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Bob Mann (459 KP) rated Deepwater Horizon (2016) in Movies
Sep 29, 2021
“Full of sound and fury, Signifying nothing” could be a summary of this modern-age disaster movie. In 2010 the “Deepwater Horizon” drilling rig off the coast of Louisiana failed in spectacular fashion, bursting into flames and spewing millions of barrels of crude oil into the Gulf of Mexico in what was the worst oil-spill in American history. Mark Wahlberg plays the well-respected electrical ‘Mr fixit’ Mike Williams on the rig, reporting to the Operations Manager Jimmy Harrell (Kurt Russell).
The exploratory project is way-behind and BP are not happy. Big-wigs from the company add support to Donald Vidrine, the BP site leader, in applying mounting pressure on Harrell to press on regardless without all the necessary and time-consuming tests by Schlumberger being completed. Rogue numbers in further tests are waved away as ‘glitches’. A familiar story of corporate greed and pressure overriding the expert’s better judgment.
When disaster strikes it strikes quickly, with some spectacular and exciting special effects that leave the audience especially hot under the collar. Female support is provided by the comely Andrea Fleytas (Gina Rodriguez), given the almost impossible job of keeping the floating bomb on station as chaos reigns about her. As an audience we are back on familiar ground here from classic Irwin Allen disaster movies such as “The Towering Inferno” and “The Poseidon Adventure”. Who will make it, and who won’t?
A more telling question here is “Do we care?” and unfortunately for the film, the answer is “Not really”. This feels a callous thing to say when this was a real and recent event and eleven people and – as touchingly illustrated at the end of the film in tribute – many of them family men with young kids, never went home again. But film-wise, we only really get bought into the fate of Williams, whose back-story, with cute wife (Kate Hudson) and cute daughter (Stella Allen) we get to meet and sympathize with.
We get a minimalist view of Fleytas’s backstory, but only enough to provide a recurring “Mustang” reference. And that’s it. All the other characters are just two-dimensional “rig crew”: cannon-fodder for the special effects team. The screenplay by Matthew Sand and Matthew Carnahan really doesn’t deliver enough heft to get us bought in.
While the special effects are good, the sound design isn’t, with much of the dialogue being incomprehensible.
All the acting is fine, with the ever-watchable John Malkovich nicely portraying the corporate head you love to hate. Wahlberg as well delivers enough range to make you forget in this “action mode” that he was also in “Ted”. And Rodriguez as a junior lead holds her own against the big guns in what is a creditable performance in a big film role for her.
While “Lone Survivor”/”Battleship” director Peter Berg neatly provides an insight into life on and around rigs, and (via subtitles) descriptions of the drilling process which I found interesting, this comes down to the sum of a tense build up, an hour of frenetic disaster, and then a whimper of an ending. Where were some of the dramatic scenes of conflict in the congressional hearing that the film’s opening implies might come? Where are the scenes of ecological disaster and local financial ruin to add emotional angles to the story? None of this is really exploited and the whole concoction comes across a bit “meh” as a result. Not a bad film by any means. But not one I will remember in a month or two’s time.
The exploratory project is way-behind and BP are not happy. Big-wigs from the company add support to Donald Vidrine, the BP site leader, in applying mounting pressure on Harrell to press on regardless without all the necessary and time-consuming tests by Schlumberger being completed. Rogue numbers in further tests are waved away as ‘glitches’. A familiar story of corporate greed and pressure overriding the expert’s better judgment.
When disaster strikes it strikes quickly, with some spectacular and exciting special effects that leave the audience especially hot under the collar. Female support is provided by the comely Andrea Fleytas (Gina Rodriguez), given the almost impossible job of keeping the floating bomb on station as chaos reigns about her. As an audience we are back on familiar ground here from classic Irwin Allen disaster movies such as “The Towering Inferno” and “The Poseidon Adventure”. Who will make it, and who won’t?
A more telling question here is “Do we care?” and unfortunately for the film, the answer is “Not really”. This feels a callous thing to say when this was a real and recent event and eleven people and – as touchingly illustrated at the end of the film in tribute – many of them family men with young kids, never went home again. But film-wise, we only really get bought into the fate of Williams, whose back-story, with cute wife (Kate Hudson) and cute daughter (Stella Allen) we get to meet and sympathize with.
We get a minimalist view of Fleytas’s backstory, but only enough to provide a recurring “Mustang” reference. And that’s it. All the other characters are just two-dimensional “rig crew”: cannon-fodder for the special effects team. The screenplay by Matthew Sand and Matthew Carnahan really doesn’t deliver enough heft to get us bought in.
While the special effects are good, the sound design isn’t, with much of the dialogue being incomprehensible.
All the acting is fine, with the ever-watchable John Malkovich nicely portraying the corporate head you love to hate. Wahlberg as well delivers enough range to make you forget in this “action mode” that he was also in “Ted”. And Rodriguez as a junior lead holds her own against the big guns in what is a creditable performance in a big film role for her.
While “Lone Survivor”/”Battleship” director Peter Berg neatly provides an insight into life on and around rigs, and (via subtitles) descriptions of the drilling process which I found interesting, this comes down to the sum of a tense build up, an hour of frenetic disaster, and then a whimper of an ending. Where were some of the dramatic scenes of conflict in the congressional hearing that the film’s opening implies might come? Where are the scenes of ecological disaster and local financial ruin to add emotional angles to the story? None of this is really exploited and the whole concoction comes across a bit “meh” as a result. Not a bad film by any means. But not one I will remember in a month or two’s time.
BookInspector (124 KP) rated The Flatshare in Books
Sep 24, 2020
The protagonists of this story are Tiffy and Leon. Tiffy works in publishing is an absolute extrovert who needs people in her life even to help with simple decisions, and she is coming to terms that her ex-boyfriend was an emotional abuser. Leon is a night nurse in the hospice, an absolute introvert, who needs money to help his wrongly imprisoned brother. So, yes, this book seems to be a cute rom-com, but it carries way deeper issues within itself. The book is told from a dual perspective, and I loved to find out more about each and every character. I really loved all the characters in this book, they are unique, very realistic and truly charming. Author picked the protagonists very well as well, everyone can relate either to Tiffy or Leon, and I am definitely a house Leon, I really liked his personality and his determination.
The plot of this novel is very unique and original. The whole flat-sharing thing is very intriguing, and I was dying to know when and how are the characters going to meet. There are a lot of things going on in this novel, it has rich but at the same time an easy-going story to tell. I was simply glued to this book because I needed to know how the story will end. The topics discussed in this book were property crisis, failed justice system, emotional abuse in the relationships, friendships, personal development, Love and many more.
The writing style of this book is very masterful, the author took serious topics, and covered it in funny, enjoyable, and easy to digest coating. The language used was easy to read and understandable. The chapters are short and sweet, and I didn’t even notice how the pages flew by. The ending rounded up this book perfectly and left me very satisfied with the outcome.
So, to conclude, this book deserves all the praise it gets, it is witty, enjoyable but at the same time has a punch to it. I loved the diverse and well-developed characters and the unique narrative, and I strongly recommend it to everyone. Please do give this book a go, and I hope you will like it as much as I did. Can’t wait for more books from this author.
The plot of this novel is very unique and original. The whole flat-sharing thing is very intriguing, and I was dying to know when and how are the characters going to meet. There are a lot of things going on in this novel, it has rich but at the same time an easy-going story to tell. I was simply glued to this book because I needed to know how the story will end. The topics discussed in this book were property crisis, failed justice system, emotional abuse in the relationships, friendships, personal development, Love and many more.
The writing style of this book is very masterful, the author took serious topics, and covered it in funny, enjoyable, and easy to digest coating. The language used was easy to read and understandable. The chapters are short and sweet, and I didn’t even notice how the pages flew by. The ending rounded up this book perfectly and left me very satisfied with the outcome.
So, to conclude, this book deserves all the praise it gets, it is witty, enjoyable but at the same time has a punch to it. I loved the diverse and well-developed characters and the unique narrative, and I strongly recommend it to everyone. Please do give this book a go, and I hope you will like it as much as I did. Can’t wait for more books from this author.
Debbiereadsbook (1487 KP) rated Single (Single Dads #1) in Books
Jun 28, 2019
so bloody sweet, but GOOD!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This book, this just shy of 200 pages?? So bloody sweet, I broke a tooth!
I mean it's so bloody good, so cute, warm and fuzzies too!
Ash is left, quite literally, holding the baby, and the idiot banging on his door at 3am is gonna get it if he wakes Mia up! Sean comes to rescue his friend, who just moved in next door to Ash, and is smitten, immediately, and totally with Ash, but equally, with Mia. Once Sean knows Ash is single, he wages an all out war to make him see that just because he has a baby, he doesn't have to be a monk.
Like I said, so bloody good!
Both Ash and Sean have a say, in the first person. Both voices are clearly headed, and happen as the chapter changes. Both men's voices are well defined and they tell their story well. I loved the marked differences between them too.
Ash is trying, bless him, to be the best dad he can, and is a little overwhelmed by that new dad feeling, especially now he bought Mia home, and he is alone. He thinks he won't have a life til she leaves home, and holds steadfast to that, till Sean makes him see that he doesn't need to give up on life. Ash's sister will help, his mother is a bit on the dodgy side. Their relationship is rocky at the best of times, but she tries to make amends here, she really does.
Eric and Leo are Sean best friends and house mates. Sean is an Emergency Room doctor; Eric, a fireman and Leo is a cop. They three guys are great together, and once Sean admits Ash is HIS, they look out for Ash and Mia.
There are some characters who hint at their stories, Eric and Leo included, and I can't wait to meet Brady properly: he has some tale to tell, I'm sure!
This is the first full length book I've read of Scott's that was just written by her. I've read the Owattonna U Hockey series she wrote with VL Locey. I want to read more. I really enjoyed this!
4 sickly sweet but oh so GOOD stars!
**same worded review will appear elsewhere**
This book, this just shy of 200 pages?? So bloody sweet, I broke a tooth!
I mean it's so bloody good, so cute, warm and fuzzies too!
Ash is left, quite literally, holding the baby, and the idiot banging on his door at 3am is gonna get it if he wakes Mia up! Sean comes to rescue his friend, who just moved in next door to Ash, and is smitten, immediately, and totally with Ash, but equally, with Mia. Once Sean knows Ash is single, he wages an all out war to make him see that just because he has a baby, he doesn't have to be a monk.
Like I said, so bloody good!
Both Ash and Sean have a say, in the first person. Both voices are clearly headed, and happen as the chapter changes. Both men's voices are well defined and they tell their story well. I loved the marked differences between them too.
Ash is trying, bless him, to be the best dad he can, and is a little overwhelmed by that new dad feeling, especially now he bought Mia home, and he is alone. He thinks he won't have a life til she leaves home, and holds steadfast to that, till Sean makes him see that he doesn't need to give up on life. Ash's sister will help, his mother is a bit on the dodgy side. Their relationship is rocky at the best of times, but she tries to make amends here, she really does.
Eric and Leo are Sean best friends and house mates. Sean is an Emergency Room doctor; Eric, a fireman and Leo is a cop. They three guys are great together, and once Sean admits Ash is HIS, they look out for Ash and Mia.
There are some characters who hint at their stories, Eric and Leo included, and I can't wait to meet Brady properly: he has some tale to tell, I'm sure!
This is the first full length book I've read of Scott's that was just written by her. I've read the Owattonna U Hockey series she wrote with VL Locey. I want to read more. I really enjoyed this!
4 sickly sweet but oh so GOOD stars!
**same worded review will appear elsewhere**
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Kristy H (1252 KP) rated That Night in Books
Apr 8, 2019
I cannot recommend this book enough, for teens and adults alike
It's been a year since the shooting in their town changed everything, and Jessica Nolan and Lucas Rossi are each trying to manage in their own way. Jess is trying to care for her severely depressed mom, who can barely get out of bed. That means helping pay the bills, cook the meals, and generally take care of everything. She misses her best friend desperately, but Marissa is across the country at a school for those suffering post traumatic stress. Meanwhile, Lucas is coping by taking up boxing. It helps relieve some of his stress and anxiety--and get him away from the watchful eye of his newly overprotective mom. When Jess and Lucas meet at their after-school job, they realize they have one big thing in common: their shared tragedy. It's not exactly something they want to share. But slowly the two become friends. Can they help each other move forward from some of the horrors they've been through?
Oh this book. This beautiful, sad, lovely book. It's such an immersive, amazing read. Giles gives such a great voice to her characters; even though the book has a sad topic at its core, it's also hopeful and touching, and you want to keep reading it. You know how some books seem to go out of their way to have unlikeable characters and you have to like the book in spite of them? This book is the opposite. I dare you to not fall in love with Jess and Lucas. And, oh my goodness, my heart just went out to these kids. Poor Jess. She has so much to deal with it, and so does Lucas, too. The guilt these kids feel at being alive--Giles does such an amazing job at portraying their feelings and emotions. They come across so realistically and starkly. It also portrays mental illness very well: real, without embarrassment and shame; I was impressed and heartened. What a great thing for teens to read.
I really enjoyed the fact that this novel featured a sweet romance, but not a typical one. Jess and Lucas clearly like each other, but don't immediately "meet cute" or fall for each other the second they meet. You can see they need each other, but it takes them time to get there, which I appreciated. Their relationship is really well-done, and it was lovely to read about.
As you've probably read, Giles made the deliberate decision not to write about the actual shooting in the book--it's just the background event that has shaped so much of our characters' lives. We don't even hear about who the shooter was. I really like this decision, because we get to see the horror that a mass shooting can leave behind, without going into the sensational details. Instead we see, close-up, the humanity behind it--the real people affected and how much their lives have changed. There are sad moments mixed in with sweet and funny in such a beautiful way. It's incredibly well-written and I thought it was a very smart way to frame a shooting: it's almost more profound this way, honestly.
The depth of emotion in this book--the sadness, the unhappiness--and even sometimes the hope--is staggering. Honestly, this book left me in tears, and I don't cry easily when I read. As I said, I fell in love with Jess and Lucas. They were real people to me, and it takes an excellent writer to bring your characters to such detailed life as Giles did in this novel. I waited to read this book--after absolutely loving Giles' novel NOW IS EVERYTHING (which also made me cry!)--until my library got in my copy, which I had them order. I'm proud to say my lovely library system now has three copies of this book now, but I'll also be purchasing my own copy, because it's that good.
Overall, I cannot recommend this book enough, for teens and adults alike. This novel made me cry, and it made me laugh. I loved its characters and their supporting cast. It offers such a powerful way to look at the aftermath of a mass shooting. It's profound and poignant, and the way it conveys the terror, sadness, and hope of its characters cannot be praised enough. 4.5+ stars.
(Also, this book is full of Young Frankenstein references, as if I could not love Giles or her characters more.)
Oh this book. This beautiful, sad, lovely book. It's such an immersive, amazing read. Giles gives such a great voice to her characters; even though the book has a sad topic at its core, it's also hopeful and touching, and you want to keep reading it. You know how some books seem to go out of their way to have unlikeable characters and you have to like the book in spite of them? This book is the opposite. I dare you to not fall in love with Jess and Lucas. And, oh my goodness, my heart just went out to these kids. Poor Jess. She has so much to deal with it, and so does Lucas, too. The guilt these kids feel at being alive--Giles does such an amazing job at portraying their feelings and emotions. They come across so realistically and starkly. It also portrays mental illness very well: real, without embarrassment and shame; I was impressed and heartened. What a great thing for teens to read.
I really enjoyed the fact that this novel featured a sweet romance, but not a typical one. Jess and Lucas clearly like each other, but don't immediately "meet cute" or fall for each other the second they meet. You can see they need each other, but it takes them time to get there, which I appreciated. Their relationship is really well-done, and it was lovely to read about.
As you've probably read, Giles made the deliberate decision not to write about the actual shooting in the book--it's just the background event that has shaped so much of our characters' lives. We don't even hear about who the shooter was. I really like this decision, because we get to see the horror that a mass shooting can leave behind, without going into the sensational details. Instead we see, close-up, the humanity behind it--the real people affected and how much their lives have changed. There are sad moments mixed in with sweet and funny in such a beautiful way. It's incredibly well-written and I thought it was a very smart way to frame a shooting: it's almost more profound this way, honestly.
The depth of emotion in this book--the sadness, the unhappiness--and even sometimes the hope--is staggering. Honestly, this book left me in tears, and I don't cry easily when I read. As I said, I fell in love with Jess and Lucas. They were real people to me, and it takes an excellent writer to bring your characters to such detailed life as Giles did in this novel. I waited to read this book--after absolutely loving Giles' novel NOW IS EVERYTHING (which also made me cry!)--until my library got in my copy, which I had them order. I'm proud to say my lovely library system now has three copies of this book now, but I'll also be purchasing my own copy, because it's that good.
Overall, I cannot recommend this book enough, for teens and adults alike. This novel made me cry, and it made me laugh. I loved its characters and their supporting cast. It offers such a powerful way to look at the aftermath of a mass shooting. It's profound and poignant, and the way it conveys the terror, sadness, and hope of its characters cannot be praised enough. 4.5+ stars.
(Also, this book is full of Young Frankenstein references, as if I could not love Giles or her characters more.)
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