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NAVIGON Southern Africa
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With NAVIGON you can turn your iPhone or iPad into a fully functional mobile navigation system....
Amidst This Fading Light
10.0
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Dominated by a few old, founding families, Germantown was mired in tradition and hearsay. All that...
End of the Trail
Tabletop Game
End of the Trail is a competitive card game for 1-4 prospectors and fortune seekers. Players manage...
BoardGames 2018Games WildWestGames
Blackveil: Green Rider #4
Book
Over a millennium ago, Mornhavon the Black, heir to the Arcosian Empire, crossed the great sea...
Merissa (12919 KP) rated Hers, Times Two (Hers #4) in Books
Jun 17, 2021 (Updated Jul 18, 2023)
HERS, TIMES TWO is the fourth book in this series, and although you could read it as a standalone, the question would be WHY? There are three brilliant books before this one that help set up the scene/worlds so why limit yourself to just one?
Anyway, moving back to this one - Liz/Eliza has lusted after Jackal and Zaster for a long time but, due to their complicated pasts, she doesn't feel like they want anything to do with her. Not only that, but she had a drug addiction she is fighting. Zaster and Jackal are closer than brothers but behave oppositely where Liz is concerned.
First of all - I LOVED that this was set with Jax and Alyssa on their ship, rather than on Selenia. Don't get me wrong, I love Selenia and I love seeing how it is changing, but this felt like a tip of the old hat to Jax and Alyssa. Plus, it's always good to see previous characters again.
There is a lot of miscommunication in this book, which makes for an excellent read as they fumble through and try to make things right. Poor Liz has a lot to deal with. Can I just say - where she has to do the injection? Gah!!! That made me do the heebie-jeebie dance every single time.
There is snark and sass, memory loss, action and adventure, plus steamy moments aplenty, for everyone to enjoy. This was a brilliant addition to the series and I enjoyed every word. I absolutely recommend this book, this series, and I can't wait to see if we return to Selenia to see if Young and Cocky find someone!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 17, 2021
Anyway, moving back to this one - Liz/Eliza has lusted after Jackal and Zaster for a long time but, due to their complicated pasts, she doesn't feel like they want anything to do with her. Not only that, but she had a drug addiction she is fighting. Zaster and Jackal are closer than brothers but behave oppositely where Liz is concerned.
First of all - I LOVED that this was set with Jax and Alyssa on their ship, rather than on Selenia. Don't get me wrong, I love Selenia and I love seeing how it is changing, but this felt like a tip of the old hat to Jax and Alyssa. Plus, it's always good to see previous characters again.
There is a lot of miscommunication in this book, which makes for an excellent read as they fumble through and try to make things right. Poor Liz has a lot to deal with. Can I just say - where she has to do the injection? Gah!!! That made me do the heebie-jeebie dance every single time.
There is snark and sass, memory loss, action and adventure, plus steamy moments aplenty, for everyone to enjoy. This was a brilliant addition to the series and I enjoyed every word. I absolutely recommend this book, this series, and I can't wait to see if we return to Selenia to see if Young and Cocky find someone!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 17, 2021
ClareR (5879 KP) rated All the Broken Places in Books
Nov 4, 2023
Gretel Fernsby has a terrible secret that she’d rather others didn’t know. If you’ve read The Boy in the Striped Pyjamas, you’ll recognise the name: Gretel is the daughter of the camp Commandant of Auschwitz.
In short chapters, flashing between the past and the present, we learn about 91 year old Gretel’s past, and what happened when she and her mother escaped Germany.
Gretel is very well off, living in an expensive block of very large flats in central London. She doesn’t really have any friends, and seems to keep her true self from everyone including her son.
She is confronted with the memory of her younger brother, Bruno, when a boy of his age moves in to the downstairs flat. She realises that his father is violent, and his mother is abused. Gretel can’t let this kind of violence happen again.
The characters in this were superb. Whilst the first book had its problems with historical accuracy, I feel that this book centred more around trauma, guilt and shame. Gretel carries all of these things around with her forever. She feels culpable for what happened in the camp - even though she was both a child and female. In retrospect, she is able to see what was wrong with the nazi regime, but at the time would have been brainwashed. She wouldn’t have known a time where Jews and other “undesirable” minorities would have been treated any differently. The wonder is that she went on to learn that this was wrong. The trauma that she carries with her from the death of her brother, learning about what her father was guilty of, and occurrences in Paris, is lifelong.
From Gretel’s life experiences to those of her downstairs neighbour, everything is handled with compassion and tact. Again, it’s not perfect, but then neither are humans. And that is what this book shows above all: that we can learn from our mistakes if we are willing to do so.
In short chapters, flashing between the past and the present, we learn about 91 year old Gretel’s past, and what happened when she and her mother escaped Germany.
Gretel is very well off, living in an expensive block of very large flats in central London. She doesn’t really have any friends, and seems to keep her true self from everyone including her son.
She is confronted with the memory of her younger brother, Bruno, when a boy of his age moves in to the downstairs flat. She realises that his father is violent, and his mother is abused. Gretel can’t let this kind of violence happen again.
The characters in this were superb. Whilst the first book had its problems with historical accuracy, I feel that this book centred more around trauma, guilt and shame. Gretel carries all of these things around with her forever. She feels culpable for what happened in the camp - even though she was both a child and female. In retrospect, she is able to see what was wrong with the nazi regime, but at the time would have been brainwashed. She wouldn’t have known a time where Jews and other “undesirable” minorities would have been treated any differently. The wonder is that she went on to learn that this was wrong. The trauma that she carries with her from the death of her brother, learning about what her father was guilty of, and occurrences in Paris, is lifelong.
From Gretel’s life experiences to those of her downstairs neighbour, everything is handled with compassion and tact. Again, it’s not perfect, but then neither are humans. And that is what this book shows above all: that we can learn from our mistakes if we are willing to do so.
Amanda (96 KP) rated What To Say Next in Books
May 29, 2019
“It turns out cliches are cliches for a reason – they are true.”
This is the first novel I read by Julie Buxbaum and oddly enough, this isn’t the book that is sitting on my TBR list. I have another book of hers that I haven’t even cracked open yet, and I find this one instead. I think my favorite trope is the abundantly smart, socially awkward person (like Sheldon Cooper) meets someone who essentially completes them. Corny, I know, but you know what? I don’t care.
The story is of David, whom is incredibly smart but lacks some social skills and doesn’t always pick up on his surroundings. He likes his headphones and recites Pi in stressful situations (I loved him from the first chapter). Then there is Kit “Katherine”. She just lost her father in a car accident and she sits with David in the cafeteria one day because she just doesn’t want to be the one who is asked how they are feeling. I can understand that. I can appreciate the sympathy for a loved one pass, but sometimes not talking or just silence is the best for me.
David has an older sister, whom he calls Miney, and she’s sort of his guide to knowing when to react and knowing when not to do or say something. Their sibling bond is so cute. Kit has her two friends and only her mother (still in mourning of course) and along the way, Kit finds out some rather disturbing things that have been kept from her, including the accident that killed her dad.
David thinks and does things differently, which obviously, makes him an outcast at school. I loved that Buxbaum didn’t make David to be this stereotypical socially awkward guy who doesn’t know how to defend himself physically (I loved Big Bang Theory, but they could have learned to fight, just saying). So, not only is David wicked smart, but he’s also trained in techniques like Karate and Krav Maga.
“Homo is a pejorative term for a gay person, and even if my classmates are mistaken about my sexual orientation, they should know better than to use that word.”
Who ever decided that calling someone Homo was a great insult to your sexuality was highly idiotic. Homo simply means same, so how the hell is that even an insult? Who decides to redefine a word to make it negative?
One more rant…
I HATE when I see the song You Are My Sunshine used as a happy song. IT’S NOT A HAPPY SONG. Don’t let the title fool you. Read the lyrics and see that it is not happy at all. As annoyed as I was to see this song referenced in this book, the context of how it was used was a bit better than the norm. It was used to recall a memory, a particularly sad memory. I’ll definitely give props to the author for that. Thank you.
Rant over.
I wanted to read more books centering on characters with mental health/illness and I saw this book on the list. Even though David makes some bad choices, I still loved him. I loved him from the very first page of his POV. Kit was a great character and although I do question some of the things she does, like her fight with her mother going on for a long time, I loved the bond that her David eventually formed.
“All I can think is Kit kissed me, over and over until I stop thinking all together.”
It’s always so nice in that one moment where you’re not thinking at all, you’re just there in the moment.
Some things happened with the two, however, and of course it was bound to happen, but I also really liked and felt satisfied with how the story ended. I could love these two characters for a long time.
“Good-weird is what I’ve been telling myself I am for years, when just being plain weird was too much of a burden to carry.”
This is the first novel I read by Julie Buxbaum and oddly enough, this isn’t the book that is sitting on my TBR list. I have another book of hers that I haven’t even cracked open yet, and I find this one instead. I think my favorite trope is the abundantly smart, socially awkward person (like Sheldon Cooper) meets someone who essentially completes them. Corny, I know, but you know what? I don’t care.
The story is of David, whom is incredibly smart but lacks some social skills and doesn’t always pick up on his surroundings. He likes his headphones and recites Pi in stressful situations (I loved him from the first chapter). Then there is Kit “Katherine”. She just lost her father in a car accident and she sits with David in the cafeteria one day because she just doesn’t want to be the one who is asked how they are feeling. I can understand that. I can appreciate the sympathy for a loved one pass, but sometimes not talking or just silence is the best for me.
David has an older sister, whom he calls Miney, and she’s sort of his guide to knowing when to react and knowing when not to do or say something. Their sibling bond is so cute. Kit has her two friends and only her mother (still in mourning of course) and along the way, Kit finds out some rather disturbing things that have been kept from her, including the accident that killed her dad.
David thinks and does things differently, which obviously, makes him an outcast at school. I loved that Buxbaum didn’t make David to be this stereotypical socially awkward guy who doesn’t know how to defend himself physically (I loved Big Bang Theory, but they could have learned to fight, just saying). So, not only is David wicked smart, but he’s also trained in techniques like Karate and Krav Maga.
“Homo is a pejorative term for a gay person, and even if my classmates are mistaken about my sexual orientation, they should know better than to use that word.”
Who ever decided that calling someone Homo was a great insult to your sexuality was highly idiotic. Homo simply means same, so how the hell is that even an insult? Who decides to redefine a word to make it negative?
One more rant…
I HATE when I see the song You Are My Sunshine used as a happy song. IT’S NOT A HAPPY SONG. Don’t let the title fool you. Read the lyrics and see that it is not happy at all. As annoyed as I was to see this song referenced in this book, the context of how it was used was a bit better than the norm. It was used to recall a memory, a particularly sad memory. I’ll definitely give props to the author for that. Thank you.
Rant over.
I wanted to read more books centering on characters with mental health/illness and I saw this book on the list. Even though David makes some bad choices, I still loved him. I loved him from the very first page of his POV. Kit was a great character and although I do question some of the things she does, like her fight with her mother going on for a long time, I loved the bond that her David eventually formed.
“All I can think is Kit kissed me, over and over until I stop thinking all together.”
It’s always so nice in that one moment where you’re not thinking at all, you’re just there in the moment.
Some things happened with the two, however, and of course it was bound to happen, but I also really liked and felt satisfied with how the story ended. I could love these two characters for a long time.
“Good-weird is what I’ve been telling myself I am for years, when just being plain weird was too much of a burden to carry.”
Lee (2222 KP) rated Relic (2020) in Movies
Sep 2, 2020
I only became aware of Relic back in June. After looking into it a little more, I started to come across the traditional ‘scariest movie of the year’ headlines, which seem to accompany the release of pretty much every movie of this kind before release. I also saw comparisons being made to both Hereditary and The Babadook, and anyone who has ever heard any of my rantings on the subject before will know exactly which opposite ends of the movie rating scale I consider those movies to be on! Thankfully, this feature debut from writer/director Natalie Erika James lands nicely on the same end of the scale as The Babadook.
When Kay (Emily Mortimer) receives word that her elderly mother, Edna (Robyn Nevin) has gone missing, she and daughter Sam (Bella Heathcote) drive out to her rural home to investigate. We’d already been introduced to Edna briefly in the opening scene, where she stood naked with her back to us, in a sequence which had already managed to introduce an overwhelming sense of dread and unease. Something that Relic continues to build upon for much of its 89 minute runtime.
Kay and Sam spend some time in the house, liaising with the police and looking for clues to Edna’s whereabouts while they rummage through her large house. Post-it note reminders are dotted around the house, indicating that Edna is now struggling with dementia. From the simple, helpful kind of reminder, such as “take pills” and “turn off the tap”, to the slightly more sinister “don’t follow it”. There are lots of strange, unexplained noises in the house too, with a black mould growing on some of the walls. All the while, a pulsing, pounding score in the background continues to effectively layer up on that dread and unease I mentioned before. While browsing through some paperwork, Kay finds an old sketch of a cabin in the woods and casually mentions to Sam that it was where her great grandfather died alone, of dementia. Apparently the windows, and other elements of the cabin, were used in the building of the house that they are now in, and despite the fact that Kay is currently suffering from dark and disturbing nightmares involving the cabin and her great grandfather, none of this seems to trigger any alarm bells whatsoever!
When Edna suddenly returns home one morning, with no memory of where she’s been, she has dirt under her fingernails and a large and nasty bruise on her chest, which over time begins to look suspiciously like that black mould that’s forming on the walls. While Sam wants to stay and be near to her grandmother, Kay is more focused in checking out care homes to ship her off to. Edna swings between being perfectly normal, with a sharp memory, to periods of forgetfulness and rage. Some time taken to follow the family interactions over the next few days really helps to deepen the characters’ relationships in our minds, highlighting existing tensions between them. And restricting pretty much all of the movie to the confines of the mysterious house only serves to ramp up the unease, in preparation for the final act.
The description of Relic on IMDb states “a manifestation of dementia consumes the family home”, and you can probably gather as much anyway, just by watching the trailer. Instead of the traditional haunted-house movie that you might expect from the earlier part of the movie, we’re treated to an allegory for the horrors of dementia. The house becomes the star of the movie, seemingly altering itself to induce claustrophobia, confusion and panic in Sam and Kay as they become trapped in its shifting corridors, lowered ceilings and newly sealed doors.
Relic can at times feel a little too metaphor driven, and while I understood the beauty and the meaning behind it’s closing moments, I felt it threw up a lot more questions than it answered. Depending on how much that bothers you may affect your overall enjoyment, but I still found it to be an impressively original movie, which successfully managed to creep me out!
When Kay (Emily Mortimer) receives word that her elderly mother, Edna (Robyn Nevin) has gone missing, she and daughter Sam (Bella Heathcote) drive out to her rural home to investigate. We’d already been introduced to Edna briefly in the opening scene, where she stood naked with her back to us, in a sequence which had already managed to introduce an overwhelming sense of dread and unease. Something that Relic continues to build upon for much of its 89 minute runtime.
Kay and Sam spend some time in the house, liaising with the police and looking for clues to Edna’s whereabouts while they rummage through her large house. Post-it note reminders are dotted around the house, indicating that Edna is now struggling with dementia. From the simple, helpful kind of reminder, such as “take pills” and “turn off the tap”, to the slightly more sinister “don’t follow it”. There are lots of strange, unexplained noises in the house too, with a black mould growing on some of the walls. All the while, a pulsing, pounding score in the background continues to effectively layer up on that dread and unease I mentioned before. While browsing through some paperwork, Kay finds an old sketch of a cabin in the woods and casually mentions to Sam that it was where her great grandfather died alone, of dementia. Apparently the windows, and other elements of the cabin, were used in the building of the house that they are now in, and despite the fact that Kay is currently suffering from dark and disturbing nightmares involving the cabin and her great grandfather, none of this seems to trigger any alarm bells whatsoever!
When Edna suddenly returns home one morning, with no memory of where she’s been, she has dirt under her fingernails and a large and nasty bruise on her chest, which over time begins to look suspiciously like that black mould that’s forming on the walls. While Sam wants to stay and be near to her grandmother, Kay is more focused in checking out care homes to ship her off to. Edna swings between being perfectly normal, with a sharp memory, to periods of forgetfulness and rage. Some time taken to follow the family interactions over the next few days really helps to deepen the characters’ relationships in our minds, highlighting existing tensions between them. And restricting pretty much all of the movie to the confines of the mysterious house only serves to ramp up the unease, in preparation for the final act.
The description of Relic on IMDb states “a manifestation of dementia consumes the family home”, and you can probably gather as much anyway, just by watching the trailer. Instead of the traditional haunted-house movie that you might expect from the earlier part of the movie, we’re treated to an allegory for the horrors of dementia. The house becomes the star of the movie, seemingly altering itself to induce claustrophobia, confusion and panic in Sam and Kay as they become trapped in its shifting corridors, lowered ceilings and newly sealed doors.
Relic can at times feel a little too metaphor driven, and while I understood the beauty and the meaning behind it’s closing moments, I felt it threw up a lot more questions than it answered. Depending on how much that bothers you may affect your overall enjoyment, but I still found it to be an impressively original movie, which successfully managed to creep me out!