Search
Search results
Best of Friends
9.0
Rate It
Book
A dazzling new novel of friendship, identity and the unknowability of other people - from the...
Literary fiction Pakistan London Historical fiction
ClareR (5906 KP) rated Soldier Sailor in Books
Jun 26, 2024
This WILL be on my books of the year list. It’s raw, moving, and reminded me of the slog of parenting babies and small children. And I was/ am one of the weirdos that enjoyed it. My mantra during that “4th trimester” with 2 premature babies (2 1/2 years apart) was “This will pass, I’ll look back on this as a memory”, though. It was tough. And my eldest son is disabled, so we had that (the disability!) to work with, too.
I think that’s what this book grasped so well - the sheer overwhelm of new parenting. It is like sleep-deprived drowning. I was very lucky to have an extremely useful/ thoughtful co-parent, unlike Soldier, who was left largely on her own to negotiate parenting a baby and later, a toddler. And I have very low housework expectations (still. Should I admit that?!).
The last 40 or so pages contains some of the best writing I’ve read in a while. I had to shut myself away to read it, while I sobbed and tried to carry on reading through my tears.
Utterly beautiful, and I urge you to read it.
I think that’s what this book grasped so well - the sheer overwhelm of new parenting. It is like sleep-deprived drowning. I was very lucky to have an extremely useful/ thoughtful co-parent, unlike Soldier, who was left largely on her own to negotiate parenting a baby and later, a toddler. And I have very low housework expectations (still. Should I admit that?!).
The last 40 or so pages contains some of the best writing I’ve read in a while. I had to shut myself away to read it, while I sobbed and tried to carry on reading through my tears.
Utterly beautiful, and I urge you to read it.
Lyndsey Gollogly (2893 KP) rated The House at the End of Lacelean Street in Books
Mar 26, 2024
58 of 220
Book siren arc
The House at the End of Lacelean Street
By Catherine McCarthy
⭐️⭐️⭐️
It's midnight and in the midst of an ice storm when Claudia Dance boards the bright yellow bus to Lacelean Street, a destination she has never heard of. She has no coat, no luggage, and no clue as to why she left home. In fact, she has no memory of her past whatsoever, and yet she feels compelled to make the trip. She will come to realize that salvation lies within the red-brick house at the end of Lacelean Street, a salvation granted by the strange power that dwells within. Sanity will be questioned, limits tested, and answers revealed… But at what price?
This was different and certainly interesting. 3 people get on a bus with only one destination Lacelean street to a strange house with no other people. During their stay they learn things about themselves and each other. I liked it but didn’t love it. It was a decent read and I would recommend anyone to give it a go.
I received an advance review copy for free, and I am leaving this review voluntarily.
Book siren arc
The House at the End of Lacelean Street
By Catherine McCarthy
⭐️⭐️⭐️
It's midnight and in the midst of an ice storm when Claudia Dance boards the bright yellow bus to Lacelean Street, a destination she has never heard of. She has no coat, no luggage, and no clue as to why she left home. In fact, she has no memory of her past whatsoever, and yet she feels compelled to make the trip. She will come to realize that salvation lies within the red-brick house at the end of Lacelean Street, a salvation granted by the strange power that dwells within. Sanity will be questioned, limits tested, and answers revealed… But at what price?
This was different and certainly interesting. 3 people get on a bus with only one destination Lacelean street to a strange house with no other people. During their stay they learn things about themselves and each other. I liked it but didn’t love it. It was a decent read and I would recommend anyone to give it a go.
I received an advance review copy for free, and I am leaving this review voluntarily.
BankofMarquis (1832 KP) rated Roma (2018) in Movies
Jan 16, 2019
A lush and beautiful memory
Alfonso Cuaron - the magnificent Director from Mexico who directed such big Hollywood hits as HARRY POTTER AND THE PRISONER OF AZKABAN (the best HP flick, IMHO) and GRAVITY (one of the best films of 2013, IMHO) has made a little "personal" film that was financed and released by Netflix. Netflix, in their wisdom, realized they might have an Oscar contender on it's hands, so has released ROMA in limited release to Theaters (mostly Art Houses) and...in some instances...you can catch a 70mm print of this film. Or...you can watch it on your TV via your Netflix subscription.
I would highly recommend checking this film out at your local movie theater house and, if you are lucky enough to have a theater that is showing the 70mm print, I would tell you to run...don't walk...to check this out.
For ROMA is a beautifully filmed Black and White film, in Spanish (with English subtitles) that tells a very personal story of a family in Mexico City in the early 1970's - as seen through the eyes of their house maid. This story is based (according to what I have read) on Cuaron's own childhood and he has lovingly, beautifully recreated this world and populated it with some interesting characters/experiences.
It is also languidly paced (read: slow) and - if I am honest about it - not much happens. So if you add languid pace with black and white photography with Spanish language (and English subtitles) with not much in the way of plot or action, your attention span will be stretched and, I'm afraid, if you're home, you will be tempted to be distracted by your phone, the dog, the dishes, a magazine, etc...
And that would be a shame, for I fell in love with this film, the beauty of the cinematography and the slow pace of it all and I think you will too if you give it a chance.
Cuaron, most certainly, will be nominated for an Oscar for his writing and directing of this piece - and I am sure that this film will be nominated for Best Picture (and deservedly so), but it is in two other places that I was entranced by ROMA. I have mentioned the first - the Cinematography. This film is a shoo-in for a Best Cinematography Oscar, the black and white is lush and rich throughout the film and adds to the memory-style idealized world that Cuaron has put on screen. So, the Best Cinematography Oscar should go to...Alfonso Cuaron.
The other area that I am surprised to say worked very well for me is the performances of the cast, all Mexican actors, unknown to U.S. audiences. Standing out most notably are Marina de Tavira as the matriarch of the family, Senora Sofia and, most surprisingly, Yalitza Aparicio as the focal point of this film, Cleo. Her part is mostly mute (or at least mute for me, for I don't speak Spanish) so the emotions I felt coming from her were brought forth through her facial features, looks and reactions, much more than what she says. I would be fine with either of these two getting an Oscar nomination.
Despite a slow start - and a slow pace throughout this film - and not much going on, I was entranced and enthralled by the world that Cuaron put on screen. A world that exists, mostly, in Cuaron's memory and that, now, exists for us to see in this wonderful film.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
I would highly recommend checking this film out at your local movie theater house and, if you are lucky enough to have a theater that is showing the 70mm print, I would tell you to run...don't walk...to check this out.
For ROMA is a beautifully filmed Black and White film, in Spanish (with English subtitles) that tells a very personal story of a family in Mexico City in the early 1970's - as seen through the eyes of their house maid. This story is based (according to what I have read) on Cuaron's own childhood and he has lovingly, beautifully recreated this world and populated it with some interesting characters/experiences.
It is also languidly paced (read: slow) and - if I am honest about it - not much happens. So if you add languid pace with black and white photography with Spanish language (and English subtitles) with not much in the way of plot or action, your attention span will be stretched and, I'm afraid, if you're home, you will be tempted to be distracted by your phone, the dog, the dishes, a magazine, etc...
And that would be a shame, for I fell in love with this film, the beauty of the cinematography and the slow pace of it all and I think you will too if you give it a chance.
Cuaron, most certainly, will be nominated for an Oscar for his writing and directing of this piece - and I am sure that this film will be nominated for Best Picture (and deservedly so), but it is in two other places that I was entranced by ROMA. I have mentioned the first - the Cinematography. This film is a shoo-in for a Best Cinematography Oscar, the black and white is lush and rich throughout the film and adds to the memory-style idealized world that Cuaron has put on screen. So, the Best Cinematography Oscar should go to...Alfonso Cuaron.
The other area that I am surprised to say worked very well for me is the performances of the cast, all Mexican actors, unknown to U.S. audiences. Standing out most notably are Marina de Tavira as the matriarch of the family, Senora Sofia and, most surprisingly, Yalitza Aparicio as the focal point of this film, Cleo. Her part is mostly mute (or at least mute for me, for I don't speak Spanish) so the emotions I felt coming from her were brought forth through her facial features, looks and reactions, much more than what she says. I would be fine with either of these two getting an Oscar nomination.
Despite a slow start - and a slow pace throughout this film - and not much going on, I was entranced and enthralled by the world that Cuaron put on screen. A world that exists, mostly, in Cuaron's memory and that, now, exists for us to see in this wonderful film.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Todo Telling Time
Education and Entertainment
App
*Best Design Winner at the 2013 Launch Education Conference* *Mashable - 6 Startups Pioneering...
Learning Games 4 Kids Toddlers
Games and Education
App
Funny Food consists of 17 various educational games for your children. Funny Food addresses various...
Peak - Brain Training
Education and Health & Fitness
App
It’s time to play smarter and feel sharper with Peak, the app that was chosen as Best App 2014 in...
Hungry Jack's® Shake & Win App
Food & Drink and Lifestyle
App
Everyone's a winner with the Hungry Jack's App. Check-in at any Hungry Jack's® store and shake...
If you’re happy & you know it - Full Version
Education and Games
App
~~~ Full Interactive Song + 9 Amazing Educational Games Inside ~~~ ~~~ Top HD graphics and superb...
Sarah (7800 KP) rated Cats (2019) in Movies
Jan 15, 2020
Stuff of nightmares
From the moment I saw the trailer, I knew I wasn't going to like this film. Having never seen the stage show, I went into this completely blind and to be honest, after 100 minutes of this nonsense I wish I was blind.
Usually I'll try to find something good to say about a film, but I'm really struggling with this. I feel like giving it a 2 is rather generous. Other than appreciating the amount of effort on the CGI and the song Memory, I really cannot identify any other good points whatsoever.
Now where do I start on the bad? The cats themselves are beyond disturbing. People dressed as cats in the stage show I can understand. Human features on cat bodies is just crazy and looks ridiculous. The fact that they alternate between 2 and 4 legged with human features, it beggars belief. I hoped I might get used to it, but i really didnt especially when they start hissing, preening and acting like real cats - it's terrifying and laughable all at once. The scaling of the cats against the scenery also looks a little misjudged, especially when they stand up.
The story and rest of the film doesn't fare much better. The songs (except for Memory) are surprisingly poor for an Andrew Lloyd Webber musical, and no others are particularly memorable. The plot itself is also very thin and has barely any substance, the fact that they've managed to drag this out to 100 minutes is impressive. I also couldn't stand the words "Jellicle" and "Heaviside" - they sound like something from a kids cartoon and they began to grate on me very quickly. And the cast: James Corden, Rebel Wilson and Ray Winstone - just no. They are all so cringingly bad I could barely watch. And even acting royalty like Ian McKellen and Judi Dench don't survive this car crash intact. The final song and scenes with the direct address to camera is possibly the most embarrassingly cringeworthy thing I've seen in a long time.
It may only be January, but I doubt anything else I see in 2020 will be worse than this. I would have happily walked out of this 15 minutes in and never thought twice. The fact that I've sat through the entire thing made me want to claw my eyes out. I cannot unsee this.
If you want to watch a film musical about cats, watch The Aristocats. Do not waste your time on this!
Usually I'll try to find something good to say about a film, but I'm really struggling with this. I feel like giving it a 2 is rather generous. Other than appreciating the amount of effort on the CGI and the song Memory, I really cannot identify any other good points whatsoever.
Now where do I start on the bad? The cats themselves are beyond disturbing. People dressed as cats in the stage show I can understand. Human features on cat bodies is just crazy and looks ridiculous. The fact that they alternate between 2 and 4 legged with human features, it beggars belief. I hoped I might get used to it, but i really didnt especially when they start hissing, preening and acting like real cats - it's terrifying and laughable all at once. The scaling of the cats against the scenery also looks a little misjudged, especially when they stand up.
The story and rest of the film doesn't fare much better. The songs (except for Memory) are surprisingly poor for an Andrew Lloyd Webber musical, and no others are particularly memorable. The plot itself is also very thin and has barely any substance, the fact that they've managed to drag this out to 100 minutes is impressive. I also couldn't stand the words "Jellicle" and "Heaviside" - they sound like something from a kids cartoon and they began to grate on me very quickly. And the cast: James Corden, Rebel Wilson and Ray Winstone - just no. They are all so cringingly bad I could barely watch. And even acting royalty like Ian McKellen and Judi Dench don't survive this car crash intact. The final song and scenes with the direct address to camera is possibly the most embarrassingly cringeworthy thing I've seen in a long time.
It may only be January, but I doubt anything else I see in 2020 will be worse than this. I would have happily walked out of this 15 minutes in and never thought twice. The fact that I've sat through the entire thing made me want to claw my eyes out. I cannot unsee this.
If you want to watch a film musical about cats, watch The Aristocats. Do not waste your time on this!
