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GameCritics (290 KP) rated Assassin's Creed III in Video Games
Jul 14, 2017
An overwhelming experience in its own right, Assassin’s Creed III is the crown jewel on an already excellent series, and it sets the mind reeling about the potential for where the story goes from here.
Critic- Matt Miller
Original Score: 9.5 out of 10
Read Review: http://www.gameinformer.com/games/assassins_creed_iii/b/ps3/archive/2012/10/30/assassin-39-s-creed-iii-review-staggering-scope-and-breadth.aspx
Original Score: 9.5 out of 10
Read Review: http://www.gameinformer.com/games/assassins_creed_iii/b/ps3/archive/2012/10/30/assassin-39-s-creed-iii-review-staggering-scope-and-breadth.aspx
Midge (525 KP) rated Before She Knew Him in Books
Mar 18, 2019
An Exceptional Psychological Thriller!
This exceptional psychological thriller from Peter Swanson (author of ‘The Kind Worth Killing’), is an absolute masterpiece!
Henrietta ‘Hen’ Mazur and her husband, Lloyd Harding, have dinner one evening with their new neighbours, Matt and Mira Dolamore, at their suburban Boston home. Following dinner, on a tour of their house, Hen notices a fencing trophy in Matt’s study that she believes was won by Dustin Miller, a college student who was murdered two years previous and who attended the high school where Matt is a history Professor. Matt claims that the trophy was bought in a sale, but Hen, who is obsessed with Dustin’s case, suspects that Matt killed Dustin. However, the next day when she visits Mira, the trophy has vanished, thereby reinforcing her suspicions. But Hen gets little support from the Police or her husband because of her history of mental health problems. An unlikely bond then develops between Hen and Matt, whose traumatic childhood adds tonnes of emotional interest to Peter Swanson’s superb narrative. Lots of twists and turns and an edge-of-your-seat plot keep the suspense in “Before She Knew Him” really high until the fulfilling and dramatic conclusion.
This brilliant psychological novel is a fabulous page-turner and a definite winner.
{Thank you to Edelweiss, HarperCollins UK/William Morrow and Peter Swanson for a free copy and for giving me the opportunity to provide an honest review.}
Henrietta ‘Hen’ Mazur and her husband, Lloyd Harding, have dinner one evening with their new neighbours, Matt and Mira Dolamore, at their suburban Boston home. Following dinner, on a tour of their house, Hen notices a fencing trophy in Matt’s study that she believes was won by Dustin Miller, a college student who was murdered two years previous and who attended the high school where Matt is a history Professor. Matt claims that the trophy was bought in a sale, but Hen, who is obsessed with Dustin’s case, suspects that Matt killed Dustin. However, the next day when she visits Mira, the trophy has vanished, thereby reinforcing her suspicions. But Hen gets little support from the Police or her husband because of her history of mental health problems. An unlikely bond then develops between Hen and Matt, whose traumatic childhood adds tonnes of emotional interest to Peter Swanson’s superb narrative. Lots of twists and turns and an edge-of-your-seat plot keep the suspense in “Before She Knew Him” really high until the fulfilling and dramatic conclusion.
This brilliant psychological novel is a fabulous page-turner and a definite winner.
{Thank you to Edelweiss, HarperCollins UK/William Morrow and Peter Swanson for a free copy and for giving me the opportunity to provide an honest review.}
Lee KM Pallatina (951 KP) rated Deadpool 2 (2018) in Movies
Jun 14, 2019
When Wade met Cable aka deadpool 2: Judgment day
Ryan Reynolds returns as the foul mouthed, gun toting, wise cracking, fourth wall breaking merc with a mouth known as deadpool, this time around wade finds himself lumped with a kid, an angry muntant kid named Russell aka firefist. After failing to calm Russell and killing a bunch of dodgey looking "medical professionals" (deadpool? Kill? Never.....) they are both arrested and locked up in the ice box, mutant prison.
Things escalate quicky for the two as the prison is broken into by a time travelling bio-organic mutant known as Cable, whose objective is to kill a future terrorist and stop millions from dying - so naturally, wade find himself on the wrong side of Cable.
This genius masterpiece is hilarious from start to finish and does not tone down and features cameos from, Terry crews, Matt Damon, brad Pitt and more.
Starring pikachu....I mean Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, and Jack Kesy.
Things escalate quicky for the two as the prison is broken into by a time travelling bio-organic mutant known as Cable, whose objective is to kill a future terrorist and stop millions from dying - so naturally, wade find himself on the wrong side of Cable.
This genius masterpiece is hilarious from start to finish and does not tone down and features cameos from, Terry crews, Matt Damon, brad Pitt and more.
Starring pikachu....I mean Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, and Jack Kesy.
Gareth von Kallenbach (980 KP) rated Happy Feet Two (2011) in Movies
Aug 7, 2019
Mumble is back and dancing his way back into our hearts. Happy Feet Two is a follow up to the 2006 Academy Award winning movie, Happy Feet directed by George Miller. Mumble (Elijah Wood) is now married to Gloria (Alecia “PiNK” Moore, who replaced the late Brittany Murphy) and they have a son, Erik (Ava Acres).
Mumble struggles to help Erik with his insecurities and inability to find his own heart song and dance steps. Erik ends up running away from Emperorland with a couple of friends, following the love struck Ramon (Robin Williams). Unsuccessful in love within Mumble’s penguin community, Ramon decides to head back to Adelieland and falls for Carmen (Sophia Vergara) who, of course, plays hard to get. So begins Ramon’s hilarious attempts at trying to win Carmen’s affection. While on their adventure, Erik and company stumble across Sven (Hank Azaria), a puffin that is mistaken for a penguin who can fly. Erik becomes enamored with Sven’s ability to fly and attempts to follow in Sven’s footsteps.
Once Mumble has found the runaway chicks, he forces them to return to Emperorland. Upon their return to home, they find a landslide has caused an iceberg to shift and ends up trapping their colony with no way out. Mumble must find help before it’s too late. In flies the self-help guru and fraud Sven to come and teach the penguins how to fly. Meanwhile, other animals in peril are an elephant seal (Anthony Lapaglia) and a couple of codependent krill named Will (Brad Pitt) and Bill (Matt Damon) who realized that their only place in life is to provide sustenance for the whales. Unwilling to succumb to their fate, the delusional Will forces the terrified Bill to swim away from their swarm and become omnivores in an attempt to move up the food chain.
In the end all these stories tie together to show a strong sense of community among different species. I do believe George Miller seems to have taken more of a commercialized approach when creating this movie. Miller once again attempts to send an eco-message regarding global warming with Happy Feet Two. Unfortunately the sequel’s message does not create the same emotional and heartfelt impact as its predecessor. Miller focused more on entertaining and visuals and less on the actual storyline which was very choppy and quite odd at times.
The animators definitely give Pixar a run for their money with their amazing Antarctica scenery details, their incredible animal close-up shots, the undersea moments with the krill and spectacular action sequences. The movie may not have had the substance of the first movie; however it was definitely enjoyable to watch. There was lots of dancing, singing and great laugh-out-loud moments; an absolute visual delight.
Mumble struggles to help Erik with his insecurities and inability to find his own heart song and dance steps. Erik ends up running away from Emperorland with a couple of friends, following the love struck Ramon (Robin Williams). Unsuccessful in love within Mumble’s penguin community, Ramon decides to head back to Adelieland and falls for Carmen (Sophia Vergara) who, of course, plays hard to get. So begins Ramon’s hilarious attempts at trying to win Carmen’s affection. While on their adventure, Erik and company stumble across Sven (Hank Azaria), a puffin that is mistaken for a penguin who can fly. Erik becomes enamored with Sven’s ability to fly and attempts to follow in Sven’s footsteps.
Once Mumble has found the runaway chicks, he forces them to return to Emperorland. Upon their return to home, they find a landslide has caused an iceberg to shift and ends up trapping their colony with no way out. Mumble must find help before it’s too late. In flies the self-help guru and fraud Sven to come and teach the penguins how to fly. Meanwhile, other animals in peril are an elephant seal (Anthony Lapaglia) and a couple of codependent krill named Will (Brad Pitt) and Bill (Matt Damon) who realized that their only place in life is to provide sustenance for the whales. Unwilling to succumb to their fate, the delusional Will forces the terrified Bill to swim away from their swarm and become omnivores in an attempt to move up the food chain.
In the end all these stories tie together to show a strong sense of community among different species. I do believe George Miller seems to have taken more of a commercialized approach when creating this movie. Miller once again attempts to send an eco-message regarding global warming with Happy Feet Two. Unfortunately the sequel’s message does not create the same emotional and heartfelt impact as its predecessor. Miller focused more on entertaining and visuals and less on the actual storyline which was very choppy and quite odd at times.
The animators definitely give Pixar a run for their money with their amazing Antarctica scenery details, their incredible animal close-up shots, the undersea moments with the krill and spectacular action sequences. The movie may not have had the substance of the first movie; however it was definitely enjoyable to watch. There was lots of dancing, singing and great laugh-out-loud moments; an absolute visual delight.
Lou Grande (148 KP) rated Rape Van in Books
Jun 9, 2018
It's what you think
Contains spoilers, click to show
THE VAN (RAPE VAN? I'm unsure what the title of this book officially is) is about a group of idiots who get into a car crash, get picked up by a group of serial killers, who get picked up by another group of serial killers. Even the book points out how ridiculous this premise is, so I'm inclined to give it a pass. Miller has a solid, no-frills kind of style that appeals to me, and he's never short on the gore. Of the extreme horror authors that are swarming Amazon, he's probably my favorite because he's the least pretentious (Matt Shaw, looking at you) and unflinching.
THE VAN is a quick read--a bit of junk food for your brain. You probably won't remember it a few days after you read it. One thing I wish authors would stop doing is letting the bad guy win and acting like the audience should be shocked. Some authors can pull that off as social commentary or whatever, but if you're churning these out month after month on Amazon, you probably can't. There's nothing wrong with writing something just for entertainment. Not everything needs to have a message.
THE VAN is a quick read--a bit of junk food for your brain. You probably won't remember it a few days after you read it. One thing I wish authors would stop doing is letting the bad guy win and acting like the audience should be shocked. Some authors can pull that off as social commentary or whatever, but if you're churning these out month after month on Amazon, you probably can't. There's nothing wrong with writing something just for entertainment. Not everything needs to have a message.
David McK (3425 KP) rated Saving Private Ryan (1998) in Movies
Jan 9, 2022
First, let me start with an admission: I'd never actually seen this film before, even if it is (now) nearly 25 years old!
Oh, I was aware of it all right - I even remember seeing the posters in the cinemas when it first came out - but it just never really appealed to me all that much.
War movies rarely do.
I was also aware of the reputation it held, in particular because of brutality of the opening D-Day Normandy landing scenes (which still pack a punch today).
In case you've been living under a rock? The story follows a group of eight soldiers, led by Tom Hanks Captain Tom Miller (and including an early breakout role for Vin Diesel - who actually has hair!), who have been detailed to find and return home an American Paratrooper (the Private Ryan of the title, played by Matt Damon) who has been dropped somewhere in Europe after that paratrooper's three brothers are all killed during those landings. Cue them traipsing across war-torn lands, with the occasional musing on whether it is worth potentially losing eight men to rescue one, and with the drama largely provided by the fact that you never quite know who is going to survive or get bumped off next!
Oh, I was aware of it all right - I even remember seeing the posters in the cinemas when it first came out - but it just never really appealed to me all that much.
War movies rarely do.
I was also aware of the reputation it held, in particular because of brutality of the opening D-Day Normandy landing scenes (which still pack a punch today).
In case you've been living under a rock? The story follows a group of eight soldiers, led by Tom Hanks Captain Tom Miller (and including an early breakout role for Vin Diesel - who actually has hair!), who have been detailed to find and return home an American Paratrooper (the Private Ryan of the title, played by Matt Damon) who has been dropped somewhere in Europe after that paratrooper's three brothers are all killed during those landings. Cue them traipsing across war-torn lands, with the occasional musing on whether it is worth potentially losing eight men to rescue one, and with the drama largely provided by the fact that you never quite know who is going to survive or get bumped off next!
Mike Wilder (20 KP) rated The Descendants (2011) in Movies
May 30, 2018
It's a good movie for a quiet afternoon.
Contains spoilers, click to show
I wanted to see this mainly to see if George Clooney was truly deserving of the best actor nomination. I'm a fan of his but he usually always plays the same kind of characters, a flawed and/or ruthless person who has an experience and realises the error of his ways. And this is no different.
George Clooney plays Matt King who along with his family owns a large piece of land on a Hawaiian island. His wife is in a boating accident and is left in a coma. Matt has to put his professional life on hold to take care of his two daughters. He also discovers his wife was seeing another man and wanted to leave him.
This is a good film with every cast member, Shailene Woodley, Amara Miller, Beau Bridges, Matthew Lillard and Judy Greer, doing an excellent job. But it is the performance of Nick Krause as Sid who steals the scene every time he speaks. He adds a needed element of comedy in an otherwise serious film.
So does George Clooney's performance deserve the Oscar nomination and the Golden Globe win? Having not yet watched all the nominated films I can't say. But he is great in this film. He is better than usual showing more emotion and vulnerability than he normally does. But it is the cast as a whole that makes this film work so well. Even though he is in pretty much every scene and it is his story, the cast brings this film to life and helps give his character added dimension.
The film itself is one of those that doesn't really go anywhere. It tells the story that takes place over a few days well. There is no need for character development and no one really learns a life lesson. But the story is good and the characters realistic and interesting.
This is a good film and I enjoyed watching it. It's a good movie for a quiet afternoon.
George Clooney plays Matt King who along with his family owns a large piece of land on a Hawaiian island. His wife is in a boating accident and is left in a coma. Matt has to put his professional life on hold to take care of his two daughters. He also discovers his wife was seeing another man and wanted to leave him.
This is a good film with every cast member, Shailene Woodley, Amara Miller, Beau Bridges, Matthew Lillard and Judy Greer, doing an excellent job. But it is the performance of Nick Krause as Sid who steals the scene every time he speaks. He adds a needed element of comedy in an otherwise serious film.
So does George Clooney's performance deserve the Oscar nomination and the Golden Globe win? Having not yet watched all the nominated films I can't say. But he is great in this film. He is better than usual showing more emotion and vulnerability than he normally does. But it is the cast as a whole that makes this film work so well. Even though he is in pretty much every scene and it is his story, the cast brings this film to life and helps give his character added dimension.
The film itself is one of those that doesn't really go anywhere. It tells the story that takes place over a few days well. There is no need for character development and no one really learns a life lesson. But the story is good and the characters realistic and interesting.
This is a good film and I enjoyed watching it. It's a good movie for a quiet afternoon.
Gareth von Kallenbach (980 KP) rated Green Zone (2010) in Movies
Aug 8, 2019
Taking you into the depths of the controversial Iraq conflict is the new thriller “Green Zone”. Matt Damon, stars as chief warrant officer Roy Miller. Along side Damon are a number of well crafted characters such as the shady operations lead, Clark Poundstone, played by the ever snarky Greg Kinnear and the eager journalist, Lawrie Danye, played by Amy Ryan. However, the strongest support both within the plot and story telling came from the local informant “Freddy” played by Khalid Abdalla.
Based on the 2006 award winning book “Imperial Life in the Emerald City: Inside Iraq’s Green Zone” by Rajiv Chandrasekaran, the film focuses on the duality of war. The plot covers both the obtuse role of US military within Iraq and the multitude of complexities a soldier faces in the pursuit of what is right.
“Green Zone” presents a compelling take on the Iraq conflict by pursuing a variety of perspectives and maintaining the intensity of a good thriller. It is a film that manages to enjoy the fruits of a novel basis while avoiding the boring dragging out that so often happens when films try to maintain literary accuracy.
In fact, the beginning was more like playing a good level of Call of Duty Modern Warfare (starring a main character who happens to have once been Jason Bourne) than an adaptation of a famous piece of literature. Partially due to Damon’s acting skills, “Green Zone” manages to walk far from the identity of Bourne and quickly catches viewers up in an entirely different character.
An interesting perspective on a conflict that is still fresh in the minds of US citizens, “Green Zone” proves to be thought-provoking while at the same time creating an enjoyable film-going experience.
Based on the 2006 award winning book “Imperial Life in the Emerald City: Inside Iraq’s Green Zone” by Rajiv Chandrasekaran, the film focuses on the duality of war. The plot covers both the obtuse role of US military within Iraq and the multitude of complexities a soldier faces in the pursuit of what is right.
“Green Zone” presents a compelling take on the Iraq conflict by pursuing a variety of perspectives and maintaining the intensity of a good thriller. It is a film that manages to enjoy the fruits of a novel basis while avoiding the boring dragging out that so often happens when films try to maintain literary accuracy.
In fact, the beginning was more like playing a good level of Call of Duty Modern Warfare (starring a main character who happens to have once been Jason Bourne) than an adaptation of a famous piece of literature. Partially due to Damon’s acting skills, “Green Zone” manages to walk far from the identity of Bourne and quickly catches viewers up in an entirely different character.
An interesting perspective on a conflict that is still fresh in the minds of US citizens, “Green Zone” proves to be thought-provoking while at the same time creating an enjoyable film-going experience.
Sarah (7798 KP) rated Saving Private Ryan (1998) in Movies
Feb 9, 2021
A classic
Film #14 on the 100 Movies Bucket List: Saving Private Ryan
When I think of war films, I immediately think of Saving Private Ryan. This is partly because I shamefully haven’t seen the majority of the older classic war films (but I may have done by the time I reach the end of this list), and also because this is the first war film I ever saw. I have my dad to thank for introducing me to this, he was obsessed with anything war related, and while I would never admit this to him as a teenager, even back then I could appreciate how brilliant this film was.
Saving Private Ryan is a 1998 World War II epic from Steven Spielberg that follows a group of soldiers as they embark on a mission across France to rescue a man who’s 3 brothers have been killed in action. It stars Tom Hanks as Captain Miller as he leads a host of recognisable faces including Vin Diesel (Caparzo), Barry Pepper (Jackson), Tom Sizemore (Horvath), Giovanni Ribisi (Wade), Edward Burns (Reiben) and Jeremy Davies as Upham as they trek across country to find Matt Damon’s Private Ryan.
The main plot is definitely very Hollywood, but the film itself looks and feels like anything but a glamorous Hollywood blockbuster. This is by far the grittiest, darkest and most horrific war film I’ve seen to date. Spielberg does not shy away from displaying the true horror of war, from the blood and gore of the fighting to the physical and psychological effects it had on the soldiers , it’s all here in all of its horrifying glory. One of the most memorable scenes of any war film is the opening sequence of the D-Day landings, that shows a haunting and frightfully bloody side of the war that no other films have managed to capture in such a dark and emotionally draining manner. Even the opening scene in Arlington Cemetery, especially when paired with a moving score from John Williams, is a tearjerker only a few minutes into the 2.5 hour runtime. I don’t know how factually realistic this whole film is, but it’s definitely one of the most compellingly believable films I’ve ever seen, especially the death scenes.
Visually the cinematography helps with the dark and gritty feeling. Everything looks grey and drab, even hazy at times, and this only helps to promote the overall tone of the film. Admittedly there are parts of this now that do look a little dated and there are a few early scenes with a strange out of place camera flare, but considering it was released 23 years ago, it’s aged pretty well and still looks quite good. It’s helped by a truly stellar cast lead by the ever brilliant Tom Hanks, who’s turn as Captain Miller is hauntingly good. The fact that he didn’t win the Oscar for his performance is criminal. Him alongside the rest of the cast, including memorably brash Brooklynite Reiben (Burns) and God-fearing elite sniper Jackson (Pepper), completely embody the camaraderie, friendship and sometimes hostility shown by the group of men perfectly. My only slight criticism of this film is that after growing to know and like these men over the course of the film, there is a question mark over some of their fates at the end which is a tiny bit disappointing.
Saving Private Ryan won 5 Oscars, including Best Director and Best Cinematography, but was nominated for many others including Best Picture, which in my opinion it deserved far more than the film that won in 1999 (Shakespeare in Love), as this is undoubtedly an all time classic war film.
When I think of war films, I immediately think of Saving Private Ryan. This is partly because I shamefully haven’t seen the majority of the older classic war films (but I may have done by the time I reach the end of this list), and also because this is the first war film I ever saw. I have my dad to thank for introducing me to this, he was obsessed with anything war related, and while I would never admit this to him as a teenager, even back then I could appreciate how brilliant this film was.
Saving Private Ryan is a 1998 World War II epic from Steven Spielberg that follows a group of soldiers as they embark on a mission across France to rescue a man who’s 3 brothers have been killed in action. It stars Tom Hanks as Captain Miller as he leads a host of recognisable faces including Vin Diesel (Caparzo), Barry Pepper (Jackson), Tom Sizemore (Horvath), Giovanni Ribisi (Wade), Edward Burns (Reiben) and Jeremy Davies as Upham as they trek across country to find Matt Damon’s Private Ryan.
The main plot is definitely very Hollywood, but the film itself looks and feels like anything but a glamorous Hollywood blockbuster. This is by far the grittiest, darkest and most horrific war film I’ve seen to date. Spielberg does not shy away from displaying the true horror of war, from the blood and gore of the fighting to the physical and psychological effects it had on the soldiers , it’s all here in all of its horrifying glory. One of the most memorable scenes of any war film is the opening sequence of the D-Day landings, that shows a haunting and frightfully bloody side of the war that no other films have managed to capture in such a dark and emotionally draining manner. Even the opening scene in Arlington Cemetery, especially when paired with a moving score from John Williams, is a tearjerker only a few minutes into the 2.5 hour runtime. I don’t know how factually realistic this whole film is, but it’s definitely one of the most compellingly believable films I’ve ever seen, especially the death scenes.
Visually the cinematography helps with the dark and gritty feeling. Everything looks grey and drab, even hazy at times, and this only helps to promote the overall tone of the film. Admittedly there are parts of this now that do look a little dated and there are a few early scenes with a strange out of place camera flare, but considering it was released 23 years ago, it’s aged pretty well and still looks quite good. It’s helped by a truly stellar cast lead by the ever brilliant Tom Hanks, who’s turn as Captain Miller is hauntingly good. The fact that he didn’t win the Oscar for his performance is criminal. Him alongside the rest of the cast, including memorably brash Brooklynite Reiben (Burns) and God-fearing elite sniper Jackson (Pepper), completely embody the camaraderie, friendship and sometimes hostility shown by the group of men perfectly. My only slight criticism of this film is that after growing to know and like these men over the course of the film, there is a question mark over some of their fates at the end which is a tiny bit disappointing.
Saving Private Ryan won 5 Oscars, including Best Director and Best Cinematography, but was nominated for many others including Best Picture, which in my opinion it deserved far more than the film that won in 1999 (Shakespeare in Love), as this is undoubtedly an all time classic war film.
Phillip McSween (751 KP) rated Saving Private Ryan (1998) in Movies
Apr 13, 2020
One of the GOATS
At the time of this writing, Saving Private Ryan is sitting at fourteen on my all-time list. It is one of those once-in-a-lifetime movies that doesn’t come along too often. The story revolves around an army captain in WWII taking his men on a suicide mission to rescue a private before he is killed in action. Private Ryan’s three brothers have already been killed in action and the military wants to get the remaining Ryan home so his mother won’t have lost all of her children in one war.
Acting: 10
Where do I start? With Tom Hanks and his brilliant performance as Captain John Miller? Vin Diesel in probably one of his best roles as Private Caparzo. Tom Sizemore…Matt Damon…There are so many amazing performances that contributed to the greatness of this movie. You usually see it in glimpses as each character doesn’t get much in the way of their own screen time. The movie is packed with so many of those glimpse moments from these stellar actors, it’s hard to forget each of their roles.
Beginning: 10
Boasts one of the best opening twenty minutes in movie history. It’s violent, touching, and sucks you right in to the meat of the movie. There is so much intensity here, from the raucous sounds to the visceral feel of everything, that it’s hard to catch your breath afterwards.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
If you want knock-your-socks-off action from beginning to end, Saving Private Ryan is absolutely the movie for you. The battles are amazing giving you a front row seat to World War II. Steven Spielberg relies on a number of different camera angles to give you the full effect. Every scene is heartstopping as you realize the stakes and understand that no one is safe in this ultimate battle to stay alive. This movie has more action in the first twenty minutes than most films do through their entirety.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
For the most part, the story is pretty linear. There is a mission. Go and complete the mission. The end. However, there are two existing twists within the movie that definitely make things more interesting and entertaining. Those small tweaks were enough to satisfy my craving for originality.
Resolution: 10
Overall: 100
There is a scene on the beach where the camera shoots from underwater then repeatedly rises and falls in the water showing the grit of everything happening. This is one of a number of shots that makes Saving Private Ryan one of the all-time movies to ever exist in cinema. This movie is flat out amazing.
Acting: 10
Where do I start? With Tom Hanks and his brilliant performance as Captain John Miller? Vin Diesel in probably one of his best roles as Private Caparzo. Tom Sizemore…Matt Damon…There are so many amazing performances that contributed to the greatness of this movie. You usually see it in glimpses as each character doesn’t get much in the way of their own screen time. The movie is packed with so many of those glimpse moments from these stellar actors, it’s hard to forget each of their roles.
Beginning: 10
Boasts one of the best opening twenty minutes in movie history. It’s violent, touching, and sucks you right in to the meat of the movie. There is so much intensity here, from the raucous sounds to the visceral feel of everything, that it’s hard to catch your breath afterwards.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
If you want knock-your-socks-off action from beginning to end, Saving Private Ryan is absolutely the movie for you. The battles are amazing giving you a front row seat to World War II. Steven Spielberg relies on a number of different camera angles to give you the full effect. Every scene is heartstopping as you realize the stakes and understand that no one is safe in this ultimate battle to stay alive. This movie has more action in the first twenty minutes than most films do through their entirety.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
For the most part, the story is pretty linear. There is a mission. Go and complete the mission. The end. However, there are two existing twists within the movie that definitely make things more interesting and entertaining. Those small tweaks were enough to satisfy my craving for originality.
Resolution: 10
Overall: 100
There is a scene on the beach where the camera shoots from underwater then repeatedly rises and falls in the water showing the grit of everything happening. This is one of a number of shots that makes Saving Private Ryan one of the all-time movies to ever exist in cinema. This movie is flat out amazing.