"This is a record that has been with me so long because of the hippy environment that I grew up in. When I was 11 or 12, I remember the excitement of hearing this record for the first time. There are a couple of duds on there, and that threw me off a bit. But there are so many amazing songs that show the softer side of Jimi Hendrix - incredible songwriting and more mellow stuff, and these choruses that just explode in a really dramatic way. It also triggers a funny memory for me when I think about this record… My first girlfriend - in grade seven, when I was 12 or 13 - she was the daughter of one of the teachers at the school. She was really into Hendrix and was part of the reason why I got into him. But around the time I got hold of this record, she dropped acid in gym class. She was the first person I knew to drop acid. And then her mum came up to her when she was trying to open her locker - she was the teacher - and started talking to her. I know some people find 'Little Wing' a bit too saccharine, but all those Hendrix ballads make me so nostalgic for that time and all the people that I knew and where I grew up."

"Like The 400 Blows it’s incredibly personal, but as opposed to naturalism it’s much more expressionist; the whole mix of reality, memory, and real fantasy — the character’s fantasy versus the movie fantasy that’s unfolding through the real-time story. The character being a director making a movie, and how it all gets jumbled together and mixed together … to me it creates this amazing concept, that a person’s identity isn’t just one fixed thing. It’s actually — and this is very Fellini-esque — like a carousel of several things that are just always changing and swapping around. You don’t only have one identity, you have several of them, and they’re always changing and you’re always trying to satisfy all of them. Hence, we’re never happy and we never get it right, and it’s all very confusing. But you know, for Fellini, 8 ½ is incredibly optimistic in its own humanistic viewpoint on the beauty of that, as opposed to being smothered and depressed by the realization that this character will never be satisfied and is always disappointing other people. There’s an embrace of the life around him that I find really beautiful. I guess people can say it’s sentimental, but I think he earns it by the end of the movie because it explores so many truthful, and often dark, corners of the human soul."