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Nickg24 (492 KP) rated What We Do in the Shadows- Season 1 in TV
Jun 3, 2019
Having loved the film that this show is based on i was expecting something really good from this and boy did it deliver.
The casting of Kayvan Novak and Matt Berry (2 well known comedians in the Uk) was an inspired choice,the storylines were executed perfectly and every joke hit the spot..every time.I dont want to give to much away in case there is anyone who hasn't seen the series yet but i hope this brief review will persuade you into seeing it and loving it as much as I did.
The casting of Kayvan Novak and Matt Berry (2 well known comedians in the Uk) was an inspired choice,the storylines were executed perfectly and every joke hit the spot..every time.I dont want to give to much away in case there is anyone who hasn't seen the series yet but i hope this brief review will persuade you into seeing it and loving it as much as I did.
Sarah (7798 KP) rated What We Do in the Shadows- Season 1 in TV
Jul 8, 2019
Hilariously wacky
When I first heard they were making a tv show out of the film, I was worried. The film is comedy genius, and I was concerned this wouldn’t meet my high expectations. However my worries were completely unfounded, as this show is a revelation.
Firstly, it has been created and produced by Jemaine Clement and Taika Waititi so you know it’s in good hands. And right from the start you can see how similar this show is to the film - same title music, same documentary style, and the same style of humour and ridiculously silly main characters. Despite the massive similarities though this is very much it’s own show and very good and hilarious in it’s own right. The cast are fantastic, I’ve loved Kayvan Novak since Four Lion and he’s a brilliant choice alongside Matt Berry. I can’t express how funny and clever this show is, and my favourite episode was by far the one with the Vampiric Council. I was downright hysterical watching this and some of the cameos in this are sheer brilliance (including some very familiar faces). And at 25 minutes an episode, nothing ever drags and in fact I actually wanted more.
I really hope they make more series of this, it’d be a crime not to!
Firstly, it has been created and produced by Jemaine Clement and Taika Waititi so you know it’s in good hands. And right from the start you can see how similar this show is to the film - same title music, same documentary style, and the same style of humour and ridiculously silly main characters. Despite the massive similarities though this is very much it’s own show and very good and hilarious in it’s own right. The cast are fantastic, I’ve loved Kayvan Novak since Four Lion and he’s a brilliant choice alongside Matt Berry. I can’t express how funny and clever this show is, and my favourite episode was by far the one with the Vampiric Council. I was downright hysterical watching this and some of the cameos in this are sheer brilliance (including some very familiar faces). And at 25 minutes an episode, nothing ever drags and in fact I actually wanted more.
I really hope they make more series of this, it’d be a crime not to!
Charlie Cobra Reviews (1840 KP) rated What We Do in the Shadows in TV
Jul 7, 2020
Ridiculously Funny And Absurdly Delightful
What We Do In The Shadows s a 2019 comedy/horror mockumentary television series written by Jermaine Clement and Taika Waititi. It's based on the 2014 movie of the same name. The show was produced by FXP, Two Canoes Pictures, and 343 Incorporated. The series stars Kayvan Novak, Matt Berry, Natasia Demetriou, Harvey Guillen, and Mark Proksch.
After an unexpected visit from their dark lord and leader, four vampires who've "lived" together for hundreds of years in Staten Island are reminded they were tasked with total and complete domination of the New World over a century ago. A verite camera crew follows along and gives a documentary-style look into their daily lives as they go about achieving said domination.
This show is ridiculously funny and just as good as the movie it's based on. It is a great mix of two genres that don't always mix well horror and comedy but with a mockumentary style akin to The Office. The only thing I would say is that the show's sense of humor isn't for everyone. But I like it and enjoyed it and am super excited it's been renewed for a second season. I love how it expands on the vampire lore of the world that they built upon and how they satirize the whole vampire genre. How they aren't afraid to make fun of the cliches and tropes often overused and familiar for fans of the genre. I give this show a 8/10.
After an unexpected visit from their dark lord and leader, four vampires who've "lived" together for hundreds of years in Staten Island are reminded they were tasked with total and complete domination of the New World over a century ago. A verite camera crew follows along and gives a documentary-style look into their daily lives as they go about achieving said domination.
This show is ridiculously funny and just as good as the movie it's based on. It is a great mix of two genres that don't always mix well horror and comedy but with a mockumentary style akin to The Office. The only thing I would say is that the show's sense of humor isn't for everyone. But I like it and enjoyed it and am super excited it's been renewed for a second season. I love how it expands on the vampire lore of the world that they built upon and how they satirize the whole vampire genre. How they aren't afraid to make fun of the cliches and tropes often overused and familiar for fans of the genre. I give this show a 8/10.
Ross (3284 KP) rated Christopher Robin (2018) in Movies
Aug 27, 2018
Great coming-of-age story of leaving behind childish things (a la Toy Story 3), weighed up with the perils of growing up (responsibilities and prioritising work over family). Christopher Robin leaves the Hundred Acre Wood to grow up and somehow loses his way as the stresses of adult life take hold.
I really hated the trailer for this film, thinking it looked like they'd taken the plot of The Smurfs or Paddington and just swapped in the different characters. It really didn't do it justice as this is not your average CGI creatures madcap adventures in the real world film. There are real poignant moments in the Hundred Acre Wood before any of the toys have really made it to the real world. Also I did not like the look of Pooh, he seemed just wrong on so many levels. But as with any 2D character, nothing 3D will quite look right and you soon become to like him and appreciate his facial expressions.
Ewan McGregor is OK as Christopher Robin (though interesting that he somehow lost his North English accent as he grew up), though is somehow neither truly believable as the curmudgeon nor as the eventual (spoiler alert) happy, funloving Dad.
The cast of the Hundred Acre wood seem quite familiar to me, as Jim Cummings continues his reign as Pooh and Tigger, but we (briefly) have Peter Capaldi (doing an impression of Gary Oldman) as Rabbit and Toby Jones as Owl.
Enjoyable cameo appearances from Mackenzie Crook and Matt Berry in one scene.
Some real poignant moments at the start of the film, but this wasn't reflected in the finale as that was not as emotive as it could have been.
Not really a film for under-10s, more for the older children, who ironically may think it is more babyish than it really is (my eldest is 10 and was refusing to go and see it but I think she enjoyed it more than her younger siblings).
I really hated the trailer for this film, thinking it looked like they'd taken the plot of The Smurfs or Paddington and just swapped in the different characters. It really didn't do it justice as this is not your average CGI creatures madcap adventures in the real world film. There are real poignant moments in the Hundred Acre Wood before any of the toys have really made it to the real world. Also I did not like the look of Pooh, he seemed just wrong on so many levels. But as with any 2D character, nothing 3D will quite look right and you soon become to like him and appreciate his facial expressions.
Ewan McGregor is OK as Christopher Robin (though interesting that he somehow lost his North English accent as he grew up), though is somehow neither truly believable as the curmudgeon nor as the eventual (spoiler alert) happy, funloving Dad.
The cast of the Hundred Acre wood seem quite familiar to me, as Jim Cummings continues his reign as Pooh and Tigger, but we (briefly) have Peter Capaldi (doing an impression of Gary Oldman) as Rabbit and Toby Jones as Owl.
Enjoyable cameo appearances from Mackenzie Crook and Matt Berry in one scene.
Some real poignant moments at the start of the film, but this wasn't reflected in the finale as that was not as emotive as it could have been.
Not really a film for under-10s, more for the older children, who ironically may think it is more babyish than it really is (my eldest is 10 and was refusing to go and see it but I think she enjoyed it more than her younger siblings).
Kirk Bage (1775 KP) rated What We Do in the Shadows in TV
Jan 22, 2021
Anyone who watched and enjoyed the entirely silly, but mostly genius, original film version of this, written and directed by the same partnership of Jermaine Clement and Taika Waititi, should not miss this show! Although Clement and Waititi step down from acting duties (aside from cameo appearences), they are replaced by the ideal, if not actually better, pairing of Matt Berry and Kayvan Novak, whose previous experience in left-field comedy with an improvisational edge leaves them perfectly placed to make this comedy fly like a startled bat!
The lead duo are joined in all 20 episodes over 2 seasons so far by relative unknowns Natasia Demetriou, Harvey Guillén and Mark Proksch. The first two do adequate jobs of keeping the laughs rolling and the mood steady. But it is Proksch, who brings some knowledge of a working mockumentary farce from his role as Nate is the US version of The Office, who is the stand-out as Colin the energy vampire, who bores his victims to death, or leaves them drained of the will to live. The many ways that single joke is varied to hilarious effect is a thing of true comedic beauty at all times.
The fine balance between the bizarre and ridiculous world of vampires and other monsters with a situation of utter mundanity like flatsharing affords some wonderful moments of laugh out loud insanity. The writing is terrific all the way through, and the bite sized episode lengths ensure it zips along and the joke only wears thin if you gorge on too many in one go. In fact I would strongly recommend not bingeing this one, but rather savouring 2 or 3 in a sitting then leaving it a while. There is something about missing it and coming back to the joke after a break that works better for me.
Some of the things I love about it are the details of the visual world they live in. The paraphernalia of the flat they live in and the clothes they wear is joyous and ever rewarding. There will be things to spot in the background that you missed first time for sure – and that is a sign to me that they wanted to create a classic here and not something disposable. I also adore the opening credit sequence, and sing along every single time.
Then there is the fabulous use of creative swearing, that manages to reach new and surprising heights episode to episode. Berry is especially proficient in this art, leaving me spitting out my tea many times with the use of a profane phrase off the cuff. It is as much the way he says it as what he says, so it is no surprise to me he has been singled out at recent TV awards shows. I hope he gets the recognition he deserves with a shiny trophy or two.
The fact that it was nominated for 8 Emmys for season 2, after only two nods for season 1, also shows that this is an entity that gets better if you stick with it. At first the pattern of the humour may not gel, but the more you get used to it, the character quirks and various relationships, the rewards as a viewer are exponentially good. And if you watch long enough there are also some tasty cameo parts that turn up… but I won’t spoil the surprises here.
Is it a joke that can run and run? No probably not. But I would like to at least see a third season, to wrap it all up. Especially as season 2 ends on somewhat of a cliffhanger, as much as a puerile comedy like this can do. I am a fan. And I imagine I’ll always be able to go back and enjoy an episode here and there to cheer me up. Brilliant stuff, that has its heart and its funny bones in all the right places. Go on, stick your teeth into it!
The lead duo are joined in all 20 episodes over 2 seasons so far by relative unknowns Natasia Demetriou, Harvey Guillén and Mark Proksch. The first two do adequate jobs of keeping the laughs rolling and the mood steady. But it is Proksch, who brings some knowledge of a working mockumentary farce from his role as Nate is the US version of The Office, who is the stand-out as Colin the energy vampire, who bores his victims to death, or leaves them drained of the will to live. The many ways that single joke is varied to hilarious effect is a thing of true comedic beauty at all times.
The fine balance between the bizarre and ridiculous world of vampires and other monsters with a situation of utter mundanity like flatsharing affords some wonderful moments of laugh out loud insanity. The writing is terrific all the way through, and the bite sized episode lengths ensure it zips along and the joke only wears thin if you gorge on too many in one go. In fact I would strongly recommend not bingeing this one, but rather savouring 2 or 3 in a sitting then leaving it a while. There is something about missing it and coming back to the joke after a break that works better for me.
Some of the things I love about it are the details of the visual world they live in. The paraphernalia of the flat they live in and the clothes they wear is joyous and ever rewarding. There will be things to spot in the background that you missed first time for sure – and that is a sign to me that they wanted to create a classic here and not something disposable. I also adore the opening credit sequence, and sing along every single time.
Then there is the fabulous use of creative swearing, that manages to reach new and surprising heights episode to episode. Berry is especially proficient in this art, leaving me spitting out my tea many times with the use of a profane phrase off the cuff. It is as much the way he says it as what he says, so it is no surprise to me he has been singled out at recent TV awards shows. I hope he gets the recognition he deserves with a shiny trophy or two.
The fact that it was nominated for 8 Emmys for season 2, after only two nods for season 1, also shows that this is an entity that gets better if you stick with it. At first the pattern of the humour may not gel, but the more you get used to it, the character quirks and various relationships, the rewards as a viewer are exponentially good. And if you watch long enough there are also some tasty cameo parts that turn up… but I won’t spoil the surprises here.
Is it a joke that can run and run? No probably not. But I would like to at least see a third season, to wrap it all up. Especially as season 2 ends on somewhat of a cliffhanger, as much as a puerile comedy like this can do. I am a fan. And I imagine I’ll always be able to go back and enjoy an episode here and there to cheer me up. Brilliant stuff, that has its heart and its funny bones in all the right places. Go on, stick your teeth into it!