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Kristina (502 KP) rated The Woman in the Window in Books
Dec 7, 2020
The Woman in the Window ended on a high and unexpected note. The surprise ending pushed it from a 2.5 to a 3, really. On and off, the story became boring, then interesting, so on and so forth. It took me quite a while to read it because of this switch off, but the moments it became interesting kept me going all the way until the end - and I'm glad I persevered. Anna was dealing with so many things: the separation from her husband, agoraphobia, multiple medications, and alcoholism. As I berated her for swallowing another glass of wine, I also felt bad for her and the unimaginable situation she lived in. Every part of me empathized with her as each introduced character found a way to discredit what she believed she had seen; I was continuously wagging a figurative finger at the empty bottles of wine in her kitchen. I waited for her to realize just how much damage the alcohol was causing, how mixing it with her medications (especially the one with hallucinations as a side effect) was causing her to spiral out of control. Even still, I wanted to believe her - she was so adamant, so sure of herself, you can't help but wish she weren't drunk and doped on meds all the time. It was fun watching each piece of the puzzle shift, fitting in multiple places or not fitting in at all, to suddenly adding up to a whole picture. I can't believe I'm saying this, but I would look forward to seeing this one on the big screen, if it were to happen.
Before She Knew Him
8.3
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Book
Catching a killer is dangerous—especially if he lives next door From the hugely talented...
Thriller Psychological Mystery
CareZone | Health Organizer
Medical and Productivity
App
CareZone makes it simpler to take care of yourself, an aging parent, and other family members that...
BlutdruckDaten
Medical and Health & Fitness
App
* Voted as Top Health App 2014 by doctors at HealthTap * Recommended by the Austrian society for...
Babycare Tracker - Baby Activities and Growth Log
Medical and Health & Fitness
App
Babycare tracker helps you out from the mess of caring baby. This app keeps mommies organized in...
Free Menstrual Calendar For Periods and Ovulations
Medical and Health & Fitness
App
Free Menstrual Calendar is an easy to use calendar to record and predict your periods and fertile...
How to Murder Your Life
5.0
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Book
"I was twenty-six years old and an associate beauty editor at Lucky, one of the top fashion...
Gareth von Kallenbach (980 KP) rated Side Effects (2013) in Movies
Aug 7, 2019
Steven Soderbergh has been toying with the notion of retirement for a couple of years now, and has said that “Side Effects” will be his final film. I certainly hope not.
As its title intones, “Side Effects” is a movie about what can happen when prescription medications, such as anti-depressants, can do at their worst, leading to anyone who taking them wishing they weren’t. The movie certainly starts out looking like a propaganda-film about how Doctor’s push these drugs onto patients as they are paid by pharmaceutical representatives to test their drugs. It seems that everyone in the film is taking meds of some form or another. The cast for the film should be a recipe for success: Jude Law, Rooney Mara, Catherine Zeta-Jones and Channing Tatum. But because of this perception, the first two-thirds of the film nearly put me to sleep. And then a twist happened that the made the plot extremely complex and worth watching. In many ways, the less said about “Side Effects,” the better. This may produce a better experience for you than I had. But here’s the basic idea of the movie:
Emily Taylor, played by Rooney Mara, is introduced when she is visiting her husband Martin (Tatum), a man convicted of insider trading who is about to be released after four years behind bars. Martin’s discharge happens uneventfully, but adjusting to the new life of poverty rehashes the depression that first plagued Emily when her husband’s prison term started. This leads to Emily crashing her car head-on into the wall of the garage in her apartment building. While in the hospital, rules force her to see psychiatrist Jonathan Banks (Law).
Up until this point, I had trouble connecting with Mara’s character. While it is revealed that she had mental problems prior to this episode, you don’t really completely grasp what it is until later in the movie. Mara seemed to be very stiff, and way too much like her emotionless character from “The Girl with the Dragon Tattoo.” But then we enter Jude Law. Law’s character, Banks, is friendly, approachable and caring. He is what first drew me deeper into the movie. Though, you soon discover that he is a doctor who believes in the power of drugs. This character kept me interested because I couldn’t quite nail if he was going to be an antagonist or protagonist.
Of course our dear Dr. Banks prescribes some medications to Emily and she begins showing some disturbing side effects and… The side effects lead to really terrible, bloody things which ruins careers, lives, and even drive people to madness. Or does it?
As its title intones, “Side Effects” is a movie about what can happen when prescription medications, such as anti-depressants, can do at their worst, leading to anyone who taking them wishing they weren’t. The movie certainly starts out looking like a propaganda-film about how Doctor’s push these drugs onto patients as they are paid by pharmaceutical representatives to test their drugs. It seems that everyone in the film is taking meds of some form or another. The cast for the film should be a recipe for success: Jude Law, Rooney Mara, Catherine Zeta-Jones and Channing Tatum. But because of this perception, the first two-thirds of the film nearly put me to sleep. And then a twist happened that the made the plot extremely complex and worth watching. In many ways, the less said about “Side Effects,” the better. This may produce a better experience for you than I had. But here’s the basic idea of the movie:
Emily Taylor, played by Rooney Mara, is introduced when she is visiting her husband Martin (Tatum), a man convicted of insider trading who is about to be released after four years behind bars. Martin’s discharge happens uneventfully, but adjusting to the new life of poverty rehashes the depression that first plagued Emily when her husband’s prison term started. This leads to Emily crashing her car head-on into the wall of the garage in her apartment building. While in the hospital, rules force her to see psychiatrist Jonathan Banks (Law).
Up until this point, I had trouble connecting with Mara’s character. While it is revealed that she had mental problems prior to this episode, you don’t really completely grasp what it is until later in the movie. Mara seemed to be very stiff, and way too much like her emotionless character from “The Girl with the Dragon Tattoo.” But then we enter Jude Law. Law’s character, Banks, is friendly, approachable and caring. He is what first drew me deeper into the movie. Though, you soon discover that he is a doctor who believes in the power of drugs. This character kept me interested because I couldn’t quite nail if he was going to be an antagonist or protagonist.
Of course our dear Dr. Banks prescribes some medications to Emily and she begins showing some disturbing side effects and… The side effects lead to really terrible, bloody things which ruins careers, lives, and even drive people to madness. Or does it?
LeftSideCut (3776 KP) rated American Horror Story - Season 7 in TV
Mar 8, 2020
Season 7 of American Horror Story, subtitled Cult, is a weird one. Instead of focusing on the supernatural, ghosts, witches, haunted houses, Cult is a trip through the delicacy of the human mind. It instead looks at fears, real world issues, and of course, the presence of an all too familiar cult like family.
This makes for some of the best and worst aspects of AHS Cult. The plot leans heavily into politics this time around, originally airing not long Donald Trump was sworn in. I personally like that this season takes this real world event, and explores the horror that some people experienced during this time. Others would argue that it's very on-the-nose, which is somewhat true. Some of the political leanings carry all the subtlety of a stampeding cattle herd, andnat times can feel heavy handed.
Underneath all of the IRL shit that's going on, we also have a plot of intrigue and mystery, as the main character Ally (Sarah Paulson) is being apparently being stalked and pursued by clowns - her worst fear. We are given reason to believe that perhaps Ally is losing her mind, off her meds, upset with the election result, but as the season continues, you find yourself questioning whether she is in fact being gaslighted. Manipulation of what you believe to be true or false is a terrible horror all on its own, and a big reason why I rate this season highly.
The star of Cult for me though was of course Evan Peters. Playing a deranged political candidate called Kai Anderson, it's not long before his extreme right views Garner him a following, and the titular cult is created. To say anymore would be considered spoilers, but rest assured that all of these plot strands weave together by the time the story climaxes.
Evan Peters role in Cult is my favourite performance if his to date. His character is simultaneously charming, terrifying, smart, and unhinged, and he does a fantastic job in bringing him to life.
The plot also touches upon other real world figures, such as Charles Manson. Those parts were pretty interesting, but when the show flashes back and focuses on Valerie Solanis (Lena Dunham), it lost me a bit. I like when AHS includes real life characters, and it's always fun to see how they are interpreted in this kind of media, but it goes a bit overboard with it's hammy stuff (again) at times - the whole Andy Warhol plot was a massive eye roll in my book - and the Solanis stuff is just plain unenjoyable to watch.
This whole side plot really drags down the quality of cult to me, but the strong performances by Sarah Paulson and Evan Peters is enough to keep it in a higher placing for me.
Certainly not my favourite, and certainly not my least, Cult sits somewhere in the middle, and I can only praise the writers for trying something new with the horror element. Good stuff.
This makes for some of the best and worst aspects of AHS Cult. The plot leans heavily into politics this time around, originally airing not long Donald Trump was sworn in. I personally like that this season takes this real world event, and explores the horror that some people experienced during this time. Others would argue that it's very on-the-nose, which is somewhat true. Some of the political leanings carry all the subtlety of a stampeding cattle herd, andnat times can feel heavy handed.
Underneath all of the IRL shit that's going on, we also have a plot of intrigue and mystery, as the main character Ally (Sarah Paulson) is being apparently being stalked and pursued by clowns - her worst fear. We are given reason to believe that perhaps Ally is losing her mind, off her meds, upset with the election result, but as the season continues, you find yourself questioning whether she is in fact being gaslighted. Manipulation of what you believe to be true or false is a terrible horror all on its own, and a big reason why I rate this season highly.
The star of Cult for me though was of course Evan Peters. Playing a deranged political candidate called Kai Anderson, it's not long before his extreme right views Garner him a following, and the titular cult is created. To say anymore would be considered spoilers, but rest assured that all of these plot strands weave together by the time the story climaxes.
Evan Peters role in Cult is my favourite performance if his to date. His character is simultaneously charming, terrifying, smart, and unhinged, and he does a fantastic job in bringing him to life.
The plot also touches upon other real world figures, such as Charles Manson. Those parts were pretty interesting, but when the show flashes back and focuses on Valerie Solanis (Lena Dunham), it lost me a bit. I like when AHS includes real life characters, and it's always fun to see how they are interpreted in this kind of media, but it goes a bit overboard with it's hammy stuff (again) at times - the whole Andy Warhol plot was a massive eye roll in my book - and the Solanis stuff is just plain unenjoyable to watch.
This whole side plot really drags down the quality of cult to me, but the strong performances by Sarah Paulson and Evan Peters is enough to keep it in a higher placing for me.
Certainly not my favourite, and certainly not my least, Cult sits somewhere in the middle, and I can only praise the writers for trying something new with the horror element. Good stuff.