132 Hotrod. It's the most expensive car in the game, but it's balls compared to the Lambo and can't be upgraded.)
Also, this is my first platinum trophy since Infamous: First Light and is by far my most surprising platinum. (I'm not the trophy whore that I used to be.) I played through the story until the end and levelled up to 50 with very minimal grinding, then I checked the trophy list and saw that I was only 2 arbitrary trophies short of the platinum, so I worked towards them and popped the platinum. For those of you that aren't Playstation gamers or trophy hunters, this may mean nothing to you, but let's just say I sincerely didn't believe that I was going to platinum this game back when I first downloaded it, in fact I would have put money on the fact that I wouldn't.
Overall, this is hot trash, but it's fun. Need For Speed is never going to be what it was in the PS2 days, but if you can accept that and stomach the excessive amount of inane fistbumps and cringey dialogue spouted by the game's stereotypical cool kids, there is an enjoyable game in here.
Movie Metropolis (309 KP) rated The Snowman (2017) in Movies
Jun 10, 2019
No, not that one
Nordic noir is big business at the moment, but with the incredible scenery of the locations lending themselves perfectly to film, is there any wonder?
The Girl with the Dragon Tattoo and The Hypnotist are just a couple of movies that have fallen into this massively expanding genre.
Now, Jo Nesbø’s chilling The Snowman novel gets the silver screen treatment in a film of the same name. But can this continue the thrilling trend of whodunit novels being turned into fabulous crime dramas?For Detective Harry Hole (Michael Fassbender), the death of a young woman during the first snow of winter feels like anything but a routine homicide. His investigation leads him to “The Snowman Killer,” an elusive sociopath who continuously taunts Hole with ingeniously crafted cat-and-mouse games. As the brutal deaths show no sign of slowing, Harry teams up with a new recruit (Rebecca Ferguson) to try and lure the madman out of the shadows before it’s too late.
With Michael Fassbender at the helm, director Thomas Alfredson (Tinker Tailor Soldier Spy) manages to blend gorgeous imagery with an intriguing plot and excellent performances in a film that suffers from a couple of issues that stops it from becoming a must-see event.
These R-rated thrillers are ten-a-penny these days with the bar still being set incredibly high by Gone Girl. Last year’s Girl on the Train was a decent stab at dethroning David Fincher’s masterpiece, but it just fell a little short – well the same has happened here.
Michael Fassbender is uniformly excellent as troubled detective, Harry and the actor can do no wrong in his performances, but he’s suffered this year. After Assassin’s Creed failed to ignite the box-office, it looks to be a similar story this time. While The Snowman is technically competent and filmed beautifully, it lacks the sense of originality that breeds success.
It also doesn’t help that he’s surrounded by thinly padded supporting characters like former love interest Rakel (Charlotte Gainsbourg) and new police officer Katrine (Ferguson). Elsewhere, bizarre glorified cameos for Val Kilmer and Toby Jones leave you wondering if these actors expected a little more from their parts.
Perhaps I’m being a little harsh. After all, the cast is one of the film’s strongest suits. Add J.K. Simmons to the aforementioned roster and it really does have one of the best line-ups of the year. It’s just a shame the script doesn’t do more with them.
To look at, The Snowman is absolutely gorgeous. Helped obviously by magnificent Norwegian landscapes, Alfredson shoots using steady cam in scenes reminiscent of Stanley Kubrick’s The Shining, high praise indeed. In a year populated by CGI-heavy blockbusters, this comes as a real breath of fresh air.
Unfortunately, the constant use of flashbacks and a peculiar subplot involving a Winter sporting event ruin the pacing, though at 130 minutes, this isn’t too much of an issue. The ending however, is disappointing and lacks an emotional payoff after the film’s events.
Overall, The Snowman is a gritty adaptation of Jo Nesbø’s successful novel and while some of the plot choices leave a little to be desired, a great anchor performance by Michael Fassbender and stunning cinematography mean it’s definitely worth a watch; just don’t expect too much.
https://moviemetropolis.net/2017/10/14/the-snowman-review/
The Girl with the Dragon Tattoo and The Hypnotist are just a couple of movies that have fallen into this massively expanding genre.
Now, Jo Nesbø’s chilling The Snowman novel gets the silver screen treatment in a film of the same name. But can this continue the thrilling trend of whodunit novels being turned into fabulous crime dramas?For Detective Harry Hole (Michael Fassbender), the death of a young woman during the first snow of winter feels like anything but a routine homicide. His investigation leads him to “The Snowman Killer,” an elusive sociopath who continuously taunts Hole with ingeniously crafted cat-and-mouse games. As the brutal deaths show no sign of slowing, Harry teams up with a new recruit (Rebecca Ferguson) to try and lure the madman out of the shadows before it’s too late.
With Michael Fassbender at the helm, director Thomas Alfredson (Tinker Tailor Soldier Spy) manages to blend gorgeous imagery with an intriguing plot and excellent performances in a film that suffers from a couple of issues that stops it from becoming a must-see event.
These R-rated thrillers are ten-a-penny these days with the bar still being set incredibly high by Gone Girl. Last year’s Girl on the Train was a decent stab at dethroning David Fincher’s masterpiece, but it just fell a little short – well the same has happened here.
Michael Fassbender is uniformly excellent as troubled detective, Harry and the actor can do no wrong in his performances, but he’s suffered this year. After Assassin’s Creed failed to ignite the box-office, it looks to be a similar story this time. While The Snowman is technically competent and filmed beautifully, it lacks the sense of originality that breeds success.
It also doesn’t help that he’s surrounded by thinly padded supporting characters like former love interest Rakel (Charlotte Gainsbourg) and new police officer Katrine (Ferguson). Elsewhere, bizarre glorified cameos for Val Kilmer and Toby Jones leave you wondering if these actors expected a little more from their parts.
Perhaps I’m being a little harsh. After all, the cast is one of the film’s strongest suits. Add J.K. Simmons to the aforementioned roster and it really does have one of the best line-ups of the year. It’s just a shame the script doesn’t do more with them.
To look at, The Snowman is absolutely gorgeous. Helped obviously by magnificent Norwegian landscapes, Alfredson shoots using steady cam in scenes reminiscent of Stanley Kubrick’s The Shining, high praise indeed. In a year populated by CGI-heavy blockbusters, this comes as a real breath of fresh air.
Unfortunately, the constant use of flashbacks and a peculiar subplot involving a Winter sporting event ruin the pacing, though at 130 minutes, this isn’t too much of an issue. The ending however, is disappointing and lacks an emotional payoff after the film’s events.
Overall, The Snowman is a gritty adaptation of Jo Nesbø’s successful novel and while some of the plot choices leave a little to be desired, a great anchor performance by Michael Fassbender and stunning cinematography mean it’s definitely worth a watch; just don’t expect too much.
https://moviemetropolis.net/2017/10/14/the-snowman-review/
Zuky the BookBum (15 KP) rated Rosemary's Baby (Rosemary's Baby, #1) in Books
Mar 15, 2018
<b><i>This is no dream, she thought. This is real, this is happening.</i></b>
<b>Note to self and others:</b> beware of overly friendly neighbours.
This is amazing. At just over 200 pages, this novel takes you on a hell (excuse the pun) of a journey that you wont forget anytime soon. Levin has managed to make a novel so witty, and at the same time, so terrifying. In a way, the tone of this book is reminiscent of American Psycho (or rather American Psycho is reminiscent of this as it came out afterwards), but rather than in-your-face vulgar gore, this is far more psychologically disturbing. Never has such a mundane life, as Rosemarys and Guys, ever been so horrifying.
Id already watched the movie when I picked this up, so I knew what this novel was about and what happened, and I think, maybe, that made me enjoy this <i>more.</i> When you know how the story plays out, the tension in this really grips you and you find yourself angry and empathetic towards Rosemarys naivety. I think if I went into this novel not knowing, Rosemary would have simply pissed me off, shes that sort of weak and dependant woman I oh-so hate in books, but it was a different experience for me, knowing what I know. Thats not to say you wont like this going into it blind, Im sure the tension and horror of this will affect you just the same way <i>and</i>_ you'll get the pleasure of the pure shock of the discovery, something I didn't.
Ive said previously that I find it hard to really <i>hate</i> a character in a book, as I often find things to like about them, despite all their bad ways, but thats not the case in this one. Lets just say there is one specific character in this I hate more than anyone (in any other book ever, so far) for their betrayal, all for their own selfish gain.
The ending of this novel is one of the hardest, if not <i>the</i> hardest to swallow. Its <i>so</i> distressing and <i>so</i> upsetting. I cant say anything more than that, but its truly awful.
Im really trying not to give too much away with this review, its hard not to say so many things, but I think its OK to mention the fact this book is about devilry (its written on the book as a quote from Capote so it cant exactly be ignored)! This is a truly terrifying novel, and if you had qualms about having children before, youll definitely have more after reading this book.
This is a one-sitting read for me and Im actually excited to re-read it sometime in the future. This work is a masterpiece. Levin is an incredible writer and Im now aiming to read the rest of his work by the end of the year (yes, even <i>Son of Rosemary</i>, even though it has the worst ratings ever).
P.S. Even if you dont like horror, youll most likely enjoy this book as its not openly trying to freak you out. Its far more a suspense novel that gets in your head.
<b>Note to self and others:</b> beware of overly friendly neighbours.
This is amazing. At just over 200 pages, this novel takes you on a hell (excuse the pun) of a journey that you wont forget anytime soon. Levin has managed to make a novel so witty, and at the same time, so terrifying. In a way, the tone of this book is reminiscent of American Psycho (or rather American Psycho is reminiscent of this as it came out afterwards), but rather than in-your-face vulgar gore, this is far more psychologically disturbing. Never has such a mundane life, as Rosemarys and Guys, ever been so horrifying.
Id already watched the movie when I picked this up, so I knew what this novel was about and what happened, and I think, maybe, that made me enjoy this <i>more.</i> When you know how the story plays out, the tension in this really grips you and you find yourself angry and empathetic towards Rosemarys naivety. I think if I went into this novel not knowing, Rosemary would have simply pissed me off, shes that sort of weak and dependant woman I oh-so hate in books, but it was a different experience for me, knowing what I know. Thats not to say you wont like this going into it blind, Im sure the tension and horror of this will affect you just the same way <i>and</i>_ you'll get the pleasure of the pure shock of the discovery, something I didn't.
Ive said previously that I find it hard to really <i>hate</i> a character in a book, as I often find things to like about them, despite all their bad ways, but thats not the case in this one. Lets just say there is one specific character in this I hate more than anyone (in any other book ever, so far) for their betrayal, all for their own selfish gain.
The ending of this novel is one of the hardest, if not <i>the</i> hardest to swallow. Its <i>so</i> distressing and <i>so</i> upsetting. I cant say anything more than that, but its truly awful.
Im really trying not to give too much away with this review, its hard not to say so many things, but I think its OK to mention the fact this book is about devilry (its written on the book as a quote from Capote so it cant exactly be ignored)! This is a truly terrifying novel, and if you had qualms about having children before, youll definitely have more after reading this book.
This is a one-sitting read for me and Im actually excited to re-read it sometime in the future. This work is a masterpiece. Levin is an incredible writer and Im now aiming to read the rest of his work by the end of the year (yes, even <i>Son of Rosemary</i>, even though it has the worst ratings ever).
P.S. Even if you dont like horror, youll most likely enjoy this book as its not openly trying to freak you out. Its far more a suspense novel that gets in your head.
Gareth von Kallenbach (971 KP) rated Borat (2006) in Movies
Aug 14, 2019
One of the funniest and most shockingly outrageous comedies in the history of film has arrived, and it is poised not only to make Sacha Baron Cohen a major star, but also ignite controversy. The film is Borat and it follows Cohen’s Kazakhstan news man, Borat, as he leaves his homeland to film a documentary in New York.
Naturally one would expect a fish out of water story, but fans are treated to much more than this as Borat and his backwards thoughts and practices and given form all over the U.S. often to the shock of those around him as well as howls of laughter from the audience.
You see Borat is a man with a few issues. He is anti-Semitic, a misogynist, ignorant and uncultured, and not ashamed of his actions which grow bolder and more outrageous as the film progresses.
The opening segments in his native land like the entire film is filled with one rapid fire joke after another as Borat introduces us to his family and key people in his town such as the town rapist and his sister the prostitute. As funny as the setup and the settings are, it is the clever comments that Cohen slips in that allows Borat to make some biting social and political commentaries.
Once in America, he travels from New York to Los Angeles making several stops along the way with side splitting results as Borat encounters events ranging from a rodeo, polite society, pop culture, a religious revival and much more.
The amazing thing about the film is that it never grows old and over the roughly 84 minutes of the films running time, there are plenty of jokes and a absence of slow spots which are often so common in comedies today.
Cohen is great at portraying Borat as a likeable guy who does not know any better which makes his comments and actions so easy to take. Cohen who is himself Jewish is able to get away with making jokes about his faith as he is doing it through the persona of someone who is ignorant to many realities in the world.
In a way the film allows us to laugh at ourselves as well as Borat is supposed to be a foreigner who does not know better, but is wiser in some ways due to his ignorance of topics. There is a scene where Borat buys a car is a true look at consumerism in the West as he spells out in graphic detail what he wants in a car and what he expects it to do for his love life.
Not only is the scene outrageous but it underscores the message of sex appeal and desirability that is prevalent in car ads aimed at men. Instead of hinting at it, Borat lifts the lid on the subject and takes it on with no punches pulled.
The film is tricky to review as one of the greatest joys of the film is the sense of discovery and not knowing where or what Borat will say or do next. Suffice it to say, that the film is a comedic masterpiece that will have you shocked and laughing harder than any film in recent memory.
Naturally one would expect a fish out of water story, but fans are treated to much more than this as Borat and his backwards thoughts and practices and given form all over the U.S. often to the shock of those around him as well as howls of laughter from the audience.
You see Borat is a man with a few issues. He is anti-Semitic, a misogynist, ignorant and uncultured, and not ashamed of his actions which grow bolder and more outrageous as the film progresses.
The opening segments in his native land like the entire film is filled with one rapid fire joke after another as Borat introduces us to his family and key people in his town such as the town rapist and his sister the prostitute. As funny as the setup and the settings are, it is the clever comments that Cohen slips in that allows Borat to make some biting social and political commentaries.
Once in America, he travels from New York to Los Angeles making several stops along the way with side splitting results as Borat encounters events ranging from a rodeo, polite society, pop culture, a religious revival and much more.
The amazing thing about the film is that it never grows old and over the roughly 84 minutes of the films running time, there are plenty of jokes and a absence of slow spots which are often so common in comedies today.
Cohen is great at portraying Borat as a likeable guy who does not know any better which makes his comments and actions so easy to take. Cohen who is himself Jewish is able to get away with making jokes about his faith as he is doing it through the persona of someone who is ignorant to many realities in the world.
In a way the film allows us to laugh at ourselves as well as Borat is supposed to be a foreigner who does not know better, but is wiser in some ways due to his ignorance of topics. There is a scene where Borat buys a car is a true look at consumerism in the West as he spells out in graphic detail what he wants in a car and what he expects it to do for his love life.
Not only is the scene outrageous but it underscores the message of sex appeal and desirability that is prevalent in car ads aimed at men. Instead of hinting at it, Borat lifts the lid on the subject and takes it on with no punches pulled.
The film is tricky to review as one of the greatest joys of the film is the sense of discovery and not knowing where or what Borat will say or do next. Suffice it to say, that the film is a comedic masterpiece that will have you shocked and laughing harder than any film in recent memory.
Emma @ The Movies (1786 KP) rated Cold Pursuit (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
What can I say about Cold Pursuit? It's bad. Unfortunately it's not in the "so bad it's good" category.
From its opening with an Oscar Wilde quote and music that sounds like a mix of the 80s and Sherlock Holmes I was intrigued. I knew I wasn't expecting a masterpiece but I had hoped for something entertaining at the very least.
One thing that I was quickly baffled by was the between scene captions, a terrible font pops up with the relevant information and then it blows away as if made by snow... but not every time. I did wonder if even the graphics people got bored of doing it.
SOP for me and new movie releases is that I make 2 A5 sides of notes, for Cold Pursuit I made 7... SEVEN... and the general consensus of most of them was "WTF", "ridiculous" and "why?!" In fact those were probably the most used words on all the pages.
The characters are all over the place. Viking's relationship with his son, the token gay relationship that felt like it had just been wedged in and White Bull's gang dubious frolicking... I just don't even know what to say about it.
I can't sit here and list all the bizarre things, neither of us have the time for that so let's skip to the things I enjoyed. There are just three things, much quicker than covering the other stuff!
Wingman's wife was a star for me, and that nail sharpening technique was inspired... totally stealing that.
One of the scenes has Coxman chasing his next target with his snowplow. He comes up on him quite menacingly and then the film did a great job of fooling me, I was expecting one thing and given another. That part of the scene came together quite well, it's just a shame about what followed.
Viking's son was surprisingly wise in almost all of his scenes, very laid back, just going with the flow. Out of all of it though I loved the scene about fantasy football when he's talking with Mustang. It was was a nice little addition.
That's it, I'm done with the things I liked.
The cinema was "full" when I saw it. There were 30-40 people, which for our cinema and this type of film on opening night in a small screen, wasn't bad at all. There were old and young, there were people who snored and people who laughed, I fell into neither of those last categories. Honestly I was in too much shock to do anything other than pick my jaw up off the floor.
Ultimately Cold Pursuit is another prime example of why you shouldn't put some of your best scenes in the trailers. The whole thing could probably have been sold on lesser scenes in the trailer and then the impact of the bigger ones would have potentially given it a few more stars.
What you should do
I can't in good conscience recommend this to anyone, Neeson has performed much better acts of revenge in many of his other films... just watch one of those... perhaps from behind a snow globe to make it seem like you're watching Cold Pursuit.
Movie thing you wish you could take home
Please could I have Coxman's ability to get into places where he clearly doesn't meet the dress code.
From its opening with an Oscar Wilde quote and music that sounds like a mix of the 80s and Sherlock Holmes I was intrigued. I knew I wasn't expecting a masterpiece but I had hoped for something entertaining at the very least.
One thing that I was quickly baffled by was the between scene captions, a terrible font pops up with the relevant information and then it blows away as if made by snow... but not every time. I did wonder if even the graphics people got bored of doing it.
SOP for me and new movie releases is that I make 2 A5 sides of notes, for Cold Pursuit I made 7... SEVEN... and the general consensus of most of them was "WTF", "ridiculous" and "why?!" In fact those were probably the most used words on all the pages.
The characters are all over the place. Viking's relationship with his son, the token gay relationship that felt like it had just been wedged in and White Bull's gang dubious frolicking... I just don't even know what to say about it.
I can't sit here and list all the bizarre things, neither of us have the time for that so let's skip to the things I enjoyed. There are just three things, much quicker than covering the other stuff!
Wingman's wife was a star for me, and that nail sharpening technique was inspired... totally stealing that.
One of the scenes has Coxman chasing his next target with his snowplow. He comes up on him quite menacingly and then the film did a great job of fooling me, I was expecting one thing and given another. That part of the scene came together quite well, it's just a shame about what followed.
Viking's son was surprisingly wise in almost all of his scenes, very laid back, just going with the flow. Out of all of it though I loved the scene about fantasy football when he's talking with Mustang. It was was a nice little addition.
That's it, I'm done with the things I liked.
The cinema was "full" when I saw it. There were 30-40 people, which for our cinema and this type of film on opening night in a small screen, wasn't bad at all. There were old and young, there were people who snored and people who laughed, I fell into neither of those last categories. Honestly I was in too much shock to do anything other than pick my jaw up off the floor.
Ultimately Cold Pursuit is another prime example of why you shouldn't put some of your best scenes in the trailers. The whole thing could probably have been sold on lesser scenes in the trailer and then the impact of the bigger ones would have potentially given it a few more stars.
What you should do
I can't in good conscience recommend this to anyone, Neeson has performed much better acts of revenge in many of his other films... just watch one of those... perhaps from behind a snow globe to make it seem like you're watching Cold Pursuit.
Movie thing you wish you could take home
Please could I have Coxman's ability to get into places where he clearly doesn't meet the dress code.
Bob Mann (459 KP) rated Parasite (2019) in Movies
Feb 9, 2020
It’s so metaphorical.
Everyone said “Go see Parasite”. Everyone said “The one rule about Parasite is that you don’t talk about Parasite”. So I went to see Parasite. So this is a review about Parasite without talking about Parasite.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
