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A Raven's Touch
A Raven's Touch
Linda Bloodworth | 2016 | Paranormal, Romance
8
8.0 (1 Ratings)
Book Rating
This story starts with Justice waking up from a dream, outside her home in her nightwear. Not only that, but she appears to have two 'muffins' growing out of her shoulder blades. She has no idea of what is going on, is afraid to tell her parents, and on top of that, needs to get ready to go back to the hell that is called high school.

A Raven's Touch includes some shocking (violent) scenes in the high school that are necessary to the storyline. So much happens in such a small amount of time, but it is well-written and paced so it doesn't feel rushed when you are reading it. There is a reference made in the beginning to Matt Smith's Doctor Who - or at least, I like to think so. This made me smile as I read through the beginning.

This is a story of friendships, hardships, love and hate. With vampires, witches, elves and angels who speak to "Him" on a daily basis, this is the start of a series that I am looking forward to continuing. Personally, I can't wait to read more about Darien and Justice, although Moira and Tom make me smile too. Definitely recommended.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Feb 19, 2016
  
Red Dawn (2012)
Red Dawn (2012)
2012 | Action
5
6.6 (9 Ratings)
Movie Rating
Back in 1984 in the late stages of the Cold War, the movie named “Red Dawn” was released. It starred several young actors and actresses who went on to a variety of success including Patrick Swayze, Charlie Sheen, Jennifer Grey, and Lea Thompson. The film follows a group of high school students who fight to defend their town, families, and country after an invasion of Soviet and Cuban forces occupies mainland America.

Despite being delayed for nearly 3 years due to financial issues, the new version of “Red Dawn” has arrived and also features an impressive young cast of future stars. Chris Hemsworth has gone on to find fame as Thor while Josh Hutcherson has found fame playing Peeta in “The Hunger Games”. The fact that this movie was filmed before either of those actors appeared in their signature roles allows the studio to now benefit from the increased name recognition of the cast.

Instead of a California town, the new film is set in Spokane, Washington where thanks to news clip segments at the beginning of the film, we understand that the country is involved in numerous conflicts around the globe and some question whether or not we have enough forces to secure our borders. Enter Jed Eckert (Hemsworth), who’s just returned home on leave after serving combat duty in the Middle East. His younger brother Matt (Josh Peck), is a quarterback at the local high school team and he bears resentment toward his brother for leaving shortly after the death of their mother. Their father is a well-respected member of the force and does his best to ensure harmony between the brothers as well as their local community.

The brothers are literally shaken awake by an airborne assault as North Korea lands troops throughout their community. Unsure what is happening, Jed, Matt, and several of their friends managed to escape into the wilderness and devise a plan for survival. Further complicating matters is the fact that Matt’s girlfriend Erica (Isabel Lucas), has been taken prisoner. Jed, with his military background quickly assumes control of the group, but Matt finds himself distracted from following orders and missions whenever he sees an opportunity to pursue Erica’s freedom.

The group calls itself “The Wolverines” after the local football team, and engages in a series of hit-and-run tactics against the invading forces. The plan is to make the occupation so costly that they will eventually give up. While they do have initial success, they soon realize that they are fighting against substantial odds not the least of which is their own internal conflicts and agendas as well as diminishing supplies.

When a recon group from the military under the command of Col. Andy Tanner (Jeffrey Dean Morgan), arrives and tells the Wolverines about a device that may hold the key to their victory. The two sides must team up in an all-out assault on enemy headquarters in an effort to save the day.

While the film has plenty of action, the leaps of logic and common sense it requires the audience to take are astronomical. I understand that for a film of this type you must suspend a lot of reality in order for it to work. I’m not supposed asked questions about the logistics of the enemy’s plan and their actions. Suffice it to say that I could think of at least a dozen factors that were not brought into play. While the enemy may indeed have the ability to shut down various electronics and defensive capabilities which enabled the invasion. That does not explain where the military outside of the combat zone is, why our allies and remaining military are not dropping bombs and nukes on North Korea in retaliation, and scores of other inconsistencies. It is essentially left to our imaginations as to why this is not happening and we’re just supposed to accept on blind faith that there’s a good reason for this even though the recon unit manages to infiltrate Spokane in a helicopter and makes mentions of Missouri to Arizona as being free of any enemy influence.

The best thing I can say about the film said if you are willing to overlook the abundance of plot holes and logic gaps, as well as some at times stiff acting and dialogue, there are some enjoyable action seems to be found. The young cast works well with one another and often gave a very energetic and physical performance.

If you are a fan of the original, you may enjoy this film from a nostalgia standpoint, otherwise leave your common sense behind, sit back and enjoy the ride.
  
Suburbicon (2017)
Suburbicon (2017)
2017 | Crime, Drama, Mystery
Suburbicon is a picturesque community built to free families from all the hustle and bustle of the big city but with all the amenities a community will need. For all intents in purposes Suburbicon is the ideal place to raise a family in the 1950s. That is exactly what the Lodge family is doing. That is until the night Nicky (Noah Jupe) is awoken by his father, Gardner (Matt Damon), and told that there are two men in the house. The two criminals, Sloan and Louis (Glenn Fleshler and Alex Hassell), move the family to the kitchen and tie Nicky, Gardner, Nicky’s mother Rose (Julianne Moore) and Rose’s sister Margaret (also Julianne Moore) to chairs and put them to sleep using chloroform. When Nicky awakens in the hospital his father and aunt are waiting for him but sadly his mother was overdosed with chloroform and died. After the funeral it is decided by Gardner that Aunt Margaret should come stay with them. When officer Hightower (Jack Conley) calls to let them know they have found two possible suspects Gardner rushes to the police station to look at a lineup. Gardner arrives and is surprised to find Margaret and Nicky there. He asks that Nicky be left outside to save him from the trauma. After a line of potential criminals are paraded in front of Gardner and Margaret both agree that the perpetrators are not there. When they turn around they are surprised to see Nicky with a shocked look on his face as he is staring directly at Sloan and Louis. Nicky now knows that something is going on with his mother’s death and he may be trapped in a house with the two people who are responsible. He is not the only one that thinks something is amiss an insurance investigator, Bud Cooper (Oscar Isaac), shows up with questions about the policy. Is the Suburbicon truly the sanctuary that it looks like from the outside or is there something sinister happening behind closed doors?

This dark comedy, thriller, and mystery is directed by George Clooney (The Monuments Men, Leatherheads) and written by Joel and Ethan Coen (Fargo, The Big Lebowski). The film has some fun moments and interesting twists. I enjoyed how they made the film authentic to the 1950s era. The scenery and sets all give you the feel of the time period. The performances were are mostly well done. Julianne Moore’s performance was really good in both roles but especially as the out there Margaret. She was at times very innocent and loving and the next moment really scary in a deranged kind of way. The supporting cast was large and all were fun, especially the dry Hightower (Conley) and the lovable Uncle Mitch (Gary Basaraba). Matt Damon is part scary and funny but sometimes over the top.

Where this film lost me was on parts of the story really that felt disjointed from other parts of the film. For instance another story line that is playing out during the film is that the Mayers’ family moves to Suburbicon on the same day that the break in at the Lodge’s. The Mayers are the first African American family to move into the area and they are instantly judged and discriminated against. As the movie continues and more craziness is happing at the Lodge home, which shares a back yard with the Mayers, there is an escalation in the persecution of the Mayers. I totally understand what point the film was attempting to make about how people were up in arms about a single family that just moving the town and ignoring, or rather too busy to even notice, the evil deeds being committed so close. I just believe that two stories never felt like they were truly tied together and in some points even part of the same film. I really believe an opportunity was missed. Also the comedy was at times really good but also times where it felt forced. When Matt Damon is riding a child bike with a blood soaked shirt down suburban streets you would think that would be funny, and it looked funny in the trailer, but it felt forced when put into the context of the scene.

Overall this is a film was good but really left me feeling like I just didn’t get it. It was definitely original and I would encourage people to watch it and come to their own conclusions.
  
H(
Haunted (Harrison Investigation, #1)
6
7.0 (2 Ratings)
Book Rating
I picked up Haunted after I had finished [b:The Seance|959245|The Seance (Harrison Investigation, #5)|Heather Graham|http://photo.goodreads.com/books/1255876724s/959245.jpg|944150], and I was unaware that they both feature Adam and Harrison Investigations. I'm all set to read [b:The Vision|731809|The Vision (Harrison Investigation, #3)|Heather Graham|http://photo.goodreads.com/books/1177781638s/731809.jpg|717999] that I just picked up from the library. Even though I've completely juggled around the order of when they were written, it's lucky for me that they are standalones. In the prologue it gave background information about Adam's son, Josh, who was mentioned just briefly in The Seance, and he plays a big part in this book, so I was happy to find out all that information before I get to next book that features Harrison Investigations.

Now to get to the main story in Haunted...
Even though with the way Darcy was written you would think she was a Mary-Sue, she wasn't and I liked her just fine. Now Matt on the other hand, well he was a jerk, plain and simple. I never could like him much and that detracted a lot from the book. It seems that Heather Graham must make the male lead a hard-core skeptic that just will not believe (until the end of course) in anything paranormal and thinks the female lead is crazy or delusional or something. It would be nice if it was reversed or if maybe, just maybe, the hero is open-minded enough to say, well maybe there is 'something' out there that cannot be proven. *gasp* Is that even possible? Can a hero ever truly be open-minded? Not in these books. He has to be so narrow-minded that his thought-blocks must fit neatly into their right-shaped holes (e.g. triangle block into triangle hole, etc.).

I really enjoyed the whole Darcy/Josh/Adam/Ghost hunting thing. I thought the author did a good job describing how Darcy went about finding out about the ghosts and that's what made this book good. I really did like Darcy a lot and she was a sympathetic character who stood up for herself and acted like an adult with poise and class (unlike some other character I could mention). The mystery did keep me guessing because I was never quite sure who the ghost was or what had happened, although I had narrowed down who was behind everything to two people, leaning more on the actual culprit (yay me!), for lack of suspects. So overall, the mystery was very good, though I wish Ms. Graham would bring in more people so it isn't as easy to figure out. All in all, not as good as The Seance, but a good and entertaining read.

3.5 stars

I forgot to mention that there were tons of editing problems, which seem to be a mainstay in H.G.'s books. Once Clint's name is changed to Cliff and Josh was referred to as Matt, plus numerous other things that cropped up everywhere.
  
The Martian (2015)
The Martian (2015)
2015 | Sci-Fi
Ridley Scott's best film since Alien
It’s safe to say that Ridley Scott knows his way around a camera. From Alien to Gladiator, the director has brought to the silver screen some of the greatest films of all time, heck even Prometheus wasn’t that bad in a muddled kind of way.

Now, after the underwhelming Exodus: Gods & Kings, Scott returns to the director’s chair doing what he does best, sci-fi. But is The Martian as good as his earlier works?

Thankfully, the answer is yes and The Martian proves how good the director can be when he’s given the right material to work with. Andy Weir’s 2011 novel of the same name lends a good starting point and Scott ends up with his best film since 1979’s masterpiece, Alien – that’s no joke.

Matt Damon stars as Mark Wateny, an astronaut and botanist left stranded on Mars after a mission goes horribly wrong. After being left behind by his colleagues, played by talent including Jessica Chastain (The Hurt Locker) and Kate Mara (Fantastic Four), Mark must find a way to survive on the red planet until a rescue operation can reach him – years later.

Sean Bean, Kristen Wiig, Donald Glover and Jeff Daniels also star as NASA directors, scientists and astrophysicists. Despite their limited screen time, each brings something to the table with a spirited performance.

Scott directs The Martian with a huge amount of confidence, clearly helped by his time on Alien and Prometheus, and his cinematography is absolute perfection. Never has Mars looked this good on film. The desolate, arid landscape is breath-taking and the numerous aerial shots that feature Damon’s character only add to the emptiness.

The special effects too are wonderful. CGI is mixed with amazing practical props that integrate so well together that it’s impossible to tell the difference. The numerous spacecraft, living quarters and vehicles all feel so real and continue to add more credibility to The Martian’s cause.

Damon is also second-to-none and over the course of the film develops new personality traits, all due to the intense stress of being stranded 50 million miles away from Earth. The film lives and dies on his efforts and thankfully, the ever-reliable actor gives one of his best performances in years.

Unfortunately, Jessica Chastain doesn’t have too much to do until the finale and feels a little side-lined – she has won an Oscar after all, though Damon’s magnetic presence is enough to forgive some of the shortcomings in other characters.

The script is, on the whole, very good indeed. Despite only featuring one character for the majority of its 140 minute run-time, The Martian is funny, witty and helped by a fantastic disco soundtrack that has hits from the likes of ABBA dotted about.

Overall, The Martian is sci-fi film-making at its peak. Ridley Scott has crafted a beautiful looking and deeply involving film that features the very best in special effects and scientific accuracy. With Matt Damon’s dry humour and emotional depth, it’s a winner all round.

https://moviemetropolis.net/2015/10/04/ridley-scotts-best-film-since-alien-the-martian-review/
  
Resident Evil: Apocalypse (2004)
Resident Evil: Apocalypse (2004)
2004 | Horror
4
7.0 (25 Ratings)
Movie Rating
The first 10 or so minutes of Resident Evil: Apocalypse are quite good. Raccoon City in panic, Jill Valentine and Carlos Oliveira, a few mentions of this movies big bad - an adaption of Resident Evil 3: Nemesis is something I am keen for. The whole set up isn't too bad, and then we get to a scene set in a church, Jill Valentine surrounded by Lickers, completely out of ammo, and then...
Like a drunken gym bro shouting and flexing his way through a bar of people just trying to have a nice evening, Alice (Milla Jovovich) comes crashing through the churches paned glass window on a motorcycle, sub machine gun in each hand, whilst shitty rock music starts blasting out of the screen, and I am once again abruptly reminded why I hate these films.

I just about prefer Apocalypse over the first movie, but only because of the Resi 3 vibe. I also think Nemesis looks pretty badass when he finally appears, and the whole thing just feels closer to the source material than before, but other than that I find it hard to get on board with.
For starters, the editing is all over the place, and director Alexander Witt seems hellbent on adding a weird choppy slow motion effect to any scenes involving mass zombies. Later on in the film, Alice and Nemesis engage in hand to hand combat (ridiculous) where there are so many edits, it's genuinely hard to make out what the fuck is happening, and results in a stupidly underwhelming climax. (Some googling revealed to me that Witt's only other directing credits are Land Rover commercials, so this kind of all makes sense).
On the subject of Nemesis, yeah he looks the part, but I remember playing Resi 3 as a kid and it scared the shit out of me, and that was all because of Nemesis. A big, lumbering, unstoppable beast who just wants nothing more than to kill you dead. In this movie, he's more inclined to take the side of the good guys, and is sometime known to be called by his real name, Matt. I know they had to follow through on the "stinger" from the first film but come on, I don't want to hear Nemesis refered to as Matt.

Other than that, everything else is just a bit predictable and meh. It's way more action orientated than horror, and all the set pieces are uninspired and ripped off from other movies. None of the side characters are particularly memorable (and not even surprise Iain Glen can fix that) and in terms of plot, nothing really happens until the last 5 minutes. I will give props to Sienna Guillory who plays Jill Valentine. She honestly feels like she's straight out of the game series, which would usually feel a bit silly, but when she's the best thing Apocalypse has going for it, then I welcome her inclusion with open arms.

In conclusion, Apocalypse is a forgettable film that has fleeting moments of entertainment value. Maybe worth a watch just the once if you're a fan of Resi 3...
  
The Girl Who Saved Christmas
The Girl Who Saved Christmas
Matt Haig, Chris Mould | 2017 | Children
10
10.0 (1 Ratings)
Book Rating
The Girl Who Saved Christmas by Matt Haig is a very charming story that can be enjoyed by children and adults alike. It is the story of Amelia Wishart, who is the first child ever to receive a gift from Father Christmas. She never loses hope throughout the misery she encounters in her very young life and however much she would like to stop believing in magic and goodness, she never fully does. Her hope made that first visit possible, and, just a couple of years later, her hope might just save Christmas itself. 

The story takes place in two locations that couldn't be more different: Elfhelm, where it is clean and only ever gets as cold as you want it to be, and in 1841 London, where it is dirty, cold and unfriendly place to orphans.

The characters in the story are quite fun. Amelia and Father Christmas both have strong personalities with a firm determination to get things done. Mr. Creeper is just as his name predicts, he is creepy and not a nice man at all. The guest appearances of a ruling head of state and a famous author are perfect. One passage was hilarious and it took me several minutes to sop laughing before I could continue reading. I was amused.

I recommend this book for read-a-loud's to children and for middle grade readers. 

I received this book from NetGalley via Random House Children's Knopf Books for Young Readers in exchange for an honest review.
  
The Outsiders (1983)
The Outsiders (1983)
1983 | Drama
7
8.0 (11 Ratings)
Movie Rating
A very hard hitting and moving story
Contains spoilers, click to show
A very hard hitting and moving story about rival gangs and the effect it has on the lives of the people in and around the gangs. The story follows two of the younger greasers after one of them accidentally kills a rival gang member in self defence. They leave town and believe they will have to remain on the run forever.

With a cast to die for, The Outsiders is an incredible, hard hitting film. Portrayed in a believable and moving way, the cast includes Matt Dillon, Emilio Estevez, Diane Lane, Patrick Swayze, Tom Cruise, C. Thomas Howell and Rob Lowe. But Ralph Macchio stands out in this film as Johnny Cade.

The direction of Francis Ford Coppola along with stunning performances from the cast bring this film to life. You feel for the characters as they take you on an emotional roller-coaster. You laugh along with them and share in the anguish and feel the pain they all go through just to survive. It is hard not to watch the film now without comparing other films the cast have made since this film. But for many of the cast, it is up there with the finest performances of their career.

The film is an adaption of a classic novel by S.E. Hinton who was just 16 when the novel was first published in 1967. It was also her first novel. The book has become part of school English curriculum
  
What We Do in the Shadows
What We Do in the Shadows
2019 | Comedy
8
8.7 (7 Ratings)
TV Show Rating
Ridiculously Funny And Absurdly Delightful
What We Do In The Shadows s a 2019 comedy/horror mockumentary television series written by Jermaine Clement and Taika Waititi. It's based on the 2014 movie of the same name. The show was produced by FXP, Two Canoes Pictures, and 343 Incorporated. The series stars Kayvan Novak, Matt Berry, Natasia Demetriou, Harvey Guillen, and Mark Proksch.


After an unexpected visit from their dark lord and leader, four vampires who've "lived" together for hundreds of years in Staten Island are reminded they were tasked with total and complete domination of the New World over a century ago. A verite camera crew follows along and gives a documentary-style look into their daily lives as they go about achieving said domination.


This show is ridiculously funny and just as good as the movie it's based on. It is a great mix of two genres that don't always mix well horror and comedy but with a mockumentary style akin to The Office. The only thing I would say is that the show's sense of humor isn't for everyone. But I like it and enjoyed it and am super excited it's been renewed for a second season. I love how it expands on the vampire lore of the world that they built upon and how they satirize the whole vampire genre. How they aren't afraid to make fun of the cliches and tropes often overused and familiar for fans of the genre. I give this show a 8/10.
  
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Justin Long recommended Drugstore Cowboy (1989) in Movies (curated)

 
Drugstore Cowboy (1989)
Drugstore Cowboy (1989)
1989 | Drama
6.5 (2 Ratings)
Movie Favorite

"It’s hard for me to narrow it down to my favorite directors and favorite actors, too, but I love Matt Dillon. I love Beautiful Girls and I love Flamingo Kid — he’s responsible for a lot of my favorites, but I’m gonna have to pick Drugstore Cowboy. I saw it when I was a kid and I felt like it was such a different culture than any that I’d ever been exposed to, and I felt like instantly I was a part of it — even though I had no frame of reference. I mean, I wasn’t a “kid,” I was 14 or 15. I had started getting into, you know, that sort of pretentious high school literate phase where you start reading, like, Kerouac and Ginsberg and, I don’t know — I loved that world, that romanticized, thuggy, kind of petty crime world. I really romanticized it myself and just wanted to be a part of that world; there was something exciting about that for me. And I love the way it’s shot. I love the drugged out scenes; I love the way [Gus Van Sant] shoots with cut-outs, those kind of simple, free-floating cut-outs to convey the psychedelic scenes. It was one of my very first exposures to that style of filmmaking that was a lot more patient and took its time and allowed itself to breathe. And from there I got into, like Hal Hartley and the independent movies of the ’90s. But my love of that type of film all started with Drugstore Cowboy."

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