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The Exorcist
The Exorcist
William Peter Blatty | 2011 | Fiction & Poetry
9
8.7 (19 Ratings)
Book Rating
good back stories, right amount of tension (0 more)
ended too quickly (0 more)
Descriptive and Chilling horror
I saw this film many years ago and have meant to get around to reading the book. William Blatty does a nice foreword and explains why the book was written and about the extra character that is in it. Its a gripping read from the very start but be warned it goes into very graphic, obscene and depraved descriptions so if you are easily offended stay away (well it is a book about possession after all). A very good read that keeps you wanting to just read a bit more, good back stories to some of the characters help to explain situations that were not dealt with in the film. The character of father Merrin could have been written for Max Von Sydow (who played him in the film). I would give this four stars as i thought it ended a little too quickly and it would have been better if the ending had been stretched out and explained (like the film).
  
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Blazing Minds (92 KP) rated Flash Gordon (1980) in Movies

Nov 1, 2021 (Updated Nov 3, 2021)  
Flash Gordon (1980)
Flash Gordon (1980)
1980 | Action, Comedy, Sci-Fi
Back in 1980 I sadly didn’t get the chance to see the adventures of Flash Gordon on the big screen, but over the years I watched it so many times in the various formats from VHS to DVD, so now that Cinemas are back open in Wales and it’s the 40th Anniversary of the movie I really didn’t want to miss the chance to see Sam Jones and Brian Blessed on the big screen in the cult 80s movie.

Directed by Mike Hodges and starring Sam J. Jones, Brian Blessed, Melody Anderson, Max von Sydow and many more great names of the time, Flash Gordon went through some turbulent times in bringing the character to the big screen, but over the years the film has built a cult following and fans love the film.

Flash Gordon may have its flaws, such as some of the dodgy special effects such as seeing the background through semi-translucent characters but this all adds to the charm of the film, it does for me and although you can certainly see these issues much more on the big screen it doesn’t distract you from the fun and craziness of the film.
  
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Zach Galligan recommended The Exorcist (1973) in Movies (curated)

 
The Exorcist (1973)
The Exorcist (1973)
1973 | Horror

"This happens to be a Warner Bros movie [like Gremlins]. William Friedkin is one of my favorite filmmakers, I love everything that he does. I loved Killer Joe, I loved a lot of stuff that he did, he’s just great. But The Exorcist is really one of the few perfectly done movies. I also had a huge thrill because later in my career, Ellen Burstyn played my mom [in Surviving], so I got to know her. She’s magnificent. Lee J. Cobb is great in the movie, Jason Miller is incredible, Max Von Sydow is also amazing in the movie — the guy’s like 40 years old and they made him up to be a 70 year old man. Now he actually looks like Father Marin, but back then, he was 10 years younger than I am now. Everyone goes “Oh, Brando is great in The Godfather because he does the accent.” He was 47. He plays like a 66 year old man, maybe a little older, and he’s three years younger than I am now. Google “Marlon Brando Godfather makeup” and there’s a series of pictures of him sitting in the chair, this handsome late 40s guy, and when he’s done the transformation is unbelievable. It’s so trippy."

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Awix (3310 KP) rated Dune (1984) in Movies

Jul 21, 2021  
Dune (1984)
Dune (1984)
1984 | Sci-Fi
David Lynch's crack at the famous novel buckles under the weight of the sheer amount of exposition the director feels compelled to include; it's not even especially good exposition as the story remains sluggish and bafflingly impenetrable (even if you've read the book). A young man is caught up in the power-politics of a galactic empire and rises to become a superhuman, messianic figure - not that any of this would be at all clear without the voice-overs which keep explaining what's actually going on; scenes themselves are usually windy affairs with characters talking bafflegab about Gom Jabbars, the Water of Life, the Shai-Halud, the weirding way, and the Kwisatz Haderach. All that's wrong with the film is summed up by the fact the final line is someone declaring 'He is the Kwisatz Haderach!' when it is still unclear why this is important and what it even means.

Fine actors like Patrick Stewart, Max von Sydow and Sian Phillips stand around doing their best with the material; some lavish sets and interesting costumes, and the music is rousing and imperious; you always know when something important is happening even if you don't really understand what it is or what it signifies. But it's all basically form without content on a lavish scale; a relatively simple story drowns in background details.
  
The Seventh Seal (Det Sjunde inseglet) (1957)
The Seventh Seal (Det Sjunde inseglet) (1957)
1957 | Action, International, Classics
7.8 (4 Ratings)
Movie Favorite

"The next one, I think we got to go to Bergman. We go to go to Seventh Seal. Seventh Seal just knocked me dead. On many levels, it’s such a simple film. You’ve got Mary and Joseph, the young people with their little traveling theater, and then you’ve got the knight. I think it was the way he dealt with the Middle Ages and intrigued me with Death there at playing chess. Those were images that just stuck in my head. It was funny. When I was doing Parnassus, I went back and looked at it, because I was trying to remind myself what Mary and Joseph and their little traveling theater was like. I had forgotten so much detail. That was just a really important film, and Max von Sydow was something… The first time I had seen basically a non-American actor at work. He looked different. He behaved differently. Because, you know, I grew up with Dean Martin, Jerry Lewis, Doris Day, Rock Hudson — shiny teeth and beautifully combed hair and all of that nonsense. Something profound was going on in that movie without pointing fingers at anything. It just did it. The squire — that was Gunnar Björnstrand, I think — was just a great character, the cynic in the midst of it all. I remember when he was talking, when he was in this church, and all the frescoes are there, and it’s just profound filmmaking."

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Extremely Loud & Incredibly Close (2012)
Extremely Loud & Incredibly Close (2012)
2012 | Drama
Oskar Schell (Horn) and his father Thomas (Hanks) share a special bond, the pair seem inseparable. They spend most nights together reading books and solving puzzles with Thomas regaling stories of a mysterious sixth borough once part of New York.

When the 9/11 attacks tear the city apart it also rips apart the the Schell family as they come to terms with the loss of Thomas. Sandra Bullock supports as a grieving wife and a mother that has seemingly lost all control over her son. Oskar is himself a unique individual blessed with high intelligence he struggles to fill the void left by his father, but when he gains the courage to venture into his parents bedroom and his father’s closet he finds a key which leads him on a journey of self discovery and ultimate closure.

I have a bit of a gripe when it comes to child actors, their talents are almost so good it is beyond their own age and their performances can be over elaborated. Horn delivers a performance with gusto and it’s a credit to him. If occasionally annoying at times. Oskar’s journey takes him all over New York city, through its boroughs and interacting with its inhabitants all of whom have been affected by the terrible tragedy in someway.

Oskar links the key to the name Black, believing this to be a person he creates himself a map and intricate catalogue of every individual in New York by this name.He sets himself the goal of speaking to every last person, no matter how long it is going to take and records everything in a journal with photographs to accompany his experiences with them. Bullock gives an assured performance as a grief stricken and desperate mother

Max von Sydow joins him on his quest as a mysterious old man who doesn’t speak and only communicates through a notepad and pen. He himself has his own set of personal problems and its obvious from the outset just who he is. Von Sydow gives a typically brilliant performance even without the use of dialogue. The film is drawn out, too long for its own good. We’re desperate to understand just where this key fits and when the pieces of the jigsaw are finally complete we feel about the same disappointment as Oskar does.

That’s not to say the film is without its merits, and director Stephen Daldry and writer Eric Roth deal with the implications of Oskar and his problems extremely well, using flashbacks you can really begin to unravel the complexities of the 11-year olds inner psyche. I enjoyed the film but wouldn’t say I was completely comfortable with it for some parts, the ending, while closing the narrative, left me feeling somewhat annoyed and that’s a feeling that sticks with me long after the credits go up.
  
Needful Things (1993)
Needful Things (1993)
1993 | Horror
Verdict: One of King’s Most Interesting Stories

Story: Needful Things starts when Leland Gaunt (von Sydow) opens up an antique shop in the small town of Castle Rock, the shop known as Needful Things, see the locals visit, with them getting an unusually attachment to certain items in the shop, items that are clearly meant for each individual person, one that strikes a memory.
As the town starts flocking to the shop, it becomes clear that Leland has alternate plans for the town, with Sheriff Alan Pangborn (Harris) needing to investigate a new increase amount of small crimes, which slowly start to build in seriousness before the town turns to chaos.

Thoughts on Needful Things

Characters – Leland Gaunt is the mysterious shopkeeper that arrives to Castle Rock, his shop has everything the people of the town want and he knows everything about everyone in the town. He trades their desires for favours, which mostly involve going against people in the town, he knows how to remain calm through the conversations, knowing just what they want to hear. Sheriff Alan Pangborn left the big city for a quiet life, he is enjoying his life in the town, with his new fiancée, until the crime levels start to rise, which sees him going from dealing with cats in trees, to murders, can he stop the power Leland has over the town before it is too late. Polly is Alan’s fiancée, she runs the local diner opposite the new shop, she doesn’t run in like some of the other residents, which sees her witnessing the changes from the locals. Nettie is a shy former abuse victim that becomes one of the first customers of the shop, showing how easily people can like what he is willing to offer. We do get a string of people that start to get caught in his ideas.
Performances – Max von Sydow is wonderful to watch in this film, he gives the character the mystery and charisma he needs to seem like a friendly person. Ed Harris is always good to watch, here he does the small town cop routine with ease, playing a good man who must help his people. Bennie Bedelia is strong without getting enough important early scenes to make us understand how disturbed her character’s life is.
Story – The story here follows a small town that gets a new visitor in a shopkeeper that soon starts giving the locals everything they ever wanted, for a price, which sees the town turn to chaos and the sheriff needing to solve the problem before it is too late. This is one of the most interesting of the Stephen King stories, it looks at human desires taking control over our own sanity, how one town can be turned upside down by the ideas of what could be ours, rather than giving us what we need. The story is shown to unfold at a delightful pace because it shows how the deals are put in place with each deal, slowly starting to growing from disruptive behaviour right up to murder. The story does rely on the idea of town working together to prove themselves.
Fantasy/Horror – The fantasy side of the film shows just how Leland can bring about whatever the person in the town wants, he can make the impossible, possible, which only plays into the horrors of just what he can do to this world, when people get everything they ever wanted.
Settings – The film is set in the small town of Castle Rock, this is one location where everybody knows each other, which is one of the trademarks for any Stephen King novel.
Special Effects – The effects in the film are very simple, they do play into the idea of fantasy elements, when we see just what will happen with the power given to the people.

Scene of the Movie – He is a monster.
That Moment That Annoyed Me – It does feel like it could have gone a lot darker.
Final Thoughts – This is easily one of the more underrated of Stephen King’s adaptions, it gives us a perfect moral dilemma and keeps everything feel a lot more grounded for a horror one.

Overall: Entertaining throughout.