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interesting (2 more)
intricately plotted
nuanced
Aaron Falk is an investigator for the federal police in Melbourne. There, he follows money trails left by criminals. And while he may live a rather solitary life, at least he's also left behind his childhood home of Kiewarra, where the locals literally ran him and his father out of town. But all that changes when Aaron finds out that his best friend in Kiewarra, Luke Hadler, is dead. So is Luke's wife, Karen, and their young son, Billy. Luke apparently killed Karen and Billy before turning the gun on himself: the only person he spared in his family was his baby daughter, Charlotte. Aaron grew up as a second son to Luke's parents, and they call on him now to look into Luke and Karen's finances. Were things really so bad that Luke would enact such violence? As Aaron and the local police sergeant, Raco, begin investigating, it's quickly apparent that the case isn't as cut and dried as it seems. But the people of Kiewarra have long memories, and they still blame Aaron for something that happened over 20 years ago. Is Aaron safe in his hometown? And can he clear Luke's name--if it even needs clearing?
I have been hearing about THE DRY since before its release and wasn't sure it would live up to the hype, but I was wrong. I really, really enjoyed this novel and read it over the span of about 24 hours. My only regret about the entire experience was that it was over so quickly. This was an incredibly well-written, interesting, and intricately plotted novel that just flowed effortlessly. The story at its core is a dark one, and the town of Kiewarra is a sad and depressing place: the townspeople find it easy to believe Luke killed his family because everyone is down on their luck. The town is plagued by a horrible drought (hence the title), which spells certain doom for a community that makes it living primarily on farming. Luke and Karen had bought their farm from Luke's parents, and many think he killed himself because the farm couldn't remain profitable. Harper does an excellent job at portraying the people of Kiewarra--the small town town becomes almost another character in the novel. She does an excellent job of depicting depressed small town living.
In fact, I loved all the nuanced characters in THE DRY. You know when an author just captures her characters' voices perfectly? That was this book for me. Falk just slides effortlessly off the page, and I was completely taken with Sergeant Raco, as well. But you can also easily visualize all the people in Kiewarra that Aaron encounters. While the story primarily takes place in the present-day, we get key flashbacks to the past, when Luke and Aaron were teens, and they hung out with two other kids, Gretchen and Ellie. The slow buildup to a big event surrounding this foursome also creates incredible suspense, as both stories (what happened with Luke and family and what happened when all four were kids) unravel in parallel. It's remarkably well-done.
I enjoyed how the story kept me guessing the entire time, which isn't easy to do. Even when I had a decent inkling what happened with Luke, there was still so much I hadn't figured out. I was completely captivated by the story and frantically turning the pages to find out what had happened--both in the present and the past. I could see the setting, the people, and the town so clearly. The novel truly hooked me from the very beginning and never let me go.
I'm very excited to see that this might be a series featuring Aaron, as I really loved his character and Harper's writing. I read a lot of thrillers, but this one packaged everything together perfectly, and I highly recommend it.
I have been hearing about THE DRY since before its release and wasn't sure it would live up to the hype, but I was wrong. I really, really enjoyed this novel and read it over the span of about 24 hours. My only regret about the entire experience was that it was over so quickly. This was an incredibly well-written, interesting, and intricately plotted novel that just flowed effortlessly. The story at its core is a dark one, and the town of Kiewarra is a sad and depressing place: the townspeople find it easy to believe Luke killed his family because everyone is down on their luck. The town is plagued by a horrible drought (hence the title), which spells certain doom for a community that makes it living primarily on farming. Luke and Karen had bought their farm from Luke's parents, and many think he killed himself because the farm couldn't remain profitable. Harper does an excellent job at portraying the people of Kiewarra--the small town town becomes almost another character in the novel. She does an excellent job of depicting depressed small town living.
In fact, I loved all the nuanced characters in THE DRY. You know when an author just captures her characters' voices perfectly? That was this book for me. Falk just slides effortlessly off the page, and I was completely taken with Sergeant Raco, as well. But you can also easily visualize all the people in Kiewarra that Aaron encounters. While the story primarily takes place in the present-day, we get key flashbacks to the past, when Luke and Aaron were teens, and they hung out with two other kids, Gretchen and Ellie. The slow buildup to a big event surrounding this foursome also creates incredible suspense, as both stories (what happened with Luke and family and what happened when all four were kids) unravel in parallel. It's remarkably well-done.
I enjoyed how the story kept me guessing the entire time, which isn't easy to do. Even when I had a decent inkling what happened with Luke, there was still so much I hadn't figured out. I was completely captivated by the story and frantically turning the pages to find out what had happened--both in the present and the past. I could see the setting, the people, and the town so clearly. The novel truly hooked me from the very beginning and never let me go.
I'm very excited to see that this might be a series featuring Aaron, as I really loved his character and Harper's writing. I read a lot of thrillers, but this one packaged everything together perfectly, and I highly recommend it.
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Aaron Falk is an investigator for the federal police in Melbourne. There, he follows money trails left by criminals. And while he may live a rather solitary life, at least he's also left behind his childhood home of Kiewarra, where the locals literally ran him and his father out of town. But all that changes when Aaron finds out that his best friend in Kiewarra, Luke Hadler, is dead. So is Luke's wife, Karen, and their young son, Billy. Luke apparently killed Karen and Billy before turning the gun on himself: the only person he spared in his family was his baby daughter, Charlotte. Aaron grew up as a second son to Luke's parents, and they call on him now to look into Luke and Karen's finances. Were things really so bad that Luke would enact such violence? As Aaron and the local police sergeant, Raco, begin investigating, it's quickly apparent that the case isn't as cut and dried as it seems. But the people of Kiewarra have long memories, and they still blame Aaron for something that happened over 20 years ago. Is Aaron safe in his hometown? And can he clear Luke's name--if it even needs clearing?
I have been hearing about THE DRY since before its release and wasn't sure it would live up to the hype, but I was wrong. I really, really enjoyed this novel and read it over the span of about 24 hours. My only regret about the entire experience was that it was over so quickly. This was an incredibly well-written, interesting, and intricately plotted novel that just flowed effortlessly. The story at its core is a dark one, and the town of Kiewarra is a sad and depressing place: the townspeople find it easy to believe Luke killed his family because everyone is down on their luck. The town is plagued by a horrible drought (hence the title), which spells certain doom for a community that makes it living primarily on farming. Luke and Karen had bought their farm from Luke's parents, and many think he killed himself because the farm couldn't remain profitable. Harper does an excellent job at portraying the people of Kiewarra--the small town town becomes almost another character in the novel. She does an excellent job of depicting depressed small town living.
In fact, I loved all the nuanced characters in THE DRY. You know when an author just captures her characters' voices perfectly? That was this book for me. Falk just slides effortlessly off the page, and I was completely taken with Sergeant Raco, as well. But you can also easily visualize all the people in Kiewarra that Aaron encounters. While the story primarily takes place in the present-day, we get key flashbacks to the past, when Luke and Aaron were teens, and they hung out with two other kids, Gretchen and Ellie. The slow buildup to a big event surrounding this foursome also creates incredible suspense, as both stories (what happened with Luke and family and what happened when all four were kids) unravel in parallel. It's remarkably well-done.
I enjoyed how the story kept me guessing the entire time, which isn't easy to do. Even when I had a decent inkling what happened with Luke, there was still so much I hadn't figured out. I was completely captivated by the story and frantically turning the pages to find out what had happened--both in the present and the past. I could see the setting, the people, and the town so clearly. The novel truly hooked me from the very beginning and never let me go.
I'm very excited to see that this might be a series featuring Aaron, as I really loved his character and Harper's writing. I read a lot of thrillers, but this one packaged everything together perfectly, and I highly recommend it. 4.5 stars.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I have been hearing about THE DRY since before its release and wasn't sure it would live up to the hype, but I was wrong. I really, really enjoyed this novel and read it over the span of about 24 hours. My only regret about the entire experience was that it was over so quickly. This was an incredibly well-written, interesting, and intricately plotted novel that just flowed effortlessly. The story at its core is a dark one, and the town of Kiewarra is a sad and depressing place: the townspeople find it easy to believe Luke killed his family because everyone is down on their luck. The town is plagued by a horrible drought (hence the title), which spells certain doom for a community that makes it living primarily on farming. Luke and Karen had bought their farm from Luke's parents, and many think he killed himself because the farm couldn't remain profitable. Harper does an excellent job at portraying the people of Kiewarra--the small town town becomes almost another character in the novel. She does an excellent job of depicting depressed small town living.
In fact, I loved all the nuanced characters in THE DRY. You know when an author just captures her characters' voices perfectly? That was this book for me. Falk just slides effortlessly off the page, and I was completely taken with Sergeant Raco, as well. But you can also easily visualize all the people in Kiewarra that Aaron encounters. While the story primarily takes place in the present-day, we get key flashbacks to the past, when Luke and Aaron were teens, and they hung out with two other kids, Gretchen and Ellie. The slow buildup to a big event surrounding this foursome also creates incredible suspense, as both stories (what happened with Luke and family and what happened when all four were kids) unravel in parallel. It's remarkably well-done.
I enjoyed how the story kept me guessing the entire time, which isn't easy to do. Even when I had a decent inkling what happened with Luke, there was still so much I hadn't figured out. I was completely captivated by the story and frantically turning the pages to find out what had happened--both in the present and the past. I could see the setting, the people, and the town so clearly. The novel truly hooked me from the very beginning and never let me go.
I'm very excited to see that this might be a series featuring Aaron, as I really loved his character and Harper's writing. I read a lot of thrillers, but this one packaged everything together perfectly, and I highly recommend it. 4.5 stars.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Bob Mann (459 KP) rated Lion (2016) in Movies
Sep 29, 2021
Lost in Train-station.
As January progresses, the quality Oscar films just keep on coming! India’s vibrant and teeming tapestry of life is a natural gift for film-makers, without a word needing to be spoken, and director Garth Davis – in an impressive feature film debut – utilizes that backdrop to the max.
In a true life story, five-year-old Saroo (Sunny Pawar, in an astonishingly adept child performance) is accidentally separated from his family in the Madhya Pradesh region of Western India and goes on a journey by train of hundreds of miles to Calcutta: a city full of people who don’t even speak his language.
Lost, alone and facing the perils of a street child in a dangerous city, Saroo is eventually adopted by a kindly Australian couple (played by Nicole Kidman (“Before I Go To Sleep“) and David Wenham (Faramir in “The Lord of the Rings”)).
Growing up in a comfortable, loving, but not – ultimately – idyllic home environment, Saroo (now Dev Patel, “The Best Exotic Marigold Hotel”) grows up and in his late teens goes to Melbourne University to study Hotel Management (Dev Patel? Hotel Management? What were the odds?!). While there, memories of the past resurface and an obsessive need to trace his Indian origins takes hold, disrupting both his career plans and his relationship with the love of his life Lucy (Rooney Mara, “Carol“). But with a remembered home-town name that doesn’t exist, only hazy memories of the train station he departed from, and thousands and thousands of train stations across India, how could he ever succeed?
India is enormously photogenic and cinematographer Greig Fraser (“Rogue One“, “Foxcatcher“) takes the maximum advantage of that with some memorable and dramatic landscapes: work that has been Oscar nominated. Also Oscar nominated and contributing strongly to the look and feel of the film is a well-judged and effectively used piano score by Volker Bertelmann and Dustin O’Halloran.
In the acting stakes, Dev Patel gives his best ever performance and his Oscar nomination – curiously for Best Supporting actor since, I presume, Sunny Pawar has the most screen time – is very well deserved. A moving performance, particularly at the tearful end of the movie, for which a box of tissues is recommended.
Nicole Kidman, not an actress I have ever hugely warmed to, is excellent here as the fragile adoptive mother, despite having to sport a crazy red curly wig. Another Oscar nomination.
Also worthy of note is young Abhishek Bharate as Saroo’s brother Guddu: the touching chemistry between the thieving young rascals at the start of the movie grounds the whole family relationship that’s sets up the emotional heart of the subsequent quest.
Luke Davies’ adapted screenplay is also Oscar nominated, although perhaps not as deserving to win as some of the other nominees. I would (naively perhaps) assume that adapting a screenplay from a true-life story must be an easier task, since the facts have to speak for themselves. But besides that, while the first half of the film, with the scenes in India, is exceptionally good, the Australian section became a more patchy with the motivations of Saroo’s actions and the impact they have on his adoptive family not feeling completely fleshed out.
While I’m sure being a street urchin in Calcutta in the mid-80’s was a horribly difficult and perilous existence, the screenplay paints the sense that that almost EVERY male in the city is either a pedophile or hopelessly corrupt: something that if I was a Calcutta resident I would likely take offence to.
However, this is a hugely involving and enjoyable movie, and a “Best Film” rounds off the impressive haul of six Oscar nominations. You might be cynical and view the subject matter as being comfortable Oscar-bait… but you can hardly argue about the absolute quality of the film-making on show here.
By the way, if you are curious as to where the title of the film comes from, you need to wait until the end titles: a masterly touch that I really liked!
The end titles also lay out the fact that the perils of street kids in India is still real and present, and the film is supporting charitable work to help. If you were moved by the film (as I was) you can make a donation at http://lionmovie.com (as I did)!
Highly recommended.
In a true life story, five-year-old Saroo (Sunny Pawar, in an astonishingly adept child performance) is accidentally separated from his family in the Madhya Pradesh region of Western India and goes on a journey by train of hundreds of miles to Calcutta: a city full of people who don’t even speak his language.
Lost, alone and facing the perils of a street child in a dangerous city, Saroo is eventually adopted by a kindly Australian couple (played by Nicole Kidman (“Before I Go To Sleep“) and David Wenham (Faramir in “The Lord of the Rings”)).
Growing up in a comfortable, loving, but not – ultimately – idyllic home environment, Saroo (now Dev Patel, “The Best Exotic Marigold Hotel”) grows up and in his late teens goes to Melbourne University to study Hotel Management (Dev Patel? Hotel Management? What were the odds?!). While there, memories of the past resurface and an obsessive need to trace his Indian origins takes hold, disrupting both his career plans and his relationship with the love of his life Lucy (Rooney Mara, “Carol“). But with a remembered home-town name that doesn’t exist, only hazy memories of the train station he departed from, and thousands and thousands of train stations across India, how could he ever succeed?
India is enormously photogenic and cinematographer Greig Fraser (“Rogue One“, “Foxcatcher“) takes the maximum advantage of that with some memorable and dramatic landscapes: work that has been Oscar nominated. Also Oscar nominated and contributing strongly to the look and feel of the film is a well-judged and effectively used piano score by Volker Bertelmann and Dustin O’Halloran.
In the acting stakes, Dev Patel gives his best ever performance and his Oscar nomination – curiously for Best Supporting actor since, I presume, Sunny Pawar has the most screen time – is very well deserved. A moving performance, particularly at the tearful end of the movie, for which a box of tissues is recommended.
Nicole Kidman, not an actress I have ever hugely warmed to, is excellent here as the fragile adoptive mother, despite having to sport a crazy red curly wig. Another Oscar nomination.
Also worthy of note is young Abhishek Bharate as Saroo’s brother Guddu: the touching chemistry between the thieving young rascals at the start of the movie grounds the whole family relationship that’s sets up the emotional heart of the subsequent quest.
Luke Davies’ adapted screenplay is also Oscar nominated, although perhaps not as deserving to win as some of the other nominees. I would (naively perhaps) assume that adapting a screenplay from a true-life story must be an easier task, since the facts have to speak for themselves. But besides that, while the first half of the film, with the scenes in India, is exceptionally good, the Australian section became a more patchy with the motivations of Saroo’s actions and the impact they have on his adoptive family not feeling completely fleshed out.
While I’m sure being a street urchin in Calcutta in the mid-80’s was a horribly difficult and perilous existence, the screenplay paints the sense that that almost EVERY male in the city is either a pedophile or hopelessly corrupt: something that if I was a Calcutta resident I would likely take offence to.
However, this is a hugely involving and enjoyable movie, and a “Best Film” rounds off the impressive haul of six Oscar nominations. You might be cynical and view the subject matter as being comfortable Oscar-bait… but you can hardly argue about the absolute quality of the film-making on show here.
By the way, if you are curious as to where the title of the film comes from, you need to wait until the end titles: a masterly touch that I really liked!
The end titles also lay out the fact that the perils of street kids in India is still real and present, and the film is supporting charitable work to help. If you were moved by the film (as I was) you can make a donation at http://lionmovie.com (as I did)!
Highly recommended.