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LeftSideCut (3776 KP) rated Justice League Dark: Apokolips War (2020) in Movies
Sep 23, 2020
The DC Animated movies are a mixed bags. There are some great ones, and a whole bunch of not so great ones. The top of the pile for me has always been the 2-part adaption of The Dark Knight Returns, until now that is.
Apokolips War is the final movie in the 16-part connected DC Animated Movie Universe, which started back in 2013 with The Flashpoint Paradox, and as a culmination of this particular storyline, it's near perfect.
In terms of plot, things are batshit insane from the get go - notable heroes are slaughtered as Darkseid lays waste to Earth, leaving a broken and small crew left to hold the fort and try and claw a win from a seemingly desperate situation. Everyone gets involved - Superman, Batman, Wonder Woman, Swamp Thing, Etrigan, Shazam, Martian Manhunter, Raven, the whole Suicide Squad roster, just to name a few, and with all these heavy hitters in tow, it's an absolute pleasure to have Constantine at the forefront of it all, once again voiced by the fantastic Matt Ryan.
He's joined by the likes of Rosario Dawson, Tony Todd, Rebecca Romijn, Jerry O'Connell, Taissa Farmiga, Jason O'Mara, Camilla Ludington, John DiMaggio - it's a stacked voice cast to say the least.
The animation is wonderful, the action is non-stop and brutal, gritty yet smooth - it just feels like the creative team on this one pulled out all the stops to make sure the DCAMU finished with and Avengers Endgame sized flex.
It knocks spots off the first Justice League Dark entry and is ultimately my pick for the finest animated DC feature out there.
Apokolips War is the final movie in the 16-part connected DC Animated Movie Universe, which started back in 2013 with The Flashpoint Paradox, and as a culmination of this particular storyline, it's near perfect.
In terms of plot, things are batshit insane from the get go - notable heroes are slaughtered as Darkseid lays waste to Earth, leaving a broken and small crew left to hold the fort and try and claw a win from a seemingly desperate situation. Everyone gets involved - Superman, Batman, Wonder Woman, Swamp Thing, Etrigan, Shazam, Martian Manhunter, Raven, the whole Suicide Squad roster, just to name a few, and with all these heavy hitters in tow, it's an absolute pleasure to have Constantine at the forefront of it all, once again voiced by the fantastic Matt Ryan.
He's joined by the likes of Rosario Dawson, Tony Todd, Rebecca Romijn, Jerry O'Connell, Taissa Farmiga, Jason O'Mara, Camilla Ludington, John DiMaggio - it's a stacked voice cast to say the least.
The animation is wonderful, the action is non-stop and brutal, gritty yet smooth - it just feels like the creative team on this one pulled out all the stops to make sure the DCAMU finished with and Avengers Endgame sized flex.
It knocks spots off the first Justice League Dark entry and is ultimately my pick for the finest animated DC feature out there.
Merissa (12889 KP) rated A Better Man (The Men of Halfway House #1) in Books
Apr 10, 2023 (Updated Apr 10, 2023)
I first want to thank my partner in crime, Debbie, for recommending this book to me. She has read a lot more of the m/m genre than I, for no other reason than I've been catching up on fantasy and paranormal genres. This one though, she said I had to read. I did and I'm damned glad she was insistent!
There is simply nothing that I can criticise about this book and trust me, I was looking. I adore how the characters get to know each other over time - yes, there's instant attraction and we all know that exists but this pair actually had time to get to know each other before moving the relationship on any further. For this reason, although they argue and fall out, they are stronger together. J never reacts the way that Matt expects him to which makes for good reading because it means you're not sure about the reaction either. There is a lot going for this pair and a lot of obstacles in their way too but because of the strength of their foundation, they face it together.
This is an excellently written, well-paced and moving story that brought both disbelief and tears to my eyes. A fantastic start to the series and I will definitely be looking for more by this author as well as the continuation of the series. Highly Recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 10, 2016
There is simply nothing that I can criticise about this book and trust me, I was looking. I adore how the characters get to know each other over time - yes, there's instant attraction and we all know that exists but this pair actually had time to get to know each other before moving the relationship on any further. For this reason, although they argue and fall out, they are stronger together. J never reacts the way that Matt expects him to which makes for good reading because it means you're not sure about the reaction either. There is a lot going for this pair and a lot of obstacles in their way too but because of the strength of their foundation, they face it together.
This is an excellently written, well-paced and moving story that brought both disbelief and tears to my eyes. A fantastic start to the series and I will definitely be looking for more by this author as well as the continuation of the series. Highly Recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 10, 2016
LeftSideCut (3776 KP) rated Morbius (2022) in Movies
Apr 2, 2022
For better or for worse, Morbius is finally out and, well, it ain't anything to write home about, but it's not quite as piss poor as I'd been hearing.
I've always liked the Morbius character, a solid C-list villain of Blade and Spider-Man, but did he ever really need his own movie? Well evidently not. It's essentially a run-of-the-mill comic book adaption that feels like it belongs in the mid 2000s with Elektra and Daredevil. It's kind of like a less fun Venom. Jared Leto isn't too shabby in the title roll when he's onscreen by himself, but there's just no chemistry between anyone otherwise, rendering a lot of the runtime quite boring. The action scenes are the kind of predictable grey CGI orgies that we've come to expect by now, and it's difficult to make out what's even happening on some occasions. The CG itself is hit and miss. Morbius actually looks pretty decent for the most part, but Matt Smith's character looks like a reject from I Am Legend. The movie suffers from a lack of an R rating, with a lot of weird looking bloodless scenes where gore was clearly meant to be present. To top things off, it boasts a mid credits scene that at best, doesn't even try to make sense, and at worst, manages to cheapen the events of Marvel movies that have come before.
Honestly though, I didn't outright hate Morbius. There are certainly worse comic book adaptions out there, but I won't be in any rush to watch again. Sony insisted on pushing ahead with it, and ultimately could have done so much more.
I've always liked the Morbius character, a solid C-list villain of Blade and Spider-Man, but did he ever really need his own movie? Well evidently not. It's essentially a run-of-the-mill comic book adaption that feels like it belongs in the mid 2000s with Elektra and Daredevil. It's kind of like a less fun Venom. Jared Leto isn't too shabby in the title roll when he's onscreen by himself, but there's just no chemistry between anyone otherwise, rendering a lot of the runtime quite boring. The action scenes are the kind of predictable grey CGI orgies that we've come to expect by now, and it's difficult to make out what's even happening on some occasions. The CG itself is hit and miss. Morbius actually looks pretty decent for the most part, but Matt Smith's character looks like a reject from I Am Legend. The movie suffers from a lack of an R rating, with a lot of weird looking bloodless scenes where gore was clearly meant to be present. To top things off, it boasts a mid credits scene that at best, doesn't even try to make sense, and at worst, manages to cheapen the events of Marvel movies that have come before.
Honestly though, I didn't outright hate Morbius. There are certainly worse comic book adaptions out there, but I won't be in any rush to watch again. Sony insisted on pushing ahead with it, and ultimately could have done so much more.
Merissa (12889 KP) rated Knight to Castle Two (Diviner's Game #2) in Books
Feb 12, 2021 (Updated Aug 3, 2023)
KNIGHT TO CASTLE TWO is the second book in the Diviner's Game trilogy and this time we find out just what's going on with human Headsman, Loki, and his step-brother Drakon, Gage.
We met with Loki and Gage in book one, and this one runs on a parallel time, so we see some of the same events but from their eyes instead. This is incredibly hard to do but excellently executed by Jennifer Cody.
Loki and Gage are as close as two people can be, but DO NOT share blood. They are not related in any way, apart from being step-brothers. Their relationship might raise a few eyebrows but is not incestuous in any way. What it is though, is hot as hell! Loki is a leather-wearing, kick-ass, take no s**t Headsman, but Gage is the force in their relationship. I loved seeing what makes both of them tick.
A little bit more of the intrigue is unravelled in this book, but not enough for me! I guess I'll just have to read the third book to find out the whole story. Oh, what a shame. The pacing is just as perfect as the first book, and I also loved seeing Matt and Deejay through someone else's eyes too.
What a fantastic trilogy this is turning out to be. Two down, one to go, and I honestly can't wait. Absolutely recommended!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 12, 2021
We met with Loki and Gage in book one, and this one runs on a parallel time, so we see some of the same events but from their eyes instead. This is incredibly hard to do but excellently executed by Jennifer Cody.
Loki and Gage are as close as two people can be, but DO NOT share blood. They are not related in any way, apart from being step-brothers. Their relationship might raise a few eyebrows but is not incestuous in any way. What it is though, is hot as hell! Loki is a leather-wearing, kick-ass, take no s**t Headsman, but Gage is the force in their relationship. I loved seeing what makes both of them tick.
A little bit more of the intrigue is unravelled in this book, but not enough for me! I guess I'll just have to read the third book to find out the whole story. Oh, what a shame. The pacing is just as perfect as the first book, and I also loved seeing Matt and Deejay through someone else's eyes too.
What a fantastic trilogy this is turning out to be. Two down, one to go, and I honestly can't wait. Absolutely recommended!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 12, 2021
RəX Regent (349 KP) rated The Adjustment Bureau (2011) in Movies
Mar 7, 2019
No Adjustment Necessary
Contains spoilers, click to show
Is it just me, or is Matt Damon just getting better and better? He is developing into a well-rounded actor, with a definite ability to draw in his audience and deliver some great performances. In this, Damon is a would-be Senator who meets a falls in love with Emily Blunt, a modern ballet dancer.
Meanwhile it quickly becomes clear that the world is being organised by a group of shady men in 50's suits and hats, don't forget the hats, who 'Adjust' Peoples life paths to adhere to the grand plan. Unfortunately for the star-crossed lovers, they are not meant to be together and the they must ultimately challenge them to pursue their own fate.
Philip K. Dick is a strange and often wonderful sci-fi novelist, whose work has often been adapted for the screen, with the likes of Bladerunner, Total Recall, Minority Report and more recently, and I believe more faithfully In A Scanner Darkly.
The cinematography, art direction and ultimately the direction as a whole was very stylised without becoming uncomfortable or otherworldly, which I think was quite an achievement.
This has been referred to by other critics as 'Inception light', and though I can recognise a vague comparison, I wouldn't like to compare them myself. This was an interesting science fiction story, dealing with deep ideas in a lighter and ultimately more palatable way. Damon and Blunt were both enjoyable to watch as their romance blossomed, though be it in small vignettes, and the shady men themselves were often amusing if not outright funny.
There is nothing particularly new for fans of the genre, and though it is not as deep or intense as Bladerunner, this is certainly a nice addition to the Philip K. Dick movie cannon and it's always great to see a decent Sci-Fi film.
Meanwhile it quickly becomes clear that the world is being organised by a group of shady men in 50's suits and hats, don't forget the hats, who 'Adjust' Peoples life paths to adhere to the grand plan. Unfortunately for the star-crossed lovers, they are not meant to be together and the they must ultimately challenge them to pursue their own fate.
Philip K. Dick is a strange and often wonderful sci-fi novelist, whose work has often been adapted for the screen, with the likes of Bladerunner, Total Recall, Minority Report and more recently, and I believe more faithfully In A Scanner Darkly.
The cinematography, art direction and ultimately the direction as a whole was very stylised without becoming uncomfortable or otherworldly, which I think was quite an achievement.
This has been referred to by other critics as 'Inception light', and though I can recognise a vague comparison, I wouldn't like to compare them myself. This was an interesting science fiction story, dealing with deep ideas in a lighter and ultimately more palatable way. Damon and Blunt were both enjoyable to watch as their romance blossomed, though be it in small vignettes, and the shady men themselves were often amusing if not outright funny.
There is nothing particularly new for fans of the genre, and though it is not as deep or intense as Bladerunner, this is certainly a nice addition to the Philip K. Dick movie cannon and it's always great to see a decent Sci-Fi film.
Sam (74 KP) rated The Dead Fathers Club in Books
Mar 27, 2019
Philip’s father has just died in a car crash, but he doesn’t think it was an accident. His father’s ghost comes back and tells him that he must have been murdered because he is part of the Dead Fathers Club – just for murdered fathers. He tells Philip that it must have been his Uncle Alan who murdered him, and tells him that he must get revenge.
In an odd take on Hamlet, The Dead Fathers Club follows Philips hunt for revenge for the death of his father.
It’s definitely a disturbing read. Philip is a young boy whose father has just died unexpectantly, and now he sees his father’s ghost, telling him to do awful things, to the point where he is listing ways he could kill his uncle.
The novel is written like it was Philips diary, so the childish grammar with the disturbing thoughts that Philip is experiencing work together to create a definitely troubling novel.
I was definitely questioning Philip’s mental health throughout the novel and wondering whether his father’s ghost was all in his imagination or it was actually happening.
Philip is a misfit with no friends, a girlfriend in part of the novel (which I’m not too sure what that did to the plot) and he’s bullied constantly. He found comfort in the fact that he had the chance to change his own life. He knew he could kill his uncle if he tried, and he saw that as the only way ahead. In killing his uncle, he would get revenge for his father’s death and stop his father from suffering and finally send him to heaven. He could get everything he needed and at the same time feel like he had a friend in his father’s ghost.
It was definitely a good read, but a big change to Matt Haig’s usual writing style.
In an odd take on Hamlet, The Dead Fathers Club follows Philips hunt for revenge for the death of his father.
It’s definitely a disturbing read. Philip is a young boy whose father has just died unexpectantly, and now he sees his father’s ghost, telling him to do awful things, to the point where he is listing ways he could kill his uncle.
The novel is written like it was Philips diary, so the childish grammar with the disturbing thoughts that Philip is experiencing work together to create a definitely troubling novel.
I was definitely questioning Philip’s mental health throughout the novel and wondering whether his father’s ghost was all in his imagination or it was actually happening.
Philip is a misfit with no friends, a girlfriend in part of the novel (which I’m not too sure what that did to the plot) and he’s bullied constantly. He found comfort in the fact that he had the chance to change his own life. He knew he could kill his uncle if he tried, and he saw that as the only way ahead. In killing his uncle, he would get revenge for his father’s death and stop his father from suffering and finally send him to heaven. He could get everything he needed and at the same time feel like he had a friend in his father’s ghost.
It was definitely a good read, but a big change to Matt Haig’s usual writing style.
Gareth von Kallenbach (980 KP) rated Green Zone (2010) in Movies
Aug 8, 2019
Taking you into the depths of the controversial Iraq conflict is the new thriller “Green Zone”. Matt Damon, stars as chief warrant officer Roy Miller. Along side Damon are a number of well crafted characters such as the shady operations lead, Clark Poundstone, played by the ever snarky Greg Kinnear and the eager journalist, Lawrie Danye, played by Amy Ryan. However, the strongest support both within the plot and story telling came from the local informant “Freddy” played by Khalid Abdalla.
Based on the 2006 award winning book “Imperial Life in the Emerald City: Inside Iraq’s Green Zone” by Rajiv Chandrasekaran, the film focuses on the duality of war. The plot covers both the obtuse role of US military within Iraq and the multitude of complexities a soldier faces in the pursuit of what is right.
“Green Zone” presents a compelling take on the Iraq conflict by pursuing a variety of perspectives and maintaining the intensity of a good thriller. It is a film that manages to enjoy the fruits of a novel basis while avoiding the boring dragging out that so often happens when films try to maintain literary accuracy.
In fact, the beginning was more like playing a good level of Call of Duty Modern Warfare (starring a main character who happens to have once been Jason Bourne) than an adaptation of a famous piece of literature. Partially due to Damon’s acting skills, “Green Zone” manages to walk far from the identity of Bourne and quickly catches viewers up in an entirely different character.
An interesting perspective on a conflict that is still fresh in the minds of US citizens, “Green Zone” proves to be thought-provoking while at the same time creating an enjoyable film-going experience.
Based on the 2006 award winning book “Imperial Life in the Emerald City: Inside Iraq’s Green Zone” by Rajiv Chandrasekaran, the film focuses on the duality of war. The plot covers both the obtuse role of US military within Iraq and the multitude of complexities a soldier faces in the pursuit of what is right.
“Green Zone” presents a compelling take on the Iraq conflict by pursuing a variety of perspectives and maintaining the intensity of a good thriller. It is a film that manages to enjoy the fruits of a novel basis while avoiding the boring dragging out that so often happens when films try to maintain literary accuracy.
In fact, the beginning was more like playing a good level of Call of Duty Modern Warfare (starring a main character who happens to have once been Jason Bourne) than an adaptation of a famous piece of literature. Partially due to Damon’s acting skills, “Green Zone” manages to walk far from the identity of Bourne and quickly catches viewers up in an entirely different character.
An interesting perspective on a conflict that is still fresh in the minds of US citizens, “Green Zone” proves to be thought-provoking while at the same time creating an enjoyable film-going experience.
LoganCrews (2861 KP) rated I Hope They Serve Beer in Hell (2009) in Movies
Apr 11, 2021
I mean, just read the title. Its reputation absolutely precedes it - one of the most hateful, tasteless, depraved movies ever to have a wide release within the last 50 years. Pure sleaze, one last battle cry from the 2000s signature brand of worshipping the most objectionable fratbro stupidity there is out there (no surprise that this, 𝘛𝘩𝘦 𝘏𝘢𝘯𝘨𝘰𝘷𝘦𝘳, and 𝘔𝘪𝘴𝘴 𝘔𝘢𝘳𝘤𝘩 all came out the same year) - which usually I'm averse to, but even after having seen thousands of movies at this point even *I* was shocked at how mean they played this. On that level alone I admire it for the sole purpose that this would never get made today; it set out to be vile and by God did it accomplish that without reservation. I also like how they (smartly) removed all pretense and for once in one of these just decided to play the lead character as a self-confessed sociopath (not to mention Matt Czuchry is fucking aces in this role). They take the entire core concept of these movies and - against all expectations - flip it right on its head so rather than us being expected to empathize with this creep, the story instead becomes about how the people around him cope/rationalize with being friends with a psycho. And on that note, the three leads are cleverly realized as the three types of misogynist you're likely to see in these sorts of college groups (the one with no delusions about his hatred of women, the one who also hates women but plays coy about it, and the one who's convinced he's above it all despite enabling the previous two while also casually partaking in it himself albeit not as often). My biggest gripe? The porno-cheap production. You couldn't get a real director to touch this thing? But hey the dwarf stripper stuff is *riotously* funny.
Marc Riley recommended Measure by Field Music in Music (curated)
Emma @ The Movies (1786 KP) rated Suburbicon (2017) in Movies
Sep 25, 2019
Suburbicon is a peaceful, idyllic, suburban community with affordable homes and manicured lawns -- the perfect place to raise a family, and in the summer of 1959, the Lodge family is doing just that. But the tranquil surface masks a disturbing reality, as husband and father Gardner Lodge must navigate the town's dark underbelly of betrayal, deceit and violence.
I saw this trailer so many times in the run up to the Unlimited Screening. It initially intrigued me, I'm not a particular fan of Matt Damon, but I do like Julianne Moore, and Oscar Isaac the more I see him. Both Moore and Isaac seemed at home in this 50s setting, but Damon didn't feel very convincing.
The story had a lot of potential. Lodge wants to kill his wife who has become bitter towards him since he caused an accident that left her in a wheelchair. The plan is to stage a home invasion that leads to her death. This will leave room for her twin sister to move in and take her sister's place in the family. But when a suspicious insurance investigator comes sniffing around the case things start to fall apart. In the background of this though there is a story about the new African-American neighbours that have moved into the property behind the Lodge's. I know that this is fitting for that era, and some sort of big "distraction" was needed for a lot of things to work, but it just felt very detached from everything.
This isn't one that I'd watch again, I feel like it's going to fade into obscurity in my mind and in about ten years someone is going to ask me if I've seen it and I won't be able to remember.
I saw this trailer so many times in the run up to the Unlimited Screening. It initially intrigued me, I'm not a particular fan of Matt Damon, but I do like Julianne Moore, and Oscar Isaac the more I see him. Both Moore and Isaac seemed at home in this 50s setting, but Damon didn't feel very convincing.
The story had a lot of potential. Lodge wants to kill his wife who has become bitter towards him since he caused an accident that left her in a wheelchair. The plan is to stage a home invasion that leads to her death. This will leave room for her twin sister to move in and take her sister's place in the family. But when a suspicious insurance investigator comes sniffing around the case things start to fall apart. In the background of this though there is a story about the new African-American neighbours that have moved into the property behind the Lodge's. I know that this is fitting for that era, and some sort of big "distraction" was needed for a lot of things to work, but it just felt very detached from everything.
This isn't one that I'd watch again, I feel like it's going to fade into obscurity in my mind and in about ten years someone is going to ask me if I've seen it and I won't be able to remember.