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Frozen 2: Dangerous Secrets: The Story of Iduna and Agnarr
9.5
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Book
Sixteen-year-old Iduna harbors a dark secret. On the surface, she is an Arendellian village girl, an...
We Experienced Christ: Spiritual Encounters with Jesus Christ: Reports from the Religious-Social Institute, Stockholm
Gunnar Hillerdal and Berndt Gustafsson
Book
'And at this moment a peculiar, inconceivable, but wonderful thing happened. Suddenly - I assure...
Signs
Book
Laura Lynne Jackson is a psychic medium and the author of the New York Times bestseller The Light...
An honest and emotional YA read
Grace Welles is fifteen, trapped at a third-rate boarding school in Florida, and pretty much resigned to a lonely and miserable life. Her father has another (real) family in California, sneaking away to occasionally remember that Grace and her beautiful, flighty mother exist. Grace has no friends. But one day she helps a fellow student, Wade, who is being attacked by a group of popular boys. The two form a strange friendship that eventually blossoms into more. Suddenly, life has meaning. But with this meaning, comes feelings, and the realization that there may be more to Wade than his kind and cool exterior.
I've been sitting on this review, because I honestly cannot tell if this book was amazing or terrible. I know, I know--how is that possible? Helnwein has written something very different here, in many ways: a raw, awkward story that often makes you cringe and want to look away. She spares no detail (or language) when covering Gracie's forays into friendship, drinking, and sex. You forget she's fifteen/sixteen, which is probably what makes it so hard, at times. Yes, she's alone at boarding school, but still? Is this what happens at boarding school? Perhaps that's my problem with all boarding school tales. (At least no one gets murdered.) It's a paradox. Grace falls in love with her biology teacher, which seems sweetly realistic. But when he rejects her, she curses him, destroys his property, and more--is this truly allowed, even at a third rate school? Every thing is excused as "needing the tuition money." Not so realistic.
If you're able to overlook the terrifying behavior of these young students (perhaps made all the more frightening to me, as the mother of young daughters, one of whom is actually named Grace), there are some poignant moments here. Helnwein really does capture the beauty and absolute fear of falling in love for the first time, and Grace and Wade's relationship is pretty magical. The self-centeredness of adolescence--how the world revolves around nothing else. Much of Grace's coming of age is realizing that a great big world exists beyond her. But it's tender and sweet watching her fall. There are some cute friendships too.
At many times, this is a funny and heartbreaking book. There are a lot of serious topics hidden between the craziness. Gracie and Wade are truly lovely characters, and I cared for both of them deeply. I think I was just thrown by some of the characters acting/speaking older than their age and the fact that the book truly tells it how it is, right in your face. It takes a bit of an adjustment. I'm not sure this book is for everyone, but there's a tenderness and beauty to it, and I think many teens would enjoy it. 3 stars.
I've been sitting on this review, because I honestly cannot tell if this book was amazing or terrible. I know, I know--how is that possible? Helnwein has written something very different here, in many ways: a raw, awkward story that often makes you cringe and want to look away. She spares no detail (or language) when covering Gracie's forays into friendship, drinking, and sex. You forget she's fifteen/sixteen, which is probably what makes it so hard, at times. Yes, she's alone at boarding school, but still? Is this what happens at boarding school? Perhaps that's my problem with all boarding school tales. (At least no one gets murdered.) It's a paradox. Grace falls in love with her biology teacher, which seems sweetly realistic. But when he rejects her, she curses him, destroys his property, and more--is this truly allowed, even at a third rate school? Every thing is excused as "needing the tuition money." Not so realistic.
If you're able to overlook the terrifying behavior of these young students (perhaps made all the more frightening to me, as the mother of young daughters, one of whom is actually named Grace), there are some poignant moments here. Helnwein really does capture the beauty and absolute fear of falling in love for the first time, and Grace and Wade's relationship is pretty magical. The self-centeredness of adolescence--how the world revolves around nothing else. Much of Grace's coming of age is realizing that a great big world exists beyond her. But it's tender and sweet watching her fall. There are some cute friendships too.
At many times, this is a funny and heartbreaking book. There are a lot of serious topics hidden between the craziness. Gracie and Wade are truly lovely characters, and I cared for both of them deeply. I think I was just thrown by some of the characters acting/speaking older than their age and the fact that the book truly tells it how it is, right in your face. It takes a bit of an adjustment. I'm not sure this book is for everyone, but there's a tenderness and beauty to it, and I think many teens would enjoy it. 3 stars.
The Keeper Of Lost Things
7.8
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A charming, clever, and quietly moving debut novel of of endless possibilities and joyful...
A Distant Heart
Book
Born to her parents in Mumbai as a result of prayer, pilgrimage, and every fertility treatment known...
fiction
Joe Goodhart (27 KP) rated Born a Crime: Stories from a South African Childhood in Books
Nov 30, 2020
As it states in my profile on here, I will read non-fiction, but it really depends on the subject matter. My usual reading go-to is fiction. I like the distraction, the "virtual escape" it provides from Life now and again. Trevor Noah's recollections of growing up in South Africa was definitely the non-fiction I did not know I was seeking.
I am turned 50 last November. I can remember Ronald Reagan's presidency in the 80s. I can also remember hearing about apartheid, and later, Nelson Mandela in the news at the time, thinking it quite bad, but not really knowing/understanding the fullest extent to just how bad it truly was. Through Trevor's stories, I truly what apartheid was and the horrible conditions non-white people were forced to live under.
The stories are presented in such way as to be insightful, but to also, at times, to be fun or amusing or even serious. We learn the meaning behind to the book's title, BORN A CRIME, and what that means for Trevor's life growing up in both apartheid/post-apartheid South Africa.
Profoundly eye-opening! It should definitely be <b>required reading</b> in high school! Jus' sayin'..
I am turned 50 last November. I can remember Ronald Reagan's presidency in the 80s. I can also remember hearing about apartheid, and later, Nelson Mandela in the news at the time, thinking it quite bad, but not really knowing/understanding the fullest extent to just how bad it truly was. Through Trevor's stories, I truly what apartheid was and the horrible conditions non-white people were forced to live under.
The stories are presented in such way as to be insightful, but to also, at times, to be fun or amusing or even serious. We learn the meaning behind to the book's title, BORN A CRIME, and what that means for Trevor's life growing up in both apartheid/post-apartheid South Africa.
Profoundly eye-opening! It should definitely be <b>required reading</b> in high school! Jus' sayin'..
ED
Events Design and Experience
Book
For the first time Events Design and Experience draws together the relationship between event design...
KW
Karol Wojtyla's Personalist Philosophy: Understanding Person and Act
Miguel Acosta and Adrian J. Reimers
Book
An important milestone of 20th Century philosophy was the rise of personalism. After the crimes and...
Andy K (10823 KP) rated Enter the Void (Soudain le vide) (2010) in Movies
Oct 13, 2019
WOW!
Not many modern filmmakers garner such a reputation for being controversial and are well deserved. Lars von Trier and Ari Aster come to mind, but I am sure there are others. They pull no punches with their work, so most provoke extreme reactions either love or hate. Maybe also appreciate the art form or what they are trying to say, but do not enjoy the extreme sex or violence or shock value from many of their scenes.
From the psychedelic opening credits (which are the complete film credits by the way, meaning no end credits at all) this film grabs your attention and should immediately realize what you are about to watch is going to be different, exciting, revolting and most of all unique in every way from most movies you have seen in your life until now.
The film focuses on the relationship between Oscar and Linda, a brother and sister living in Japan when tragedy strikes. Oscar goes to meet a friend for a drug deal only to have something go very wrong. For some reason, the police are present and pursue Oscar to the bathroom where he tries to dispense the drugs eliminating the evidence down the facilities. Shortly after, Oscar is shot in the chest and dies on the bathroom floor.
It seems as if Oscar's "soul" leaves his body and begins a hallucinatory journey interacting with his former friends, acquaintances and sister in a spiritual and mind blowing way to help make him and the audience understand the events which led to his death.
The siblings have had a rough life including the horrible death of their parents in an automobile accident when they were young. They were in the back seat as well, so not only witnessed the physical and emotional trauma, but also had to endure the subsequent separation from each other through foster care having to grow up without each other. Before they were separated, they made a blood pact and said they would always be there for each other no matter what.
Linda works at a dance/strip club and the forlorn about the death of her brother, but continues her job duties including dancing and having sex. She gets pregnant, then deals with the repercussions of the act. She becomes increasingly despondent with her life and wishes her brother was still with her.
Oscar's spirit meanders through the lives of his former life watching and understanding the emotions of those left on Earth.
The film is hard to explain and therefore maybe hard to understand as well. This seems to be one of those movies that is not only the words that are spoken, but the emotions that are portrayed and not said aloud. Whatever you believe spiritually about the soul and reincarnation, this film is not here to change your religious beliefs. It is shown in "first person" most of the time, so you interact with the characters of Oscar's life just as he is.
The use of neon colors both on the exterior cityscape of Japan and interior shots o the dance club are gorgeous and reminded me of what the world would appear as if life used a blacklight. The sequences of drug use could not be described as anything else other than living artwork. The rainbow kaleidoscope of the "trip" were reminiscent of "2001: A Space Odyssey" and I read afterwards which is where Noe drew some of his inspiration.
Undoubtedly, the multitude of graphic sex scenes and shocking imagery will turn many off as some of it is pretty extreme, but I feel suits this film symbiotically and perfectly. In fact, the second half of the film is more style than substance (which you could probably say for a lot of Noe's films), but somehow you don't mind since you are along for the ride and enjoy the spectacle anyways.
After reading about the film after my viewing, I discovered there is a "director's cut" including around 20 minutes of additional scenes bring the running time to over 2 1/2 hours.
It looks like I'll be getting the Blu-Ray and watching again in a few weeks!
From the psychedelic opening credits (which are the complete film credits by the way, meaning no end credits at all) this film grabs your attention and should immediately realize what you are about to watch is going to be different, exciting, revolting and most of all unique in every way from most movies you have seen in your life until now.
The film focuses on the relationship between Oscar and Linda, a brother and sister living in Japan when tragedy strikes. Oscar goes to meet a friend for a drug deal only to have something go very wrong. For some reason, the police are present and pursue Oscar to the bathroom where he tries to dispense the drugs eliminating the evidence down the facilities. Shortly after, Oscar is shot in the chest and dies on the bathroom floor.
It seems as if Oscar's "soul" leaves his body and begins a hallucinatory journey interacting with his former friends, acquaintances and sister in a spiritual and mind blowing way to help make him and the audience understand the events which led to his death.
The siblings have had a rough life including the horrible death of their parents in an automobile accident when they were young. They were in the back seat as well, so not only witnessed the physical and emotional trauma, but also had to endure the subsequent separation from each other through foster care having to grow up without each other. Before they were separated, they made a blood pact and said they would always be there for each other no matter what.
Linda works at a dance/strip club and the forlorn about the death of her brother, but continues her job duties including dancing and having sex. She gets pregnant, then deals with the repercussions of the act. She becomes increasingly despondent with her life and wishes her brother was still with her.
Oscar's spirit meanders through the lives of his former life watching and understanding the emotions of those left on Earth.
The film is hard to explain and therefore maybe hard to understand as well. This seems to be one of those movies that is not only the words that are spoken, but the emotions that are portrayed and not said aloud. Whatever you believe spiritually about the soul and reincarnation, this film is not here to change your religious beliefs. It is shown in "first person" most of the time, so you interact with the characters of Oscar's life just as he is.
The use of neon colors both on the exterior cityscape of Japan and interior shots o the dance club are gorgeous and reminded me of what the world would appear as if life used a blacklight. The sequences of drug use could not be described as anything else other than living artwork. The rainbow kaleidoscope of the "trip" were reminiscent of "2001: A Space Odyssey" and I read afterwards which is where Noe drew some of his inspiration.
Undoubtedly, the multitude of graphic sex scenes and shocking imagery will turn many off as some of it is pretty extreme, but I feel suits this film symbiotically and perfectly. In fact, the second half of the film is more style than substance (which you could probably say for a lot of Noe's films), but somehow you don't mind since you are along for the ride and enjoy the spectacle anyways.
After reading about the film after my viewing, I discovered there is a "director's cut" including around 20 minutes of additional scenes bring the running time to over 2 1/2 hours.
It looks like I'll be getting the Blu-Ray and watching again in a few weeks!