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Last Flag Flying (2017)
Last Flag Flying (2017)
2017 | Comedy, Drama
The true cost of war goes beyond the numbers of the dead and wounded that we see in textbooks, lectures, and in news reports. Each number represents a person who either perished or was injured. We overlook the extended impact that this loss of life or experience has on their families and friends. Even more, we often overlook the lasting impact that warfare has on the men and women exposed to it.

In Last Flag Flying Steve Carell (The Office, 40-Year-Old Virgin), Brian Cranston (Breaking Bad), and Laurence Fishburne (The Matrix) play veterans who reunite thirty years after serving together in Vietnam to bury one of their sons who has been killed in Iraq. Doc (Steve Carell) tracks down his friends in order to find some closure as to events they faced in their past and to find some sanity and clarity in the death of his son.

The film brings home the horror of war and demonstrates how men and women, out of a sense of duty, find themselves in the same situation as previous generations as they left home to serve their nation. The film is uncomfortable, with good reason, as it makes audiences reflect on the meaning of sacrifice, duty, and honor. The three characters offer the film the opportunity to demonstrate the contrast between youth and experience. It demonstrates how people can have the same experiences but are changed by it to varying degrees. Nothing is uniform about how they adapt to their experiences or in how they cope with the horrors they witnessed.

Last Flag Flying offers a much-needed, sobering perspective about war and how the experiences of war never quite leave those who survived. Carell, Cranston, and Fishburne offer up performances that demonstrate the power of friendship and brotherhood that forms for those who serve together. For those who served and those who haven’t, the film offers audiences the ability to gain a greater understanding of what life is like for those men and women once they take off the uniform.
  
Phantom Thread (2017)
Phantom Thread (2017)
2017 | Drama
Excellent performances (2 more)
Interesting concept
Beautiful cinematography
An intense character study with a side of high fashion
Contains spoilers, click to show
I haven't been able to stop thinking about this movie for days. On the surface, it's a somewhat absurd look into the life of a overly privileged, egotistical fashion designer (Day-Lewis). His every whim is provided for by his stoic sister (Manville) and a number of lovers that he, in some way or other, always manages to drive away.

It should have been forgettable, but, in fact was the complete opposite.

The lack of context really makes this film. There are clues throughout, the odd word or image littered here and there, but it is left almost entirely to the audience to piece together the meaning of everything. Woodcock clearly has issues when it comes to his mother, who taught him everything he knew and who died years before the film takes place. He projects these issues onto those around him, involving them in the "game" that is his life. As we, the audience, begin to realise this, so, too, does Alma (Krieps), his current lover. She repeatedly poisons him, knowing the only time she will be truly alone and at his full attention is when he is incapable of being anywhere else. She takes care of him almost as a mother would a small child, further adding to (or relieving?) already prevalent issues in him.

The more I think about this film, the more I love it. I admit, I didn't care for it at all when I first walked out of the cinema, but as time has passed - as I've had a chance to digest and unpack all the gifts this film gives - I find myself liking it more and more. A second viewing is definitely on the cards.
  
I would give this 3.5 stars but round it up to 4. While an Offer From A Gentleman has not been my favourite of the Bridgerton books I’ve read so far, it still has the ease of reading that the rest of the series has, meaning that I read it in a day again!
Benedict’s story is a retelling of the classic Cinderella story, with Sophie being the daughter of an Earl who dies suddenly and her stepmother moves her into a life of servitude. In fact, the whole book gave reminded me of the film Ever After with some of the actions and situations that Sophie found herself in.
When I first started reading and realised that it was going to be a retelling of Cinderella, I thought that I would get bored very quickly and was doubtful that I would enjoy the book at all. But I was most definitely wrong. Although Benedict definitely didn’t act like a gentleman for a lot of the book, I was glad when he realised that he had been wrong and apologised to Sophie. I also realise that by todays standards he may not have been acting like a gentleman, but back in 1817 when the majority of the book is set, that is exactly how they acted and they were very much focused on not marrying out of their class.
I flew through this, mainly because of the ease of reading Julia Quinn’s writing and also her ability to make you want to know what happens to her characters. I’m looking forward to moving onto the 4th instalment!